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Flower
'I like eating cold, clammy wraps from big pharmacies that are open late and sell just a few foods like protein bars and powders.' Flower is a book of realistic confessions, likes, dislikes, memories, and no-brainer observations, treating personal truth as unavailable – something that must be made up and convincing. Taking cues from Roland Barthes's Roland Barthes, Joe Brainard's I Remember, Marguerite Duras's Practicalities, Fernando Pessoa's The Book of Disquiet, his daughter's improvised games, poor internet writing and shitty AI, Ed Atkins, in his first work of non-fiction, equivocates between inanity and divinity, ease and pain, sentimentality and sterility. An anti-memoir, a list, a listless blur – Flower is a highly original, moving and absurd book by one of the most influential artists of his generation, formally inventive and disturbingly of our time.
- GenresNonfictionMemoir
96 pages, Paperback
Published October 7, 2025
15 people are currently reading
376 people want to read
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Displaying 1 - 30 of 34 reviews
May 20, 2025
Flower by Ed Atkins is an ethnographic artifact of 2025. I can imagine it being studied as a cultural document that captures the psychological, technological, and aesthetic atmosphere of our time.
Reading Flower felt like standing at the intersection of competing forces: beautifully serene yet grotesquely inadequate; intimate yet mechanical; absurd yet deeply human. It’s a book that resists easy classification, composed of a continuous stream-of-consciousness that reads like a hyper-processed internal monologue—disjointed, yet thematically precise.
Atkins deliberately avoids “untouched nature,” opting instead for symbols of ultra processed existence: vapes, Doritos, soda drinks, blue crates, ultra processed foods. They’re part of a new symbolic language. Processed nature, recurs in lines such as:
“There are no secrets there is only the puzzle of fictions inside me, a blue crate.” (p. 61)
“I am thinking about an iron moon right now” (p. 43).
The protagonist’s body is portrayed not as a bounded vessel, but a permeable, consuming organism—absorbing and being absorbed, described often through mechanical or coded metaphors. The biological becomes digital, mechanical.
“I like to put my cigarettes out in the food.” (p. 57)
“Turn me into a street.” (p. 71)
Atkins juxtaposes the mundane with the absurd, like Doritos with sacrament, or bleach with redemption. His sentences swing between hyperreal detail and fragmented abstraction. This is not a book you read—it’s a book you metabolize.
“My touch can be daintily acidic.” (p. 76)
“I am always fingering the alternative, the worst.” (p. 87)
“Here is my cigarette being wrong again, dipped in hummus and here it is dunked into my gravy on a round white plate” (p. 57)
While the disjointedness is intentional—mirroring the fractured attention of our era—it made the book challenging to finish. Its brilliance is in its resistance, its refusal to offer clarity without irony. But for that very reason, it leaves a lasting impression: as a document of the body, the machine, and the strangeness of being alive in 2025
Reading Flower felt like standing at the intersection of competing forces: beautifully serene yet grotesquely inadequate; intimate yet mechanical; absurd yet deeply human. It’s a book that resists easy classification, composed of a continuous stream-of-consciousness that reads like a hyper-processed internal monologue—disjointed, yet thematically precise.
Atkins deliberately avoids “untouched nature,” opting instead for symbols of ultra processed existence: vapes, Doritos, soda drinks, blue crates, ultra processed foods. They’re part of a new symbolic language. Processed nature, recurs in lines such as:
“There are no secrets there is only the puzzle of fictions inside me, a blue crate.” (p. 61)
“I am thinking about an iron moon right now” (p. 43).
The protagonist’s body is portrayed not as a bounded vessel, but a permeable, consuming organism—absorbing and being absorbed, described often through mechanical or coded metaphors. The biological becomes digital, mechanical.
“I like to put my cigarettes out in the food.” (p. 57)
“Turn me into a street.” (p. 71)
Atkins juxtaposes the mundane with the absurd, like Doritos with sacrament, or bleach with redemption. His sentences swing between hyperreal detail and fragmented abstraction. This is not a book you read—it’s a book you metabolize.
“My touch can be daintily acidic.” (p. 76)
“I am always fingering the alternative, the worst.” (p. 87)
“Here is my cigarette being wrong again, dipped in hummus and here it is dunked into my gravy on a round white plate” (p. 57)
While the disjointedness is intentional—mirroring the fractured attention of our era—it made the book challenging to finish. Its brilliance is in its resistance, its refusal to offer clarity without irony. But for that very reason, it leaves a lasting impression: as a document of the body, the machine, and the strangeness of being alive in 2025
August 14, 2025
An abyect account of the day to day. This short read is a wonderful insight into how the artist sees himself, his work and the world around him. Ed Adkins vividly details humans as throbbing piles of flesh and bones, and queerly blends this reality with the themes of mechanical processes, autonomy and technology. I recommend it to anyone who feels alienated and struggles in putting that feeling into words.
