I went out of my comfort zone! I read contemporary literary fiction! And I liked it!
I’d first like to explain where I come from with this statement and what made me want to read this book, since it is from a genre I rarely read from and that guides my review.
I’ve been watching Jananie’s videos for a while now and always particularly loved and wanted to support the purpose behind her channel, which is talking about and centering books written by marginalized authors. It was only natural for me to get really excited about her new imprint, Boundless Press, and for that purpose to be carried forward with the major impact of publishing such books! I always want to reach out of my comfort zone because I do read for comfort, but also to learn - about me and others, about different experiences - but usually do so by reading in speculative genres. In that regard, reading Dust Settles North was a big step, but what better opportunity could I find to challenge myself?
Another point I wanted to address: I’m still new to reading and reviewing ARCs, so I don’t know how much will be modified for its release (which is Sept. 30, so tomorrow - I’m very late, I’m sorry, I was intimidated :3).
My thanks to Netgalley and BoundlessPressxBindery for the ARC of this anticipated read, which I received in exchange for an honest review.
The book is primarily a coming of age story and how that can occur in adulthood, with a specific focus on grief, religious guilt, and the experience of living between two cultures. It’s about how people and places influence who we are and what choices we make, with a revolutionary background (Arab Spring, in Egypt) and two Egyptian American siblings that are grieving their parent.
I was super excited for all this and was quite satisfied with the glimpse this story gave of the themes it took on. My critique would be that I would have liked to have a deeper, more detailed and nuanced execution of these themes. BUT, I don’t think that wasn’t the point of this book so that’s more of a me problem. The characters’ journeys and experiences with those themes were the point, and on those specific points it delivered, even if in the end the emotional pay off didn’t match my expectations (but I’ll get to that).
This reading experience was solid overall, though the first half hit harder for me than the second. I initially felt that the pacing and the characters suddenly seemed off in some way, but I didn’t see how. By the end of the book, my conclusion was that the writing just wasn’t doing what I needed to get a satisfying emotional pay off from the characters’ arcs.
I truly don’t know if the fact that I read so little in this genre impacted my expectations toward the emotional pay off or not. Maybe because I was expecting certain beats and wasn’t getting them, which led me to think that the pacing and writing probably were an issue here, and later realized so was characterization.
1. Pacing and repetitive writing.
Repetitions showed up in telling-rather-than-showing. Information was often told/shown through dialogue and then again in the narrator’s voice/the character’s thoughts, or vice-versa, which impacted the pacing and plot structure. If a subject or phrase is worded in a very similar way (or even the exact same way) in multiple scenes even as the plot progresses, there is then repetition and sometimes contradiction concerning the plot. And so it could feel incoherent at times, and that took me out of the story and played a role in making me feel disconnected from the characters.
2. Characterization: MCs’ arcs and secondary characters.
The lull I felt when reaching the midway point came from the pacing but also the MC’s arcs. There was a sort of emotional block for both characters in how they were dealing with everything in their life, including their purpose and their grief. This is clearly the point the book is making during that time, but it ended up frustrating me as the resolution for this block felt too long to come, and not really earned even though it was satisfactory. And then that was undercut by two scenes with secondary characters (and the problems that I cited above).
As we reached the end of the book, the MCs’ friends felt as if they were just placeholders to further magnify the reflections of the MCs, without adding anything to the discussion through the dialogue or their scenes. They didn’t feel like their own people at all.
This issue pervaded throughout the book, but not as strongly as within those scenes I'm mentioning. It felt appropriate when we were getting to know Hannah’s new friends with her (or since we didn’t see much of Zain’s friends, except for James). But as the plot moves on, the conversations didn’t seem realistic to me (within what we knew of the characters). Vanessa and James were really just another voice to validate either Hannah or Zain in their final reflections as the story was coming to an end. The repetitions and the telling-rather-than-showing made this on-demensional echoing worse. And from here came frustration, as I thought the secondary characters worked well for the story overall, and the final reflections from Hannah and Zain were hopeful and touching.
Even though I was less emotionally engaged by the characters in the second half of the book, I still cared and was hooked enough to finish it. And even though this story didn’t end up capitalizing on the influential themes I was interested in as much as I would have liked, I still felt for the characters and story by the end.
From the ‘getting-out-of-my-comfort-genre’ point of view, I was pleasantly surprised by how refreshing it was to read something so different. It made me think about my reading in a broader, more curious way, and I’m really glad to have read this book for that.
I’d like to add here that I loved reading some things I never see represented like this period in time (Arab Spring), religious guilt with the religion being Islam, and characters living in between two cultures and that being the drive of the book.