The author crafts an intelligent murder mystery with a refreshingly new twist on the whodunit genre, a la the atmospheric brilliance of Agatha Christie. Framed against snow-drenched hills of Dehradun, the Dinshaw estate-a haven of opulence-turns out to be a labyrinth of secrets and lies wherein an unthought-of fortune of 700 crore rupees turns kin ito adversaries.
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Maheshwari's tale is a wonderful mesh of mystery, with each title of the chapters artfully inspired by nursery rhymes-a subtle, unnerving touch that amplifies the tension. The mark of an author's deft hand shows in his character sketches, each one carefully done to tease the reader's imagination - all the Dinshaw's, the lawyer and the daughter and even the staff, the 13 are portrayed to the core. These vivid portrayals take you to a world where everyone has a motive, and no one is above suspicion. The scattered illustrations, in themselves, are not embellishments but part and parcel of the realization of these characters with their fear and ambition, almost to life.
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That, indeed, is the special thing about the novel: how Maheshwari places the reader in the setting of the story and the atmosphere. The storm that cuts them off and raises the chill of the tensions is almost a character. The estate—the entire nook and corner, even the darkened halls—is vividly described to produce a kind of claustrophobia that heightens the suspense. The maps, the detailed interior to that last little reader activity - the book begets you to use your mind!
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The plot thickens, and with every unfolding, the reader is made to feel that he has discovered something, but he is then so delightfully blinded by the next turn. Maheshwari reveals just the correct tempo-greatly timed, until one literally feels that the truth has been caught, another layer is torn away. The novel maintains suspense rather well, pulling one deeper into the mystery with each turn of the page, thus making it an eminently satisfying read for any mystery buff.