May 2, 2025
i don’t really have much to say other than that it’s a revelation and could be the greatest thing i’ve ever read. always through misty eyes it reinvents, or creates a language for, feeling
March 29, 2025
Flower is a book as absurd as the truth, the reality. The text is as unusual as it can get. And it is beautiful, even in its gory and disgusting details. It is like getting to know a person one sentence, one random thought at a time. It reads like an aleatory list of facts, events, thoughts, dreams and nightmares, everything that constitutes a person and their existence.
January 30, 2025
Boldly original and quietly demented.
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May 23, 2025For a Rembrandt, a Van Gogh, or a Banksy, Google Images usually does the trick. But for the work of British artist Ed Atkins, what you really want is YouTube. In his weirdly hypnotic computer-generated animations—urine arrives from off-screen to fill a whiskey glass; a man hums the drumline from Ravel’s Boléro while repeatedly ripping the skin off his own face—anything can happen. It should come as no surprise, then, that Atkins’ work as a writer also slants toward the strange, the surreal, and the hip.
If the world of contemporary art is largely a gated community (and it is), then Atkins’ new book, Flower, wants to belong to the literary equivalent of that space. One is, for starters, immediately exasperated by the book’s preposterous formlessness: in all of a hundred pages, it manages to dispense with line breaks almost entirely. Of course, paragraphlessness is not the exclusive domain of the dead—Kafka, Beckett, and Bernhard all did it—but such an explicit style choice should be buttressed by something sturdier than the author’s whim.
Read the rest here: https://ocreviewofbooks.org/2025/05/2...
If the world of contemporary art is largely a gated community (and it is), then Atkins’ new book, Flower, wants to belong to the literary equivalent of that space. One is, for starters, immediately exasperated by the book’s preposterous formlessness: in all of a hundred pages, it manages to dispense with line breaks almost entirely. Of course, paragraphlessness is not the exclusive domain of the dead—Kafka, Beckett, and Bernhard all did it—but such an explicit style choice should be buttressed by something sturdier than the author’s whim.
Read the rest here: https://ocreviewofbooks.org/2025/05/2...
September 11, 2025
found out about this book a few months ago & knew I would adore it & I did. the kind of writing I wish I could do... intensely personal and grounded in reality and funny and aphoristic without trafficking in cliche. going to change the way I journal immensely.
September 6, 2025
i don’t think i’m very good at listening to audiobooks without getting distracted but i rlly enjoyed this
August 3, 2025
Allow me to summarise: "Dear diary, [boring fact], [boring opinion], [boring observation], [boring opinion], [boring opinion], [me], [me], [me], [I], [I], [I], [et cetera, ad nauseam]."
July 31, 2025
Had a Moshfegh quality to it - made me feel nauseous but human.
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August 6, 2025I feel a kinship with Atkins for his appreciation of processed food that isn't trying to convey anything, his enjoyment of big numbers and measuring things by other things, those YouTube movie synopses I myself fall asleep to, and vaping in secret.
A very good recommendation by Scout. I don't read a lot of creative non-fiction or memoirs, but I really enjoyed this.
A very good recommendation by Scout. I don't read a lot of creative non-fiction or memoirs, but I really enjoyed this.
April 18, 2025
His stream of thoughts made me chuckle a few times, a few things are too relatable and unadmittable but he did it anyway.
very interesting expression of art
very interesting expression of art
July 21, 2025
2.5
This is a collection of banal, self-deprecating observations mixed with a fair amount of absurdity. Some of the ramblings were funny, others were just rambling. It's short. I believe that Atkins is an artist and filmmaker who also does writing. So, for all the sad sackery, he's a pretty high achiever. This is also one of those books which sounds autobiographical, but could also be fiction.
This is a collection of banal, self-deprecating observations mixed with a fair amount of absurdity. Some of the ramblings were funny, others were just rambling. It's short. I believe that Atkins is an artist and filmmaker who also does writing. So, for all the sad sackery, he's a pretty high achiever. This is also one of those books which sounds autobiographical, but could also be fiction.
