Max Bretzfeld's dangerous mission begins when he returns home to Berlin as a British spy in the much-anticipated second book in Adam Gidwitz's duology that began with Max in the House of Spies.
Max was on a mission. Well, two missions. One mission his British spymasters knew about: infiltrating the Funkhaus, the center of Nazi radio and propaganda. The other, they did not: finding his parents.
Max Bretzfeld was willing to do anything to return to Germany, even become a British spy. Training complete and forged papers in hand, the radio wunderkind’s mission has begun—gain access to the legendary Funkhaus, the base of operations for the Ministry of Propaganda and Popular Enlightenment headed by Joseph Goebbels.
Even better than the first book. I can’t imagine a more important book for kids to pick up right now, while adults that they trust vote for fascists in the hopes of cheaper groceries. “History does not repeat itself. But watch the news, read social media - heck, listen to the radio these days - and you can hear it rhyme.”
Yes, belief must again be suspended at unprecedented levels. And yes, Max is the cleverest and luckiest of child spies to infiltrate the heart of the Nazi regime. I didn’t expect to hand out 5 stars again, but with a satisfying ending, which was still heartbreaking, here you go. This book does what it needs to and is throughly engaging as it does it. It shows the horror and pain of an oppressive government. It shows ways many Germans lived with it and even accepted it. It is both gripping and entertaining, emotional and satisfying, and very much a cautionary tale.
I liked Max in the House of Spies. I *loved* Max in the Land of Lies.
The first book sets the table—introduces Max, explains the Big Lie, gets him trained and parachuted back into Nazi Germany. It’s clever and propulsive and asks genuinely hard questions. But this second book is where Gidwitz fully arrives. Higher stakes, higher emotion, more thought-provoking at every turn. I devoured it.
Max’s mission in this installment takes him inside the Funkhaus—the actual building where Nazi propaganda was manufactured and broadcast to the German people. And what he finds there is not a building full of monsters. It’s a building full of people. People making calculations. People telling themselves stories about why they have no choice. People who, as one character puts it, have thoughts they avoid and feelings they can’t afford to have.
Gidwitz doesn’t let anyone off the hook—not the Nazis, not the British, not the reader. One of the most striking passages in the book wrestles honestly with moral equivalence:
“The Brits have done a lot of evil things over the last many centuries. Most of the terrible things the Germans are doing to their own people, the British have done to others. So how do you compare evil? What do you do? Count the dead? The wounded? The starving?”
It doesn’t resolve neatly. It’s not supposed to. But it lands on something true: that a nation committed to evil—systematically, ideologically, as a project—feels different from evil done in the pursuit of empire. The distinction matters. Gidwitz trusts his young readers to sit with that complexity.
He also includes Hitler’s own words about Christians—that they would betray their God for the sake of their miserable jobs and incomes. And then, quietly, devastatingly: historically, many of them did.
And then there’s this, which I keep coming back to: “To feel proud, comfortable, and loved, we humans will do and believe anything.”
That’s the thesis of the whole duology, really. Not that evil is perpetrated by monsters. But that ordinary human longing—for belonging, for safety, for dignity—can be weaponized. That the machinery of propaganda doesn’t run on hatred alone. It runs on need.
“They had hoodwinked a nation into serving them. They had broadcast lies, big lies, grand narratives—not to make Germany great again, but to feed their egos, to line their pockets, to quiet their insecurities.”
I don’t think I need to explain why these passages feel urgent right now.
Read this duology. Read it as an adult. Read it to your kids. It is doing the work that the best historical fiction is supposed to do—not just bearing witness to the past, but handing you a lens for the present.
