What do you think?
Rate this book
Worlds within Worlds
Worlds within Worlds, translated from the Hindi original Udhar ke Log, is a novel true to life. Quiet and thoughtful, it is the first-person story of a young man in Delhi and his family. He is a lecturer at a university and has liberal views. His wife is a doctor and his friends are in civil services and private jobs. This would seem to be a familiar middle-class saga— except that they are all Dalit. At the heart of the story, lies the clash between caste and can you be middle-class and Dalit? Thus opening discussions about the meaning of ‘caste’ and ‘untouchability’. Is education an emancipatory force? The main characters are in conflict as they go through experiences of discrimination because of their names and backgrounds, and of liberation because of their education and qualifications. The story is also about a young man’s sexual and romantic experiences, family relationships and social consciousness, where caste does not play a defining role. The novel is certain to make readers explore concepts of caste, class and religion, familial and societal dynamics, as well as friendship, love and loyalty to a person or a cause.
243 pages, Kindle Edition
First published January 1, 2013
1 person is currently reading
24 people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 17 of 17 reviews
August 10, 2024
"Worlds Within Worlds" by Ajay Navaria is a powerful and incisive novel that delves into the complexities of caste and class in modern India. It follows Masterji, a Dalit lecturer, as he navigates a world of both discrimination and empowerment. Through a straightforward narrative, the author sheds light on the intersection of education and systemic oppression, offering a raw glimpse into the lives of marginalized communities. The novel is a challenging but crucial read that demands reflection on social dynamics and the enduring impact of caste in contemporary society.
July 15, 2024
Worlds Within Worlds was originally published in Hindi as Udhar Ke Log and Ajay Navaria has translated it into English. This novel reaches to the very roots of caste, identity, and the social scheme of things in India today. It tells of Masterji, a Dalit lecturer in a Delhi university, as he continues on in his travails with being middle-class and Dalit.
.
The story reveals how strongly-entrenched caste discrimination Masterji has to face despite his academic position. His relationships, marked by the loss of a first wife, a troubled second marriage, and a twisted romance with a prostitute, Aisha, epitomize the intersection of caste, class, and gender.
.
Navaria brings both the internal and external wars that Dalits face in their upward mobility into the mainstream for middle-class respectability. Herein one locates the tension between caste and class in Masterji's dilemma of striking a balance between his liberal values and customary tradition. It locates issues of loyalty, oppression, identity within India's broader politico-social milieu.
The historical relevance within the novel comes with references to events like the Babri Masjid riots. All scenes with Masterji and his wife Vandana during the riots root the telling in real-world happenings, making it more relatable to people who know about this era.
.
Masterji is an unlikable protagonist at many times, being undesirable in his behavior and furiously blaming women for his troubles, yet he is so believable. The way he engages with Aisha is extremely intricate and brings out frighteningly embedded biases of casteism.
.
Navaria's translation retains the soulful intensity of the Hindi original, though tending to be a bit abrupt. But in so doing, it ensures that nothing from the intrinsic power and the emotional undertones gets lost from this novel. This book confronts a few uncomfortable truths regarding discrimination and social hierarchies. The vivid storytelling and rich characterizations make the work very significant in contemporary Indian literature
.
The story reveals how strongly-entrenched caste discrimination Masterji has to face despite his academic position. His relationships, marked by the loss of a first wife, a troubled second marriage, and a twisted romance with a prostitute, Aisha, epitomize the intersection of caste, class, and gender.
.
Navaria brings both the internal and external wars that Dalits face in their upward mobility into the mainstream for middle-class respectability. Herein one locates the tension between caste and class in Masterji's dilemma of striking a balance between his liberal values and customary tradition. It locates issues of loyalty, oppression, identity within India's broader politico-social milieu.
The historical relevance within the novel comes with references to events like the Babri Masjid riots. All scenes with Masterji and his wife Vandana during the riots root the telling in real-world happenings, making it more relatable to people who know about this era.
.
Masterji is an unlikable protagonist at many times, being undesirable in his behavior and furiously blaming women for his troubles, yet he is so believable. The way he engages with Aisha is extremely intricate and brings out frighteningly embedded biases of casteism.
.
Navaria's translation retains the soulful intensity of the Hindi original, though tending to be a bit abrupt. But in so doing, it ensures that nothing from the intrinsic power and the emotional undertones gets lost from this novel. This book confronts a few uncomfortable truths regarding discrimination and social hierarchies. The vivid storytelling and rich characterizations make the work very significant in contemporary Indian literature
June 21, 2024
Can there ever be a united, singular consciousness for human beings? Probably not. Because it is not a singular world we are dealing with, but “worlds within worlds”, with its multiple, multiplying, and irrevocable divisions. Worlds Within Worlds, the English translation of Ajay Navaria’s Hindi novel Udhar ke Log, translated by Nita Kumar, throws light upon this reality, specifically from the standpoint of caste in India. The novel is the first-person narration of the life and thoughts of a young college lecturer, referred to as Masterji, residing in Delhi.
Masterji is on a quest to bring back his estranged second-wife Sangita who leaves him after learning about the suicide of his first-wife Vandana. Meanwhile, he befriends a beautiful sex worker named Ayesha with whom he shares a unique relationship. The main plot mainly follows Masterji’s journey with these women, and the interactions with his friends become platforms for discussing several political concerns.
Masterji and all of his friends are in reputed professions and earn well. However, caste becomes a constant source of dispute, hidden hatred, and bitterness among these friends. Navaria offers a broad social commentary on caste hierarchy and how umbrella terms like “Scheduled Castes” or “Hindus” often become unsatisfactory because each caste community is an independent entity with its own place in the hierarchy of castes and its own prejudices, cultural uniqueness, and problems. By bringing forth the reality of castes and sub-castes and the animosity between them, the novel questions the idea of a single Dalit consciousness. It also throws light upon how caste is a decisive factor in determining a person’s identity in India even today.
The discussions on caste disputes and the history of caste do not find a satisfactory solution in these discussions and often end with the protagonist changing the subject. Navaria’s protagonist offers the readers questions to ponder over, although these questions probably would not lead to satisfactory solutions.
An analogy is drawn between class, caste, religion, gender, and nations using the framework of hierarchy. The translator Nita Kumar in her well-written and informative foreword calls the text “a dissertation on hierarchy” (Kumar 33). The novel also offers a close look into cultural practices through the wedding songs played at Masterji’s brother’s wedding and also critiques the homogenization of culture as a result of capitalism. The plethora of topics that are packed into 318 pages makes it a little overwhelming, as Kumar also notes: “So intense are these different loci of education, as I am calling them, that we almost cannot digest the information all at once” (Kumar 10).
