Richard Ayoade edits and introduces this defining work of the great midcentury visionary of stage and screen -- rediscovered and republished by Faber & Faber.
Comprising Hughes's monumental works for the stage, poetry, lyrics, interviews, acceptance speeches, written warnings and wordless sketches, this essential volume includes extensive critical reflections by leading critics Augustus Pink, Chloë Clifton-Wright, Richard Ayoade, Leslie Francis (director of . . . And?!), and Hughes's final wife, Lady Virginia Lovilocke.
Plays, Prose, Pieces, Poetry collects together, for the first time, the dramas that made Hughes's name adjectival, in all new fonts, and exhaustively punctuated according to the instructions left in his last will and testament.
After having thoroughly enjoyed Richard Ayoade’s ‘The Unfinished Harauld Hughes’, I was still in doubt wether to also read his accompanying three books with all the works by this fictional author. I decided to try this one, and for anyone ending up in the same situation: yes, if you enjoyed ‘The Unfinished Harauld Hughes’, reading this makes that book better. Some of these pseudo-Beckett-like plays are actually quite brilliant.
And yes, it gets a bit much, but that - and the insane amount of work that Ayoade put into creating this world - is also kind of the point.
Maybe the best thing would have been if ‘The Unfinished’ would have been a longer book, incorporating some of the “original” works. But oh well.