I received an advanced reading copy of this book in return for this honest review.
This book is a fitting end to the Fallen Gods series. Not just because it's generally good, but because it shares many of the same issues that the very first book in the series had. The largest being that it takes a really long time to get going and feel interesting. The first book struggles at the start with catching your attention, and I actually dropped it a few times before I started to fall in love with it. Once I was hooked, though, I really was hooked. I ended up thoroughly happy with the story, and I recall I gave it four stars, losing one mainly because some of it felt silly and the opening was really slow. The second, third, and fourth books were beyond perfect, very clever, and they solidified my expectations of this author. The fifth book was a terrible mess, I'm sorry to say; and therein lies the likely reason that this book struggles early on to get off the ground.
The fifth book didn't leave it on a very strong foundation. It had the monumental task of dealing with the aftermath of some pretty nasty events at the end of the previous one, which I felt weren't handled well at all, and it had to solve the narrative issues of the previous book, which can be summed up as content that didn't seem to advance the story very well, and really dragged for more than half the book. Book five was one of those books you skip through a lot in hopes of finding the point. This book had to overcome all that and tighten up the story. Because of that, I intend to compare this book to book five a lot, and contrast where it improves on issues and where it does not.
Book five didn't really make me feel very much until the end, which just made me feel uncomfortable. That's not good in a series that prides itself on pulling one's heart strings until they are ready to break with sadness or joy. When I started reading book six I was made really nervous by the opening handful of chapters. It felt like I was right back there in book five again waiting for something to really feel worth reading. It was all politics, and slow setup, and a lot of side characters I figured probably didn't need so much spotlight; but worst of all it didn't spend very much time on the main Flowridia-Ayla relationship. The fifth book ended with some serious relationship issues, and this book seemed like it didn't give a damn about them when it opened, which blew my mind.
To be fair, it does spend a couple chapters and a prologue dealing with the aftermath of book five for Flowridia and Ayla. After that, however, the book totally loses focus and jumps around to practically every other character you can imagine. It's like the author felt we needed global updates and situation reports on different locations when honestly I think the only thing a reader is likely to care about after the jarring end of book five is Flowridia and Ayla and everything to do with them. This is a major complaint of mine about this book in general. It doesn't seem to understand its own power characters, or main characters, if you will. It wants very badly to split its attention between multiple characters, many of whom just can't compete. It is tempting to theorize that the book may have been clumsily making a concerted effort to prepare content for future series in this universe at the expense of focusing on what matters most in this edition of the universe. That is my best explanation for this.
Flowridia and Ayla were the opening romance of this series. They're the stars. They're what hooked you into these books. They deserve most of the spotlight. Nevertheless, I got the feeling that the author was way more interested in what I would consider supporting characters. Believe it or not, I'd say a good half of this book is handed over to none other than Etolie and... Sora Makosa? Ever since her introduction Sora was one of the blandest characters I could imagine. I expected her to be a character that we'd have for a while, and then she'd fade out of focus. I expected her to be a side character. Book five solidified her as a central role in the story, which baffled me. Etolie is at least interesting, but she's just not on the level of Flowridia and Ayla, who are both extremely complex; something that Etolie is not.
The choice to spend so much time on these alternate characters, especially at the opening of this book, was really questionable in my opinion. Eventually, however, the book did get on track. It did return to Flowridia and Ayla, and once it did things started to come together. The more those two characters interacted with the world and each other, the more the story bloomed. By being drawn into their story again, I felt I was likewise drawn into these other characters, much like I was when I read the first book. That book, as a first book, needed to convince me to care about the story. This book needed to do the same because of the quality of the previous one. It succeeded. Somewhere around a third of the way in I became hooked. After that I was pretty much reading this on a tear right through to the end.
I can say that the conclusion is excellent, and the introspection and development of the characters is on par with the complexity and emotion that one would expect from this series. This is not a repeat of book five. It has major ups and downs, major surprises, so many moments that will make you cry in a good way, and so many moments that will make you smile from how adorable they are. It's not a mostly happy book, but it does have a happy ending, and the atmospheric sadness in the narrative is entirely appropriate to the series at this point, and echoes the bitter sweetness of the first four books. Anyone who has read even the first book will understand that this is not just a feelgood series. This is a series that has a sting in its victories, if you will. The events of the story hit hard, and the emotions are very real in their depth. It's a wonderful story if you want to question your own feelings about difficult subjects like what it means to be a good or bad person, or what makes a cycle of abuse continue or end. The book does not hold back on the tough subjects. I think readers of this series will love it for that.
Around the time that book five came out, I was seriously injured. The fact that a certain character in book five was also injured meant that in a way I was mirroring the journey of that character when I went from that book to this one. That character was in recovery at the same time that I was. Initially I was worried that the story wasn't going to deal with that experience adequately. It started off treating it in what felt like an unrealistic way. However, it eventually did begin to show the realities of living with an injury and chronic pain, and I felt that I could relate to that character once it began to really express these truths. I was quite happy with the story picking up that thread in a way that I could relate to realistically.
