“Muir’s well-informed, entertaining book surveys romantic love and marriage among the real-life counterparts of Austen’s characters in an England threatened with invasion and agitated by calls for political reform.”—Jenny McAuley, Financial Times
“Digs wide and deep into the historical record to provide a documentary account of what falling in love and living happily ever after really involved in late Georgian England.”—Kathryn Hughes, Sunday Times
What happened when Jane Austen’s heroines and heroes were finally wed?
Marriage is at the centre of Jane Austen’s novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England?
Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all.
This is a richly textured account of how love and marriage felt for people at the time—revealing their unspoken assumptions, fears, pleasures, and delights.
Rory Muir is a visiting research fellow at the University of Adelaide and a renowned expert on British history. His books include Britain and the Defeat of Napoleon and his two-part biography of Wellington, which won the SAHR Templer Medal.
I somehow not only managed to get hold of this book before it was officially released—it seems like my local Kinokuniya pulled some strings here and there—but also become the first to review ‘Love and Marriage In the Age of Jane Austen’ on Goodreads.
Let me begin by saying that if at least one of the below-mentioned points relates to you:
a) you are a Jane Austen fan; b) you are a Mr. Darcy enthusiast; c) you are interested in knowing more about the lives, loves and sorrows of people during the Regency period; d) you are not immune to indulging in gossip, rumors and scandals (although they might be centuries old); e) you adore reading about historical events through letters, diaries and first-person accounts; f) or if simply all the above-mentioned points relate to you…
…then you absolutely must give this beautiful book a go.
Meticulously researched, incredibly well-structured, and filled with all the details one might expect this book to be filled with, from shy first glances, chaperoned meetings and morning calls to matters of courtship, first confessions and sexual relations between those, who are married and those, who are not.
All in all, I loved what the book made me feel. Some things bluntly shocked me (don’t get me started on what the 6th Duke of Marlborough did), while others made me hopeful, happy and somehow even content that, although divided by centuries, we are at core united by the very same thing— a desire to love and to be loved.
Beautifully written and meticulously researched, the author's new book gives us an intriguing true look at love during the time Jane Austen lived, which absorbed me from first page to last. This stellar history of courtship and marriage--core elements of Austen's novels --is a treasure trove for Janeites and for readers intrigued by the Regency era. Highly recommended!
Profound gratitude to Muir and Yale University Press for the digital review copy. Opinions are mine.
~~~ Also, here is a link to a compelling interview with the author on his new book by BBC History Magazine's HistoryExtra podcast. Enjoy!
An absorbing book which describes in detail the course of courtship and marriage of the upper classes in the late 18th and early 19th century. Rory Muir uses many real life examples, quoting extensively from letters and diaries of the period to show the varied experiences of the sort of people who inhabit the pages of Jane Austen’s novels - the gentry and those on the fringes of the gentry, as well as some aristocrats. We learn about courtship and marriage, elopements, quarrels, children, adultery and divorce, widows and widowers, every variety of experience of the married couple. There are some wonderful stories which are as good as any fiction,and some delightful characters. A great book for anyone interested in the social history of this era.
The chronological progression of the book, the extensive life stories, the depth of detail, and the lack of pretentiousness made it one of the most readable history books I have ever read. Not only did I learn a great deal, but it also debunked many of the myths and misconceptions I had about Regency relationships. It is a very honest book that shows not only the highs but also the very lows.
This hasn't been a year that has featured Jane Austen as heavily as times gone by but I still made the time to read this fascinating dissection of matrimony as seen by Darcy, Elizabeth and company. In truth, this was a spur of the moment pick as we needed to leave the bookshop immediately and I wanted one for the road. Still, given that Austen's novels are all predicated on some form of marriage plot, it was illuminating to have someone finally sit down and explain the nuts and bolts of Regency marriages and relationships. So much of what we put on Austen's characters is anachronistic based on our own preconceptions and it is interesting to see how perspectives on love have changed over time.