The narrator, however, is a stoic observer who questions everything in his mind but avoids confrontations. It is the “voice of liberal reason” that he embodies (Kumar 23). For instance, Ayesha makes an extremely casteist statement and her pride in untouchability repulses the narrator but it is never called out. Instead, she is portrayed as a charming beauty, full of enigma, and her attitude is attributed to naivete. The protagonist majorly remains a vehicle for the author to show the realities of society. He does not have much agency, even in his personal life, which he acknowledges as the way to live- to simply go with the flow and observe. Discussions on caste also come up in random situations like a fun gathering of all the friends before Masterji’s brother’s wedding, mostly as a spat between the friends. “The weight of Dalit-ness is borne lightly by Masterji and his friends” (Kumar 22).
The novel depends heavily on the introspection of the narrator rather than events and actions. Despite the contemplative thoughts of the author-narrator, which criticize society’s ideologies from the perspective of a non-extremist intellectual, the plot of the novel remains simple and sometimes feels disconnected from its political criticism. For instance, in the middle of an emotionally charged moment involving his estranged wife Sangita, the narrator suddenly goes into an analysis of the songs played at the wedding. Although these thoughts and analyses offer new insight into different cultures and their appreciation, the lack of seamlessness between the story and the politics it offers sticks out and the two elements- the plot and the politics- seem forcibly yoked together.
Masterji’s relationship with the three women- Vandana, Sangita, and Ayesha, and his male friends form the crux of the main plot, incorporating ideas of love and friendship. However, we do not understand the women characters except from the narrator’s point of view, especially Vandana. In the narrator’s interactions with his first wife, he wonders if he is a male chauvinist, and the reader is forced to agree. He places a larger part of the blame on Vandana for the failure of their relationship when both were equally responsible for its destruction. Even after Vandana’s death, we do not see any prolonged grief or regret on Masterji’s part. We see a similar pattern in his approach to Sangita and Ayesha where he comes across as very selfish as he himself acknowledges. He says he loves Ayesha and nobody understands him better. However, he is not ready to accept her because of her status as a sex worker. The narrator’s politics and his personal choices often clash, especially regarding women. However, his musings throw light on the treatment of women in the country. He notes: “In all cases, the victim of the men’s fire were women” (Navaria 97).
Ajay Navaria’s Worlds Within Worlds is packed with a series of questions that are food for thought. The simple and effective language used by the translator makes the novel a quick and easy read. The analytical eyes of Masterji, who tries to look at the reality of the situation without being swayed by ideologies, encourage the reader to do the same. It makes one realize that beyond name tags and titles and different factors of differentiation, the world, put simply, is a tussle between the powerful and the powerless.
Masterji is on a quest to bring back his estranged second-wife Sangita who leaves him after learning about the suicide of his first-wife Vandana. Meanwhile, he befriends a beautiful sex worker named Ayesha with whom he shares a unique relationship. The main plot mainly follows Masterji’s journey with these women, and the interactions with his friends become platforms for discussing several political concerns.
Masterji and all of his friends are in reputed professions and earn well. However, caste becomes a constant source of dispute, hidden hatred, and bitterness among these friends. Navaria offers a broad social commentary on caste hierarchy and how umbrella terms like “Scheduled Castes” or “Hindus” often become unsatisfactory because each caste community is an independent entity with its own place in the hierarchy of castes and its own prejudices, cultural uniqueness, and problems. By bringing forth the reality of castes and sub-castes and the animosity between them, the novel questions the idea of a single Dalit consciousness. It also throws light upon how caste is a decisive factor in determining a person’s identity in India even today.
The discussions on caste disputes and the history of caste do not find a satisfactory solution in these discussions and often end with the protagonist changing the subject. Navaria’s protagonist offers the readers questions to ponder over, although these questions probably would not lead to satisfactory solutions.
An analogy is drawn between class, caste, religion, gender, and nations using the framework of hierarchy. The translator Nita Kumar in her well-written and informative foreword calls the text “a dissertation on hierarchy” (Kumar 33). The novel also offers a close look into cultural practices through the wedding songs played at Masterji’s brother’s wedding and also critiques the homogenization of culture as a result of capitalism. The plethora of topics that are packed into 318 pages makes it a little overwhelming, as Kumar also notes: “So intense are these different loci of education, as I am calling them, that we almost cannot digest the information all at once” (Kumar 10).
The narrator, however, is a stoic observer who questions everything in his mind but avoids confrontations. It is the “voice of liberal reason” that he embodies (Kumar 23). For instance, Ayesha makes an extremely casteist statement and her pride in untouchability repulses the narrator but it is never called out. Instead, she is portrayed as a charming beauty, full of enigma, and her attitude is attributed to naivete. The protagonist majorly remains a vehicle for the author to show the realities of society. He does not have much agency, even in his personal life, which he acknowledges as the way to live- to simply go with the flow and observe. Discussions on caste also come up in random situations like a fun gathering of all the friends before Masterji’s brother’s wedding, mostly as a spat between the friends. “The weight of Dalit-ness is borne lightly by Masterji and his friends” (Kumar 22).
The novel depends heavily on the introspection of the narrator rather than events and actions. Despite the contemplative thoughts of the author-narrator, which criticize society’s ideologies from the perspective of a non-extremist intellectual, the plot of the novel remains simple and sometimes feels disconnected from its political criticism. For instance, in the middle of an emotionally charged moment involving his estranged wife Sangita, the narrator suddenly goes into an analysis of the songs played at the wedding. Although these thoughts and analyses offer new insight into different cultures and their appreciation, the lack of seamlessness between the story and the politics it offers sticks out and the two elements- the plot and the politics- seem forcibly yoked together.
Masterji’s relationship with the three women- Vandana, Sangita, and Ayesha, and his male friends form the crux of the main plot, incorporating ideas of love and friendship. However, we do not understand the women characters except from the narrator’s point of view, especially Vandana. In the narrator’s interactions with his first wife, he wonders if he is a male chauvinist, and the reader is forced to agree. He places a larger part of the blame on Vandana for the failure of their relationship when both were equally responsible for its destruction. Even after Vandana’s death, we do not see any prolonged grief or regret on Masterji’s part. We see a similar pattern in his approach to Sangita and Ayesha where he comes across as very selfish as he himself acknowledges. He says he loves Ayesha and nobody understands him better. However, he is not ready to accept her because of her status as a sex worker. The narrator’s politics and his personal choices often clash, especially regarding women. However, his musings throw light on the treatment of women in the country. He notes: “In all cases, the victim of the men’s fire were women” (Navaria 97).