Rarely do I encounter books that have sequels equal or better than their predecessors. This one was such a book. I’ve been an avid reader of books about WW2 since childhood. These two novels by Alan Gidwitz are some of the most thought-provoking that I’ve read. At the beginning of both books, the author urges the reader to “forget everything one knows about WW2 and the Holocaust”. The reason for that becomes apparent when the reader is presented with details about subjects such as British colonialism, racial division in America, and the National Community of Germans. All of these, and many others, were presented and used as vehicles of propaganda by the Nazis, mostly by radio transmission. My brain felt twisted after reading such passages. To my relief, the author’s notes at the end showed me that I was not the only one whose mental faculties were affected. Gidwitz himself states in his end notes that at times, rhetoric from “The Most Trusted Voice in Germany” (Hans Fritzsche) that he was listening to for research had him doubting facts about who the aggressors of WW2 actually were. This was because Fritzsche was a master wordsmith, who “used the magic of his own words to convince himself, along with everyone else”. This book, and the first one, would be excellent tools to use in Y.A. classrooms. Kudos to Adam Gidwitz; I hope he keeps them coming in the future!
Excellent second book in this WWII series. I've said it before, and I'll say it again: Adam Gidwitz is a master of tackling difficult topics for the kid audience. He manages to share a dark history with the perfect blend of humor, emotion, tension, and adventure while also making it applicable to present-day issues.
Max in the Land of Lies was an incredible follow-up to the Max in the House Spies. The nuances Gidwitz shares to this historical fiction tale with a small magical twist are important, as are his incredible "How Much of this Story is Real" and Annotated Bibliography sections which will help the reader gain even more understanding of the history that makes up the foundation of this story. I am adding Account Rendered to my reading list now.
Thank you to Libro FM for providing me early access to this story. If you are looking to purchase audiobooks that support local book stores then Libro FM is the app for you.
WW2 political analysis set as historical fiction with a touch of Jewish folklore/mythology. What does Gidwitz want us to notice?
13 year old Max explores how Germany could become a nation that inflicted incredible suffering and cruelty, finding the answer in propaganda and the big lie. This is meant to be read through your 2025 left-leaning glasses…somehow it avoided feeling didactic and was more cautionary. Reminded me of Animal Farm. Not all readers will appreciate a lesson on how Hitler wanted to “make Germany great again.” Kids probably won’t pick up on this layer though.
Plot is fast paced and doesn’t even try to be realistic, but concludes abruptly though satisfactorily.
Very unique and ambitious for middle grade; lots to discuss. Will encourage my kids to read it, but advise 6th grade+.
It takes a lot to put a fresh spin on WWII stories at this point, but Gidwitz knocked it out of the park with this duology!
First off, I loved that this second book started with just a brief overview of book one. Because it’s been a year since the first book came out and realistically, lots of readers have forgotten a few details. This helped me so much.
Second, there are two immortal creatures sitting on Max’s shoulders. Yeah, that’s kind of strange, but if you just go with it, it totally works. I think that it’s an incredibly clever way to solve the “adult problem” in this story aka give Max someone to give him advice when he’s off on his own.
I struggled at times with how flippant Max was with his words. He argued with Nazi’s too much or made little slips that could have gotten him caught. But also, he’s a 13 year old kid. And has only had a few weeks/months of spy training. Ultimately, he played to his strengths of knowing radio and that worked so well.
While I don’t think that our current world is identical to 1941, I really appreciated this part of the author’s note: “History does not repeat itself. But watch the news, read social media—heck, listen to the radio these days—and you can hear it rhyme.” Yes, absolutely the rhymes resonate, of how good people, Christian people, millions of people, can choose to believe Big Lies because we tell ourselves small lies every day. And I appreciated how well the author showed how hard it was to stand up to Hitler. How many normal, average people just got along.
And I’m grateful that this was a duology. Couldn’t have read more? Sure. But this story is complete as it is, even as it has much before it and much after to consider.
Utterly captivating and devastating. I loved book one in this series but Gidwitz leveled up dramatically with book 2, and has written one of them most emotionally compelling depiction of the horrors of Nazi Germany that I have read in middle grade fiction. I would say it’s not for the faint of heart, but how else do we fight like hell to ensure this doesn’t happen again? It was devastating to see so many similarities to what is happening in the US right now, and while we can’t necessarily explicitly make these comparisons in school in middle grades … reading this is a start for our youth.
Max infiltrates the Nazi party in a way only a kid could. The author does a good job presenting the complexity of the time and doesn’t turn every German into a monster. Instead he presents why they became monsters and each individual has different reasons whether they are disappointed by failure or like to be adored by others or want power because their bullies, to name a few. The kobold and dybbuk give some nice comic relief in a dark subject.