June 18, 2025
Immediately when I started reading this, I thought of the sub-genre of stand up comedy, sometimes labelled alternative comedy and normally associated with people like Andy Kaufman - where the performer hijacks the very idea of comedy so much and does the opposite to telling conventional jokes, that it sort of in its own way becomes funny and people start to use labels like Avant Garde to describe it. I think of Kaufman’s performance on SNL in 1975 in particular. People start to laugh in multiple ways, there is an expectation/anticipation that is not being fulfilled, but people are sitting waiting to laugh, they have prepared themselves for it. So even when nothing funny is happening, the laughs start to come out, as though they could not be contained any longer. The audience starts to think, and be self aware about the subversion and suddenly they are in on it, and they play along with the game that is being established. I had this feeling when reading Flowers.
I thought, here is a guy writing an essay, but who very much seems to be subverting the purpose and point of what an essay is about, here is someone who seems to be writing an anti - essay of sorts. I thought to myself, why on earth am I reading about wraps, vapes and eating crisps? Is this guy playing a modern Duchamp - he is doing the urinal in the art gallery, but with my mind and time and with an essay?
Subverting form can be interesting, and there are loads of great examples of it. Blue by Derek Jarman, just so happens to be a fantastic movie, despite the screen being blue the entire time. John Cage’s 4’33 by assembling an orchestra and not playing any music and sitting in silence instead, evokes intense listening. People comment on the coughs, the rustling in the room, the small noises that seem invisible normally but now suddenly fill the room, when everyone listens to fine details. We of course have seen it consistently in novels and plays, but is the essay a place for something almost Kaufman like in its difference?
Then I also got thinking, should essays only be reserved for serious topics? Is there a place for ‘mundane’ essays? It is actually an epistemological thing that I spent some time looking over in my academic work in urban studies/hospitality. We spend so much time with fantastical samples and super interesting stuff, that we end up with a totally misguided sense of what everyday life is like. We edit out, delete the thoughts we had about the vapes, about the crisps and so on. We in a sense self-censor and try to present the ‘interesting’ parts of us. Social media is the cultivation of this, as we know.
So, the question then becomes is there a place for mundane stream of consciousness style commentary about basic things and can it be compelling enough to be in an essay format that people take seriously and read and comment on? Even the opening quote/attribution sets the stage for what is about to come in this regard,
Soft drinks can be classified into three categories: Cola flavored, fruit flavored, or citrus flavored. The colas, like Coke or Pepsi, are the favorite among real connoisseurs. Ther is nothing like a cola to pick one up or refresh one on a hot day.’
— Simon Thompson, Bluestone”
Now, here is where I think this just doesn’t work at all. What do I read essays for? I usually read them to learn something, or to hear an engaging perspective that has had a lot of thought and consideration. I value the narrator that has thought things through, and who unpacks and makes appropriate links to things. I almost feel like the narrator by doing this is being respectful to me as a reader, I feel like by spending some of their time thinking things through and sharing it with me, I gain something. What am I learning here? What does this book give me? I really have no idea what the point was, other than as some kind of middle finger of sorts and it just made me think why? Don’t we have our time wasted enough as it is?
I thought, here is a guy writing an essay, but who very much seems to be subverting the purpose and point of what an essay is about, here is someone who seems to be writing an anti - essay of sorts. I thought to myself, why on earth am I reading about wraps, vapes and eating crisps? Is this guy playing a modern Duchamp - he is doing the urinal in the art gallery, but with my mind and time and with an essay?
Subverting form can be interesting, and there are loads of great examples of it. Blue by Derek Jarman, just so happens to be a fantastic movie, despite the screen being blue the entire time. John Cage’s 4’33 by assembling an orchestra and not playing any music and sitting in silence instead, evokes intense listening. People comment on the coughs, the rustling in the room, the small noises that seem invisible normally but now suddenly fill the room, when everyone listens to fine details. We of course have seen it consistently in novels and plays, but is the essay a place for something almost Kaufman like in its difference?
Then I also got thinking, should essays only be reserved for serious topics? Is there a place for ‘mundane’ essays? It is actually an epistemological thing that I spent some time looking over in my academic work in urban studies/hospitality. We spend so much time with fantastical samples and super interesting stuff, that we end up with a totally misguided sense of what everyday life is like. We edit out, delete the thoughts we had about the vapes, about the crisps and so on. We in a sense self-censor and try to present the ‘interesting’ parts of us. Social media is the cultivation of this, as we know.
