When I first read the description of Blood Slaves, I was immediately struck by the power of its premise. The idea of blending vampire mythology with an alternate history of enslaved people rising up against their oppressors felt both bold and necessary. When I was approved to read an early copy, the author’s note made the story’s impact even stronger. Markus Redmond initially set out to write an incredible vampire novel, and he absolutely succeeded. However, the events of summer 2020—particularly the murder of George Floyd and the continued injustices faced by the Black community—deeply influenced the direction of the book. Redmond channeled that energy into creating an African-origin vampire myth, the Ramanga, within a story that powerfully reimagines resistance and liberation.
This novel resonated with me on many levels, especially given the social climate we find ourselves in once again. The fusion of African mythology and history felt fresh and unique, and I loved seeing it unfold. In recent years, I’ve been drawn to African mythology and folklore, and I’m not sure if it’s becoming more mainstream or if I’m simply noticing it more—but either way, I’ve really enjoyed exploring stories influenced by it.
Growing up in the South, the historical realities depicted in Blood Slaves are all too familiar, making parts of the novel difficult to read. But that’s the point, isn’t it? Stories like this aren’t meant to be easy—they’re meant to be powerful, unsettling, and thought-provoking. The novel doesn’t shy away from brutality, but it also delivers moments of deep satisfaction. Without giving away spoilers, I found the reclaiming of certain aspects of history and the alliances formed by the end to be incredibly rewarding.
A few random thoughts: When I first saw Markus Redmond’s name, I knew it sounded familiar, and then his author’s note reminded me—of course, I recognize him from his acting career! Another random thing—throughout the eARC, Blood Slaves was repeatedly printed in the middle of sentences (probably a formatting issue for the physical book), and I couldn’t help but read it out loud every time like it was some kind of ominous chant.
As for the writing itself, I think Redmond’s background in acting played a role in how vividly descriptive his storytelling is. Every death at the manor was gruesome and visceral, yet after witnessing the cruelty endured by the enslaved characters, I found the vengeance to be deeply satisfying. There were also a few things I was left wondering about—like what Kwadzo ultimately became and how they managed to do that to the dog (seriously, I need answers!).
Overall, I really enjoyed Blood Slaves. It was a tough read at times, but it was also a necessary one. If this is Markus Redmond’s debut novel, I can’t wait to see what he does next.
Thank you to NetGalley and Kensington Publishing | Dafina for the early eARC of this work.
I’m following up on this about two important things:
1: I just found out that Barnes and Noble is considering dropping this incredible book if they don’t get enough interest in the next week or so- and that would be a shame.
2: Kensington just posted a giveaway for this book and
there are 100 copies up for grabs, so go enter besties!!!
Happy pub day!!!!!!