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Cesare Aldo #5
Carnival of Lies
The Crime Writers' Association Historical Dagger Winning Author
'Full of dash and atmosphere' - The Times
Venice. Winter, 1539.
When Cesare Aldo learns of a conspiracy to assassinate Duke Cosimo de’ Medici, he is hired to protect the ruler of Florence. With his life, if necessary. The deadly attack which follows leads to bodies, bloodshed – and something far more dangerous.
Those behind the plot obtain a journal of the duke’s, containing explosive secrets that – in the wrong hands – could destroy all of Florence. Aldo must hunt down those responsible and reclaim the journal, or face banishment from the city and everyone he loves.
The trail leads him towards the one place Aldo has sworn to never return, a city of masks and lies where he has no allies and far too many Venice.
The fate of a dynasty rests on his shoulders, if he can make it out alive . . .
Carnival of Lies is the fifth Cesare Aldo mystery by D. V. Bishop, preceded by A Divine Fury, City of Vengeance, The Darkest Sin and Ritual of Fire.
'A brilliantly entertaining historical thriller that twists and turns like the very calli and canali of Venice itself' - Philip Gwynne Jones, author of the Nathan Sutherland Venice mysteries
'Full of dash and atmosphere' - The Times
Venice. Winter, 1539.
When Cesare Aldo learns of a conspiracy to assassinate Duke Cosimo de’ Medici, he is hired to protect the ruler of Florence. With his life, if necessary. The deadly attack which follows leads to bodies, bloodshed – and something far more dangerous.
Those behind the plot obtain a journal of the duke’s, containing explosive secrets that – in the wrong hands – could destroy all of Florence. Aldo must hunt down those responsible and reclaim the journal, or face banishment from the city and everyone he loves.
The trail leads him towards the one place Aldo has sworn to never return, a city of masks and lies where he has no allies and far too many Venice.
The fate of a dynasty rests on his shoulders, if he can make it out alive . . .
Carnival of Lies is the fifth Cesare Aldo mystery by D. V. Bishop, preceded by A Divine Fury, City of Vengeance, The Darkest Sin and Ritual of Fire.
'A brilliantly entertaining historical thriller that twists and turns like the very calli and canali of Venice itself' - Philip Gwynne Jones, author of the Nathan Sutherland Venice mysteries
400 pages, Hardcover
Published August 26, 2025
21 people are currently reading
162 people want to read
About the author
D.V. Bishop
7 books88 followersGrew up in Mt Roskill, Auckland, Aotearoa.
In July 2023 D.V. Bishop became the first New Zealand writer to win the prestigious Crime Writers’ Association (CWA) Historical Dagger Award with his novel The Darkest Sin.
In July 2023 D.V. Bishop became the first New Zealand writer to win the prestigious Crime Writers’ Association (CWA) Historical Dagger Award with his novel The Darkest Sin.
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Displaying 1 - 30 of 62 reviews
July 4, 2025
It is 1539 (although we would already have said 1540, as the story takes place in early March) and it is bitter cold. Cesare Aldo no longer works for the Otto but turned freelance. He’s still living in the bordello and to his joy, still maintaining a wonderful affair with Saul. They have to be very, very careful because what they’re having – a gay affair – could have them both sent to jail and be killed. Anyway, as the story begins Aldo is summoned to the offices of Cosimo de’Medici who’s under attack. Apparently, the Doge of Venice still wants to get Cosimo out of the way so he can overtake Florence. The Doge hopes he can get some help from a cypher book that was stolen from Cosimo recently, but Cosimo in his turn sends out Aldo, one of his most trusted men, to get it back. Sounds easy: just go to Venice and steal a book.
It isn’t. First of all there is not only Cosimo but also Contessa Valentina Cotillo, spy master in Florence, who fears there are some very incriminating things about her written down in the book. Valentina was simply born a couple of hundred years too early – she could easily have the same role in our current time as she has in 1539. Other interested parties are luckily not so clever as she is.
What is not to like about this fifth book in the series? The writing is vibrant, there are snappy dialogues, there is betrayal and love and Carnival parties and most of all: ice-cold water. And Aldo hates Venice because of something that happened there more than twenty years ago.
At the end there is a surprise – one that hopefully leads to the next book in the series.
Thanks to Pan MacMillan and Netgelley for this review copy.
It isn’t. First of all there is not only Cosimo but also Contessa Valentina Cotillo, spy master in Florence, who fears there are some very incriminating things about her written down in the book. Valentina was simply born a couple of hundred years too early – she could easily have the same role in our current time as she has in 1539. Other interested parties are luckily not so clever as she is.
What is not to like about this fifth book in the series? The writing is vibrant, there are snappy dialogues, there is betrayal and love and Carnival parties and most of all: ice-cold water. And Aldo hates Venice because of something that happened there more than twenty years ago.
At the end there is a surprise – one that hopefully leads to the next book in the series.
Thanks to Pan MacMillan and Netgelley for this review copy.
July 4, 2025
I just finished reading 'Carnival of Lies' by D.V. Bishop, and WOW !!! What a book!!!
If you are in to historical thrillers I highly recommend reading this book ⭐️⭐️⭐️⭐️⭐️
Even though it's fifth book in the Cesare Aldo series, you can definitely read it as a stand-alone.
Set in 1539 Venice, the book paints such a vivid picture that you can feel the atmosphere of the city during carnival.
The characters are amazing. My personal favourite was Contessa; - I know she is a 'bady', but you have to admit, what a mastermind 😁
Full of twists, tension and betrayals the book was such a page-turner; it kept me on the edge of my seat.
Really good book, definitely recommend it
If you are in to historical thrillers I highly recommend reading this book ⭐️⭐️⭐️⭐️⭐️
Even though it's fifth book in the Cesare Aldo series, you can definitely read it as a stand-alone.
Set in 1539 Venice, the book paints such a vivid picture that you can feel the atmosphere of the city during carnival.
The characters are amazing. My personal favourite was Contessa; - I know she is a 'bady', but you have to admit, what a mastermind 😁
Full of twists, tension and betrayals the book was such a page-turner; it kept me on the edge of my seat.
Really good book, definitely recommend it
June 17, 2025
I just finished reading Carnival of Lies by D. V. Bishop, the fifth volume in his Cesare Aldo series, and it was a gripping, atmospheric dive into Renaissance Italy that kept me turning the pages. Set in Florence and Venice during the height of the 1539 Carnival season, the novel blends political intrigue, murder, and deception with a vivid sense of place that makes both cities feel fully alive.
The plot centers on an attempted assassination of Cosimo de’ Medici, with Aldo tasked with preventing the attack before it can unfold. The stakes are high from the start, and Bishop excels at building tension. From the opening pages, there’s an undercurrent of danger and duplicity. As you’d expect from a novel set in Florence and Venice, there’s a heady dose of secrets, shifting loyalties, and shadowy motives. Just when I thought I had the plot figured out, another twist caught me by surprise.
I especially appreciated the return of Cesare Aldo, Bishop’s flawed yet fascinating investigator. He remains as compelling as ever—sharp-minded, haunted, and walking a fine line between justice and survival. His demons make him human, but it’s his intelligence and moral complexity that set him apart. I also really valued how Bishop continues to write a progressive character whose decisions carry real weight and consequences, adding depth to Aldo’s development across the series.
What I loved just as much as the story itself was how the novel doesn’t rely on plot alone. The atmosphere is thick with tension, and the historical detail is rich without ever feeling heavy-handed. Florence, in particular, feels like more than just a backdrop—it’s almost a character in its own right: beautiful, dangerous, and full of contradictions.
