In the brutal desert city of Kasaban, the old gods have had their statues crushed to powder by invading Priests, with magick forbidden to anyone but themselves. Merely being born as one of the magi makes even infants into fugitives, and the Priests and their spies are always watching, ready to toss their enemies into the purifying flames of execution.
Saya Ani Anai is the last of her family, dedicating her life to being a teacher of magick for little orphaned children. From within her hidden home, she provides the closest thing to a normal life these children may ever know. They help each other like family, working for what they can and stealing the rest to scrape by, forced to live every day under the yoke of oppression.
When the warren-boss who keeps their domain a secret suddenly demands a higher price to keep his silence, they must race to find a way to meet the demand or they will lose their home and their lives. But for the poor living in Kasaban, simply surviving is anything but easy.
With the Priests and their magick-hunters scouring the city for magi to burn, and the catastrophes of daily life intervening to crush her plans at every turn, Saya must risk everything to save her home and keep the children safe. But Kasaban is unforgiving. Its fires rage bright. If she fails, all her hopes will burn.
Thomas Howard Riley currently resides in the wasteland metropolis, where he reads ancient books, plays ancient games, watches ancient movies, jams on ancient guitars, and writes furiously day and night. He sometimes appears on clear nights when the moon is gibbous, and he has often been seen in the presence of cats.
He always wanted to make up his own worlds, tell his own stories, write his own history, create his own people, honor the truths of life, and explore both the light and the darkness of human nature. With a few swords thrown in for good measure.
And some magick. Awesome magick.
He can be found digitally at THOMASHOWARDRILEY.COM On Twitter he is @ornithopteryx, where he is sometimes funny, always clever, and never mean.
This book really surprised me in the best way possible. When I read the blurb I was instantly drawn to it. But I did not expect to love the almost old-fashioned writing style the author used so much. It really suited the story and the characters and it elevated the story to a higher lever.
TLOK is the story of Saya Ani Anai, also known as Sayani, she is a magi. Back in the day magi were accepted and the Gods blessed them. But when the Ministry and its priests invaded Kasaban they denounced all their Gods but one and went on a humongous killing spree. They installed a new God, the Lord of Truth and only some men with magical abilities were being kept alive. Children, women and certain men were prosecuted and drowned or burned alive.
Sevastin Karda is a priest who hunts the magi and he is ruthless and vile. He and his Glasseyes are always on the streets keeping an eye on finding afterglows of people who used their magick and hunt them down to kill them.
Saya is a brave young adult who started a secret school and saves children with magi abilities. She has a secret hideout and pays the warren boss a healthy fee to keep her school hidden. She trains the children and helps them to learn how to hide or get rid of their afterglow after they have used magick.
But things are tight. Food is running out, money is scarce and it is getting more and more difficult to keep everything running.
This is a beautiful book of a young woman with the biggest heart and is trying her best to keep her children safe. She deals with the harsh and cruel outside world and even needs to deal with the older children's hormones. They are growing up and they start to feel things that cannot be easily expressed in a secret school.
And because it's a harsh and cruel world for most people, being outside means being a target to get mugged. Everyone has someone to take care of and this book deals with the question whose children matter more?
It's a fast faced and brilliant story. I really loved the ups and downs Saya goes through. And I admire her perseverance. I felt protective of the children myself and I absolutely cannot wait to read the second book in this stunning series.
In The Light of Kasaban, Thomas Howard Riley spins an excitingly wondrous yet brutally emotional fantasy tale full of trauma, sacrifice, found family, and deadly magick; this book might not be a chunker, but it will hit you like a brick in the gut.
Set in a scorching hot desert city every bit as brutal as its oppressive overlords, The Light of Kasaban tells the story of Saya Ani Anai, a poor young teacher of forbidden magick who has dedicated her life to protecting orphaned magi kids from the brutal religious order that wants them all dead. Crumbling under the yoke of oppression and battling enemies both within and without, Saya will have to risk everything to seize a chance at survival, or else her life and hopes will all go up in flames.
“The light of Kasaban burns all it touches, love, hope, joy. Nothing can withstand it. The heat bakes flesh and stone. The winds whisper like flames. The sun does not forgive.”