From fairly early on, I realised that I had been slightly mis-sold on this book. It is more Regency history than literary commentary and although the title should have given me a hint that it was more 'the age of Jane Austen' rather than 'in the books of Jane Austen', I nonetheless felt a little short-changed in how far Muir was prepared to delve into the relationships within the novels. References were made to the various pairings across the six novels but Muir was naturally far more interested in the real life figures of the period who were the subject of his research.
In fairness, Muir has taken a thorough cross-section of Regency society through which to examine the ways in which people met, formed relationships, got married, failed to get married, had children, did not have children, stayed together or came apart. There were some names that I recognised such as those around the Duke and Duchess of Devonshire's set but also a fair number who were new to me. Many of them gave the truth to the phrase that real life is indeed stranger than fiction with various hair-raising tales such as the previously respectable vicar's wife who took up with their much younger groom but got caught out by the grass stains on the back of her dress from fornicating on the lawn.
A few years ago, I read The Banker's Sister which shed new light for me on the world of finance in Regency Britain and put much of Austen's writing in important context. Muir's book is similarly instructive, breaking down the rules around settlements, portions and pin money which all needed to be drawn up in a marriage contract before the couple in question could unite in holy matrimony. Dejected would-be spouses would bewail how long the lawyers were taking and how they hoped to be married in October but it was looking like it would be closer to Christmas. The whole business sounds more akin to the modern day palaver of exchanging contracts on a house and sorting a mortgage. Muir also explains the rules around weddings which were limited to certain times of day and I now finally understand what Mrs Bennet meant when she exclaimed that Elizabeth should marry Mr Darcy by special licence.
Clearly written and engaging, the book conveys that marriage was a very different proposition in that tying the knot in those days was enormously difficult to unpick. Not impossible, but for most couples a failed marriage would mean a separation agreement - again usually drawn up by a lawyer - rather than a divorce. Muir notes however that this was not quite the disaster state that Austen suggests in Mansfield Park and that Maria Bertram would probably have been allowed into society in certain quarters once the dust had settled. One puzzling omission from the book though was any mention of the elder Eliza from Sense and Sensibility. If Muir is arguing that divorce was something that women could recover from, that protections were built in to a marriage contract, why did the elder Eliza go from heiress to dying penniless in a garret? Could that really happen? What did it mean for children like the younger Eliza, offspring of her mother's 'first fall' and yet nobody seemed to feel that she was in any way entitled to her mother's money.
I also wished that Muir had explored further the notion of arranged marriages. Elizabeth seems to have looked at the idea of Mr Darcy marrying Miss De Bourgh as rather antiquated. Similarly, Austen is not intending us to approve of the older Eliza being handed over as bride to the elder Brandon brother rather than the one she actually liked. Muir's research seemed to imply that parents recognised that it was important that their offspring went into marriages of their own free will. Austen herself offered advice to her niece on matrimony but made it clear that the final choice had to be made by the interested party herself. It was simply too big and too final of a step to decide on someone else's behalf.
Still, I was most intrigued by the references to economic structure and the difficulties experienced by younger sons in approaching matrimony without an income. This then trickled down to men ending up around ten years older than their wives because it had taken them so long to actually establish themselves enough to support a wife. I think I need to read Muir's previous book Gentlemen of Uncertain Fortune. It may be one for the Christmas wish list.
On the whole though, my over-arching impression from the book is that people in the age of Jane Austen were not so very different as those around today. They wanted to be loved, they went into marriage with hopes and dreams and some of these worked out and others were less successful. Then as now, illness, financial strife and just plain bad luck all had the potential to make things more difficult. I would suspect that that common chord across the centuries is what keeps Austen novels relevant.
