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If seeing is doing, and doing is being, then being is also seeing. Asawa's art requires what she called the "total act" of seeing, grounding us in the raw experience of space and form beyond binary distinctions, circumventing language and its constraints, embracing the ineffable. The visual and sensorial experience solicited by her works exists independent of subject matter. Instead, through their intrinsic properties — movement, continuity, negative space, line, porosity, flexibility, modularity, and abstraction, among others — they create a world outside the known one, a world that can contain an object that defies definition.