Ajay Navaria’s Worlds Within Worlds is packed with a series of questions that are food for thought. The simple and effective language used by the translator makes the novel a quick and easy read. The analytical eyes of Masterji, who tries to look at the reality of the situation without being swayed by ideologies, encourage the reader to do the same. It makes one realize that beyond name tags and titles and different factors of differentiation, the world, put simply, is a tussle between the powerful and the powerless.
June 24, 2024
Title: Worlds Within Worlds
Author: Ajay Navaria
Translator: Nita Kumar
Original Title: Udhar Ke Log
Publisher: Niyogi Books
"Worlds Within Worlds" by Ajay Navaria, translated from the original Hindi work "Udhar Ke Log" by Nita Kumar, is a deeply philosophical novel that delves into the intricacies of caste dynamics in India. Navaria, a professor at Jamia Millia Islamia in New Delhi, uses the novel to explore the behaviors, interactions, and power dynamics between different castes in various socio-economic and cultural contexts. The novel addresses topics such as caste politics, wedding rituals, and the struggles of the Dalit community, providing a rich and thought-provoking commentary on contemporary Indian society.
The narrative centers around Masterji, a Dalit intellectual and professor, whose journey forms the backbone of the story. Masterji's quest to reconcile with his estranged second wife, Sangita, after the suicide of his first wife, Vandana, is interwoven with his unique relationship with Ayesha, a sex worker. The novel explores Masterji's relationships with these women, his friends, and his broader social environment, using these interactions to discuss political concerns and societal issues.
Navaria portrays the complexities of caste interactions, depicting love, jealousy, competition, and distrust among different castes. The novel critically examines the idea of a unified Dalit consciousness, highlighting internal divisions and sub-castes within the Dalit community. Through Masterji's introspective narrative, Navaria addresses the themes of male chauvinism, false pride, and the treatment of women, offering a nuanced perspective on these issues.
"Worlds Within Worlds" is deeply philosophical, filled with thought-provoking monologues and reflections. Navaria delves into the topic of Dalit consciousness and questions whether a united Dalit identity can ever exist. The novel discusses reservations and the inequalities even within Dalit communities, emphasizing the presence of sub-castes and the disparities in how benefits are distributed.
The introspective nature of the protagonist, Masterji, allows Navaria to explore his own prejudices and mistakes. For instance, Masterji struggles to fully accept Ayesha, despite his feelings for her, due to her status as a sex worker. This introspection extends to his reflections on male chauvinism and the false pride of males, as seen in his relationships with Vandana and Sangita. Vandana, a complex character who tragically commits suicide, fights for an idealistic world where she would enjoy absolute equality with her husband, highlighting the concept of intersectionality.
Ayesha's character underscores the plight of women who are forced into sex work due to their circumstances. Despite her degraded status, Ayesha's desire to be part of a family and her portrayal as a suitable member of a cultured household when hiding her profession, offer a poignant critique of societal norms. Navaria’s exploration of Ayesha’s aspirations reflects a broader commentary on the marginalized status of women.
The novel also addresses the future of Dalit children from wealthy families, questioning how their behavior might change as they rise socio-economically. This is poignantly illustrated in a conversation where Ayesha discusses her treatment by different social classes. Navaria reflects on cultural practices within his caste, such as the acceptance of women remarrying multiple times, and contrasts these with broader societal norms.
Historically situated during the Babri Masjid demolition, the novel captures the Hindu-Muslim tensions in the capital city. The celebration of Ambedkar and his teachings throughout the book, particularly in Chapter 13, "A Dream," underscores the symbolic importance of Ambedkar’s vision for Dalit equality. Navaria also critiques social institutions like marriage and dowry, reflecting on his own two failed marriages and the persistence of dowry practices, despite their criminalization.
In Chapter 11, "We Friends," Navaria recounts several anecdotes of caste discrimination, including the murder of a Dalit police officer by his upper-caste junior and the story of K. Rajesh, a Mallah by caste. These narratives reveal subtle yet pervasive caste-based tensions and Hindu-Muslim divides, which are further elaborated in Chapter 21, "Banwarilal."
Navaria critiques the impact of neoliberalism and commercialization on society, as discussed on pages 202 and 210. He highlights tensions among different Dalit sub-castes, reflecting the complexities and divisions within the community.
Ajay Navaria’s writing is both lyrical and raw, capturing the complexities of his characters’ inner worlds. Nita Kumar’s translation preserves the authenticity and emotional depth of the original text, making it accessible to a broader audience without losing its cultural richness. The seamless flow between Hindi and English showcases Kumar’s linguistic prowess and deep understanding of the source material.
Reading "Worlds Within Worlds" was an eye-opening experience. Navaria’s storytelling is powerful, drawing the reader into the lived experiences of his characters with empathy and clarity. The novel challenged my perceptions and deepened my understanding of the pervasive nature of caste-based discrimination. The introspective nature of the narrative, filled with thought-provoking monologues and reflections, encourages readers to critically examine their own beliefs and prejudices.
"Worlds Within Worlds" is a thought-provoking and deeply moving novel that sheds light on the enduring issues of caste and social justice in India. Ajay Navaria’s compelling narrative, combined with Nita Kumar’s
Author: Ajay Navaria
Translator: Nita Kumar
Original Title: Udhar Ke Log
Publisher: Niyogi Books
"Worlds Within Worlds" by Ajay Navaria, translated from the original Hindi work "Udhar Ke Log" by Nita Kumar, is a deeply philosophical novel that delves into the intricacies of caste dynamics in India. Navaria, a professor at Jamia Millia Islamia in New Delhi, uses the novel to explore the behaviors, interactions, and power dynamics between different castes in various socio-economic and cultural contexts. The novel addresses topics such as caste politics, wedding rituals, and the struggles of the Dalit community, providing a rich and thought-provoking commentary on contemporary Indian society.
The narrative centers around Masterji, a Dalit intellectual and professor, whose journey forms the backbone of the story. Masterji's quest to reconcile with his estranged second wife, Sangita, after the suicide of his first wife, Vandana, is interwoven with his unique relationship with Ayesha, a sex worker. The novel explores Masterji's relationships with these women, his friends, and his broader social environment, using these interactions to discuss political concerns and societal issues.