If you’re a fan of historical thrillers that offer both clever plotting and well-developed characters, Carnival of Lies won’t disappoint. For me, it was a darkly thrilling journey through masks, secrets, and the slippery nature of truth. I’m already looking forward to what Bishop writes next.
My thanks to both Netgalley and the publishers Pan Macmillan for a free ebook and an honest opinion.
The plot centers on an attempted assassination of Cosimo de’ Medici, with Aldo tasked with preventing the attack before it can unfold. The stakes are high from the start, and Bishop excels at building tension. From the opening pages, there’s an undercurrent of danger and duplicity. As you’d expect from a novel set in Florence and Venice, there’s a heady dose of secrets, shifting loyalties, and shadowy motives. Just when I thought I had the plot figured out, another twist caught me by surprise.
I especially appreciated the return of Cesare Aldo, Bishop’s flawed yet fascinating investigator. He remains as compelling as ever—sharp-minded, haunted, and walking a fine line between justice and survival. His demons make him human, but it’s his intelligence and moral complexity that set him apart. I also really valued how Bishop continues to write a progressive character whose decisions carry real weight and consequences, adding depth to Aldo’s development across the series.
What I loved just as much as the story itself was how the novel doesn’t rely on plot alone. The atmosphere is thick with tension, and the historical detail is rich without ever feeling heavy-handed. Florence, in particular, feels like more than just a backdrop—it’s almost a character in its own right: beautiful, dangerous, and full of contradictions.
If you’re a fan of historical thrillers that offer both clever plotting and well-developed characters, Carnival of Lies won’t disappoint. For me, it was a darkly thrilling journey through masks, secrets, and the slippery nature of truth. I’m already looking forward to what Bishop writes next.
My thanks to both Netgalley and the publishers Pan Macmillan for a free ebook and an honest opinion.
August 19, 2025
Gritty, menacing, and atmospheric!
In this fifth instalment in the Cesare Aldo series, Carnival of Lies, we head back to 1539 Florence, where the dependable Cesare Aldo now finds himself immersed in a tricky investigation involving a plot to assassinate Duke Cosimo de’ Medici and the theft of an invaluable journal that will not only put his life on the line, but take him back to Venice, the one city he swore he’d never return.
The writing is meticulous and tight. The characters are intuitive, relentless, and committed. And the plot unravels briskly into a sinister tale full of mischief, mayhem, deception, corruption, coercion, politics, dangerous situations, suspicious motivations, duplicity, vengeance, violence, and murder.
Overall, Carnival of Lies is a dark, edgy, fascinating tale with irresistible characters that I devoured from start to finish. I’m a huge fan of D. V. Bishop, and this novel didn’t disappoint. It enthralled, captivated, and amused me, and I highly recommend it to be at the top of everyone’s TBR pile.
In this fifth instalment in the Cesare Aldo series, Carnival of Lies, we head back to 1539 Florence, where the dependable Cesare Aldo now finds himself immersed in a tricky investigation involving a plot to assassinate Duke Cosimo de’ Medici and the theft of an invaluable journal that will not only put his life on the line, but take him back to Venice, the one city he swore he’d never return.
The writing is meticulous and tight. The characters are intuitive, relentless, and committed. And the plot unravels briskly into a sinister tale full of mischief, mayhem, deception, corruption, coercion, politics, dangerous situations, suspicious motivations, duplicity, vengeance, violence, and murder.
Overall, Carnival of Lies is a dark, edgy, fascinating tale with irresistible characters that I devoured from start to finish. I’m a huge fan of D. V. Bishop, and this novel didn’t disappoint. It enthralled, captivated, and amused me, and I highly recommend it to be at the top of everyone’s TBR pile.
July 22, 2025
Rep: gay mc, Jewish gay li, bi mcs
Galley provided by publisher
Carnival of Lies is another fun entry into the Cesare Aldo series which, this time, takes him out of Florence and back to Venice, a place to which he vowed never to return. This is less a murder mystery in the way the previous books were - Aldo is required to cross wits with some dangerous individuals and what he is looking for, should he not find it, leaves Florence's safety at stake. Thus, there was more urgency to this one, the feeling that the stakes were higher, and there was the genuine question of whether Aldo would make it back to Florence again. Now that it's over, the question is what will come next in the series and I look forward to finding out.
Galley provided by publisher
Carnival of Lies is another fun entry into the Cesare Aldo series which, this time, takes him out of Florence and back to Venice, a place to which he vowed never to return. This is less a murder mystery in the way the previous books were - Aldo is required to cross wits with some dangerous individuals and what he is looking for, should he not find it, leaves Florence's safety at stake. Thus, there was more urgency to this one, the feeling that the stakes were higher, and there was the genuine question of whether Aldo would make it back to Florence again. Now that it's over, the question is what will come next in the series and I look forward to finding out.
June 1, 2025
This is a slightly different book in the series. Instead of investigating a crime, Aldo is caught in an intrigue between Florence and Venice. He is told about a plot to kill Cosimo Medici during which a different crime takes place, Aldo is then sent to Venice to retrieve an item and is told not to return to Florence without it. There are twists and turns, plots and counter plots and a former lover to contend with, It’s a good fun, action story although I missed some of the characters from Florence who are barely in it. The end reveals more about Aldo’s family and feels as though the ext story has been set up. I hope that his character is able to develop a bit more during that. Thanks to Netgalley for an ARC.
November 18, 2025
I stick with my firm belief that these fictional characters wouldn’t have survived irl, with the amount of fights, accidents, and all round things that are just asking for a case of sepsis.
This most recent sees Aldo, still in his forbidden love with the Jewish doctor, although Saul doesn’t play a great role in this book, return to Venice, a place he’d sworn to never return to after (a story that is covered in the book). However, he must retrieve the Duke’s coded notebook - it’s a recipe for war, as it’s his personal thoughts. Forming an uneasy alliance with the Contessa, who we met in a previous story, he is swept along in events often not in his control, but the final bit is a nice set up for the next book.
This most recent sees Aldo, still in his forbidden love with the Jewish doctor, although Saul doesn’t play a great role in this book, return to Venice, a place he’d sworn to never return to after (a story that is covered in the book). However, he must retrieve the Duke’s coded notebook - it’s a recipe for war, as it’s his personal thoughts. Forming an uneasy alliance with the Contessa, who we met in a previous story, he is swept along in events often not in his control, but the final bit is a nice set up for the next book.
December 14, 2025
Cesare Aldo returns and I was sat on the edge of my seat throughout the book.
While the previous installment in the series, A Divine Fury, fell a little flat for me, Carnival of Lies re-established this series as my favorite historical fiction series once again. While the plot feels fairly simple: retrieve an important stolen book from Venice, the way it unfolds is filled with interpersonal conflict, witty dialogue and a few surprising twists. This book expanded the Contessa Coltello's role in Aldo's life and gave us more insight in the character, and let's just say she's rapidly becoming one of my favorite sidecharacters (after Saul, of course). I love her dynamic with Aldo and the world around her, and I wouldn't mind a spin-off about her, if I'm being honest.
The change of scenery also helped reignite the appeal of the series. As much as I love Florence as a setting, this little excursion to Venice (and into Aldo's past) really showcases the depth of character and background Bishop has developed for his main hero.
And without spoiling anything, the big reveal of in the last few pages of the book have me excited for what comes next for Aldo. The poor man really doesn't get a second of peace and quiet.
