I received a review copy of this book from Pan Macmillan via NetGalley for which my thanks.
The Cat Who Cracked a Cold Case (2024) by L. T. Shearer, the third of the mysteries featuring retired policewoman Lulu Lewis and Conrad the cat, turned out for me the strongest of the series so far, with elements I’ve enjoyed in the previous books as well as an engrossing mystery and of course, Conrad himself who’s a unique, lovely and wonderful cat!
In case this series is new to you, it is set around Lulu Lewis, a retired superintendent from the Met who is living on her narrowboat the Lark since the death of her husband as she can’t bear living in the home they shared; onto the Lark and into her life one day walks a male calico cat (unusual in itself) who introduces himself as Conrad! Yes, you read that right, Conrad the cat can talk but does so only to Lulu: others find him talkative too but to them, he only says meow. That’s the only bit of fantasy at play here while in all other respects this world is normal. Conrad has the ability to read people’s auras and flag off characters who might be shady without seeming so. Together with Lulu, he not only has adventures but has solved some murders as well.
In The Cat Who Cracked a Cold Case, Lulu and Conrad have driven (narrowboats are driven not sailed) down to Manchester where they will spend a few days, among other things, visiting her old friend Jane, who is also now a widow. After an eventful arrival, they visit Jane to find that she has a new beau who wants to marry her but Jane is sceptical because she knows practically nothing about him and he’s evasive when questioned. But more serious things are awaiting Lulu and Conrad as in the newspapers Lulu comes across reports about a couple of murders (written by a cop-turned-journalist) which seem much too close to a series of murders she’d investigated in London some years ago unsuccessfully, the investigation dropped off once the murders ceased.
The detective in charge of the Manchester cases, DI Friar welcomes her help and Lulu’s former colleague DI Phil Jackson is called down from London, too. As they investigate, initially it seems that while the method of murder and various other details are identical in the London and Manchester cases, there’s no further lead or link. But they keep digging and suddenly some clues start to emerge—whether the serial killer was one of those Lulu and her team suspected initially or someone else altogether, you’ll have to read to find out but Conrad definitely plays a key role, both by asking the right questions (he can do that with Lulu) and finding some crucial clues.
In the first Conrad book, The Cat Who Caught a Killer, one of the elements I most loved was how well the setting was done—that story unfolded in Maida Vale, an area the author clearly loves, and with Lulu and Conrad we got a real sense of it and experienced its various sights. This was the case with this book too, taking us into Manchester, the mooring spots on the canal, various parts of the city as well as the apocryphal but fun story of the Midland Hotel being where Mr Rolls met Mr Royce!
One of the complaints I’ve had about the previous two books in this series is that the mystery isn’t as complex or compelling as other elements of the story. But in this book, this wasn’t the case at all: though not as much a whodunit as a police procedural, the mystery had me engrossed all the way through as Lulu and Conrad (as also Phil and the Manchester team) look and relook at the crimes to try and find a link either to their suspects or others. There are plenty of revelations as one reads on, and I enjoyed the key moments where they manage to identify (or put their finger/paw on) vital aspects not considered or missed previously. The investigation also gives one an insight into police work in the current day and how much reliance is placed on various databases which are invaluable but not foolproof (nor indeed exhaustive). The solution to the mystery was far darker than I usually like and leaves one feeling both enraged and heartbroken over certain goings on in society and why these are not addressed with the promptness or seriousness they require (I felt this all the more keenly as a book I read for Reading the Meow 2024 had a comparable scenario, even though it was set in a parallel cat-world—which means such circumstances are commoner than one realises). The heaviness of this main mystery is balanced to an extent by Jane’s little problem, which has a surprise answer of its own.
My favourite element of the book and series is without doubt Conrad himself; other than his ability to talk, Conrad is pretty much an ordinary cat (no, actually he is rather extraordinary) with his preference for Evian and enjoyment of treats like salmon from Marks and Spencer. But what really makes him endearing is his bond with Lulu—he can understand what she’s thinking or puzzling over at every moment and is able to give her just the right answers/suggestions. And he manages to comfort others in need too, with meows and purrs or simply by sitting with them and giving some support. It is his ability to read these signs and people generally that proves invaluable in solving the cases they have. I love how people react to his presence (especially that he ‘travels’ on Lulu’s shoulder) and loquaciousness—what fun it would be to have a cat like him (I hope mine isn’t reading this).
So this book worked wonderfully well overall, not only for Conrad (and I would read any book for him alone) but also in its setting and mystery elements—a satisfying and engaging read which left me eager for the next!
4.5 stars rounded off