Accessible, interesting, and enjoyable read - all the things I want from a history book in my spare time!!! Regency romances are as popular as ever (looking at you Bridgerton) so I was drawn to the concept of looking at what happens after happily ever after? The wide range of sources, especially love letters, were so entertaining - it was amazing to see how couples flirted, argued, and compromised just like they do today. I appreciated the attention given to the diversity of experiences - everyone is different therefore every couple is different, and many people never married at all - but there were still a few names who became familiar and you started to recognise patterns throughout which was lovely. Because of the wide audience and difficulty of making generalisations about these topics, there weren’t many concrete arguments or comparisons to other periods which disappointed me slightly. I personally would’ve liked to hear the author’s opinions and educated guesses more, even if they couldn’t be fully supported by evidence in every case, but I understand why he stuck to sharing the facts and letting readers form our own theories. Overall a great read and definitely recommend to anyone interested in historical romance and what makes Jane Austen so timeless - the fact that love (in all its forms) has always been a huge part of people’s lives 🩷
I don't know what I had expected from this book, but now I know that falling in love and having a happy marriage weren't all that different in the age of Jane Austen than they are today. I guess I was more interested in the differences than the similarities and, consequently, found the chapters concerning legal and financial matters the most interesting.
The book, however, is packed full with endless examples of random, predominantly happy people who met, courted, married and grew old with each other. Good for them, but that doesn't make for interesting reading. (The love letter chapter is beautiful, though!)
Of course, Muir's book isn't intended to be a Jane Austen novel and I do recognise the effort and attention to detail he put into it. Nevertheless, I took his 'Gentlemen of Uncertain Fortune: How Younger Sons Made Their Way in Jane Austen's England' off my reading list as I don't want to read another book in this style.
Very well written, very interesting. I also liked that Muir goes into people who don't get married from one reason or another. He follows several people and couples throughout the book, and it was fascinating to see their changing relationships through the years and chapters.
An interesting dive into a topic most people would recognise from classic romance literature (and possibly think they know all about). TLDR - love and relationships were as complex back then as they are today. A must read for Bridgerton fans too.
Disappointingly only the sum of its very well-researched parts.
As with his previous book on younger sons, here Muir uses primary sources (journals and letters) alongside other historians' work to build his narrative about courting, raising children, divorce, etc. But maybe because he flits between stories, or maybe he seems at heart more of a biographer than an analyst, his chapters feel like summaries based on anecdata rather than convincing assesments of period mores. His previous book could build its arguments on, say, clergymen's salaries, by citing a few illustrative examples. But 2-3 notorious stories about domestic violence in the peerage, however vivid, cannot actually tell us how all of Society viewed a husband's abuse. Too much of this read like speculation based on not enough facts. (I don't fault his *research* -- it seems like not enough surviving primary sources exist to make a comprehensive claim about a lot of these topics.)
I also think referring so often to the work of Austen and other Regency novelists as justification was a strategic error. Austen was a fiction writer, not a journalist, and although she was an excellent social critic, she developed narratives and characters to push themes she wanted. Like all literary authors! We can learn more about contemporary cultural attitudes from her reviewers' reactions than from her fabricated heroes' views on love! Muir oddly ends up minimizing Austen's creative decisions as an artist by using them as examples.
As an Austen fan with a history nerd's interest in the Regency era, I enjoyed some of the stories but learned little new information. (Unlike his last book, where nearly every page contained a revelation about the economic structure of Regency society. Also I disagree with his interpetation of a few Austen themes but those are quibbles.) I think this would be a good introduction for someone who just read their first period romance or watched a corset drama -- whether Pride & Prejudice or Bridgerton -- and wants a little more context. But I would be wary of taking his conclusions as my own.
The real value of this text for amateur historians is its extensive bibliography: what a list! I look forward to reading so many of the sources myself! Especially some of those beautifully romantic letters...
This was a fascinating and really well-done look at relationships in regency England that I'm really glad I read. The book is structured to consider the entire course of a relationship, from meeting, attraction, and courtship, to proposals & engagements, weddings & honeymoons, early married life & children, and finally growing old. Along the way it also considers heartbreak, marriage settlements, elopements and abductions, spinsters and bachelors, the effects of careers on marriage, unhappy marriages, domestic violence, adultery, divorce and separation, and widowhood. Basically it covers everything you would want to know about love and marriage in Jane Austen's era, and the author draws primarily from letters written at the time in bringing these topics to life. I learned a lot that I didn't know before and that will help inform my reading of novels from and about this era.
