When it comes to superhero comics, there are no third acts as no superhero really dies, let alone stay that way forever as Superman and Batman had been through multiple demises, only to be resurrected in the next month, albeit through possible changes. Before Dan Slott killed off Marvel's most iconic character in his ongoing run of The Amazing Spider-Man, Brian Michael Bendis got there first as after one hundred and sixty issues of telling Peter Parker's story, Ultimate Spider-Man ended with the young hero sacrificing himself to save his beloved aunt.
However, Peter may be dead, but not Spider-Man as prior to his death, an Afro-Hispanic teenager named Miles Morales gets bitten by a spider that was genetically engineered by Peter's nemesis Norman Osborn in an attempt to duplicate those abilities. Unlike Peter Parker, Miles comes from a different background and possessing powers similar to those of the original Spider-Man, he was scared of them and hid them from everyone he knew, such as his parents and his criminal uncle Aaron Davis, except for his best friend Ganke Lee, who encourages him to use these powers.
Despite the initial issue's clever call-back to the very first issue of Ultimate Spider-Man, in which Norman Osborn once again tells the Greek myth of Arachne whilst creating a new spider, but through the perspective of Miles Morales, Bendis is able to find a fresh angle to an origin story that has been told many times. For starters, Miles' spider-like abilities differ from Peter's, including Camouflage and a Venom strike that can paralyze almost anyone with just a touch.
Now in a world where everyone knows who the original Spider-Man was and how he died to save the day, Morales can't simply put the OG Spidey costume on, which is in bad taste considering the recent tragedy as not only he does carry on the legacy of Peter Parker, but he has to forge his own identity, as he tries to balance his complicated family life, his studies at the Brooklyn Visions Academy and his duties as the new Spidey in a rocking new outfit.
As much as I have praised Bendis' original run in how he contemporises the story of Peter Parker and many changes are appropriately cosmetic, I've always felt the radical change of numerous classic Spidey villains were problematic and in the case of this volume, it introduces the Scorpion who is re-interpreted as a tattooed, Mexican mob boss with very resistant skin, which makes him a violently scary presence but not as visually interesting as his 616 counterpart.
Once again. Bendis' strength as a writer is the focus of the hero's domestic problems as with his uncle Aaron Davis – the Ultimate version of the Prowler as a tech-based cat burglar – becomes a prominent figure throughout the first twelve issues, forcing Miles' double life to cross over and causing him to make tough and personal decisions. At the end of this initial arc, Bendis maintains the classic Spidey scenario where the hero's actions could lead to a losing path for the alter-ego as it ends on a mighty cliffhanger.
Concluding this volume is the five-issue crossover Spider-Men, featuring Peter Parker from the original Marvel Universe, who in an attempt to foil Mysterio's dastardly plan, fails through a portal to the Ultimate Universe, where he meets the current Spider-Man there. Despite the bigger picture of stopping the villain with the assistance of SHIELD and the Ultimates, which is the least interesting thing about this miniseries, the real joy is the witty interactions between the two Spideys who have distinct personalities and the simplicity of them hanging out as oppose to fighting crime, which is Bendis at his wordy best.
As for the artists, there is Mile Morales co-creator Sara Pichelli who has a great attention to detail by illustrating realistic distinctions between characters via body language and expressions, whilst David Marquez maintains a similar sensibility as well as providing vibrant and well-crafted action sequences. However, Chris Samnee – who would go on to draw a great Daredevil run with Mark Waid – sticks out like a sore thumb as only doing two issues, his good enough but cartoony illustrations seem out of place with the rest of the book.
Peter Parker is dead, long live Spider-Man as Bendis literally injects new life to Stan Lee and Steve Ditko's iconic creation as Miles Morales is an instant fan-favourite and I look forward to reading his future adventures.