Now, for some inexplicable reason, Thomas Howard Riley has always been one of those authors whose writing I just knew I was going to love; dark, character-driven and emotionally destructive stories? Say less, please. And lo and behold, The Light of Kasaban was exactly what I was hoping it would be, instantly reminding me of the styles of my favourites like Jay Kristoff’s Nevernight and Krystle Matar’s Legacy of the Brightwash, while also feeling incredibly fresh and unique.
From the very first page, Riley just sets the tone and creates an all-consuming sense of dread that kept me in a chokehold from start to finish. I immediately latched onto Saya, not because she is so perfectly loveable, but because she is so tragically human and relatable in her fears and flaws. Moreover, this atmospheric desert city setting might be hot, but I’d dare to say that it almost pales in comparison to Saya’s own fire and spunk, which just made me love her even more.
“She could not be the one who broke down. She could not be the one who collapsed in tears. She could not be the one who desperately sank into the embrace of someone else and begged them to take over the strain for her. Kasaban offered no solace for those who broke. It did not pick up those who fell. It did not wipe away the tears of those who wept.”
I personally really enjoyed how, in a weird way, the first half of The Light of Kasaban has a bit of a slice-of-life vibe to it, though don’t mistake that for me saying this is a cozy story. It’s just that we get such a terrifyingly intimate look into Saya’s troubled mind as she goes about her days risking her life to protect the children she has taken under her wing, which allows for such an organic way of getting invested in these characters, for better or worse (ouch, my poor heart!).
Riley really doesn’t shy away from exploring the darker realms of the human mind as well as the depravities that humanity is capable of, especially in the occasional secondary POV from the deliciously hateable yet terrifyingly fascinating antagonist. The way that sensitive topics of complex trauma, grief, religious zealotry, oppression, genocide, sexual harrassment, morality, and sacrifice are woven into this narrative is confronting in the best way, and even though some scenes almost made me a bit too uncomfortable, I just loved how Riley’s elegant yet knife-sharp prose only made those visceral scenes and difficult themes hit home all the harder.
“Hiding to survive was better than fighting every moment of every day to live. Invisibility was better than armor. No one could fight the Priests. She had seen foolish people try.”
Though, despite the darkness and depravity, I think The Light of Kasaban is at its core a fiercely powerful story of defiance, hope and love. Saya’s emotional journey throughout this story is so beautiful to witness, and I absolutely loved the wholesome dynamic between her and (most of) the kids. Even though some of the children felt a little better developed than others, I still think the found family vibes absolutely shine and I especially appreciated how their childhood innocence and sneaky hijinx added so much heart to the narrative.
Not to mention, the Render magic system is undeniably cool, which only increased that sense of excitement and wonder for me. I do have to admit that I didn’t fully grasp all of the intricacies and limitations of the magic, though I don’t know if that was because it was intentionally soft and elusive, or due to the fact that this story is set in Riley’s existing Luminaworld which I personally hadn’t explored before yet. In any case, for the most part I felt like The Light of Kasaban was an extremely smooth and immersive introduction to this dark yet intriguing world, and if anything, it only made me more eager to explore the world further by diving into more of Riley’s works as soon as possible.
“One of these tomorrows will lead us to a better life. As long as the tomorrows keep coming, one of them will be that day. And the good thing about tomorrows is that there always is one.”
With the satisfyingly hopeful yet dreadfully ominous note that this story leaves off on, I am beyond curious to see where these scarred yet strong characters go next from here. If you like the sound of a dark fantasy tale that is first and foremost an intimately vulnerable character-study, but which still offers plenty of high stakes action, risky thievery, and excitingly dangerous magic, then I can’t recommend The Light of Kasaban highly enough!
Thank you to the author for providing me with an eARC in exchange for an honest review. All opinions are my own.
This was an excellent starting point for Thomas's work. Complex, yet intuitive magic. Characters you really feel for, and a world that feels as lived in as it is harsh.
This is not a typical action story, though when the action hits, it's well done.
A few moments in the plot kept this from being a 4.5 for me personally, but overall it was a very minor thing, and the epilogue had me excited to see what else this world has in store.
Read as part of the Willow Wraith Press Book Club for the month of September
How much are you willing to sacrifice for your family?