It was good! It was fast paced and fun. I would recommend this to 13 and up, as it is a bit darker than the first one. Note: There was a gay character. They don’t mention it except in one sentence and he is a minor character.
I just read the last page of this book and I am utterly awestruck, gob-smacked, drop-jawed, speechless. Read in one sitting. Could not put it down. Deep, penetrating questions about human nature, family devotion, little lies and big lies. Tender, funny, inspiring while at the same time brutal, grim and devastating. For mature readers who won’t be surprised by the shocking reality and perplexity of WWII. Beautifully researched. So much thoughtful detail.
Gidwitz does an excellent job of two things often shied away from: 1) Portraying Germans as ordinary people going along with horrible things for a variety of reasons, some more relatable than we'd like 2) Showing that sometimes smart marginalized people fall for propaganda about themselves. No one wants kids today to think slurs about Jewish kids were true, so often fiction skims over the inevitable: a whole society saying you're terrible is going to lead to you wondering if you really are. Well handled here.
Two things distracted me: 1. A successful kid spy is hard to make plausible, especially one who makes as many mistakes as Max understandably does 2. The Nazis proudly refer to themselves as Nazis, a perjorative term they reportedly didn't use among themselves. They also don't really use terms that they DID commonly use among themselves. Everything else was highly researched and detailed, so that was weird.
Adam Gidwitz is a genius. Somehow in this book (which is just as good if not better than the first one in the series), he surprises the reader with pops of humor despite the heavy topic of early World War II atrocities with the banter between the dybbuk and kobold that live on Max's shoulders. But what really stood out to me was the way Gidwitz created each character with so much nuance (even the "bad" guys). He talks about why he chose to do that in the afterword, which is equally powerful.
I think this one will stay with me for a long time.
P.S. The audiobook narrator is equally brilliant and I highly recommend listening to this if you get the chance.
Despite not reading the 1st in the series, I was able to thoroughly enjoy this thrilling spy story. I enjoyed the exploration of why Germans became Nazis, or quietly went along with it, and how some tried to oppose it. I also liked how the British didn't come out entirely clean, either, because at the time they had been doing many of the same things in their "British Empire" that Germans were doing. I liked the exploration of lies in various aspects: propaganda, self-preservation, spies, or ego. I also liked some of the real details, such as that concentration camps really did have parking lots.
Max in the Land of Lies is the much awaited conclusion to last year's fantastic middle grade historical fiction, Max in the House of Spies.
In the first book, of this WWII adventure series, when twelve year old Max escapes Germany on the Kindertransport, he suddenly discovers that he has two immortal spirits on his shoulders. Only he can see and hear the Dybbuk and Kobold. These two characters provide information and context to both Max and the reader as he finds himself living in a house of spies. They also provide a lot of comic relief to a book with a serious subject. Max did not want to escape and wants to return to Germany and help save his parents. He is a genius and manages to train for a spy mission back in Germany.
It is here that the second book begins. Author Adam Gidwitz spins a yarn with a plot full of danger, twists and lots of coincidence. Gidwitz weaves historical figures into the story with such life, that they seem just as real to the reader as the fictional characters. The strength of this story is that although Max interacts with important historical characters, including Hitler himself, much of the story involves conversations with the average German citizen. The book provides insight into how a nation could follow such a leader and turn a blind eye to all the murder and injustice. This book is well researched and is educational but still provides great entertainment. Although these books are written for a middle grade reader, it is much more serious than book 1. The author provides an extensive afterward which discusses the real versus fiction and provides more information about the holocaust and biographies on the historic figures.
Although the main character is Jewish, this book is for all kids. In the current environment with rising antisemitism and increasing incidence of book bans, this important book might help open the eyes of many youngsters. This is a fantastic read for any historical fiction fan who is interested in that time period. It would also be a great way for teachers to introduce the topic and should be in school libraries.
I received an electronic advanced reader copy of this book from the publisher, but this review is entirely voluntary and I can honestly recommend this book.