Navaria portrays the complexities of caste interactions, depicting love, jealousy, competition, and distrust among different castes. The novel critically examines the idea of a unified Dalit consciousness, highlighting internal divisions and sub-castes within the Dalit community. Through Masterji's introspective narrative, Navaria addresses the themes of male chauvinism, false pride, and the treatment of women, offering a nuanced perspective on these issues.
"Worlds Within Worlds" is deeply philosophical, filled with thought-provoking monologues and reflections. Navaria delves into the topic of Dalit consciousness and questions whether a united Dalit identity can ever exist. The novel discusses reservations and the inequalities even within Dalit communities, emphasizing the presence of sub-castes and the disparities in how benefits are distributed.
The introspective nature of the protagonist, Masterji, allows Navaria to explore his own prejudices and mistakes. For instance, Masterji struggles to fully accept Ayesha, despite his feelings for her, due to her status as a sex worker. This introspection extends to his reflections on male chauvinism and the false pride of males, as seen in his relationships with Vandana and Sangita. Vandana, a complex character who tragically commits suicide, fights for an idealistic world where she would enjoy absolute equality with her husband, highlighting the concept of intersectionality.
Ayesha's character underscores the plight of women who are forced into sex work due to their circumstances. Despite her degraded status, Ayesha's desire to be part of a family and her portrayal as a suitable member of a cultured household when hiding her profession, offer a poignant critique of societal norms. Navaria’s exploration of Ayesha’s aspirations reflects a broader commentary on the marginalized status of women.
The novel also addresses the future of Dalit children from wealthy families, questioning how their behavior might change as they rise socio-economically. This is poignantly illustrated in a conversation where Ayesha discusses her treatment by different social classes. Navaria reflects on cultural practices within his caste, such as the acceptance of women remarrying multiple times, and contrasts these with broader societal norms.
Historically situated during the Babri Masjid demolition, the novel captures the Hindu-Muslim tensions in the capital city. The celebration of Ambedkar and his teachings throughout the book, particularly in Chapter 13, "A Dream," underscores the symbolic importance of Ambedkar’s vision for Dalit equality. Navaria also critiques social institutions like marriage and dowry, reflecting on his own two failed marriages and the persistence of dowry practices, despite their criminalization.
In Chapter 11, "We Friends," Navaria recounts several anecdotes of caste discrimination, including the murder of a Dalit police officer by his upper-caste junior and the story of K. Rajesh, a Mallah by caste. These narratives reveal subtle yet pervasive caste-based tensions and Hindu-Muslim divides, which are further elaborated in Chapter 21, "Banwarilal."
Navaria critiques the impact of neoliberalism and commercialization on society, as discussed on pages 202 and 210. He highlights tensions among different Dalit sub-castes, reflecting the complexities and divisions within the community.
Ajay Navaria’s writing is both lyrical and raw, capturing the complexities of his characters’ inner worlds. Nita Kumar’s translation preserves the authenticity and emotional depth of the original text, making it accessible to a broader audience without losing its cultural richness. The seamless flow between Hindi and English showcases Kumar’s linguistic prowess and deep understanding of the source material.
Reading "Worlds Within Worlds" was an eye-opening experience. Navaria’s storytelling is powerful, drawing the reader into the lived experiences of his characters with empathy and clarity. The novel challenged my perceptions and deepened my understanding of the pervasive nature of caste-based discrimination. The introspective nature of the narrative, filled with thought-provoking monologues and reflections, encourages readers to critically examine their own beliefs and prejudices.
"Worlds Within Worlds" is a thought-provoking and deeply moving novel that sheds light on the enduring issues of caste and social justice in India. Ajay Navaria’s compelling narrative, combined with Nita Kumar’s
June 14, 2024
"If families were ruined, would the nation survive?"
Book - World Within Worlds
Author - Ajay Navaria
Translator - Nita Kumar
Pages - 318
Published - May 31 2024
⭐️⭐️⭐️⭐️⭐️/5
Caste discrimination might have shrunk down in some places, but it is still very much present in those hidden alleyways around your favourite club. Ajay Navaria wrote the story of a Dalit university teacher, called Masterji throughout the book. After his first wife Vandana ended her life, and his second marriage was on the verge of its end, Masterji finds company with a prostitute, Ayesha. All around this, Masterji finds himself questioning the united identity and status of Dalits in the nation.
The book is a brilliant commentary on caste and caste politics in India. A lot of themes are talked upon but the ones that make this book my favourite of 2024 are the divisions among the oppressed, loyalty and what it means, status of women, and religious divide in the nation.
The author set a few scenes with Vandana and Masterji during the Babri Masjid riots which made the book grounded and relevant to the ones who lived through those times. Alongwith that, in one of the last few chapters, the protagonist has a conversation with his uncle stuck knee deep in the radical Hindutva ideology, and the conversation is an eye opener, a metaphor of how an oppressed would not stop worshipping his oppressor if he's getting brownie points for it.
The constant comparisons the protagonist's friends draw between different castes at the bottom rungs of the caste system were a shot in the gut in the way they wanted to be the highest in the room knowing very well such intermediate divide wouldn't help them.
Theme of loyalty was present throughout the book as the reason Masterji's turbulent marriage with Sangita was the same: him not sharing important things about his past with his wife. Add to that him spending time with Ayesha, a strong brew of drama was produced which was an emotional rollercoaster for me.
Mind you, the original book 'Udhar Ke Log' in Hindi was released back in 2008, so you can understand how this book was so ahead of its time.
The translation was crisp and in my opinion kept the original emotions intact without mending them as per wish. Though Nita Kumar left her own impression with the perfect use of English and framing sentences with immaculate pauses.
A book that will stay with you for the longest time, World Within Worlds is a must read for all, especially for students of sociology, and English.
Book - World Within Worlds
Author - Ajay Navaria
Translator - Nita Kumar
Pages - 318
Published - May 31 2024
⭐️⭐️⭐️⭐️⭐️/5
Caste discrimination might have shrunk down in some places, but it is still very much present in those hidden alleyways around your favourite club. Ajay Navaria wrote the story of a Dalit university teacher, called Masterji throughout the book. After his first wife Vandana ended her life, and his second marriage was on the verge of its end, Masterji finds company with a prostitute, Ayesha. All around this, Masterji finds himself questioning the united identity and status of Dalits in the nation.
The book is a brilliant commentary on caste and caste politics in India. A lot of themes are talked upon but the ones that make this book my favourite of 2024 are the divisions among the oppressed, loyalty and what it means, status of women, and religious divide in the nation.