I enjoyed this excellent novel by Thomas Howard Riley. It was wonderfully paced, easy to read, and a very humanistic and engaging story of survival. As with most reviews, I have a bit to say, so let's get into it :)
Plot (no spoilers):
We follow the story of Saya Ani Anai, a teacher of children blessed with magical abilities (think Yoda, but more naive due to her age). We join "Sayani" in her attempt to survive not only the austere conditions of the desert city of Kasaban, but also avoid the leering gazes of the Priests and Glassdogs who've taken over the city as a follow-on element of an occupation force. Throughout her journey in The Light of Kasaban we see a human who will stop at nothing to protect her school of children, bearing the weight of keeping them alive, fed, and safe. Unfortunately, this catches the eye of the White Death, a Priest known as Sevastin Karda, and puts everything she's worked for in jeopardy.
Characters:
Sayani - really enjoyed her character, and it was easy to understand her motives, worries, and aspirations. Largely focused on her children and the procedures to protect them, our eyes are opened to the character. We're able to see how she struggles through every day life, finding a sense of purpose in teaching the children to protect themselves, but also how to use and harness their abilities.
The Children - each of them is unique, and they act perfectly suited to their ages. They have a system that simply works, as in they act the way a family should. Older children look after those younger, while Saya watches over them all. Some stand out more than others, but each is lovable in their own right. Riley isn't scared to shy away from approaching the issues of trauma or even the complications with simply growing up. It really throws a "coming of age" trope into his work.
Sevastin Karda - the introductory scene with this character as the "big bad" was a masterclass in chilling introduction. Riley's writing of the character's first engagement with Saya was TENSE! It reminded me of watching World War Two movies, where you see German Officers questioning the allies/heroes in disguise. You feel the weight of the moment, and share in Saya's pain and relief. You do feel the raw power of the individual, and the strength he possesses beyond those of the school he hunts. I enjoyed the character as a villain, and hope to see more of him in (and if there are) future installments.
What really worked for me:
The Story - again, it's a very human story about survival. There aren't any earth/universe shattering stakes, and it very much keeps to the themes of life and death. Both in the moment, and on the scale of a single city.
The Prose - very easy to read. There's no flowery flowing of confusing language or big/complicated/pretentious words or verbiage, so it can be comfortably read by teenagers–who might even see themselves in some of the children.
The Magic System - talk about cool! The residual effects of the magic, known as afterglow, were really interesting to see. It took no time to learn about its inner workings, and by the time you start "binding streams" a bit later into the novel, you have a solid foundational understanding of the concept. I'll give Riley his flowers here for holding your hand as you learn it (almost like one of Saya's students).
What didn't work for me:
The Ending - it just felt a bit abrupt. Understanding that as the endgame kicks off with a bang, that things do move quickly, but I found myself having to flip another page just to make sure that the ending was the ending. Not that it was a bad ending, quite the contrary in fact, in my mind I guess I was simply wishing there was more to it.
Certain Tactics - I couldn't help but think of the tactics used during
Overall:
This was an absolutely solid read, and I hope Riley continues with this series, as I'd love to follow the story of Saya a bit more, since there's a recurring them of return that is woven throughout the entire story. The author does include an epilogue scene, which makes me believe that it will continue. I would certainly return for future installments!
As such, I give this story a very solid 4/5 stars (if not even slightly over that). I would recommend it for anyone looking to break in to the fantasy genre, or those who want to pick up a book that I would say is a microcosm of the genre in the absolute best way (small setting, easy to read, incredible character work).
Thomas Howard Riley, you have my vote of confidence to continue Sayani's story! And you better...or else ;)
Now, onto my personal (and quick) bonus rating scale: The F**k Off Scale, where I personally tell the author what moments blew my little brain to smithereens.
One F/O is awarded for - the introduction of Sevastin Karda. I was so sucked into that scene that if he had have unalive the MC right then and there, I'd have been okay with it. Certified bad ass!
A second F/O is awarded for - the pure shock and awe for the beginning of the end. Go read it for yourself, seriously!
4/5 Stars, 2/5 F'Offs - this story was absolutely solid!
At the end of the book, I’m still thinking about the beginning of this book- that says something about how The Light of Kasaban by Thomas Howard Riley begins and the abrupt yet implied ending it provides. The door is left open, but I’m still thinking about how the book started.