So, the question then becomes is there a place for mundane stream of consciousness style commentary about basic things and can it be compelling enough to be in an essay format that people take seriously and read and comment on? Even the opening quote/attribution sets the stage for what is about to come in this regard,
Soft drinks can be classified into three categories: Cola flavored, fruit flavored, or citrus flavored. The colas, like Coke or Pepsi, are the favorite among real connoisseurs. Ther is nothing like a cola to pick one up or refresh one on a hot day.’
— Simon Thompson, Bluestone”
Now, here is where I think this just doesn’t work at all. What do I read essays for? I usually read them to learn something, or to hear an engaging perspective that has had a lot of thought and consideration. I value the narrator that has thought things through, and who unpacks and makes appropriate links to things. I almost feel like the narrator by doing this is being respectful to me as a reader, I feel like by spending some of their time thinking things through and sharing it with me, I gain something. What am I learning here? What does this book give me? I really have no idea what the point was, other than as some kind of middle finger of sorts and it just made me think why? Don’t we have our time wasted enough as it is?
April 28, 2025
It is difficult to separate ‘Flower’ from Atkin’s art practice and discern within this separation what the fundamental themes and ideas are within this text and furthermore how these are ideas are made available to a reader.
The core of this book pivots the poetic relationship between the flesh of a body and the machinery of modernity as represented emblematically by products, foods, various combustion smoking methods and beverages. This is presented in a sort of ‘new narrative’ earnestness. This is not a text that operates with clearly defined objectives, like much contemporary art. Shame is an axis of the text, shames such as appearance, incontinence, loss of loved ones and different times. A lot here is about shame and its purpose, shame as a form of truth that is completely penetrating and not so much a feature of self flagellation.
“I like eating indexed human technology”
“I feel terribly guilty. I feel for myself via remembered stilled machines still warm to the touch. I'm shadowing myself through a history of my own impersonal sentimentality the pining for which electroplates the meaningless with a rose zirconium-like.”
"The personal lexicon of pleasures expression can be colloquially infinite, why not?"
The core of this book pivots the poetic relationship between the flesh of a body and the machinery of modernity as represented emblematically by products, foods, various combustion smoking methods and beverages. This is presented in a sort of ‘new narrative’ earnestness. This is not a text that operates with clearly defined objectives, like much contemporary art. Shame is an axis of the text, shames such as appearance, incontinence, loss of loved ones and different times. A lot here is about shame and its purpose, shame as a form of truth that is completely penetrating and not so much a feature of self flagellation.
“I like eating indexed human technology”
“I feel terribly guilty. I feel for myself via remembered stilled machines still warm to the touch. I'm shadowing myself through a history of my own impersonal sentimentality the pining for which electroplates the meaningless with a rose zirconium-like.”
"The personal lexicon of pleasures expression can be colloquially infinite, why not?"
May 28, 2025
This might be the weirdest thing I have ever read. Actually, I listened to the audiobook narrated by the author, which in this case I would say might be the best way to appreciate it.
Because of the... oddity that is this book, I felt the need to look up the author, who is actually a British contemporary artist that deals mostly in animation and video art. I find it difficult to put an actual rating on this because on the surface, this is a ranting monologue about the most mundane things in life. And yet, it was oddly.... relatable in some ways. It carries an aura of some beautiful poetic writing, in a way reminding me of the classical Russian writers describing daily life, but it is a picture of today's reality painted in a very fragmented, all over the place, almost ADHD way, which I am going to assume is part of the point.
Because of the... oddity that is this book, I felt the need to look up the author, who is actually a British contemporary artist that deals mostly in animation and video art. I find it difficult to put an actual rating on this because on the surface, this is a ranting monologue about the most mundane things in life. And yet, it was oddly.... relatable in some ways. It carries an aura of some beautiful poetic writing, in a way reminding me of the classical Russian writers describing daily life, but it is a picture of today's reality painted in a very fragmented, all over the place, almost ADHD way, which I am going to assume is part of the point.
May 13, 2025
bit of a non-event but in the best way
slight, meandering…strange.
it’s all truth-telling and neurosis and everything and nothing
in a weird stream-of-consciousness style that makes me wish I read it in one go
not least because it makes it INCREDIBLY hard to know where to stop
topics covered include:
teleportation / pharmacy meal deals / the smartphone game vampire survivor / italy / hating other people’s kids / adhd / lentil soup / wearing skirts
very much enjoyed this
slight, meandering…strange.
it’s all truth-telling and neurosis and everything and nothing
in a weird stream-of-consciousness style that makes me wish I read it in one go
not least because it makes it INCREDIBLY hard to know where to stop
topics covered include:
teleportation / pharmacy meal deals / the smartphone game vampire survivor / italy / hating other people’s kids / adhd / lentil soup / wearing skirts
very much enjoyed this
September 6, 2025
Easily one of the weirdest books I’ve ever read, and I mean that in a good way (mostly). Made me notice I think about certain topics in a certain way which felt super introspective.
