Sylvia Plath is one of the most influential and iconic American writers of the twentieth century, popular with academic and general audiences alike. Plath, who died at age 30, left behind a body of work that changed the direction of modern poetry, and buttressed second-wave feminism. Her poetry and fiction have been especially important to generations of women readers who have found a powerful reflection of their own emotions and experiences in Plath's art.
In this incisive introduction, leading Plath scholar Heather Clark explores the intersections between Plath's life and work while discussing key themes in Plath's poetry collections The Colossus and Ariel, her novel The Bell Jar, and short stories “Johnny Panic and the Bible of Dreams,” “The Wishing Box,” and “Mary Ventura and the Ninth Kingdom.” Clark summarizes the ways in which Plath has been pathologized, and reframes her work within the broader context of poetic confessionalism, biography, feminism, politics, and mental illness.
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Dr. Heather Clark is an American writer, literary critic and academic. Her biography of poet Sylvia Plath, Red Comet: The Short Life and Blazing Art of Sylvia Plath, was a finalist for the 2020 Pulitzer Prize. Her recent awards include a Guggenheim Fellowship, the Truman Capote Award for Literary Criticism, the Slightly Foxed Best First Biography Prize, a National Endowment for the Humanities Public Scholars fellowship, a New York Public Library Cullman Center Fellowship, and a Leon Levy Center for Biography Fellowship at the City University of New York.
She is also the author of The Grief of Influence: Sylvia Plath and Ted Hughes (2011) and The Ulster Renaissance: Poetry in Belfast 1962–1972 (2006).
Her debut novel The Scrapbook will be published on 7 June 2025.
Heather Clark is currently working on a biography on Anne Sexton as well as on a group biography about the Boston years of Sylvia Plath, Anne Sexton, Adrienne Rich and Maxine Kumin.
This short study mirrors Clark’s 1000 page biographical blockbuster Red Comet and is, in a sense a synthesis and summary of that as well as a marker in the progress of Plath studies. Indeed Clark is at the centre of scholarship in the UK and her knowledge of Plaths life and legacy is confidently displayed here. It’s good that Clark can still include careful comments on Plaths poetic output that show her growth as a writer. There is also a useful Summary of how she has been used to reflect the rise of feminism and how themes in her writing provide complex layers of meaning that transcend feminism as well. Indeed Clark is predictably skilful at providing nuanced arguments to allow Plath to be seen in her own terms as well as contextual comments that provide commentary on the controversy over for example Holocaust imagery in Daddy or the endless disputes related to Hughes control of the estate after Plaths death. All in all this is a useful and timely addition to the very short introduction series and maintains the standard. Minor quibbles - no mention of the Craig/ Paltrow film - Sylvia ( also not mentioned in Red Comet??) and occasional proof reading - The marriage was “ devolved “ ( page 4) - should it be dissolved ? / biblio reference on page 113 spells William Woottens name wrong for his book The Alvarez Generation. Overall though a useful book that may mean I don’t need to immediately re read the excellent Red Comet. I look forward to Clark’s next project - a biography of Anne Sexton
A part of me wished that I could have read this short introduction on Sylvia Plath sooner instead of throwing myself into different biographies. While reading Red Comet, the most recent and expansive biography of Plath, I felt overwhelmed and even created a playlist of songs that captured my emotions during that time. Heather Clark, the biographer who wrote Red Comet, has provided a balanced insight into Plath’s life and work in just around 100 pages in this book. Briefly and deftly, she even ventured into many controversies surrounding Plath’s identity and poems, revealing the poet’s short life as deeply flawed as it is remarkable. Heather Clark redefines how we should interpret Plath as an iconic literary figure, whose legacy is often oversimplified; her fans are seen as a cult, and her work is frequently tied to her death, a connection even perpetuated by writers who knew her well, such as Robert Lowell, Al Alvarez, and Ted Hughes. Reading this book gave me the opportunity to examine my own assumptions, biases, and to challenge myself to better understand the intersections between Sylvia Plath’s life and work. This short intro book, in another way, helped me overcome my initial hesitation to read The Bell Jar, which stemmed from my fear of being targeted by the mockery and cruelty depicted in its infamous scenes, by making it clear that we can avoid misconceptions by distinguishing Plath from the fictional world she created. Additionally, I created a reading file for this book which remains incomplete even now (I took way too long to organize all the notes). It’s one of those books that has a crazy amount of pencil scribbles and underlines, and I know I will keep referring back to it habitually.