Collected Writings on Literature and Revolution

by Victor Serge

Shipped from UK, please allow 10 to 21 business days for arrival. 1st Edition. Excellent, apperars unopened and unread, good clean tight sound square, no bookplate, inscription or marks of any kind, firmly held, clean crisp corners and edges. In crisp fresh coloured paperback wrapper. 'Gathers togehter for the first time the bulk of Victor Serge's LIterary criticism from the 1920s to thelate 1940s, giving the reader an invaluable account of literary production in a socialist society.'

Genres: Russia

367 pages, Paperback

First published January 1, 1976

About the author

Victor Lvovich Kibalchich (В.Л. Кибальчич) was born in exile in 1890 and died in exile in 1947. He is better known as Victor Serge, a Russian revolutionary and Francophone writer. Originally an anarchist, he joined the Bolsheviks five months after arriving in Petrograd in January 1919, and later worked for the newly founded Comintern as a journalist, editor and translator. He was openly critical of the Soviet regime, but remained loyal to the ideals of socialism until his death.

After time spent in France, Belgium, Russia and Spain, Serge was forced to live out the rest of his life in Mexico, with no country he could call home. Serge's health had been badly damaged by his periods of imprisonment in France and Russia, but he continued to write until he died of heart attack, in Mexico city on 17 November 1947. Having no nationality, no Mexican cemetery could legally take his body, so he was buried as a 'Spanish Republican.'

Reviews

[Louis-François Perry · Rating 4 out of 5]

En quelque sorte une mise-à-jour, neuf ans plus tard, de « Littérature et révolution » (1923) de Trotsky, qui avait déjà posé les questions essentielles quant aux rapports entre l’art et la révolution, les artistes et le Parti révolutionnaire. Une mise-à-jour importante, puisqu’entre temps les staliniens ont établi une doctrine de parti concernant l’art – le « réalisme socialiste » –, une politique culturelle qui embrigade à la fois les aspirations artistiques et les potentialités de la révolution. En outre, une réflexion intéressante sur le rôle potentiel des classes intermédiaires (petites-bourgeoises) dans la révolution, ainsi que sur les liens dialectiques (de continuité et de rupture) entre l’humanisme bourgeois et l’humanisme prolétarien.