The Light of Kasaban is a short novel featuring “light” magic inside a desert city-like environment with an oppressive religious government, and by oppressive, I mean to say, if you’re born a female magic user, you are hunted, caught, and executed in numerous brutal fashions, including burning by white hot liquid metal, and other cruel ways. Writers and readers can hear and see the word ‘brutal,’ but Mr. Riley brings it to its true meaning. Mr. Riley focuses the book on Saya, a teacher who takes in stray children in the slums of Kasaban and teaches and trains them to use and hide their magic powers. One of the intriguing creations of Mr. Riley’s work is that the magic use based on light and telekinesis, is that once the magic is done a film or scum like substance lingers on the users hands which can be seen by other magic users or magic hunters which is the lead plot point in the book as the repressive government or rulers of Kasaban hunt these users to either force them into servitude at a young age or capture and execute as heretics.
The society of Karasban is male-oriented and ruled by religious zealots, who kill any female with magic as heretics, and if caught young enough, any males with magic are brought up to become religious zealots. This puts the main character Saya, who is just trying to survive and do some good, in direct confrontation with the opposing forces. The character work Mr. Riley does with Saya, who is a rebel, not out of spite or anger, but just out of the urge to survive, I found enduring.
“She turned and walked away, swallowing a lump of sorrow the size of a riverstone, leaving the ashes of those lost souls who would never have a chance to be free.”
The pacing of the book was good, it slowed for a bit, but after the finish after the ending, I realized why it slowed, why the details and the lessons learned and the creation of this tight family like student/teacher almost parent like structure was created, so the ending could have the fever dream fight for survival climax that drove the books core right into the reader.
“Fighting and dying means nothing if it damns the ones who depend on you.”
Mr. Riley walks the line between character-driven and plot-driven stories; it’s a short novel, and he manages to dig into the main character, Saya, well, and flesh out others. The plot is hammered down easily, you know the ending is coming, it has too and when it does, I still wasn’t ready for it, still wasn’t sure what was going to happen and I felt for the characters so overall his writing did the trick providing a straightforward structure yet characters you thought for an rooted for even as thing you knew were going to unfold did so. Sorry, I’m trying not to spoil things here.
“The city wasn’t home. This place was a graveyard of her joy.”
Overall, I enjoyed the book, and the number of highlights and notes in my Kindle suggest the writing, world-building, and character work left me curious about Mr. Riley’s other work and wondering if there may be a sequel in the near future for this world. The Light of Kasaban by Thomas Howard Riley is a short yet powerful story set in an oppressive town ruled by religious fanatics, with an original magic system. Fans of desert fantasy with tropes like oppressive governments and found family will relish this book.
The Light of Kasaban by Thomas Howard Riley made it all the way to the final 10 books out of 300 entries in the 2025 BBBNYA (Book Bloggers Novel of the Year Award) contest, so do I really need to say this one is pretty darn good??
Well, yes it darn well is!
I’d really like to highlight the quality of Riley’s prose. He sucked me in instantly, literally from the first line ‘The First of every month was execution day.’ What I liked most about the prose was its simplicity. Riley doesn’t try to ‘overwrite’ things which I find to be a huge flaw in so much indie fantasy these days. It was simple, short, clear sentences which resulted in a fast paced and engaging read.
Saya makes for a great and plucky main character that it is easy to root for, and I thought it was cool that for once she was actually the teacher (its nearly always the MC who is being taught by somebody else). The religious and magical systems are really well developed and, honestly its just a great entertaining read with a strong emotional core and morals driving it.
Easy 5 stars and thank you to BBNYA for making me aware of this author
“It can’t be like this always,” Saya said. She did not know if it was true, only that it had to be true. It had to or there was no way to make her feet take another step. -- from The Light of Kasaban
In the dark fantasy world created by Thomas Howard Riley, "magick" is spelled with the added "k" in order to distinguish the actual thing from the richly magical environment in which it is derived and manipulated. And therein lies the appeal of Riley's stories for me.
Riley's prose is textured and evocative: it makes his world (Lumina) tangible. When he writes, "There was nothing else now between them and what was to come, not even time," the reader is immersed in the dreadful inevitability and immediacy of what is going to happen next. Or take the quote I used at the top of this review. What better way to express the forlorn hope of the main character, a young woman striving not simply to survive, but to overcome the desperate circumstances in which she finds herself.