While the previous installment in the series, A Divine Fury, fell a little flat for me, Carnival of Lies re-established this series as my favorite historical fiction series once again. While the plot feels fairly simple: retrieve an important stolen book from Venice, the way it unfolds is filled with interpersonal conflict, witty dialogue and a few surprising twists. This book expanded the Contessa Coltello's role in Aldo's life and gave us more insight in the character, and let's just say she's rapidly becoming one of my favorite sidecharacters (after Saul, of course). I love her dynamic with Aldo and the world around her, and I wouldn't mind a spin-off about her, if I'm being honest.
The change of scenery also helped reignite the appeal of the series. As much as I love Florence as a setting, this little excursion to Venice (and into Aldo's past) really showcases the depth of character and background Bishop has developed for his main hero.
And without spoiling anything, the big reveal of in the last few pages of the book have me excited for what comes next for Aldo. The poor man really doesn't get a second of peace and quiet.
June 5, 2025
This review was originally posted on Queen's Book Asylum.
I received an eARC from Pan Macmillan via NetGalley in exchange for an honest review.
It has been a very, very long year I had to survive without D. V. Bishop‘s magnificent Cesare Aldo series, and I’m happy to report that Carnival of Lies was totally worth the wait. To be fair, I consoled myself by visiting Florence in the meantime, which I definitely recommend to anyone to do. It certainly gave me a new level of appreciation for the whole series.
Before we head into the review, a bit of housekeeping: this being the fifth book, some mild spoilers for previous books could happen despite my best efforts, so go forward with that in mind.
A few weeks/months passed since the events in book 4, and Aldo enjoys his new life, helping out where he can, serving justice in his own way, and spending more quality time with Saul. Until, news of an attempt to take Cosimo Medici’s life reaches his ears through the ever-intriguing Contessa Coltello. As it turns out, this assassination conspiracy is only the beginning – not only is Cosimo’s life in danger, but important papers get stolen as well, which could cause trouble for him. Aldo is tasked to take those papers back if he ever wants to return to Florence. He also has to team up with Ottone, the head of Cosimo’s guard, a fact neither man is happy with. What makes things worse is that the chase takes Aldo to Venice, a city he hates and never intended to return to. His collaboration with the Contessa plunges him right into the heart of Venice’s political snakepit, taking him closer to death than he ever was before.
Carnival of Lies, unlike the other books in the Cesare Aldo series, is not a murder mystery – don’t get me wrong, there are murders and deaths aplenty, but neither of them is very mysterious. The focus is more on a heist and some political intrigue set in Carnival time in Venice, when rules are a bit more lax. This allows Bishop to show us a different side of Aldo, to get to know his past a bit more and understand the man he has become. I certainly did not expect him to be so bold and passionate, despite the fact that he’s been living on the edge of the law in all his life. Being gay in an age when such things are illegal can do that to a man. Plus, this was one of my only minor complaints about the series – I wanted to know Aldo on a deeper level, and I finally got it. Poor Cesare really got put through the wrangler in this one. I properly felt sorry for him.
This time around, Contessa Coltello steps up to become a major character, and it’s clear that Bishop had a lot of fun writing her, which shines through the pages. And honestly, she had become one of my favourite characters as well. I would never ever want to be on her bad side. She is ruthless, cunning, and always two steps ahead of everyone else. The fact that in a men controlled world everyone underestimates her – even when they are aware of her reputation – makes it just so much more fun to read her fucking with them. Figuratively. Mostly. At times, I couldn’t predict what her next move would be which also added to the enjoyment level. I don’t know what the next book will bring, but I do hope she’ll make an appearance again.
Speaking of appearances, there was one regular character I sorely missed – Strocchi. He’s probably been my favourite character throughout the series, and while I understand the choice that was made for not including him – at least we’ve got an explanation for his absence -, I keep my fingers crossed for his return. I feel like he and Aldo have some unfinished business yet. But then, Aldo has more unfinished business, making me eager to pick up the next book. A shame I need to wait yet another year.
I’ve been singing this series’ praises ever since I started reading and reviewing them, and of course, Carnival of Lies isn’t an exception. Bishop keeps a steady, very high-quality writing, and knows how to keep things fresh. Taking Aldo out to Venice was an excellent choice to shake things up. With Carnival of Lies D. V. Bishop nudged the bar even higher up, establishing the series as one of the must reads of the historical fiction genre.
I received an eARC from Pan Macmillan via NetGalley in exchange for an honest review.
“Aretino resented interruptions when he was writing, but welcomed them when the work was not going well. Some days words flowed like ink from a bottle; others, it would be e asier to find a virgin at a Carnival orgy than to write prose worthy of the name.”
It has been a very, very long year I had to survive without D. V. Bishop‘s magnificent Cesare Aldo series, and I’m happy to report that Carnival of Lies was totally worth the wait. To be fair, I consoled myself by visiting Florence in the meantime, which I definitely recommend to anyone to do. It certainly gave me a new level of appreciation for the whole series.
Before we head into the review, a bit of housekeeping: this being the fifth book, some mild spoilers for previous books could happen despite my best efforts, so go forward with that in mind.
A few weeks/months passed since the events in book 4, and Aldo enjoys his new life, helping out where he can, serving justice in his own way, and spending more quality time with Saul. Until, news of an attempt to take Cosimo Medici’s life reaches his ears through the ever-intriguing Contessa Coltello. As it turns out, this assassination conspiracy is only the beginning – not only is Cosimo’s life in danger, but important papers get stolen as well, which could cause trouble for him. Aldo is tasked to take those papers back if he ever wants to return to Florence. He also has to team up with Ottone, the head of Cosimo’s guard, a fact neither man is happy with. What makes things worse is that the chase takes Aldo to Venice, a city he hates and never intended to return to. His collaboration with the Contessa plunges him right into the heart of Venice’s political snakepit, taking him closer to death than he ever was before.
Carnival of Lies, unlike the other books in the Cesare Aldo series, is not a murder mystery – don’t get me wrong, there are murders and deaths aplenty, but neither of them is very mysterious. The focus is more on a heist and some political intrigue set in Carnival time in Venice, when rules are a bit more lax. This allows Bishop to show us a different side of Aldo, to get to know his past a bit more and understand the man he has become. I certainly did not expect him to be so bold and passionate, despite the fact that he’s been living on the edge of the law in all his life. Being gay in an age when such things are illegal can do that to a man. Plus, this was one of my only minor complaints about the series – I wanted to know Aldo on a deeper level, and I finally got it. Poor Cesare really got put through the wrangler in this one. I properly felt sorry for him.
“Campana was right, of course. Antagonizing those with power or too many weapons at their command was a dangerous game – but also an enjoyable one.”
This time around, Contessa Coltello steps up to become a major character, and it’s clear that Bishop had a lot of fun writing her, which shines through the pages. And honestly, she had become one of my favourite characters as well. I would never ever want to be on her bad side. She is ruthless, cunning, and always two steps ahead of everyone else. The fact that in a men controlled world everyone underestimates her – even when they are aware of her reputation – makes it just so much more fun to read her fucking with them. Figuratively. Mostly. At times, I couldn’t predict what her next move would be which also added to the enjoyment level. I don’t know what the next book will bring, but I do hope she’ll make an appearance again.
“Coltello smiled. It was simple to control most men. All one needed to know was their vulnerabilities, and be ruthless enough to exploit them.”