The last thing I want to talk about in regards to the narrative is my observation of the unusual choices that I think may have contributed to the changes I sensed in the last two books, which I think decreased my enjoyment of them. I have thought very hard on what happened with this series. Eventually I realized that this series morphed genres over time. It went from a mostly romance oriented story to a mostly epic fantasy oriented story. In the beginning it very much feels like a smaller scope centered on the main romance characters Flowridia and Ayla. Their histories of trauma and the qualities of their relationship as they relate to those histories really drive the focus of the first book. The following three books develop on that relationship and the growth of those two characters through strong character and relationship arcs. Unfortunately, by the fourth book we basically reach a kind of conclusion for that arc. Both characters feel like they hit a happily ever after and conclude their growth at the end of book four.
This creates a problem for the author from a narrative standpoint, because usually you would expect the overarching plot to also come to a conclusion once the romance and character arcs are concluded. This was not S. D. Simper's vision, however. She, for her own reasons, decided instead to carry on the plot arc of the larger world conflict beyond that point. This created a problem. How does one do that? It seems that the author decided to shake the story up by creating discord in the main relationship; and to fill in the rest of the character development space she heavily focused in on characters that before this point were not as central to the story. By bringing these characters to the forefront and by forcing the main relationship into discord she was able to carry the character arcs on through the final two books. I suspect that the reason book five drags so much is that it is not really its own story as much as it is a prologue to book six, and was mostly meant to build up these secondary characters into new main characters to carry the plot in book six. This, I think, is why book six recovers and ends up being pretty good. It isn't being held back like book five was. It is its own story.
Ultimately where book six succeeds is in drawing nearly endless tears during its last half. It is a book that makes you feel. It will make you cry. It will make you wonder about yourself and the people you've known. It will make you evaluate things you wouldn't have expected to think about. It will give you questions, and it will try to follow those questions with wisdom. It succeeds very well in this, which makes it a fitting inheritor of the Fallen Gods legacy. It follows in the footsteps of the best of the series. It has the heart of this series.
On the subject of Sora and Etolie, and the other side characters turned main characters, I'd say that the book does a very good job of making me feel like they are more interesting after it has taken time to work on them. In book five they were the majority of the story, to the detriment of the story. In this book I'd say we have a narrative focus that is something like 20% Etolie, 30% Sora. Luckily they are heavily worked on to make their circumstances feel more impactful and set up more intrigue around what will happen for them. Particularly Sora is spruced up well by the inclusion of a surprise romantic interest who recalls the seductive danger of first book Ayla, and certainly will have attention in future stories in this universe.
Now I need to address the character of the Goddess of Chaos, or Dira. She is fine. She's not incredible, but she's not a bore. The main issue with her is that she forces the story into a split narrative between future and past. In my opinion, this is where books go to die. When the story is constantly stopping the narrative development to pause in a different timeline it gets really annoying really fast. I personally can't stand this, but I don't think it is too bad in this book. It isn't the sort of situation where half the book is in the future and half is in the past. Because of that it eventually works out. As the book grows closer to its conclusion, the future segments of the story become shorter and shorter, which means they don't feel as annoying. Because of this Dira becomes stronger over time, because we begin to have her feel more current the deeper in we get. The counterpart to Dira is the God of Order, Soliel, who the story basically doesn't care about. If you were hoping this character would get a lot of attention, you're going to be disappointed. Luckily, I doubt you wanted that. I know I didn't.
Finally, there is an element in this book that I want to address carefully. I am not too often bothered by content in stories. Obviously I've alluded to having some issues with the end of the fifth book. However, I can tell you that there is very little in this story that I felt was uncomfortable or triggering. There was one thing, though. I do not want to say too much about myself, but it is necessary for me to explain that I am a detransitioner. That means that I at one point considered myself transgender, but later had to abandon that belief system when I realized that I had been harmed by it. There is one character in this story that is apparently transgender identifying. It is not a major element of the book, but it is in there. It's not dwelled on, but the inclusion of gender theory in the book is notable, since I believe that people who are members of my minority, i.e. detrans people, may be triggered by this. I did feel a little trauma triggering, but I was able to get past it, and this didn't really deeply affect my enjoyment of the story. I only worry that other people who have been medically abused through gender medicine or who have been traumatized by these beliefs, or their experiences as part of that community, may struggle more with this content than I did.
In conclusion, I have decided that I will give this book three stars. I gave book one four stars. I gave two through four five stars. I gave five two stars. This one is right there in the middle for me, which feels fitting. It was what I needed to wrap up the story. It gave me the closure that I wanted. It gave me the feelings that I expect from these books. It had something to say, and it said it. It also set up future books. It did have shortcomings. It did struggle at times. However, it ultimately raised the bar from the previous book, and it is a success. I reserve four and five star ratings for books that I would probably read again. This is not something I would read again. It was more of a book that I had to read to finish what I started, and it gave me what I needed. I give a book three stars when it does what it sets out to do and is mostly good. This book did, and it was. I would give a book two stars if it were technically written proficiently but wasn't very good narratively. This book does not fall down to that level, because it is not only well written, it is mostly constructed in a satisfying way.
I look forward to future books by this author. I have generally found her works in and out of this series to be of very high quality with excellent prose, and the bravery to explore themes, which other authors might not.