Riley's settings are beautiful. The small desert town of Kasaban, for all its intense heat and remoteness, is, in many ways, a beautiful and joyful place to live. It's rich in history, with ancient exotic temples, a bustling marketplace with laughing patrons enjoying savory foods in outdoor cafes, and a pale blue, cloudless sky. But Kasaban has been conquered by a church of fanatical and oppressive priests who are in the process of reshaping the city in their own image. The ancient gods have been redefined, ancient customs prohibited, and freedoms lost. And the priests (using their own magick) are systematically rooting out and brutally executing rogue practitioners of magick, especially women and children.
Saya, a rogue practitioner, is in far over her head, as she gathers up orphan magick users and tries to hide them from the priests in her hidden compound while teaching them to use their gifts. She's a relatable and well-drawn character, idealistic, yet practical, with courage and flaws, and a sense of existentialist optimism in the face of impossible odds.
The Light of Kasaban is a short novel, but it is packed with emotion, tension, and, above all, desperation, and the reader experiences it all deeply. It's an intense, but wonderful read, and a terrific addition to Riley's Luminaworld saga.
This was a brilliant story. The author is not shy in making his story completely character driven, and for this, I tip my hat! So many authors are worried that the latest phase of fantasy story's feel like they need to be wham bam and all the action, mam. However, THR leans into his storytelling through his incredible main characters.
I felt gripped throughout this book, worried for the main character and her predicaments. I genuinely cared and was fully invested. I dont think this story should end here, we need more from this cast
A genuine 5 star read from me. Exactly what I want from a novel
And done! A personal story of a teacher trying to raise magik users in secret to keep them safe. One city, one story line, and a whole lot of chaos. Some nice tie in’s to We Break Immortals. Great introduction to the world and much more my type of story. @ornithopteryx
The Light of Kasaban is a dark and brutal tale. From the beginning, the tone is set with a horrific execution. Those who bear magick, men too old to be swayed into the priesthood, and all women, are hunted down. Not even female infants are spared. Saya hides in plain sight among the people of Kasaban, bearing witness to the deaths of those with magick. A grim reminder of what could happen if she and her school were ever discovered.
Thomas Howard Riley has created an emotionally complex character in Saya. Though the story is shorter in length, every sentence goes into creating this compassionate and flawed character. Her backstory brings tragedy and an overarching sense of fear and guilt. And yet despite all the challenges thrown at her, she fights to keep her children safe at the risk of her own life.
And the magick system of this novel adds to the overall tension. If enough magick is used, there are lingering traces that cling to the user and leave trails for those of the priesthood with specialized monocles or glasses to see. The pressures of poverty, keeping a group of children hidden in a city determined to see them destroyed, and Saya’s own untended wants and needs blend together into a grimdark story that will keep any reader engaged.
I loved the magic system in this book. The author has obviously put a lot of thought into it. I liked the rules and the things people could do. It was fascinating. I loved reading about the magic and how they had to cleanse themselves after using it. It was clever and well thought out.
The book is very well written and is very easy to read. There are lots of exciting action sequences. The world is brought to life with deft description. The author obviously knows this place and it’s people very well.
I enjoyed the depictions of religious belief, especially when the characters talked about the tenets of their beliefs. I would have liked more information on the background of the different religions and what they believed and why. An appendix with that information would have been so cool.
Overall a well written, easy to read, and fast paced book.
4 stelle abbondanti... Primo libro che leggo di Thomas, il realtà è il terzo che ha scritto ambientato in questo mondo, ma autoconclusivo e molto indipendente dagli altri.. Thomas ha creato un mondo davvero enorme, basta vedere le mappe sul suo sito.. questo è ambientato tutto nella città desertica di Kasaban.. è un fantasy un po' più familiare che epico, concentrato su eventi più piccoli e meno epici ma allo stesso tempo oscuri e dolorosi.. In poco meno di 200 pagine l'autore riesce a creare da subito un Worldbuilding vivido e unico: si sentono i sapori del deserto, ci si perde tra i mercati di spezie, tra la fine sabbia bianca che ricopre tutto.. Una cultura arabeggiante molto ben strutturata ma anche piuttosto particolare.. E soprattutto spiega, utilizza e approfondisce un sistema magico molto originale che è poi anche la base degli altri romanzi.. Il personaggio principale è uno solo, La Maestra, maga ribelle, con i piccoli ragazzi dotati di potere, che cerca di proteggere dai Preti inquisitori.. il sistema religioso poi è davvero ben fatto, molto cruento e spietato.. Di cose brutte ne succedono molte, anche se c'è molto spazio alle riflessioni più intime.. a volte forse anche un filo troppo.. ma resta comunque un libro frenetico, di azione e con una struttura molto profonda per essere di così poche pagine!! Convinto a pieno dallo stile maturo e dal contenuto adulto, leggerò presto gli altri due..