Speaking of appearances, there was one regular character I sorely missed – Strocchi. He’s probably been my favourite character throughout the series, and while I understand the choice that was made for not including him – at least we’ve got an explanation for his absence -, I keep my fingers crossed for his return. I feel like he and Aldo have some unfinished business yet. But then, Aldo has more unfinished business, making me eager to pick up the next book. A shame I need to wait yet another year.
I’ve been singing this series’ praises ever since I started reading and reviewing them, and of course, Carnival of Lies isn’t an exception. Bishop keeps a steady, very high-quality writing, and knows how to keep things fresh. Taking Aldo out to Venice was an excellent choice to shake things up. With Carnival of Lies D. V. Bishop nudged the bar even higher up, establishing the series as one of the must reads of the historical fiction genre.
September 27, 2025
Carnival of Lies is the fifth entry in the Cesare Aldo historical mystery series, and while this was a great read, I don't think it was my favourite of the series to this point. It's not that it wasn't good as it definitely was, but that it seemed to lack the tension that existed in the previous books where I didn't know what was going to happen to Aldo and worried about him constantly. In this one, I just felt like he wasn't in the same amount of danger. Maybe it was the way it was written, but for the first time I found the twists and turns to be more predictable than usual and easily figured out what was happening.
I must start by saying that this book is somewhat different than the previous four installments in that Aldo was sort of inadvertently caught in the middle of something between Florence and Venice due to some intrigue that happened in the previous book. This intrigue carried into this book and while it was definitely a separate plot and very satisfying on its own, it was not Aldo simply investigating a murder or series of murders. A lot of the political stuff that was building in previous books has now reared its ugly head and Aldo can't escape its claws. There are twists and turns aplenty, a lot of intrigue, a female spy to deal with, and even the return of an old lover in Aldo's life. While there was a murder, it was a very insignificant part of the book while the author focused on the bigger political issues happening during this time period. I did find all of this very intriguing as I love politics and I love history having taught it for thirty plus years, but I did feel that it did diminish the overall tension to the plot as I never really felt like Aldo was in danger and could easily figure out the plot twists. This tension and second-guessing had always been a highlight in previous books however, and I was left feeling like something was missing from this book. Furthermore, I felt like the reason why Aldo went to Venice was a bit slim as I don't think Cosimo de Medici would have done such a thing as what he did in this book as that would have put so many people in danger and he was a careful, careful man. As usual though, the author is brilliant at bringing this time period to life and I really appreciated the descriptions of both Florence and Venice.
Just when I thought Aldo's character couldn't be developed anymore however, the author threw a new twist into this book and proved me wrong. I loved the return of one of Aldo's former lovers and the discussions surrounding that little happenstance as it was fascinating. All I will say about that is I'm glad Aldo finally got closure about that part of his life.
Now, the contessa. One of my new favourite characters. Love it when a female character develops beautifully, is empowered, and has quite a character arc. She's charismatic, charming, beautiful, wealthy, connected, but deadly as a snake. And honestly, it's that deadly side that I love. I don't know how the author does it, but to make me feel sympathy and empathy for such a person just goes to show how brilliant the writing is. No, she can't be trusted, but she is a lot of fun to read about.
Carnival of Lies was a different entry to this series, but still fun to read. While I did have issues with some of the pacing and the tension in the story, it was still fast-paced with plenty of action and plenty of twists and turns. And the author has a way of transporting you to the time period so you feel like you are there. While not necessary, I do recommend you read the earlier entries in the series to get a better understanding of the recurring characters, some of the continuing storylines, and how they all connect. There were things that happened in this book that you would only have understood having read the earlier books and I think readers who only read this book will miss the nuances because they don't understand them. Highly recommend this series if you are looking for a good historical mystery with great description.
I received a copy of this book from the publisher.
I must start by saying that this book is somewhat different than the previous four installments in that Aldo was sort of inadvertently caught in the middle of something between Florence and Venice due to some intrigue that happened in the previous book. This intrigue carried into this book and while it was definitely a separate plot and very satisfying on its own, it was not Aldo simply investigating a murder or series of murders. A lot of the political stuff that was building in previous books has now reared its ugly head and Aldo can't escape its claws. There are twists and turns aplenty, a lot of intrigue, a female spy to deal with, and even the return of an old lover in Aldo's life. While there was a murder, it was a very insignificant part of the book while the author focused on the bigger political issues happening during this time period. I did find all of this very intriguing as I love politics and I love history having taught it for thirty plus years, but I did feel that it did diminish the overall tension to the plot as I never really felt like Aldo was in danger and could easily figure out the plot twists. This tension and second-guessing had always been a highlight in previous books however, and I was left feeling like something was missing from this book. Furthermore, I felt like the reason why Aldo went to Venice was a bit slim as I don't think Cosimo de Medici would have done such a thing as what he did in this book as that would have put so many people in danger and he was a careful, careful man. As usual though, the author is brilliant at bringing this time period to life and I really appreciated the descriptions of both Florence and Venice.
Just when I thought Aldo's character couldn't be developed anymore however, the author threw a new twist into this book and proved me wrong. I loved the return of one of Aldo's former lovers and the discussions surrounding that little happenstance as it was fascinating. All I will say about that is I'm glad Aldo finally got closure about that part of his life.
Now, the contessa. One of my new favourite characters. Love it when a female character develops beautifully, is empowered, and has quite a character arc. She's charismatic, charming, beautiful, wealthy, connected, but deadly as a snake. And honestly, it's that deadly side that I love. I don't know how the author does it, but to make me feel sympathy and empathy for such a person just goes to show how brilliant the writing is. No, she can't be trusted, but she is a lot of fun to read about.
Carnival of Lies was a different entry to this series, but still fun to read. While I did have issues with some of the pacing and the tension in the story, it was still fast-paced with plenty of action and plenty of twists and turns. And the author has a way of transporting you to the time period so you feel like you are there. While not necessary, I do recommend you read the earlier entries in the series to get a better understanding of the recurring characters, some of the continuing storylines, and how they all connect. There were things that happened in this book that you would only have understood having read the earlier books and I think readers who only read this book will miss the nuances because they don't understand them. Highly recommend this series if you are looking for a good historical mystery with great description.
I received a copy of this book from the publisher.
July 10, 2025
Every year around this time I get excited for the new Cesare Aldo book by D. V. Bishop, and am always appreciative to Pan Macmillian who send me an advanced copy. Regular readers of my blog know that I have a love affair with Italy, and in particular Florence especially of the fifteenth and sixteenth centuries, and these books have captured that era perfectly. In Carnival of Lies as the title hints D.V.Bishop takes us for a visit to Venice, and shows a very different side to Aldo, a more vunerable side.
I really can’t believe that these books get better every time, but they do and Carnival of Lies is the best so far. In the previous books we have seen Aldo as a servant of the Otto, working to capture criminals and bring them to justice, but now he has left the Otto and is working for Cosimo de’Medici, Duke of Florence. Employed to help protect the Duke from a death threat, he finds himself on a quest to find and return a personal diary of Cosimo de’ Medici’s that could have catastrophic consequences if in the wrong hands. Aldo finds himself on a journey of discovery, both metaphorical and literal, that helps him lay some of the ghosts of his past to rest.
Seeing a different side of Aldo was fascinating. Venice is a place he never wanted to return to and the time he spends there offers some intrigue and understanding of who he is today. Aldo finds himself in some dangerous and precarious situations in Venice, and with only the Contessa Coletto, a Venetian spy from the previous books, for help. There are plenty of heart stopping moments including breaking into a Palazzo and breaking out of the famous Venetian prison. Without help from those he knows and without weapons there is a more vunerable side to Aldo that I loved, he had to use his wit and charm a bit more and face his fears.