He does incorporate aspects of Jane Austen's novels or real family members' lives at times, so you wouldn't want to read this without having read all of her novels, but he doesn't rely primarily on fiction to make his arguments. If I had a critique, it would be that he could have made a stronger argument about how reflective Austen's novels were of society, or of how her novels might have satirized or influenced society– basically I think the connections to her works could have been strengthened conceptually, but this was excellent overall!
If we imagine that courting in Austen's day was purely a matter of wealth and status, we seriously deceive ourselves. Of course there were some on the lookout for an "advantageous marriage", but these were soon identified as "fortune seekers" and frozen out. Austen was old-fashioned, provincial, and perhaps disillusioned: she never married and therefore saw the game from only one side. Remember too, that writers of fiction must exaggerate and invent.
The fact of the matter is that the Regency marriage market was surprisingly modern and above all sensible. A happy life depended on a happy marriage, and this was not to be despised. Parents no longer forced their children into marriages they didn't want: they felt entitled to veto unsuitable suitors but not (on the whole) to presume that they knew best. As for money, the important thing was that there should be enough: poverty brings misery but riches are no guarantee of happiness. The same applied to status: all that was required was someone sufficiently respectable to be accepted into the family set. Finally, they were acutely aware of the terrible permanence of marriage. You really only had one chance to get it right.
There was a downside. Men could not marry until they had established themselves and had the means. The husband could easily be twenty years older than the wife, often more. The result was that men spent half their adult lives as bachelors, and women half their lives as widows. And for those who chose wrong, the other half was a living hell from which there was no escape.
So the first step was to filter out the paupers, the outcasts, the uncouth, the drinkers, the gamblers, the cruel, the neglectful, the crazy. This was where local knowledge, recommendation, and yes, gossip came in. After that, there were rules about where and how young people could meet. Within those rules it was for the principals, not their parents, to decide who they loved, respected, and were compatible with. As I said, it was an entirely practical arrangement and the only objection we can really make today is that they were overcautious. But in an age where reputation was king, marriage was permanent and poverty a disaster, it all made perfect sense. And really, doesn't Austen's work actually support this? The heroine's mercenary schemes come to naught, and she marries the boy next door.
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One of my hobbyhorses is the contrast between the Enlightenment and the Romantic period. In Austen's day, the first glimmerings of Romanticism were appearing, though they did not yet dominate. The Romantics regarded the Enlightened as cold and calculating; the Enlightened regarded the Romantics as rash and foolish. The Enlightened thought, the Romantics felt. And this was reflected in their attitudes to marriage.
A Enlightenment person would size up a suitor's fortune before allowing even an introduction. To the Enlightened, love and respect were necessary, but violent passion was not. A Romantic would say, "Marry and be damned! Love will find a way." Mrs. Micawber married Mr. Micawber for his prospects, not his fortune. And in this respect, our 21st century society aligns firmly with the Romantics. We can do this because we no longer regard marriage as unbreakable.
Some Enlightenment quotes:
"No one ever died of [romantic] Disappointment." - Jane Austen. This is not only cold, but factually incorrect.
"I am not, I think, very Romantic, for I do not think violent Love necessary to one's happy-ness, but I think that you will agree with me that a decided preference is absolutely so." -- Muzzy Capel.
"Poor little Soul! She has been behaving in a most perfect manner on an occasion that it is impossible not to feel for her in, because the person has every thing to recommend him but that detestable article Money, a little of which, at least, one cannot do without." -- Mrs. Capel to Lady Uxbridge. We are all Romantics at heart, but one must be practical!
"Do not be in a hurry; depend upon it, the right Man will come at last; you will in the course of the next two or three years meet with someone more generally unexceptionable than anyone you have ever known." -- Jane Austen to her niece. The advice to wait two or three years for someone "more unexceptionable" may be sound, but it is absolutely Unromantic!
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Right up until the 20th century, English marriage law gave all the power and property to the husband. But this is not how marriages worked in practice, and everyone knew it. A happy marriage (and a good proportion were happy) was a partnership between equals. Austen's contemporaries knew this, and it only reinforced their view that a love match must be preceded by a realistic financial and social audit. And they had powerful prenuptial agreements to ensure that wives, widows and children yet unborn would be financially secure.
