“Wherever men live, be they nomads or city dwellers, there, they must have a law and a man to enforce it who is strong, decent, and believes in the rules he defends.”
“John Law is an honest cop in a town that lives on lies. An honorable man in a town built on corruption. A tough man in a town that feeds on the weak.”
Will Eisner is a legend in comics primarily on the strength of his crime serial The Spirit which ran in Sunday newspapers across America from 1940--52. This hardcover from Hard Case Crime collects two of his lesser-known creations, the one-eyed marshal John Law and his sometime-sidekick, the shoeshine boy Nubbin.
From 1946-47, Eisner attempted at least three times to develop the cherubic Nubbin character as the star of his own comic vehicle. He was intended to be funny and lovable, sort of like Dennis the Menace, sometimes getting out of scrapes by assisting local law enforcement.
In 1948, Eisner reworked the concept to make John Law the main character and reduce Nubbin's role to occasional informant. He wrote three stories and penciled them in black and white, faithfully reproduced in this volume:
"Sand Saref"
"Nubbin and the Strange, Ghastly Affair of the Half Dead Mr. Lox"
"Ratt Gutt"
These stories are not my favorites. While I enjoy the violent pre-Code comics such as Pete Morisi's Johnny Dynamite, the original John Law stories tend towards "cutesy" in a Norman Rockwell sort of way. There's never any real sense of danger, not when Law is on the case.
The John Law comic book never got off the ground and Eisner eventually turned all three stories into Spirit adventures instead.
In 2004, an aging Eisner commissioned Gary Chaloner to reboot the John Law series, which resulted in six new stories:
“Meet John Law”
“The Opal Skull”
“A Family Concern”
“Law, Luck, and a Dead-Eyed Mystic”
“What Nubbin Knew”
“The Half Dead Nubbin Butts”
Chaloner made a valiant effort to expand the John Law universe. He retconned the backstory of Law’s early life. He reintroduced several minor Eisner characters that had never crossed paths with Law before, notably Lady Luck and The Mystic. He expanded the use of supernatural elements, which had previously been only a minor element in “Nubbin and the Strange, Ghastly Affair…”
The series did not last long enough to pay off all the foreshadowing and dangling plot threads. The new stories are all over the place tonally. There is a social justice story, a Christmas story, a ghost story, a hardboiled story…
The series never settles on what it is trying to be. Ultimately, it just trades Eisner’s kitsch for the saccharine stench of nostalgia.
Skip this one. 2 stars