Excellent world-building with a strong cast of characters, each with their own clear and well-defined motives. Even if Sevastin Karda may put you off living in Kasaban, there’s certainly enough their to entice you into exploring more!
The desert town of Kasaban feels so real and richly described. It’s clear the author spent a long time envisaging it’s marketplace, temples and the general culture of the place. But unfortunately Kasaban is blighted by the oppressive priests who’s mission is to dominate Kasaban and root out those who still dare to use magick.
Enter Saya, a skilled practitioner of magick. She gathers together orphaned children with magick abilities and both trains and protects them. I thought she’s a really well rounded and developed character and honestly it was her who kept me hooked on the story throughout.
The novel is surprisingly fast paced and short for a fantasy these days - they are usually massive investments of Tim -so it really is an easy one to pick up. I highly recommend it. It was a well deserved finalist in the Book Bloggers Novel of the Year Award. (BBNYA)
In the brutal desert city of Kasaban, we meet a young woman who has not seen that many summers. Still, she has responsibilities as few.
Magick is forbidden. She has magic. This is grave danger in itself as her family has already burned. They will burn you if you are caught.
She has taken in orphans with magick. They need to learn to act normal when out and how to use their powers. The youngest ones are not allowed out, but the eldest and Saya must steal to get food on the table. Not to mantion pay of Jacobas to keep their little hiding place where the younglings can roam. If the magick can be traced back to their sanctuary, they are dead.
I could tell how much Saya cares about her little ones. She worries constantly and eats less and forsakes so they can have the bare minimum. I do not think she could love them more if he had birthed them herself.
For me, this was a page turner. The uncertainty and certainty that something will go wrong keeps me going. Will they be discovered? Can she get them all away before it is too late? Will Jacobas rat them out?
If you like grimdark fantasy with magic, then The Light of Kasaban might be for you. This book is about a girl named Saya that is a magi, and lives in a terrible place for people that have magical abilities. Anybody that is found with these abilities is killed in very terrible ways. Saya tries to protect some children from the priest and acolytes out to kill them and things go horrible wrong. The Light of Kasaban is dark and brutal and will keep you on the edge of your seat as you hope Saya or the children she is trying to protect don't get catch.
*read as part of Willow Wraith Press' Indie Book Club*
The Light of Kasaban by Thomas Howard Riley is one of those books that just nails the fear of oppression, that gnawing feeling of being caught at any moment no matter how much you prepare and careful you are. One slip, and it's like the legendary Bill Paxton's Hudson once said, "It's over, man. Game over, man. Game over!"
In the desert city of Kasaban, Saya spends every day keeping her students from the pyre, all because they can render magick. Priests of the Lord of Truth brutally execute those who can use magick, the men by heads into molten metal, the women burned from the feet up. Saya does everything in her power to keep her students safe from the Priests, until shes forced into using her magick, making her visible to the Priests' Glasseyes.
This is the third book by Riley that I've read and all his books take place in the same world, despite being as different as they could be. This world is awesome. The concept of magick with consequences is amazing. When magi render, there is an afterglow, and afterglow gets on anything touched. It fades after time and can be cleaned, but Glasseyes can use magical lenses to see afterglow to hunt down said magi. It's not only an amazing concept, but this is where the sources of tension in this book begins and ends. Saya and her students are under constant fear of being found, any magick they use must be quickly cleaned or their safe home is at risk. It's just a damn cool magic system and source of tension.