The famous Marriage Market was only the visible part of a society that was organised around a single goal: to produce good and lasting marriages. It was a system, involving recruitment, training, drill, parades and inspection; institutions, attitudes, ethics, and rules. And perhaps surprisingly, it was all in the pursuit of happiness. I don't know for certain that they succeeded, but after all that effort, they certainly deserved to.
This was fascinating. At times the many, many real-life examples became confusing (a lot of people back then had similar names, and the same people popped up in chapter after chapter), but I was normally able to figure it out. Some chapters featured more examples from Austen's life and works than others, but that's to be expected based on the topics. I appreciated that the author wrote some about same-sex couples of the time, especially considering there can't be much information to draw from. I also appreciated that the author acknowledged frequently when the societal mores were stacked against women.
As a confirmed Janeite I felt obligated to read this. 183: Some of these happy couples remained intensely devoted to each other throughout their married lives; for others, the ardor eventually began to cool, leaving a bond of affection and shared experience, fondness without passion. But none of these couples treated their love as a static thing, kindled in courtship and put away in mothballs along with the wedding dress. By constantly expressing affection, in words and gestures, directly and indirectly, they reassured their beloved and helped keep their feelings alive.
I LOVE this book! I actually spotted this book in my library and decided to give it a shot. Admittedly, it is right up my alley, seeing as how I am a lover of history. I don't think there is anything more to add here. i shall definitely be checking out more books by Rory Muir! I also will be getting my own personal copy of this book. I love it that much. I think it is money well spent :)
Great attention to detail and clears up a lot of myths about Regency romance, marriage, and courtship. Really recommend it to any Jane Austen or Bridgerton fan so that they get a better sense of the era and how radical and wonderful the fiction we like is. Amazing work from Rory Muir, and really loved the way everything was explained with a "it depends" then a subsequent laying out of the possible options and scenarios!!!
This is a decent read discussing love, courtship, marriage and widowhood in the eighteenth and nineteenth century. The title (age of Jane Austen) is a bit of a hook and while characters/stories are mentioned the key players are other persons from history. Chapters are well broken down but seemed to go high level on a lot with not enough detail.
overall enjoyable but i would have liked to know a little more about london’s high society and a little less on naval officers. the author is a wellington historian so it’s understandable
From the first meeting to the grave -- the course of marriage over the era, among the upper-crust, from highest nobility to those fighting at the edge of gentility.
The stage getting to marriage were quite extensive. From first meeting, courtship, proposals, marriage settlements, doubts, and a great deal more. And then the marriage, the children, the possible problems -- the worst cases tended to be separations, which were possibly not legally binding -- the deaths and the old age.
Much to cover. An interesting detail was that children still too young to join the adults for dinner would come in for dessert when they had company, among many other details of Regency life.
As a follow-up to Muir's Gentlemen of Uncertain Fortune, Love and Marriage offers an in-depth look into marriage and courtship during the late Georgian period. Now, this is a topic that has numerous books with established opinions on it; yet, this tome has something to offer. Muir gives a very complete guide to from the beginning of a romance to its conclusion, and it's well worth adding to your collection.
Muir begins by looking at courtship, which is one of the most in-depth reviews on the subject that I have seen. One of the things that makes this section so interesting is he doesn't just stick to the process of courting. He also talks about what might delay (or speed up) a courtship. Notably, he relates back to his first book Gentlemen where an unpredictable career or an insufficient income could prevent even the most ardent of wooers from making an offer. Then, Muir goes through the subject of negotiating the marriage contracts, the wedding ceremony, honeymoons, and then what living together would be like, as well as widowhood, divorce, and even domestic violence. Overall, he's extremely thorough.
Another thing that elevates this text is Muir uses a few different couples to illustrates his points. While most of these folks are from elevated positions in society (most of them are aristocrats, so even above most of Austen's characters). Even so, these anecdotes ground the facts and make them relatable.
If you love Austen, then this book is a must-read. It's so easy to read and so illuminating, and you'll love all the Regency gossip it provides, plus the frequent mentions of Austen's own characters and life. Don't sleep on it.