The Commonwealth/Republic/Protectorate is a popular topic, its schizophrenic rule offering something different from the chaos of the early Stuarts and the near-continuous flip-flopping of the post Restoration Stuarts – I think. It does seem at times the decade interlude in the monarchy gets a bit of harsh press, maybe because no one can quite cover it with one name.
Despite its length, Republic is a brisk chronology of the era, picking major themes from each year, obviously necessitating some time warping to fit in certain elements but actually holding pretty well to its intent. I did find myself with a better feel for the dates of each event covered, and the links between Dunbar, Worchester and Cromwell’s eventual death.
Republic is at its strongest (and it is very strong) when discussing the constitutional maneuverings that led to the Protectorate, where the break down in religious tolerance was as much an issue as monarchy versus republic.
Power resided, once again, in a single man. Although the office was elective (but chosen by the council and not the people), the Protector’s powers looked remarkably similar to those held by England’s former kings and queens. Cromwell’s authority, however, was limited, and agreed to, by a written constitution, and this was entirely new.
Hunt pushes that the intellectual murmurings during the Protectorate flowed through to the post Restoration era, with John Milton’s Paradise Lost serving as the primary linking device. Hunt does stretch further in one part:
In many ways, the new political circumstances of the Commonwealth enabled these innovative and free philosophers. Without Wilkins’s appointment, or ‘intrusion’, as warden of Wadham in 1648, these men would not have met and collaborated. Without the penalties imposed on those loyal to the Stuarts and hostile to Puritanism, some of these men from Royalist families, like the young Christopher Wren, might not have stayed in Oxford but pursued careers in the Church instead. Finally, without these men’s commitment to their scientific endeavour rather than to political ideals, some of them may not have survived the end of the republic.
…which does lead me to point out that this is primarily an anecdotal book which improves readability but does mean that Hunt falls back on terms such as in many ways - which reads as a cover for “I have some evidence supporting my position but I cannot die on the hill of it.” It is hard to run a counterfactual for those killed or separated by war and exile, particularly as to hard to quantify elements such as “innovation”. Relatedly:
This big royal jumble sale removed hundreds of works of art from the clutches of the elite and put them in the hands of ordinary men and women who could, if they were able to afford it, own and appreciate paintings, tapestries and sculptures. In this way the sale was a great act of democratisation.
This does feel like an interesting perspective, but it screams to me as the author’s perspective on the fly rather than one backed by scholarly interpretation. I am up for new ways of looking at things, but it does suggest that the reader should be cautious in taking conclusions from the book.
I did initially consider rating it lower to differentiate between Devil-Land and The Restless Republic, both of which I believe covered the era in different, but slightly superior ways. However, Republic is a good and enlightening read, so I will stick with what I have chosen here.