The author set a few scenes with Vandana and Masterji during the Babri Masjid riots which made the book grounded and relevant to the ones who lived through those times. Alongwith that, in one of the last few chapters, the protagonist has a conversation with his uncle stuck knee deep in the radical Hindutva ideology, and the conversation is an eye opener, a metaphor of how an oppressed would not stop worshipping his oppressor if he's getting brownie points for it.
The constant comparisons the protagonist's friends draw between different castes at the bottom rungs of the caste system were a shot in the gut in the way they wanted to be the highest in the room knowing very well such intermediate divide wouldn't help them.
Theme of loyalty was present throughout the book as the reason Masterji's turbulent marriage with Sangita was the same: him not sharing important things about his past with his wife. Add to that him spending time with Ayesha, a strong brew of drama was produced which was an emotional rollercoaster for me.
Mind you, the original book 'Udhar Ke Log' in Hindi was released back in 2008, so you can understand how this book was so ahead of its time.
The translation was crisp and in my opinion kept the original emotions intact without mending them as per wish. Though Nita Kumar left her own impression with the perfect use of English and framing sentences with immaculate pauses.
A book that will stay with you for the longest time, World Within Worlds is a must read for all, especially for students of sociology, and English.
July 8, 2024
Ajay Navaria’s "Worlds Within Worlds," translated from the Hindi is a profound exploration of caste dynamics within the framework of middle-class Indian society. The novel is an introspective first-person narrative that captures the life of a young Dalit man in Delhi, who, despite his educational attainments and professional status, continues to grapple with entrenched societal prejudices.
The protagonist, a university lecturer with liberal views, and his wife, a doctor, embody the paradox of being simultaneously part of the middle class and marginalized by their caste. The narrative oscillates between their experiences of discrimination and the semblance of liberation provided by education and professional success. This duality underscores the central thematic inquiry: can one transcend the constraints of caste through education and socioeconomic advancement, or does caste perpetually delineate one’s identity?
The narrative’s strength lies in its contemplative analysis of societal ideologies, albeit at the expense of seamless plot progression. His insertion of analytical digressions, such as the critique of wedding songs amidst personal turmoil, while insightful, often disrupts narrative cohesion. This juxtaposition of narrative and polemic elements sometimes feels forced, detracting from the novel's fluidity.
It does not shy away from critiquing the pervasive nature of caste-based discrimination even within supposedly progressive circles. The protagonist’s experiences at the university level expose the fallacy of meritocratic ideals, revealing how caste prejudices infiltrate academic and professional environments. His narrative is unflinching in its depiction of these realities, providing a visceral portrayal of the protagonist’s existential struggle against systemic oppression.
In conclusion, despite its occasional narrative disjunctions, it is a seminal work that compels readers to confront uncomfortable truths about caste, class, and identity. His incisive storytelling, combined with the eloquent translation, makes this book an indispensable read for those seeking to understand the intricate interplay of societal forces in contemporary India.
The protagonist, a university lecturer with liberal views, and his wife, a doctor, embody the paradox of being simultaneously part of the middle class and marginalized by their caste. The narrative oscillates between their experiences of discrimination and the semblance of liberation provided by education and professional success. This duality underscores the central thematic inquiry: can one transcend the constraints of caste through education and socioeconomic advancement, or does caste perpetually delineate one’s identity?
The narrative’s strength lies in its contemplative analysis of societal ideologies, albeit at the expense of seamless plot progression. His insertion of analytical digressions, such as the critique of wedding songs amidst personal turmoil, while insightful, often disrupts narrative cohesion. This juxtaposition of narrative and polemic elements sometimes feels forced, detracting from the novel's fluidity.
It does not shy away from critiquing the pervasive nature of caste-based discrimination even within supposedly progressive circles. The protagonist’s experiences at the university level expose the fallacy of meritocratic ideals, revealing how caste prejudices infiltrate academic and professional environments. His narrative is unflinching in its depiction of these realities, providing a visceral portrayal of the protagonist’s existential struggle against systemic oppression.
In conclusion, despite its occasional narrative disjunctions, it is a seminal work that compels readers to confront uncomfortable truths about caste, class, and identity. His incisive storytelling, combined with the eloquent translation, makes this book an indispensable read for those seeking to understand the intricate interplay of societal forces in contemporary India.
June 16, 2024
Worlds Within Worlds is a translated work of the Hindi novel Udhar Ke Log, which is about a Dalit man's journey through life and relationships. The protagonist is a professor at an unnamed university and has already suffered the loss of his wife. Though being a professor should have given him the blanket of protection against caste prejudices, he finds it only as extreme as before. The book also explores his interpersonal relationships, family dynamics and friendship between people with religious differences. After his wife's demise, he remarries only to land himself in soup because of his circumstances. Later, he meets Aisha, a sex worker whom he admires because of her nature and smartness. Sometimes, he hates her; other times, he adores her. But what he fails to do is to be brave enough to see her off when he has had enough. But he keeps her hanging around even when he is fighting to have his wife back.
This book was really enlightening in terms of caste politics and prejudices. This was the first book I have read about Dalit oppression at the university level, where a protagonist belongs to an upper-middle-class family. I really liked how personal affairs were also touched upon, along with caste dynamics. The dimension of caste and religious politics was explored at many levels, starting from family, friends, colleagues and society, which was brilliant. The shortcomings of the book include a highly unlikable protagonist who is critical of every woman in his life. He finds it easy to blame everything on those women, even when the mistake is glaringly his. The translation was rough, and the dialogue and descriptions were abrupt and sharp. It is one of those books where you feel a lot has been lost in translation because of an overzealous translation, but it definitely is a book that makes you want to read the original work.
Worlds Within Worlds is worthy if you are looking for books on Dalit oppression, caste politics and complicated interpersonal relationships.
My review: 3.5/5
This book was really enlightening in terms of caste politics and prejudices. This was the first book I have read about Dalit oppression at the university level, where a protagonist belongs to an upper-middle-class family. I really liked how personal affairs were also touched upon, along with caste dynamics. The dimension of caste and religious politics was explored at many levels, starting from family, friends, colleagues and society, which was brilliant. The shortcomings of the book include a highly unlikable protagonist who is critical of every woman in his life. He finds it easy to blame everything on those women, even when the mistake is glaringly his. The translation was rough, and the dialogue and descriptions were abrupt and sharp. It is one of those books where you feel a lot has been lost in translation because of an overzealous translation, but it definitely is a book that makes you want to read the original work.
Worlds Within Worlds is worthy if you are looking for books on Dalit oppression, caste politics and complicated interpersonal relationships.
