I had high hopes for Christmas in the Castle Library. The premise had everything I want in a book: a scholarly heroine who loves books and stories, a mysterious legend, a romance, and hello, a castle! In fact, I had such high hopes for this book, I purchased it but didn't read it until two months after it released.
Unfortunately, the actual book's rating is, for me, more a 2.8-3.3 than the perfect novel I sought. Some of that is, I acknowledge, on me because of high expectations. And there is a lot to like here. The country of Lethersby, for instance, is charming and mysterious in the way the best fictional countries are. The mystery of Queen Alma kept my pages turning, and I appreciated the tender chemistry between Mark and Ellie. Besides that, I had some definite suspicions about Mark's true identity. Those suspicions were a bit of a mixed bag for me, but they did add some intrigue to the story.
Beyond that, I did like Ellie because I could identify so much with her. I'm an English scholar, not a history scholar. And while I "kept up" with my faith more than she did in college and grad school, I'll own the fact that was because of legalistic tendencies and fear of God being mad at me. Those differences aside though, I'm as big a bibliophile as Ellie. I've struggled with the same sense of failure as she does, the same insecurities over my appearance, and the same social awkwardness. Thus, I rooted harder for her than usual to succeed not only academically, but spiritually, emotionally, and relationally. I loved seeing her start to come into her own and would've liked more of that character development.
The problem with Christmas at the Castle Library though, is that Ellie, Lethersby, and the rest of the story are not developed. They are told more than shown. Ellie's insecurities and motivations, in particular, are repeated over and over. Sometimes, Ellie or the narrator will say the same thing two or three different ways. Other times, characters will repeat dialogue or information to each other, apparently forgetting the other people in the scene were there the first time.
Additionally, because of the repetition of her negative feelings, Ellie often comes off as angsty and whiny. This is a big strike against her, because she's supposed to be a levelheaded, mature, if spiritually struggling woman. In other words, she's supposed to be a relatable, human, adult character. Characters like that shouldn't sound whiny, but Ellie does. Couple that with the fact that, in over 100 pages, we don't know the exact origins of any of Ellie's insecurities, and it starts to feel like she's just wallowing in self-pity. This didn't put me off her character completely, because I knew it wasn't Ann Swindell's intention. But it certainly didn't help, especially once Mark got involved, because Mark starts to read as if he exists to "rescue" Ellie. While I'm a big fan of a heroine finding her "prince," and a Christmas prince at that...no, Ellie needed to find strength in herself and God first.
Speaking of Mark, I could guess what his character arc would be a mile away. This is partially because such a huge deal is made of Lethersby being a small, private country--which is fine, until you get to the Lethersby scenes and realize...for over 100 pages, other than Mark and Delphine, there are literally no other Lethersbyian characters to be found. Couple that with some absolutely lackluster descriptions of Lethersby and the castle itself, and the entire country and journey became a letdown.
Overall then, Christmas at the Castle Library was a pretty big disappointment. If you don't mind the writing style, you'll probably like it fine. And as noted, you'll probably like it if, like me, you're into scholarly stories. But if you're looking for something a bit "deeper," with both a scholarly and holiday feel, allow me to suggest Melissa Tagg's One Royal Christmas or Rachel Hauck's A Christmas Wedding.