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For two hundred years, the Terror has haunted the imagination of the West. The descent of the French Revolution from rapturous liberation into an orgy of apparently pointless bloodletting has been the focus of countless reflections on the often malignant nature of humanity and the folly of revolution.
David Andress, a leading historian of the French Revolution, presents a radically different account of the Terror. In a remarkably vivid and page-turning work of history, he transports the reader from the pitched battles on the streets of Paris to the royal family's escape through secret passageways in the Tuileries palace, and across the landscape of the tragic last years of the Revolution. The violence, he shows, was a result of dogmatic and fundamentalist thinking: dreadful decisions were made by groups of people who believed they were still fighting for freedom but whose survival was threatened by famine, external war, and counter-revolutionaries within the fledging new state. Urgent questions emerge from Andress's trenchant reassessment: When is it right to arbitrarily detain those suspected of subversion? When does an earnest patriotism become the rationale for slaughter?
Combining startling narrative power and bold insight, The Terror is written with verve and exceptional pace. It is a dramatic new interpretation of the French Revolution that draws troubling parallels with today's political and religious dundamentalism.
"A vivid and powerful narrative of the years 1789-95... The narrative is dense yet fast-moving, from the storming of the Bastille to the execution of King Louis XVI to the paranoid politics of the National Convention." --DAVID GILMOUR, THE New York Times Book Review
"In such alarming times, it is important to understand what exactly terror is, how it works politically, and what, if anything, can be done to combat it. The historian David Andress has made a serious contribution to this central subject of our times with an accessible account of the way terror overtook the French Revolution at the end of the eighteenth century." --RUTH SCURR, The Times (London)
DAVID ANDRESS, a leading historian of the French Revolution, is Reader in Modern European History at the University of Portsmouth and a Fellow of the Royal Historical Society.
441 pages, Paperback
First published January 1, 2005
On the scaffold…coatless and with his hair cropped, Louis attempted a speech. He declared himself once more innocent, but pardoned “those who have brought about my death,” and seemed about to say more about the shedding of his blood…when Santerre ordered the drums to start up, and his words were drowned out. The executioners moved Louis swiftly into the machinery of death: he was strapped to a tilting plank, which dropped his head into a brace, and the blade of the guillotine plunged from above. Death in this manner was undoubtedly quick, and more painless than other forms of execution, though debate continued in medical circles about whether the head retained consciousness for a few seconds as it dropped into the basket. One or two accounts of Louis’ death suggest the blade did not sever his whole neck in one go, and had to be borne down on by the executioner to get a clean cut. With his spine severed already, it is nevertheless unlikely that Louis could have uttered the “terrible cry” that one account claims.
On both sides of the gulf between revolutionaries and counter-revolutionaries, the persistent assumption was that one’s enemies, be they “men of faction,” aristocrates, or “fanatics,” were consciously and manipulatively seeking to do evil. Some harked back to the common assumptions about the politics of royal courts: that public service was an avenue for private gain through patronage and favor; that opposition to royal policy was treacherous; that the wickedness of ministers was the appropriate element to emphasize when mounting opposition; and that, ultimately, nothing happened in politics without some factional, manipulative agenda at work.