Wow! This is a powerful and gripping narrative about Max, a young Jewish boy returning to Berlin to spy on the Nazis and find his parents, and what he discovers as he navigates the dangers, makes friends, and pursues his dual mission. The research that Adam Gidwitz did about the real people in Nazi leadership and others in Germany provide authenticity that highlights the dangers that Max faces.
Wow. Gidwitz does it again. Another powerful middle grade historical with a touch of magical realism that feels both true to the tone of the setting and relevant and compelling in our own time. Strong recommend to middle grade educators, readers of middle grade historical, and readers of middle grade Jewish lit. It is the second of a duology, so be sure to start with Max in the House of Spies.
A worthy follow-up. Gidwitz does a stellar job of showing how everyday people fell under Hitler’s yoke and gives us a break-neck plot that entertains and educates. I can’t recommend this duology enough.
A very empathetic look at Germany during WW2 and the motivations and actions of citizens during the evil - does not let the UK off lightly or over sentimentalise their actions
The sequel was even better than the first book. I typically listen to an audio book at an increased speed but by the end I had slowed it down to 1.0 because I didn't want to miss a single word. Such an important story written in a style that is engaging and somehow lighthearted while still maintaining the seriousness of the World War 2 topic. Fantastic job Adam Gidwitz! I want to go back and actually read this series instead of just listening and that is saying a lot for me because I almost exclusively listen to audio books.
It is an incredibly tall order to make WII accessible to kids. They have to be wondering how the world let it happen. Adam Gidwitz valiantly tries to answer that question with a story. I feel that the book catches the question and the answer gets lost in too much fantasy. I really struggled with this story because it felt forced for a moral lesson. I completely agree with the lesson and also believe kids can smell a lesson in a story and won’t sit for it.
Ehhh... Where to begin? How about the awful way the author portrays Christians in Germany during WW2? Or another unnecessary shoving of a gay character in a children's book? Yes, I'm aware many Germans in WW2 claimed to be Christian, then fully supported Hitler and his genocide. That is NOT true Christianity. I didn't like how the author seemed to support the opinion that ALL the Christians supported Hitler and his views. Christians are not like that (or at least, they SHOULDN'T BE). What about all of the Christians who hid and supported Jews in Germany and the surrounding areas? And who went to concentration camps and/or died? (Corrie Ten Boom ring a bell?) Nope. Never mentioned. Apparently they were all a bunch of total hypocrites, practically shoving the Jews into the cremation ovens themselves. If you really want to read an accurate book about Christianity in Hitler's Germany, read "Bonhoeffer: Pastor, Martyr, Prophet, Spy". I could go on about this topic for a while. As for the gay character, yes, I am aware there were gays in Germany. Yes, I'm aware they were also taken to concentration camps and killed. No, I do not agree with it, and feel sorry for everyone who was murdered in Hitler's death camps. However, I believe it it wrong and against the Bible, and I am sick of having it continually pushed in my face at every opportunity. The main character is lead to believe that anyone should be able to love anyone they want, and that being gay should be entirely ok. In this book, gays are treated like martyrs, which is ridiculous. What about the Roma people? Nope. The mentally and physically disabled? Not really. Apparently they don't matter as much as the gay people, despite the fact that there were so many more of the Roma and disabled who were murdered. Really disappointed in this author. C'mon man!
Adam Gidwitz, again, did a great job of portraying the people of this time. He even mentions in his notes following the conclusion of the book that he didn't want to portray Nazis and their supporters as monsters. He wanted to show them as humans that did monstrous things. Otherwise we may never understand how we ourselves, our friends, our neighbors, could end up falling for the same kind of propaganda. He did an amazing job of this!
This book is a little tougher in terms of content than the first book. It's age appropriate, but made me bump my "what age would I hand this to my kid" rating up to at least 13. There's some things that should definitely be discussed - like the inclusion of a gay man and how he was in hiding. But there's also some details in the back end of the book that may be disturbing for too young of a child - particularly descriptions of a concentration camp and the things that went on there.
Overall this duology is amazing and I would definitely recommend reading it with middle school or high school kids as a part of their Holocaust education. I've never read anything like it.