The daring and deeply sexy poems in Lonely Women Make Good Lovers are bold with the embodied, earthy, and startlingly sensual.
These unforgettable love poems—queer, complicated, and almost always compromised—engage a poetics of humility, leaning into the painful tendernesses of unbridgeable distance. As Kuipers writes, love is a question “defined not by what we / cannot know of the world but what we cannot know of ourselves.” These poems write into that intricate webbing between us, holding space for an “I” that is permeable, that can be touched and changed by those we make our lives with.
In this book, astonishingly intimate poems of marriage collide with the fetishization of freedom and the terror of desire. At times valiant and at others self-excoriating, they are flush with the hard-won knowledge of the difficulties and joys of living in relation.
Keetje Kuipers is the author of four collections of poetry, all from BOA Editions: Lonely Women Make Good Lovers (2025), winner of the Isabella Gardner Award; All Its Charms (2019), which includes poems honored by publication in both the Pushcart Prize and Best American Poetry anthologies; The Keys to the Jail (2014); and Beautiful in the Mouth (2010), which was chosen by Thomas Lux as the winner of the A. Poulin, Jr. Poetry Prize. Her poetry and prose have appeared in American Poetry Review, New York Times Magazine, Yale Review, and Poetry, among others. Keetje has been a Wallace Stegner Fellow at Stanford University, an NEA Literature Fellow in Creative Writing, the Katharine Bakeless Nason Fellow in Poetry at Bread Loaf, the Emerging Writer Lecturer at Gettysburg College, and the recipient of multiple residency fellowships, including PEN Northwest’s Margery Davis Boyden Wilderness Writing Residency. Previously a VP on the board of the National Book Critics Circle, Keetje is currently Editor of Poetry Northwest, and teaches at universities and conferences around the world, including at the dual-language writers’ gathering Under the Volcano in Tepoztlán, Mexico. Her home is in Missoula, Montana, on the land of the Salish and Kalispel peoples and directly at the foot of the Rattlesnake Wilderness Area. She lives there with her wife and their two children, where she co-directs the Headwaters Reading Series for Health & Well-Being and keeps an eye out for bears in her backyard.
This book is vulnerable and inventive- I was fortunate to hear this poet talk about contemporary sex poems and describe some of this work as exploring what else intimacy touches in our lives. “Magician at the woodpile”, “Greek chorus”, meat”, and “emesis” are standouts. Okay they all are.
This incredible collection of poems shows us what can be accomplished when poet dares to be brave enough, not only in craft, and vulnerable enough, not only in content to write the poems that meet at the quick. This book gives permission; is a paean for women, screaming that we are not alone in our most intimate thoughts, fears, dreams, and regrets. Kuipers is an incredible seer and like all talented poet-seers, she allows the reader to see beyond the illusions of mirrors and cultures and embedded beliefs.
This was absolutely delicious, rending, and spellbinding. So many poems—especially the sequence at the beginning—leave me in awe with their daring storytelling and transformative revelations about motherhood, past loves, and longings. This is spicy AND sophisticated. Such an empathetic and mature voice. I’ve read several poetry collections recently which seem to be at war with the world, the self, or parents. This is refreshingly healing. Normally I’m not up for a lot of genital references in poems, but these floored me with their elegance. What a book.
Kind of depressing. Are we all just living walking ghosts of the people we used to be? Is making art just a way for us to repeatedly romanticize the past? Do we live on only through distorted perceptions of who we were and what happened to us?? I have such triggered reactions to written memories that remind me of some of my own because my body tries so hard and does an excellent job of forgetting painful moments. So much of good writing is getting an exact feeling perfectly described though. I could never… but when i read stuff like this i have new admiration/second hand embarrassment for the kind of people/writers who choose to relive and rewrite their pain to make something beautiful. Do all marriages with young children dredge on in sexless and painfully inescapable variations? 😭 Modern poetry that uses words like vape and pussy is a challenge for me. Alas i am a modern woman. Overall really good and creative and the writer seems cool and brave in a way I want to be.
Bastante crudo la verdad. Tiene un buen concepto y una buena prosa, quizá lo que cambiaría sería que no repita ciertas cosas o temáticas, se me hizo tedioso por momentos. Pero, dentro de todo, bastante bien.
Saw it in the library, picked it up and opened it to page 27 where the poem “I Wasn’t Trying to Steal Her Boyfriend” stared me in the eye, describing my last relationship to a T. All the rest of the poems are just as beautiful and striking.