An ambitious, world-envisioning work of Indigenous futurism.
Since 2015—through a polymathic proliferation of forms including sculpture, regalia, film, photography, poetry, painting, and installation—acclaimed multimedia artist Cannupa Hanska Luger has been weaving together strands of a new myth. Collectively referred to as Future Ancestral Technologies, this sprawling series of interrelated works seeks to reimagine Indigenous life and culture in a postcolonial world where space exploration has reduced and reconfigured the earth's population.
A Future Ancestral Field Guide offers readers a multidimensional view beneath, beyond, and between the lines of Luger's ever-expanding artistic universe. In this new ecstatically hybrid work, Luger transforms a 1970s military survival guide through poetic redaction, speculative fiction, and iterative line drawing—deftly surfacing and disrupting the colonial subconscious that haunts the suppressed histories of this vexed source text. An epic and timely meditation on planetary life in the midst of transformation, SURVIVA boldly presents an earth-based ethos for a demilitarized futuredream that foregrounds Indigenous knowledge as critical to humanity's survival.
A must-read graphic novel transforming a 1970s military survival book originally written from a very European perspective (focused on domination and control of wilderness, viewing nature’s equilibrium as a battle that needs to be fought and won), into indigenous teachings. While the concept of the novel is dystopian, set in a world that has been abandoned by Westerners after the complete decimation of Earth, the writing is of course reflective of our actual Earth today. It reminds us of the environment’s true way of being, despite the bombardment of messaging we receive that pushes us to view ourselves as separate from the natural world. The art, writing, and remaining parts of the survival guide come together to create a moving piece of work that is entirely anti-capitalist. Below are some of my favorite excerpts from the novel:
The land is, the ocean is, the sky is, the earth is, all long before we are. Our edge is defined by its relationship to that which it touches and can be touched and so it is. Belonging is a blood clot drying in the grass, on the land.
Don’t be afraid of death- it is the reward for life.
Our ears strain to hear the song our hearts have always felt. The melody rings out from a voice that was here all along in a language we all understand. It is hard to remember the sound of our mother’s heartbeat through embryonic fluid, but that is the first sound we ever heard, amplified by water. The song sings to all living beings: We are not alone. Then we are born. And we open our eyes to see that the song unfolds and rolls out through hills and valleys, long river basins and shorelines, across the crest of ocean waves and the textures on tree trunks. The song slides over desert sands and mountain peaks. It speaks without sound, so loud that we know: Each and every one of us is built to carry water. We are vessels to hold and to share, to protect and keep safe. We are in crisis.
"A final dance for living bodies is to be torn apart completely. Scavengers transform endings into beginnings, celebrating life after death. A pivotal component to rejuvenate the cycle. Sheltering the living from the intricacies of death's omnivorous annihilation. Nothing shall be wasted by the scavenger because to them nothing is waste."
kind of unrateable so i won’t bother trying. definitely one of the most formally interesting projects i’ve ever engaged with, the use of a survival guide as the foundational text and the writing over of that text almost does the same amount, if not more work, as the actual text and image on the page for me. not sure i have much more to say than that
This is one of the most impactful works of experimental literature I have ever read. I think it’s also a piece that anyone can enjoy and find meaning in, truly an incredible read that I will be savoring for years to come. Remarkable.