David Mura (born 1952) is a Japanese American author, poet, novelist, playwright, critic and performance artist. He has published two memoirs, Turning Japanese: Memoirs of a Sansei, which won the Josephine Miles Book Award from the Oakland PEN and was listed in the New York Times Notable Books of the Year, and Where the Body Meets Memory: An Odyssey of Race, Sexuality and Identity (1995). His most recent book of poetry is The Last Incantation (2014); his other poetry books include After We Lost Our Way, which won the National Poetry Contest, The Colors of Desire (winner of the Carl Sandburg Literary Award), and Angels for the Burning. His novel is Famous Suicides of the Japanese Empire (Coffee House Press, 2008). His writings explore the themes of race, identity and history. His blog is blog.davidmura.com.
David Mura was born in 1952 and grew up in Chicago, the oldest of four children. He is a third generation Japanese American son of parents interned during World War II. Mura earned his B.A. from Grinnell College and his M.F.A. in creative writing from Vermont College of Fine Arts. He has taught at the University of Minnesota, St. Olaf College, The Loft Literary Center, and the University of Oregon. He currently resides in Saint Paul, Minnesota, with his wife Susan Sencer and their three children; Samantha, Nikko and Tomo.
The voice and rhythm might be too consistent, although fantastic. There is also this odd presumption that masturbation is an act of betrayal or something to be ashamed of, but I guess it's presented as complicated in the book just as it is complicated in real life, the dynamics between pornography and self-pleasure and what constitutes moral porn. For the Speaker in these poems, there is a racial betrayal/layering involved in their view of whiteness as a "paradise of flesh," an attractive feature, that invites feelings of guilt in the Speaker who feels he is betraying his people. It takes a lot of courage to write and publish about a topic like that, the self-exposure and whatnot - but I think I'd like to see other ways of talking about masturbation rather than just as a thing to be ashamed of (although, the same here is more interesting than resulting just from a sense of sin of adolescence).
While it has been years since David Mura has written this book, it is quite impressive. I could see it as a collection of essays or even a collection of short-stories. Powerful, smart, eloquent, compassionate. With each stanza, I can sense multiple layers of deep thought. One layer is what we read, second layer is our interpretations, and third might be after-thoughts. If that makes any sense at all. Beautiful book.