My review: 3.5/5
December 30, 2024
Worlds Within Worlds, originally published in Hindi as Udhar Ke Log, is a skillful translation exploring the deep rooted casteism in India, its tormenting effect on a person as well as our society, the dilemma of identity, and the social dynamics that shape the present day.
Our protagonist, Masterji has a great academic stature, is doing well professionally, but still falls into the web of casteism and discrimination. His personal life is a mess and the story revolves around how he is trying to find a way out to keep up with it. The intersections of caste, gender, class and social status have been very well portrayed by the author, laying bare the layers of social prejudice.
The writing is flawless and it is more like watching a play with conversational phrasing. The translation is seamless and captures the raw emotional depth and intensity of the original work. The book surely uncovers some uncomfortable topics to discuss but these are very important. Social hierarchies are so deeply rooted that we fail we see humans as mere fellow beings without any tags attached to them and its high time we do that.
The character is flawed and unlikable sometimes, but that bitterness, unsettling statemnts make it for readers to understand and feel the essence of the book better.
There is so much more I can say about it from my personal pov, but I will leave it to you, to read, form your opinions and then we could have a great discussion.
This book is a great pick if you are interested in reading something contemporary that picks up on important societal issues, shows India a mirror how little things that we shake off can be so deeprooted, it can cause harm, and to confront the persistent realities.
Surely, recommending!!
Thankyou @niyogibooks for this great book!
Keep reading, spread love ❤️
Our protagonist, Masterji has a great academic stature, is doing well professionally, but still falls into the web of casteism and discrimination. His personal life is a mess and the story revolves around how he is trying to find a way out to keep up with it. The intersections of caste, gender, class and social status have been very well portrayed by the author, laying bare the layers of social prejudice.
The writing is flawless and it is more like watching a play with conversational phrasing. The translation is seamless and captures the raw emotional depth and intensity of the original work. The book surely uncovers some uncomfortable topics to discuss but these are very important. Social hierarchies are so deeply rooted that we fail we see humans as mere fellow beings without any tags attached to them and its high time we do that.
The character is flawed and unlikable sometimes, but that bitterness, unsettling statemnts make it for readers to understand and feel the essence of the book better.
There is so much more I can say about it from my personal pov, but I will leave it to you, to read, form your opinions and then we could have a great discussion.
This book is a great pick if you are interested in reading something contemporary that picks up on important societal issues, shows India a mirror how little things that we shake off can be so deeprooted, it can cause harm, and to confront the persistent realities.
Surely, recommending!!
Thankyou @niyogibooks for this great book!
Keep reading, spread love ❤️
August 5, 2024
If I had to review this book in one word I would simply call it – “POWERFUL”
Worlds within worlds is the English translation of the widely acclaimed novel “Udhar Ke log” by Ajay Navaria translated by Nita Kumar. The said book has been translated by Nita Kumar and explores the dynamics in a Dalit family and group of friends – all from different Dalit Castes and how Caste discrimination plays a bigger role then one can imagine in day to day activities of a person.
The translator, in her extremely well written foreword gave me an insight into the novel and also highlighted the caste structure relevant in the Indian Society and the Dalits in general while diversifying the castes. The prose is quite straightforward and dives right into the crux of the story. The writing is fast paced and precise and keeps you intrigued right till the end. What I enjoyed reading the most in this novel was the authors brilliance in educating the readers about the problems and discrimination which the Dalits have faced not only from the Brahmins but also from their own sub castes and enlightened us about how different sub castes are infamous for conducting a specific kind of work – all of it in a simple setting of house hold stories like – Caste based discussions during the Marriage of Masterji’s Brother between the ladies, the caste based discussions between the friends, who otherwise are extremely educated and at a great position and through Masterji’s own thoughts and introspection. The novel is thought provoking and will coerce you into researching extensively into the current social justice system in India which as a matter of fact I did.
If you are someone who would love to read more about Dalits in the modern day world - Worlds within Worlds is the book you should pick up.
Worlds within worlds is the English translation of the widely acclaimed novel “Udhar Ke log” by Ajay Navaria translated by Nita Kumar. The said book has been translated by Nita Kumar and explores the dynamics in a Dalit family and group of friends – all from different Dalit Castes and how Caste discrimination plays a bigger role then one can imagine in day to day activities of a person.
The translator, in her extremely well written foreword gave me an insight into the novel and also highlighted the caste structure relevant in the Indian Society and the Dalits in general while diversifying the castes. The prose is quite straightforward and dives right into the crux of the story. The writing is fast paced and precise and keeps you intrigued right till the end. What I enjoyed reading the most in this novel was the authors brilliance in educating the readers about the problems and discrimination which the Dalits have faced not only from the Brahmins but also from their own sub castes and enlightened us about how different sub castes are infamous for conducting a specific kind of work – all of it in a simple setting of house hold stories like – Caste based discussions during the Marriage of Masterji’s Brother between the ladies, the caste based discussions between the friends, who otherwise are extremely educated and at a great position and through Masterji’s own thoughts and introspection. The novel is thought provoking and will coerce you into researching extensively into the current social justice system in India which as a matter of fact I did.
If you are someone who would love to read more about Dalits in the modern day world - Worlds within Worlds is the book you should pick up.
December 19, 2024
I picked up this book just lookng at the cover. Such a wonderfully attractive cover that it was. Also, I had been meaning to read a translated work for a while. The book was originally written in Hindi as Udhar Ke Log and beautifully translated into English by Nita Kumar. Worlds Within Worlds offers a raw, unfiltered look into the lives of Dalits and the socio-political dynamics they navigate daily. It is a poignant and thought-provoking exploration of caste, identity, and human relationships, set against the backdrop of modern India.
The narrative centres on Masterji, a Dalit professor entangled in complex personal relationships while grappling with the shadow of caste-based discrimination. His story is deeply personal and yet universal, reflecting the struggles of anyone attempting to reconcile with a distraught past with the aspirations of a better future. From Vandana, his first wife whose tragic suicide leaves an indelible scar, to Sangita, his second wife who distances herself, and Ayesha, a sex worker who becomes an unexpected confidante—each relationship is layered with vulnerability, mistrust, and societal commentary.
What stands out is the author's ability to weave the personal with the political. Through Masterji’s tumultuous journey, the story examines caste as a pervasive force, even among the educated and upwardly mobile. It raises uncomfortable but necessary questions: Can education truly liberate someone from the entrenched hierarchy of caste? Is there a singular Dalit identity, or do fractures exist even within marginalised communities?