I liked that D.V. Bishop set this book in Venice, it gave a different feel to the book, a new take on the characters, seeing them out of their natural habitat so to say. The author captures the essence of Venice in this period, the busyness of the canals and the markets, the political machinations and the social and cultural side of the salons where allegiances were made and lost. As with the books set in Florence D.V.Bishop grounds the story with the inclusion of historical characters who were there at the time, including writer Pietro Arentino who was known for blackmailing important people, and the artist Titian.
There is so much going on in the Carnival of Lies, from chasing thieves, saving the Duke, a kidnapping, attempted murder, sexual tension and a few brushes with death along the way that kept me turning the pages wondering what was going to happen next. As a break for the suspense, intrigue and tension there are plenty of witty one liners, quite often from the Contessa, to lighten the mood and bring a wry smile to the face. I also like the fact that D.V. Bishop includes the odd Italian word or phrase, frequently a rude one, which I feel adds an authenticity to the book.
As you can probably tell I absolutely loved reading Carnival of Lies. D.V.Bishop is a masterful storyteller and I have enjoyed the development of Aldo and the other characters over the books, always coming back with something new that keeps me get invested in these books. The setting of Venice was a brilliant idea, seeing the characters in a different context, as was the more personal side of Aldo, his history and background making me feel I knew him better by the end of the book. If you like your historical fiction then I highly recommend these books, and even if you haven’t read this genre before these are a great way to start as they are brilliantly written. I can’t wait to see what Cesare Aldo does next!! You can read my reviews of the previous books by searching on my blog.
I really can’t believe that these books get better every time, but they do and Carnival of Lies is the best so far. In the previous books we have seen Aldo as a servant of the Otto, working to capture criminals and bring them to justice, but now he has left the Otto and is working for Cosimo de’Medici, Duke of Florence. Employed to help protect the Duke from a death threat, he finds himself on a quest to find and return a personal diary of Cosimo de’ Medici’s that could have catastrophic consequences if in the wrong hands. Aldo finds himself on a journey of discovery, both metaphorical and literal, that helps him lay some of the ghosts of his past to rest.
Seeing a different side of Aldo was fascinating. Venice is a place he never wanted to return to and the time he spends there offers some intrigue and understanding of who he is today. Aldo finds himself in some dangerous and precarious situations in Venice, and with only the Contessa Coletto, a Venetian spy from the previous books, for help. There are plenty of heart stopping moments including breaking into a Palazzo and breaking out of the famous Venetian prison. Without help from those he knows and without weapons there is a more vunerable side to Aldo that I loved, he had to use his wit and charm a bit more and face his fears.
I liked that D.V. Bishop set this book in Venice, it gave a different feel to the book, a new take on the characters, seeing them out of their natural habitat so to say. The author captures the essence of Venice in this period, the busyness of the canals and the markets, the political machinations and the social and cultural side of the salons where allegiances were made and lost. As with the books set in Florence D.V.Bishop grounds the story with the inclusion of historical characters who were there at the time, including writer Pietro Arentino who was known for blackmailing important people, and the artist Titian.
There is so much going on in the Carnival of Lies, from chasing thieves, saving the Duke, a kidnapping, attempted murder, sexual tension and a few brushes with death along the way that kept me turning the pages wondering what was going to happen next. As a break for the suspense, intrigue and tension there are plenty of witty one liners, quite often from the Contessa, to lighten the mood and bring a wry smile to the face. I also like the fact that D.V. Bishop includes the odd Italian word or phrase, frequently a rude one, which I feel adds an authenticity to the book.
As you can probably tell I absolutely loved reading Carnival of Lies. D.V.Bishop is a masterful storyteller and I have enjoyed the development of Aldo and the other characters over the books, always coming back with something new that keeps me get invested in these books. The setting of Venice was a brilliant idea, seeing the characters in a different context, as was the more personal side of Aldo, his history and background making me feel I knew him better by the end of the book. If you like your historical fiction then I highly recommend these books, and even if you haven’t read this genre before these are a great way to start as they are brilliantly written. I can’t wait to see what Cesare Aldo does next!! You can read my reviews of the previous books by searching on my blog.
June 30, 2025
I’m a huge fan of David Bishop’s Cesare Aldo historical series, and this one is a cracker. Though it begins in Florence, much of the action takes place in Venice, a place to which Aldo swore he would never return. David Bishop ensures that both these Italian cities are rich in atmosphere and the smells, sounds and sights fill the senses alongside the atmosphere of intrigue, deadly politics and strange bedfellows.
Cesare Aldo has, with relief, left the Otto and is freelance, aided by a hefty commission or two from Cosimo, Duke de Medici. This time Aldo is alerted by Contessa Coltello to a possible assassination attempt on the Duke’s life. When the Duke’s personal journal is stolen, containing his private thoughts on many of the important issues and people of the day, the diplomatic incidents his journal being made public would cause are a matter of very serious concern. Insurrection and war are just two unthinkable possibilities. Aldo is tasked with getting the journal back if he ever wants to return to Florence. The pacing is fast as Bishop mixes murder with political intrigue, duplicity and a constant power struggle within the Venetian confines.
Bishop uses tight pacing, splitting perspectives between Aldo, Saul, Contessa Coltello, and even Duke Cosimo, ratcheting the suspense so that everyone feels under threat of betrayal or death. There were moments when my pulse quickened—a ballroom chase, a secret rendezvous, some brutal revelations.
Cesare Aldo’s internal monologue always makes me feel like I am walking in his shoes, and this time, the weight of responsibility presses on him more than ever. He’s no longer just a freelance blade; he’s the bulwark between Florence and utter chaos. We get poignant flashbacks highlighting his fierce loyalty and vulnerability—especially in his bond with Saul. I loved seeing their relationship deepen, showing Aldo not just as a solitary protector, but as a man who loves and fears losing someone dear.
As for Contessa Valentine Coltello, she is a magnificent creation. Whip smart, beautiful and when required, deadly. She and Aldo dance a complicated Bassadanza, with each thinking they are leading, but neither quite knowing all the steps. Theirs is a relationship which, though clearly not built on trust, nevertheless brings them together, sometimes as allies, sometimes in an adversarial relationship.
Each respects the other but Coltello can’t help but be tempted to flirt with Aldo, especially knowing his preferences. She’s ruthless, witty, unpredictable; a siren certainly; ruthless enough to exploit Aldo’s vulnerabilities. Their encounters sparkle with wit, distrust, and an undeniable chemistry that kept me wondering.
Bishop’s Florence is a living, breathing entity. You can almost taste the smog of power and ambition from the Medici court, feel Aldo’s frustration as his network closes around him. Renaissance Venice, though, is the show-stopper. During Carnevale, the canals transform into deceptive labyrinths. Every mask hides motives and in Venice very few motives are pure. Damp alleyways, lavish masked balls, whispered secrets behind velvet drapes—Bishop’s research is rock-solid. He makes Venice a character, and put me right there, hunting shadows with Aldo.
Verdict: Carnival of Lies is a politically charged masterpiece. The richness and dynamics of the characters and Aldo’s own anguish layer on emotional depth and complexity. The opulent tension of Florence contrasts perfectly with Venice’s intoxicating mask of mystery and libertine behaviour. The pacing is fast and furious, the stakes are high, and Bishop’s research roots it solidly in history without ever overshadowing the brilliant story. If you are looking for intelligent thrills laced with Renaissance-era intrigue, this is it. I closed its final page, already pining for more of Aldo’s dangerous world. I keep thinking about that baited hook at the end that Bishop has dangled for us…. I’m in no doubt that I’m biting!