Although this book has a few short POV scenes from a pair of Priests, it's Saya's story and she doesn't disappoint as a protagonist. Every waking minute, Saya is obsessed about caution. She wants her students to be children, but she cannot allow them to make a single mistake. Her anxiety is palpable, and Riley makes her pain and obsession incredibly realistic. We feel everything with Saya, her disgust at the things she must do, the horror of her mistakes, the pain of failure when Bad Things™️ happen, and it's a feat of Riley to make this so. There are fifteenish students, all ranging from four to mid-teens, and while some are just names, many have discernible personalities, which could have been poorly done in such a short book, but again, Riley nails it. And the villains are true villains, love it!
This book is a very quick read. The pace is steady and the prose is really strong. If I did have a quibble, it would be there are a number of repeated bits of worldbuilding, like we get multiple descriptions about the Glasseyes seeing afterglow, but that's ok. And while it was neat to see a character crossover from a different book, is was kinda abrupt the way he was there, helped Saya, then not mentioned again. Small things.
But I do want to mention that Riley does not shy away from the terrible things. The very first chapter is Saya watching the executions of magi, and it's brutal. There are visceral deaths and some happen to children. And sexual assault. This world Saya lives in is heinous and Riley does not sugarcoat it. So be warned, but I will say that it's handled appropriately and really adds tension to Saya's daily plight for survival.
The Light of Kasaban is a powerful story of survival and hope. There is a recurring line Saya uses for her students and I think it sums up everything nicely: the thing about tomorrows, there is always another one.
TL;DR Review: In the grimdarkness of this tale, the light of resilience and strength of spirit shine beautifully bright.
Full Review: I’ll be honest: I was not prepared for how dark this book was! Our story opens with a public execution. Magic-wielders are being killed in grand spectacle—the men have their heads dipped into burning steel, but the woman and young girls are burned from the feet up in a truly gruesome display of cruelty. In the audience is our protagonist Saya, who goes to watch every single execution because it’s a reminder that one mistake, one careless accident, could mean she winds up on that stage being brutally killed. Dark, right? Well, hold onto your hats because it’s about to get SOOOOOO much worse! Saya returns home (quite the ordeal to make sure no one is following her) and we’re introduced to all the adorable young children under her care and tutelage. We’ve seen just first-hand what happens to magic-wielders, then we meet a gaggle of utterly delightful boys and girls (some as young as four) that are learning from Saya how to wield magic. And there’s no escaping that sickening sensation in your stomach: something terrible is going to happen to these little kids. Light of Kazaban is a look at what Saya has to do to survive in a world where she and the children under her care are considered profane, where anyone could turn them into the authorities and get them executed at any moment. It evoked the tone and tension of Jews living in Nazi Germany during WWII. There are so few friendly faces, but those who do not simply dismiss Saya outright (for being poor) see her as a threat, someone to take advantage of, or someone to use and discard cruelly. Every Priest could be her killer or find her secret—especially once the High Priest gets it in his head to hunt her down. The few bright moments in this story are immediately overshadowed by dark and terrible things. This is pure grimdark and you feel it on every page. The feeling of dread and foreboding gets worse with every chapter, until…well, you get to experience this particular terrible outcome for yourself. But in the darkness of this story, Saya’s strength of character and the resilience of the children in her care shine like a star. It’s a testament to the author’s skill that amidst the bleak reality, Saya can still maintain a sliver of optimism and hope—if not for herself, for the children she has sought to protect. Light of Kazaban is one of the darkest stories I’ve read all year, one that has left an impression for how grim it was willing to take the tale, but also how strong the drive to survive and protect can be. One hell of a story!
**Read as part of the Willow Wraith Press Book Club for the month of September**
What an enjoyable character-driven story! I'm partial to character over plot and action so this was right up my alley(although there *is* action and a lot of well-done tension it's not swinging-out-the-gate sort of action). It's a quick and straightforward read so I'd say it works perfect as a palate cleanser between heavier reads. It does feel a bit YA at times in the simplicity of the plot and prose but that's not a bad thing imo, do mind it's definitely not YA due to the themes and certain scenes!
I adored the world building, I have a soft spot for desert societies/cities perhaps because I lived in outback Australia for a couple of years and I loved the attention to detail in this one. Little things like the dunemakers that sweep aside the sand and dust gathering in the streets, the poor being forced to walk in those dunes along the sides of the streets and their feet therefore remained stained white form it, absolutely brilliant! I also really loved the idea of the Glasseyes/special lenses being needed for people to see the afterglow of magick usage.
