A highlight of this text is the introduction by Lizzy Tiffin as she puts forward the statement that classical history shouldn’t feel like a closed club, but something accessible to all. Tiffin highlights how by making these stories more accessible and seeing them through a modern lens, it will help understand the origins.
Tiffin gives a brief run down of the very expansive historical context to these myths, stating that for multiple icons various different accounts can exist, often contradicting each other. That’s not even to mention all the different translations over the years, and how this has often changed the meaning — or opinions of certain characters — of texts! With all this briefly explained, Tiffin explains to her readers how her collection uses and falls within the canon — ‘this book tries to follow the narratives that best complement the stories beside one another. Or, honestly, whichever story is most interesting’.
I would like to applaud Tiffin on successfully completing her goal of making these stories accessible. Tiffin was able to sum up these very large tales within short tidbits, that were easy and interesting to read. The basic rundown on who these people were was consistently present, as well as Tiffin often suggesting the alternate tales that exist.
Another strength of Tiffin’s writing is that she did a great job at demonstrating how to critically read and analyse texts. She would present the information and then offer an alternative reading or “poke holes” in to the story, reading it for, for example, misogynistic trope it was. Tiffin also continuously pointed out the repeated tropes and how this played in to the poor depiction of women and offered an alternate reading to these women characters I.e., is she a monster or a victim? Are her monstrous acts really so monstrous in face of the treatment she received?
However, despite all these positives I did sometimes find this lacking. Often the stories could feel confusing, and I feel as if a lot of the clarity to the tales was lost by Tiffin trying to keep it short, or by saying “you’ll hear more about this later”.
This book also tried to be witty and humours and while this was fine the first few times, if albeit a little cringeworthy, as the book went on this became tiresome and full blown cringeworthy and I did not enjoy it and it did take away from the quality of the storytelling. Maybe it would appeal to younger readers to lighten the mood, I’m not sure, however I do know that I did not enjoy it.
I also appreciated the pronunciations of the title characters given at the start of each chapter, and I liked how this was exclusive to women. However a lot of the “side character” women didn’t have their names pronounced (sometimes either later on) and I felt that was a shame. The pronunciations of their names could’ve easily been in a smaller font, however to me that sort of defeats the purpose of this book?
This is definitely a book that has to be enjoyed in small doses. Trying to read all of it in a sitting is like one of the 12 labours itself. The who’s who and the who’s that all start to blend together and the book gets a little boring. Despite these being tales that have entertained for many, many years Tiffin can only rely on them to entertain for a short while — her writing is not captivating enough to keep full attention for long periods of time.
I do think this was mostly well written and fairly successful in what it set out to do, but on the whole, for me personally, this was just okay. I’d recommend it but it would not be my go to. I think this would be excellent for younger readers (although, if you know anything about mythology, you can imagine the extensive list of content warnings) and for anyone who is looking to get a brief — but somewhat analytical/critical — overview of these women in Greek Mythology.
Thank you to HarperNorth for this e-arc in exchange for an honest review