The book doesn’t shy away from critiquing contemporary society, including the clash between tradition and modernity, the commodification of cultural practices under capitalism, and the persistence of discrimination in supposedly progressive spaces. The author's prose is gripping making it a rich reading experience.
I found the novel compelling yet somewhat unsettling. The detailed descriptions of Masterji’s inner turmoil and the added societal judgment stayed with me for long. The narrative doesn’t offer easy resolutions but leaves you pondering about caste, loyalty, and the possibility of change in a deeply hierarchical society.
Worlds Within Worlds is an invitation to reflect and engage with the realities of caste and identity in contemporary India. It’s a must-read for anyone looking to understand the nuanced lives of Dalits and the societal structures that continue to shape them.
The narrative centres on Masterji, a Dalit professor entangled in complex personal relationships while grappling with the shadow of caste-based discrimination. His story is deeply personal and yet universal, reflecting the struggles of anyone attempting to reconcile with a distraught past with the aspirations of a better future. From Vandana, his first wife whose tragic suicide leaves an indelible scar, to Sangita, his second wife who distances herself, and Ayesha, a sex worker who becomes an unexpected confidante—each relationship is layered with vulnerability, mistrust, and societal commentary.
What stands out is the author's ability to weave the personal with the political. Through Masterji’s tumultuous journey, the story examines caste as a pervasive force, even among the educated and upwardly mobile. It raises uncomfortable but necessary questions: Can education truly liberate someone from the entrenched hierarchy of caste? Is there a singular Dalit identity, or do fractures exist even within marginalised communities?
The book doesn’t shy away from critiquing contemporary society, including the clash between tradition and modernity, the commodification of cultural practices under capitalism, and the persistence of discrimination in supposedly progressive spaces. The author's prose is gripping making it a rich reading experience.
I found the novel compelling yet somewhat unsettling. The detailed descriptions of Masterji’s inner turmoil and the added societal judgment stayed with me for long. The narrative doesn’t offer easy resolutions but leaves you pondering about caste, loyalty, and the possibility of change in a deeply hierarchical society.
Worlds Within Worlds is an invitation to reflect and engage with the realities of caste and identity in contemporary India. It’s a must-read for anyone looking to understand the nuanced lives of Dalits and the societal structures that continue to shape them.
June 3, 2024
"World Within Words" is a fascinating book that gives readers a look into the lives of Dalits, who are an underprivileged community within India's complicated caste system. The book was originally written in Hindi by Ajay Navaria with the title "Udhar ke log," but it was skillfully translated into English by Nita Kumar.
The story is told from the perspective of a professor and his friends who work for the government, all of whom belong to the Dalit community. While the plot itself doesn't have too many shocking twists or turns, the book manages to keep readers interested and engaged from start to finish.
At its core, "World of Words" can be viewed as a Dalit novel, meaning it explores the intricate ways in which the caste system impacts various aspects of daily life, such as friendships, romantic relationships, and even scandalous behavior. One recurring and rather surprising element is the presence of a sex worker who is accepted by the group and their families, despite their reputation for being judgmental and nosy.
The book comes to a satisfying conclusion without leaving readers hanging, but the reviewer suggests that a sequel could potentially expand upon the story even further. For those unfamiliar with India's caste system, the term "Dalit" refers to a specific community within this complex social hierarchy, which may initially be confusing for some readers.
Read more about the book here:
https://theindianbookclub.com/readers...
The story is told from the perspective of a professor and his friends who work for the government, all of whom belong to the Dalit community. While the plot itself doesn't have too many shocking twists or turns, the book manages to keep readers interested and engaged from start to finish.
At its core, "World of Words" can be viewed as a Dalit novel, meaning it explores the intricate ways in which the caste system impacts various aspects of daily life, such as friendships, romantic relationships, and even scandalous behavior. One recurring and rather surprising element is the presence of a sex worker who is accepted by the group and their families, despite their reputation for being judgmental and nosy.
The book comes to a satisfying conclusion without leaving readers hanging, but the reviewer suggests that a sequel could potentially expand upon the story even further. For those unfamiliar with India's caste system, the term "Dalit" refers to a specific community within this complex social hierarchy, which may initially be confusing for some readers.
Read more about the book here:
https://theindianbookclub.com/readers...
July 6, 2024
Worlds Within Worlds
Ajay Navaria
Worlds Within Worlds, originally written in Hindi by Ajay Navaria and translated into English by Nita Kumar, dives deep into the harsh realities of India's caste system. It follows Masterji, a young lecturer in Delhi, and his friends from the Dalit community.
The narrative is quite straightforward, yet compelling. It does a brilliant job of showing how the caste system affects everyday life and tackles topics like patriarchy, poverty, and the subjugation of women, making it a significant piece of Dalit Literature. As Nita Kumar aptly put it, "Worlds Within Worlds provides an approach to caste mired in globalism and universalism."
The book doesn’t hold back, offering a raw and unfiltered look at the struggles faced by a marginalized community. However, be aware that this book comes with some trigger warnings. It includes themes of ab*se, vio!ence, and su*cide. These elements make it a tough read for some, especially those sensitive to such content.
In a nutshell, Worlds Within Worlds is hard-hitting and important, shedding light on the Dalit experience and the complex layers of Indian society. Definitely give it a go if you’re up for a challenging read.
Ajay Navaria
Worlds Within Worlds, originally written in Hindi by Ajay Navaria and translated into English by Nita Kumar, dives deep into the harsh realities of India's caste system. It follows Masterji, a young lecturer in Delhi, and his friends from the Dalit community.
The narrative is quite straightforward, yet compelling. It does a brilliant job of showing how the caste system affects everyday life and tackles topics like patriarchy, poverty, and the subjugation of women, making it a significant piece of Dalit Literature. As Nita Kumar aptly put it, "Worlds Within Worlds provides an approach to caste mired in globalism and universalism."
The book doesn’t hold back, offering a raw and unfiltered look at the struggles faced by a marginalized community. However, be aware that this book comes with some trigger warnings. It includes themes of ab*se, vio!ence, and su*cide. These elements make it a tough read for some, especially those sensitive to such content.
In a nutshell, Worlds Within Worlds is hard-hitting and important, shedding light on the Dalit experience and the complex layers of Indian society. Definitely give it a go if you’re up for a challenging read.
July 18, 2024
"Worlds Within Worlds" by Ajay Navaria is a heart-wrenching and thought-provoking novel that delves into the intricate complexities of human experience. With masterful storytelling, Navaria weaves a narrative that resonates deeply, shedding light on the struggles of identity, community, and the quest for self-discovery.