Overall it's a 3.75 for me. I had some minor quibbles with things like the bright sun being able to hide magick use afterglow only when it served the plot while other times during midday sun it seemingly didn't hide the afterglow at all(perhaps I just misunderstood though, I struggle a bit with brain fog after all). But I doubt that would bother most readers and overall it was a great and fun read that I definitely recommend!
The ending itself was solid, the solution had been set up from the very start through lore and I love when a scene comes together the way it did. It also suggests a sequel, the setup being plenty obvious even without the epilogue that added another(expected) wrinkle. I look forward to seeing what comes next for sure!
Kasaban is dark and brutal city for those who yield magick. Those who are caught using magick are burned alive. Saya not only has to worry about protecting herself, but the orphans she has taken in.
I loved the 'found family' aspect of the story. The moments spent with the children helped bring levity to the story. Saya wanted to protect them from the world outside, but as readers we could tell that would not last forever. The children were growing older, wanting to test boundaries, use their powers in ways she might not always agree with.
Another interesting aspect explored was the children's feelings towards normals or non-magick users. Saya was distressed a few times in the story when the children expressed no concern over hurting or killing normals. She had to teach them a us versus them mentality to keep them safe, but in doing so made them less empathetic.
I was kept on the edge of me seat by the growing tension and high stakes. The magic system was great, and I liked how using magick left an afterglow that could be tracked. And while there was a seemingly easy way around it by waiting for the afterglow to fade or using certain ingredients to clean it off, the tediousness of the cleaning made a slip-up more likely overtime.
The ending left me wanting to explore more of this world, and I look forward to reading more from this author.
Wow Thomas Howard Riley is a new favourite indie author for me. The Light of the Kasaban is a slick, well polished, fast paced fantasy read, with some great world building, lovely prose and a main character that will stick with you for a long time.
Saya Ani Anai is a magi. That means she can wield the forbidden magick. You see Kasaban has been invaded and conquered by the priests of the ministry and they have outlawed the old gods and their magick. Any who practice it including children are hunted down and executed by Sevastin Karda and his priests.
Saya stands up to them by trying to nurture and protect the children.
It’s a simple but powerful premise that is executed with skill. Delighted it got some recognition in the Book Bloggers Novel of the Year Award. It deserves every bit of it
*Read for Willow Wraith Press's Book Club for September*
What a fantastic story! From the first chapter you're dropped right into a public execution, and it only gets darker from there.
The worldbuilding here is great. I'm a sucker for a good plotline featuring religious oppression. The gold-masked Priests in this story are terrifying. The magic system is complex and creative and avoids the common pitfall of having no real consequences. On the contrary, magic users in this world leave an afterglow that makes them visible to the Priests, who are hunting them down and punish them.
This story ends with the promise of sequel with tons of potential. Can't wait to see where the story goes next!
Thomas Howard Riley is an author to watch and he has written something really entertaining here. The desert city of Kasaban finds our main character, Saya teaching and protecting her magical students from the priests of the Lord Truth who hunt down magi by tracking the afterglow of their magic.
The best part of the novel is by far and away the author’s representation of Saya. She really makes a great protagonist. You can really feel her fear for and protectiveness for her students, who are children and teens. Some scenes are a little brutal for my tastes and perhaps they didn’t really need to be, but that is just a very minor quibble.
This was a brilliant story. The author is not shy in making his story completely character driven, and for this, I tip my hat! So many authors are worried that the latest phase of fantasy story's feel like they need to be wham bam and all the action, mam. However, THR leans into his storytelling through his incredible main characters.
I felt gripped throughout this book, worried for the main character and her predicaments. I genuinely cared and was fully invested. I dont think this story should end here, we need more from this cast
Extremely dark narrative set in a brutal world where magic users face public execution Protagonist: Saya - a protective mentor figure who guides young magic users, reminiscent of Professor X Who is Aren? Ended abruptly for me.
A city in dire need of a revolution, Saya does whatever she can to protect her ever-growing family. Safe houses and meticulous planning is the bare minimum required for survival. I'm a huge fan of dystopian stories and this definitely scratched that itch!
Not a huge fan. Writing was good, world-building was intriguing, but I just didn’t enjoy the main character. She was a bit of a Mary Sue and a second POV would have done wonders for me.