Cesare Aldo has, with relief, left the Otto and is freelance, aided by a hefty commission or two from Cosimo, Duke de Medici. This time Aldo is alerted by Contessa Coltello to a possible assassination attempt on the Duke’s life. When the Duke’s personal journal is stolen, containing his private thoughts on many of the important issues and people of the day, the diplomatic incidents his journal being made public would cause are a matter of very serious concern. Insurrection and war are just two unthinkable possibilities. Aldo is tasked with getting the journal back if he ever wants to return to Florence. The pacing is fast as Bishop mixes murder with political intrigue, duplicity and a constant power struggle within the Venetian confines.
Bishop uses tight pacing, splitting perspectives between Aldo, Saul, Contessa Coltello, and even Duke Cosimo, ratcheting the suspense so that everyone feels under threat of betrayal or death. There were moments when my pulse quickened—a ballroom chase, a secret rendezvous, some brutal revelations.
Cesare Aldo’s internal monologue always makes me feel like I am walking in his shoes, and this time, the weight of responsibility presses on him more than ever. He’s no longer just a freelance blade; he’s the bulwark between Florence and utter chaos. We get poignant flashbacks highlighting his fierce loyalty and vulnerability—especially in his bond with Saul. I loved seeing their relationship deepen, showing Aldo not just as a solitary protector, but as a man who loves and fears losing someone dear.
As for Contessa Valentine Coltello, she is a magnificent creation. Whip smart, beautiful and when required, deadly. She and Aldo dance a complicated Bassadanza, with each thinking they are leading, but neither quite knowing all the steps. Theirs is a relationship which, though clearly not built on trust, nevertheless brings them together, sometimes as allies, sometimes in an adversarial relationship.
Each respects the other but Coltello can’t help but be tempted to flirt with Aldo, especially knowing his preferences. She’s ruthless, witty, unpredictable; a siren certainly; ruthless enough to exploit Aldo’s vulnerabilities. Their encounters sparkle with wit, distrust, and an undeniable chemistry that kept me wondering.
Bishop’s Florence is a living, breathing entity. You can almost taste the smog of power and ambition from the Medici court, feel Aldo’s frustration as his network closes around him. Renaissance Venice, though, is the show-stopper. During Carnevale, the canals transform into deceptive labyrinths. Every mask hides motives and in Venice very few motives are pure. Damp alleyways, lavish masked balls, whispered secrets behind velvet drapes—Bishop’s research is rock-solid. He makes Venice a character, and put me right there, hunting shadows with Aldo.
Verdict: Carnival of Lies is a politically charged masterpiece. The richness and dynamics of the characters and Aldo’s own anguish layer on emotional depth and complexity. The opulent tension of Florence contrasts perfectly with Venice’s intoxicating mask of mystery and libertine behaviour. The pacing is fast and furious, the stakes are high, and Bishop’s research roots it solidly in history without ever overshadowing the brilliant story. If you are looking for intelligent thrills laced with Renaissance-era intrigue, this is it. I closed its final page, already pining for more of Aldo’s dangerous world. I keep thinking about that baited hook at the end that Bishop has dangled for us…. I’m in no doubt that I’m biting!
July 1, 2025
DV Bishop’s award winning Cesare Aldo crime series has taken readers across Renaissance Florence in the early part of the Sixteenth Century. Each of the first four books, starting with City of Vengeance were historical crime procedurals. Aldo was part of the Otto, the city police and with his sometimes partner Strocci, solved murders that usually had wider political implications. In the fifth book of the series, Carnival of Lies, Bishop changes register. He not only takes Aldo out of Florence but also delivers an extremely enjoyable combination of thriller and heist novel.
When Carnival of Lies opens, Aldo has quit his position at the Otto but is still helping out by exposing those who are trying to shake down the city’s brothel owners. He is also still working for the ruler of the city Cosimo de Medici by maintaining contact with the Venetian spy Contessa Valentine Coltello. The Contessa tips Aldo off to a plot to kill Medici and while he helps foil that plan, some valuable documents are stolen by another Venetian operative and Aldo is made part of the team dispatched to Venice to recover them. Part of the deal is that if he fails to do so he can never return to Florence.
To talk any more about the plot would be to give away some of its great twists and reveals. But as always, Aldo is the centre of the action and this tale gives Bishop the ability to dig deeply into Aldo’s past. For Aldo had lived in Venice before and there are reasons why he never wanted to return. Bubbling in the background of this book and possibly a set up for the next is also the question of Aldo’s parentage and his mother in particular. While there are plenty of great side characters in this book clearly Bishop’s favourite is the Contessa, a delightfully scheming presence in both this and the previous book A Divine Fury.
Once again, there is plenty of historical detail, atmosphere and setting to chew on. Bishop takes readers from Florence to Venice and then around Venice in the weeks of Carnivale – from the great to the crumbling houses, masked balls and the recently formed inquisition. And peopled by a range of fascinating characters, some based on real historical figures.
But the driving force of Carnival of Lies is thriller structure and a rollicking heist centrepiece. Bishop delivers in this register just as confidently as he produced historical procedurals in the previous volumes. This is overall another page-turning adventure through Renaissance Italy, and a great set up for future Aldo exploits to come.
When Carnival of Lies opens, Aldo has quit his position at the Otto but is still helping out by exposing those who are trying to shake down the city’s brothel owners. He is also still working for the ruler of the city Cosimo de Medici by maintaining contact with the Venetian spy Contessa Valentine Coltello. The Contessa tips Aldo off to a plot to kill Medici and while he helps foil that plan, some valuable documents are stolen by another Venetian operative and Aldo is made part of the team dispatched to Venice to recover them. Part of the deal is that if he fails to do so he can never return to Florence.
To talk any more about the plot would be to give away some of its great twists and reveals. But as always, Aldo is the centre of the action and this tale gives Bishop the ability to dig deeply into Aldo’s past. For Aldo had lived in Venice before and there are reasons why he never wanted to return. Bubbling in the background of this book and possibly a set up for the next is also the question of Aldo’s parentage and his mother in particular. While there are plenty of great side characters in this book clearly Bishop’s favourite is the Contessa, a delightfully scheming presence in both this and the previous book A Divine Fury.
Once again, there is plenty of historical detail, atmosphere and setting to chew on. Bishop takes readers from Florence to Venice and then around Venice in the weeks of Carnivale – from the great to the crumbling houses, masked balls and the recently formed inquisition. And peopled by a range of fascinating characters, some based on real historical figures.
But the driving force of Carnival of Lies is thriller structure and a rollicking heist centrepiece. Bishop delivers in this register just as confidently as he produced historical procedurals in the previous volumes. This is overall another page-turning adventure through Renaissance Italy, and a great set up for future Aldo exploits to come.
June 30, 2025
D V Bishop is another author the publisher hopes will replace C J Sansom and fill a Shardlake shaped hole. So David Bishop (previously author of a fantasy mystery) becomes known by his initials and a historical setting for a mystery is selected - here he has gone for a reassuringly renaissance setting but located in Italy to ring just enough of a change. His protagonist works in the law - not as a lawyer but as a now retired investigator. A mystery plot unfolds as the hero is enmeshed in the political manoeuvring of Princes and courtiers.