Through the eyes of a young Dalit lecturer, we witness the poignant struggles of a individual torn between the weight of societal expectations and the longing for personal freedom. Navaria's writing is evocative and nuanced, crafting characters that are relatable, flawed, and utterly human.
This book is a powerful exploration of the human condition, tackling themes that are both universal and deeply personal. It's a testament to the enduring power of the human spirit, a reminder that our experiences are intertwined, and our stories matter.
The Author's writing is a gift, a reminder that literature has the power to transform, to heal, and to connect us in ways that transcend words. "Worlds Within Worlds" is a must-read for anyone who has ever grappled with the complexities of identity, community, and the human experience.
In short, this book is a masterpiece that will touch your heart, challenge your assumptions, and linger in your mind long after you finish reading it.
Through the eyes of a young Dalit lecturer, we witness the poignant struggles of a individual torn between the weight of societal expectations and the longing for personal freedom. Navaria's writing is evocative and nuanced, crafting characters that are relatable, flawed, and utterly human.
This book is a powerful exploration of the human condition, tackling themes that are both universal and deeply personal. It's a testament to the enduring power of the human spirit, a reminder that our experiences are intertwined, and our stories matter.
The Author's writing is a gift, a reminder that literature has the power to transform, to heal, and to connect us in ways that transcend words. "Worlds Within Worlds" is a must-read for anyone who has ever grappled with the complexities of identity, community, and the human experience.
In short, this book is a masterpiece that will touch your heart, challenge your assumptions, and linger in your mind long after you finish reading it.
July 9, 2024
"Worlds Within Worlds" by Ajay Navaria, translated by Nita Kumar, tells the story of Masterji, a professor in Delhi, who deals with the harsh realities of caste, prejudice, and misogyny.
The book explores Masterji's personal life, including the death of his first wife, a troubled second marriage, and a complicated relationship with a prostitute named Aisha. These relationships show how caste can destroy friendships and marriages and cause conflicts within sub-castes.
The book gives a broad view of how caste and religious tensions affect family, friends, and work.
Masterji isn't always likable. He often blames the women in his life for his problems, which can be annoying. But his story sheds light on bigger societal issues, especially during events like the Babri Masjid riots.
The translation by Nita Kumar is mostly good, though sometimes abrupt. But the emotional depth remains.
Overall, "Worlds Within Worlds" is an important and thought-provoking read about Dalit oppression and caste politics, showing how these issues impact personal and social dynamics.
Stars - ⭐⭐⭐⭐ / 5
The book explores Masterji's personal life, including the death of his first wife, a troubled second marriage, and a complicated relationship with a prostitute named Aisha. These relationships show how caste can destroy friendships and marriages and cause conflicts within sub-castes.
The book gives a broad view of how caste and religious tensions affect family, friends, and work.
Masterji isn't always likable. He often blames the women in his life for his problems, which can be annoying. But his story sheds light on bigger societal issues, especially during events like the Babri Masjid riots.
The translation by Nita Kumar is mostly good, though sometimes abrupt. But the emotional depth remains.
Overall, "Worlds Within Worlds" is an important and thought-provoking read about Dalit oppression and caste politics, showing how these issues impact personal and social dynamics.
Stars - ⭐⭐⭐⭐ / 5
August 16, 2024
. The book here I am referring to is Worlds Within Worlds which was initially written as Udhar K log by Ajay Navaria as Udhar Ke Log in hindi and translated by Nita Kumar in English Language.
So this book starts with the strongest foreword I have read, which prepares the reader to get into this book. So the book follows the story of Masterji, who has a failed marriage already, and the second marriage is also not working. He has a group of friends who belong to different castes and work at different levels. The author has burst the myth that caste-related discussions happen only to people who are not known to us. But this is not true. AK These discussions happen during the gathering of friends and also by those working in the elite classes. The story also showcases the complexities of relationships within the family. The strength of the book lies in the strong and honest narrative, which will grab your attention throughout. Also, the language is beginner-friendly and despite the translation book, this book transports the essence beautifully. I would recommend this book if you are looking for a translation read or want to know more about the caste system.
So this book starts with the strongest foreword I have read, which prepares the reader to get into this book. So the book follows the story of Masterji, who has a failed marriage already, and the second marriage is also not working. He has a group of friends who belong to different castes and work at different levels. The author has burst the myth that caste-related discussions happen only to people who are not known to us. But this is not true. AK These discussions happen during the gathering of friends and also by those working in the elite classes. The story also showcases the complexities of relationships within the family. The strength of the book lies in the strong and honest narrative, which will grab your attention throughout. Also, the language is beginner-friendly and despite the translation book, this book transports the essence beautifully. I would recommend this book if you are looking for a translation read or want to know more about the caste system.
June 30, 2024
3.5 rating precisely
Worlds Within Worlds by Ajay Navaria (originally written in Hindi and translated by Nita Kumar) is a novel that portrays the world divided by caste, misogyny and prejudice.
The protagonist of the book is called 'Masterji' who is a professor in a college in Delhi, and through his caste based conflicts constituting his internal monologues, we readers get to know the social injustice and inequality that still exists in our society. Masterji talks about his first wife's death and his failed second marriage, his almost platonic relationship with a prostitute, his friends from different sub-castes and their Dalit consciousness and most importantly the prejudice and conflicts within the sub-castes.
The book provides an important premise and holds a place in your heart. I can't say the same for the characters since what they did (or how they treated each other, including our protagonist) irked me very much. I suppose it was meant to be that way, to see the ugly side of how caste tore friendships and relationships apart.
Worlds Within Worlds by Ajay Navaria (originally written in Hindi and translated by Nita Kumar) is a novel that portrays the world divided by caste, misogyny and prejudice.
The protagonist of the book is called 'Masterji' who is a professor in a college in Delhi, and through his caste based conflicts constituting his internal monologues, we readers get to know the social injustice and inequality that still exists in our society. Masterji talks about his first wife's death and his failed second marriage, his almost platonic relationship with a prostitute, his friends from different sub-castes and their Dalit consciousness and most importantly the prejudice and conflicts within the sub-castes.
The book provides an important premise and holds a place in your heart. I can't say the same for the characters since what they did (or how they treated each other, including our protagonist) irked me very much. I suppose it was meant to be that way, to see the ugly side of how caste tore friendships and relationships apart.
January 3, 2019
The best depiction of life in Dalits and backward classes. Loved it. A must read if you are interested in the social structure of Indian society.
Displaying 1 - 17 of 17 reviews