Center

by Sharon L. Reddy

Communicator groups are needed. The leader is known when he or she uses the power of the group to make someone hear them. That one becomes their center. The past is taken from those judged criminal without hope of rehabilitation and they are placed with groups who haven't yet taken a center. They are sentenced to be loved.


It was a new place and Tass was a bit nervous and looking around, before he talked to anyone. The big man said exactly the wrong thing.


Sharon Reddy:
"This hero is a boy who never got to be one. A raving idealist, who had to make himself worthy of Pritt's helpless adoration. He's sure Tass says it just the right way in brief monologues. Communicators are adults. It's inescapable when they take a center. The job was waiting for the one who took Pritt. Could anyone else?"


About books by Sharon L Reddy, reviewers said:


recluse:
"The author is a fine wordsmith who possesses a marvelous imagination."


Raven's Reviews:
"…unique, fast-paced style …allows one to read almost as fast as one can think."
"…romantic brain-candy… If you like almost any kind of men at all, you'll like hers…"


Mistress of the Dark Path:
"…you will also notice your mind is stimulated."
"…designed for a more educated and worldly crowd."


R. Cagle:
"I got hooked immediately."


Marji Holt:
"The characters came out of the books and into my dreams."


Twenty-four titles. Start your collection today.

ebook

First published May 11, 2011

About the author

I am a talespinner. I shall spin you a tale of heroes of the wide velvet night.
(c)1993 A Talespinner's Web http://www.targetyonder.com

I write science fiction adventure, for women; romance in the literary definition. Swashbuckle, Baby, in "white tie and tails." High romantic fantasies, million word mysteries, family sagas, statesmen, gurus and wise immortals. Loving dads, sons and brothers, and of course, the women who understand and appreciate them. High fashion and landscape design. Materials and art, I use the reader's imagination to create them. The books are built to be read very fast, specifically for the way women visualize. Research on the soap operas of the fifties, trends in international populist (fan) fiction, technological development, and above all, long-term entertainment value. It has to be good in reruns. The intent is create a body of work that's just fun to read, in spurts or bursts over decades. Ethics, responsibility, nobless oblige, the power of money, the use of prestige. I write good guys win. Period. They're fantasies for women. Men with lots of muscle say, "I love you," a lot.

Most of what is currently published was written in the first decade, 1991-1999, before Mother Nature changed my personal definition of "mature audience." I hope you'll remain with me as I and my work mature and enjoy the second decade of my work now being published, as well.

I've lived many places and visited far more. My current residence is on a high mesa in New Mexico, in the United States, where I am engaged in a habitat restoration project.

Explanation of the Pilots Group:
Some of these works have been sitting on my hard drive close to twenty years and they're no fun for anyone just sitting there. They're exactly what they've been titled, pilots, like for a TV series. It is my intent and hope that other writers will choose to continue the adventures of the characters. There are only three restrictions. Don't kill off my heroes, don't make good guys bad guys and give my story credit if you publish. Yes, you may publish and make money on your stories. I loved reading and writing fan fiction, but the limitations on it could be frustrating, so... Have fun with these works that specifically don't have them.