I don’t think I’d really get along with Ed Atkins as a character in fiction, but knowing he’s a real person and these are his real, human thoughts made it really endearing in places, and even more concerning in others. But I guess that was perhaps the point of the book - people are mysterious and weird??
I don’t think I’d really get along with Ed Atkins as a character in fiction, but knowing he’s a real person and these are his real, human thoughts made it really endearing in places, and even more concerning in others. But I guess that was perhaps the point of the book - people are mysterious and weird??
September 18, 2025
Ed Atkins’ Flower is an anti-memoir in the form of a single-paragraph, stream-of-consciousness monologue about life’s minor joys and irritations, beginning with a description of mediocre sandwich wraps and where to find them. (Wherever you buy them, Atkins, summarizes, “The best wraps all taste the same: sweet creamed hospice.”)
It reads as a series of set-pieces, anecdotes, observations, and so forth, assembled as a single unit but with the slightest of narrative arcs as the opening begins with where Atkins is in life: in medias res. Night eventually settles in, as do fond thoughts of his wife, and big questions about god. Atkins’ technique isn’t grammatically and syntactically stream-of-conscious; instead, he represents the mind’s tendency—his mind’s tendency, at any rate—to flit from topic to topic, some periods of flitting longer than others, the topics trivial and profound, his moods running from rage to joy. Just as a good free-form jazz piece—spontaneously composed by its performers—has an experiential arc, so does Flower. Atkins’ comment on what he likes and looks for in works of art summarizes what he does in Flower: “I like it when in a film or another thing something structural or very formal that happens that’s unmistakably deliberate but also inexplicable and unrelated to the assumed consistency of the rest of it.”
For more of my reviews, please see https://www.thebookbeat.com/backroom/...
It reads as a series of set-pieces, anecdotes, observations, and so forth, assembled as a single unit but with the slightest of narrative arcs as the opening begins with where Atkins is in life: in medias res. Night eventually settles in, as do fond thoughts of his wife, and big questions about god. Atkins’ technique isn’t grammatically and syntactically stream-of-conscious; instead, he represents the mind’s tendency—his mind’s tendency, at any rate—to flit from topic to topic, some periods of flitting longer than others, the topics trivial and profound, his moods running from rage to joy. Just as a good free-form jazz piece—spontaneously composed by its performers—has an experiential arc, so does Flower. Atkins’ comment on what he likes and looks for in works of art summarizes what he does in Flower: “I like it when in a film or another thing something structural or very formal that happens that’s unmistakably deliberate but also inexplicable and unrelated to the assumed consistency of the rest of it.”
For more of my reviews, please see https://www.thebookbeat.com/backroom/...
April 18, 2025
A luxurious surge—revelling in the delicious, delightful and disgusting details of daily existence in a human body and world. I enjoyed my reading experience. Recommend visiting the Tate exhibition also.
April 23, 2025
When I'm at a contemporary art thing I will look about and I'll think I see a whole fucking edifice a whole crowd of people who are bonded over a hatred arising from a fear of art but they're all professing to love it, art.
My ancestors were all dildos.
My ancestors were all dildos.
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June 28, 2025This book is very strange and good and evades a traditional rating system in my brain so I will not be assigning it stars and should be an afternoon read not a long time read so I had to start over for the afternoon
July 8, 2025
What captivated me about this piece is that it initially reads like a grocery list - meanderings about stuff, poetic and gruff. Intriguing. Along the way, it becomes mesmerizing - turning into these brilliant pockets of thoughts, of analysis, of what it is to be truly and boundlessly human.
May 15, 2025
An at times baffling stream of consciousness as camouflage for stealing thoughts directly from my head, there's no other explanation for Vampire Survivors and Elmo to both be here.
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May 22, 2025impressive, evocative of the moment to a sort of nauseating degree.
June 27, 2025
Alsof je in een gedachte of droom stapt waar je niet weet wanneer je naar een volgende gedachte heengetrokken wordt.
July 3, 2025
Oddly perfect
September 16, 2025
Incredibly courageous to admit to so much in such a small book.
September 19, 2025
crash out
October 7, 2025
Mental. Relatable in parts in a perverse way
Displaying 1 - 30 of 34 reviews