It all feels very promising. This is not the first of the books in the series, so clearly they have a following. Sadly, the comparison with Sansom’s Shardlake, so obviously invited, is not a flattering one. For one thing, Bishop’s hero, Aldo, never quite emerges as a fully realised character. Whilst Shardlake is interestingly compassionate, clever and tenacious, Aldo appears a collection of ticks and tropes, whose abilities are determined as much by plot necessity as anything else. Background characters are sometimes entertaining but don’t emerge with the same level of depth that Sansom achieved.
Part of the problem is also the odd use of a type of Italgish: certain words are always rendered in Italian, presumably to remind us where it is set. This works well where a word in foreign language has no easy translation, or carries a nuance that the English equivalent doesn’t but where that’s not the case, it becomes irritating. Here, for example, the word “stratagema” is frequently used where the words ruse, ploy, plan or, for that matter, strategem, might be easily employed.
The biggest issue must be plot, however. It is on the weak side. The main plot revolves around the need to recover a private journal used by the Medici prince to record his thoughts about various important figures and allies. Why he did so, is unexplained. Presumably he can recall why he doesn’t trust an important figure such as the Holy Roman Emperor and doubtless there are spies about who would have an idea what he might privately think. It doesn’t appear to contain his plans or discussions with those in his confidence (which might reasonably be written down for further discussion with others). Thankfully his enemies in Venice, having confirmed it is the secret diary of Cosimo Medici, written in code, they decide not to bother decoding and reading it! It doesn’t repay much thought.
Overall, whilst it isn’t bad, it really isn’t that great either. I fear I shan’t be catching up with previous entries in the series.
Thanks to Net Galley for a free advance proof in return for a review.
It all feels very promising. This is not the first of the books in the series, so clearly they have a following. Sadly, the comparison with Sansom’s Shardlake, so obviously invited, is not a flattering one. For one thing, Bishop’s hero, Aldo, never quite emerges as a fully realised character. Whilst Shardlake is interestingly compassionate, clever and tenacious, Aldo appears a collection of ticks and tropes, whose abilities are determined as much by plot necessity as anything else. Background characters are sometimes entertaining but don’t emerge with the same level of depth that Sansom achieved.
Part of the problem is also the odd use of a type of Italgish: certain words are always rendered in Italian, presumably to remind us where it is set. This works well where a word in foreign language has no easy translation, or carries a nuance that the English equivalent doesn’t but where that’s not the case, it becomes irritating. Here, for example, the word “stratagema” is frequently used where the words ruse, ploy, plan or, for that matter, strategem, might be easily employed.
The biggest issue must be plot, however. It is on the weak side. The main plot revolves around the need to recover a private journal used by the Medici prince to record his thoughts about various important figures and allies. Why he did so, is unexplained. Presumably he can recall why he doesn’t trust an important figure such as the Holy Roman Emperor and doubtless there are spies about who would have an idea what he might privately think. It doesn’t appear to contain his plans or discussions with those in his confidence (which might reasonably be written down for further discussion with others). Thankfully his enemies in Venice, having confirmed it is the secret diary of Cosimo Medici, written in code, they decide not to bother decoding and reading it! It doesn’t repay much thought.
Overall, whilst it isn’t bad, it really isn’t that great either. I fear I shan’t be catching up with previous entries in the series.
Thanks to Net Galley for a free advance proof in return for a review.
July 26, 2025
Cesare Aldo no longer works for the Otto, but he’s not granted much peace when his niece Isabella visits him with a proposal he cannot accept. He doesn’t have much time to think about that when the Venetian spymaster Contessa Coltello asks for a visit and drags Cesare into her intrigues. When Duke Cosimo’s secrets are compromised, he must go to the one place he vowed never to set foot in again: Venice.
Carnival of lies, the fifth book in the series is a little special for two reasons. First, Carlo Strozzi has no role in the book. In fact he isn’t in Florence at the moment, which is a shame because the two together carry the series. But Contessa Coltello is back and in Venice we get to know a whole set of new characters. Secondly, the story is not set in Florence alone, but much more in Venice. Bishop is great at bringing a city to life and he does it perfectly with the chaotic Venice full of canals, bridges and stately palazzos that are not all well maintained.
The Venetians are planning an assassination attempt on Duke Cosimo De Medici that eventually culminates in the theft of a personal diary that Aldo, along with Ottone -head of security and not a nice man – must retrieve at all cost. The first part of the book focuses on the feud between those two gentlemen and the chase of the thieves. I personally regretted that Ottone is covered so briefly, there was more in his character to get him to Venice I think.
But in Venice there’s a pact with Coltello against Bragadin who wants Coltello locked up at all costs. And Cesare also meets someone from his past who once caused him to dislike the city.
This book is another fantastic addition to the series and ends with a cliffhanger that ushers in another story, hooray! I don’t really have a favorite in this series, every book has something. But Strozzi can definitely return as far as I’m concerned ;).
Thanks to Netgalley and the publisher for a copy of this book in return for my honest opinion.
Dutch review:
Cesare Aldo werkt niet langer voor de Otto, maar veel rust is hem niet gegund als zijn nicht Isabella hem opzoekt met een voorstel waarop hij niet kan ingaan. Veel tijd heeft hij niet om daar over na te denken wanneer Contessa Coltello vraagt om een bezoek en Cesare meesleurt in haar intriges. En wanneer Duke Cosimo's geheimen in gevaar komen, moet hij naar die ene plek waar hij gezworen heeft nooit meer een voet te zetten: Venetië.
Dit vijfde boek rond Cesare Aldo is een beetje een beetje speciaal om twee redenen:
- Carlo Strozzi heeft geen rol in het boek, hij is namelijk niet in Firenze momenteel en dat is jammer want die twee samen dragen de serie. Maar niet erg: Contessa Coltello is er weer bij en in Venetië leren we een hele set nieuwe personages kennen
- Het verhaal speelt zich niet af in Firenze deze keer, maar veel meer in Venetië. Bishop is geweldig in een stad tot leven te wekken en ze doet dat perfect met het chaotische Venetië vol kanalen, bruggen en statige palazzo's die niet allemaal even goed onderhouden worden.
De Venetianen plannen een aanslag op Hertog Cosimo De Medici die uiteindelijk uitmondt in een diefstal van een persoonlijk dagboek dat Aldo samen met Ottone -hoofd van security en geen fijn man - moet gaan terughalen. Het eerste deel van het boek focust op de vete tussen die twee heren en de helse achtervolging. Ik vond het persoonlijk jammer dat Ottone zo kort aan bod komt, er zat meer in om hem tot in Venetië te brengen denk ik.
Maar in Venetië is er een pact met Coltello tegen Bragadin die koste wat het koste Coltello opgesloten wil hebben. En Cesare ontmoet er ook iemand uit zijn verleden, die er ooit voor zorgde dat hij een hekel kreeg aan de stad.
Dit boek is weer een fantastische aanvulling op de reeks en eindigt met een cliffhanger die een volgend verhaal inluidt, hoera! Ik heb niet echt een favoriet in deze reeks, elk boek heeft wel iets. Maar Strozzi mag wat mij betreft zeker terugkeren ;).
Bedankt aan Netgalley en de uitgever voor een exemplaar van dit boek in ruil voor mijn eerlijke mening.
Carnival of lies, the fifth book in the series is a little special for two reasons. First, Carlo Strozzi has no role in the book. In fact he isn’t in Florence at the moment, which is a shame because the two together carry the series. But Contessa Coltello is back and in Venice we get to know a whole set of new characters. Secondly, the story is not set in Florence alone, but much more in Venice. Bishop is great at bringing a city to life and he does it perfectly with the chaotic Venice full of canals, bridges and stately palazzos that are not all well maintained.
The Venetians are planning an assassination attempt on Duke Cosimo De Medici that eventually culminates in the theft of a personal diary that Aldo, along with Ottone -head of security and not a nice man – must retrieve at all cost. The first part of the book focuses on the feud between those two gentlemen and the chase of the thieves. I personally regretted that Ottone is covered so briefly, there was more in his character to get him to Venice I think.
But in Venice there’s a pact with Coltello against Bragadin who wants Coltello locked up at all costs. And Cesare also meets someone from his past who once caused him to dislike the city.
This book is another fantastic addition to the series and ends with a cliffhanger that ushers in another story, hooray! I don’t really have a favorite in this series, every book has something. But Strozzi can definitely return as far as I’m concerned ;).
Thanks to Netgalley and the publisher for a copy of this book in return for my honest opinion.
Dutch review:
Cesare Aldo werkt niet langer voor de Otto, maar veel rust is hem niet gegund als zijn nicht Isabella hem opzoekt met een voorstel waarop hij niet kan ingaan. Veel tijd heeft hij niet om daar over na te denken wanneer Contessa Coltello vraagt om een bezoek en Cesare meesleurt in haar intriges. En wanneer Duke Cosimo's geheimen in gevaar komen, moet hij naar die ene plek waar hij gezworen heeft nooit meer een voet te zetten: Venetië.
Dit vijfde boek rond Cesare Aldo is een beetje een beetje speciaal om twee redenen:
- Carlo Strozzi heeft geen rol in het boek, hij is namelijk niet in Firenze momenteel en dat is jammer want die twee samen dragen de serie. Maar niet erg: Contessa Coltello is er weer bij en in Venetië leren we een hele set nieuwe personages kennen
- Het verhaal speelt zich niet af in Firenze deze keer, maar veel meer in Venetië. Bishop is geweldig in een stad tot leven te wekken en ze doet dat perfect met het chaotische Venetië vol kanalen, bruggen en statige palazzo's die niet allemaal even goed onderhouden worden.
De Venetianen plannen een aanslag op Hertog Cosimo De Medici die uiteindelijk uitmondt in een diefstal van een persoonlijk dagboek dat Aldo samen met Ottone -hoofd van security en geen fijn man - moet gaan terughalen. Het eerste deel van het boek focust op de vete tussen die twee heren en de helse achtervolging. Ik vond het persoonlijk jammer dat Ottone zo kort aan bod komt, er zat meer in om hem tot in Venetië te brengen denk ik.
Maar in Venetië is er een pact met Coltello tegen Bragadin die koste wat het koste Coltello opgesloten wil hebben. En Cesare ontmoet er ook iemand uit zijn verleden, die er ooit voor zorgde dat hij een hekel kreeg aan de stad.
Dit boek is weer een fantastische aanvulling op de reeks en eindigt met een cliffhanger die een volgend verhaal inluidt, hoera! Ik heb niet echt een favoriet in deze reeks, elk boek heeft wel iets. Maar Strozzi mag wat mij betreft zeker terugkeren ;).
Bedankt aan Netgalley en de uitgever voor een exemplaar van dit boek in ruil voor mijn eerlijke mening.
April 10, 2025
Simply, the best Cesare Aldo story yet.
"Carnival of Lies" opens in February 1539. Our hero, Aldo Cesare, no longer works for the Otto, instead opting for the life of a freelance soldier-for-hire. When his sometime employer, Duke Cosimo de’ Medici starts receiving death threats, he hires Aldo for protection. As usual, life for him is not simple, and the attack when it comes, Aldo is drawn into a larger conspiracy, where players including Contessa Valentine Coltello and members of the de'Medici family vie for control of Florence. Furthermore, when private and incriminating papers belonging to the Duke are stolen, he charges Aldo with recovering them at all costs.
Soon Aldo is on the trail of the papers, and is alarmed to discover they are being delivered to Venice - a place he has vowed never to return to. He also learns that he is not the only one after them. The reader is then drawn into a fast-moving and intricate story of revenge, conspiracy and a struggle for power. We swap the sights and smells of Florence for the dank, waterlogged canals of Venice, with smells and shadows all of its own. Aldo is surrounded by enemies, some obvious, others not, and even old friends may not be what they seem. Aldo suffers imprisonment, a dunking in the canals, and effects some daring moves as he infiltrates the very heart of the conspiracy. He is on unfamiliar territory, in more ways than one.
Fans of the series will be glad to know that some favourite characters are back, albeit in diminished roles - his niece, Isabella, secret lover, Saul, and of course, my favourite spymaster Contessa Valentine Coltello, who continues to fascinate. The scenes between her and Aldo are a delight. But this book is all about Aldo, and we learn much more about his past and how he became the man he is. There are several heart-aching scenes that really bring Aldo's life into focus. But mainly, he is running - towards danger, away from danger, and towards a crossroads in his life.
If any of the Cesare Aldo books deserve to be made into a film, it's this one - preferably directed by Christopher McQuarrie, Renny Harlin or Michael Bay. It's definitely the most action-packed yet, and with strong espionage themes. Heartily recommended.
"Carnival of Lies" opens in February 1539. Our hero, Aldo Cesare, no longer works for the Otto, instead opting for the life of a freelance soldier-for-hire. When his sometime employer, Duke Cosimo de’ Medici starts receiving death threats, he hires Aldo for protection. As usual, life for him is not simple, and the attack when it comes, Aldo is drawn into a larger conspiracy, where players including Contessa Valentine Coltello and members of the de'Medici family vie for control of Florence. Furthermore, when private and incriminating papers belonging to the Duke are stolen, he charges Aldo with recovering them at all costs.
Soon Aldo is on the trail of the papers, and is alarmed to discover they are being delivered to Venice - a place he has vowed never to return to. He also learns that he is not the only one after them. The reader is then drawn into a fast-moving and intricate story of revenge, conspiracy and a struggle for power. We swap the sights and smells of Florence for the dank, waterlogged canals of Venice, with smells and shadows all of its own. Aldo is surrounded by enemies, some obvious, others not, and even old friends may not be what they seem. Aldo suffers imprisonment, a dunking in the canals, and effects some daring moves as he infiltrates the very heart of the conspiracy. He is on unfamiliar territory, in more ways than one.
Fans of the series will be glad to know that some favourite characters are back, albeit in diminished roles - his niece, Isabella, secret lover, Saul, and of course, my favourite spymaster Contessa Valentine Coltello, who continues to fascinate. The scenes between her and Aldo are a delight. But this book is all about Aldo, and we learn much more about his past and how he became the man he is. There are several heart-aching scenes that really bring Aldo's life into focus. But mainly, he is running - towards danger, away from danger, and towards a crossroads in his life.
If any of the Cesare Aldo books deserve to be made into a film, it's this one - preferably directed by Christopher McQuarrie, Renny Harlin or Michael Bay. It's definitely the most action-packed yet, and with strong espionage themes. Heartily recommended.
March 8, 2025
It has been a long time since I didn´t read anything set in Venice, so I was very excited when I realized this story was going to take us there.
This is the 5th book I read about Cesare Aldo (who is currently not working for the Otto anymore) and let me tell you, this author never dissapoints. In this one, instead of a murder mystery, we got a sort of treasure hunt: Someone has stolen a journal that belonged to Cosme de Medici, and Aldo is tasked to retrieve it before it´s too late. If he cannot achieve this mission, he might never be able to return to Florence.
Now, several things here.
Although I missed Strocchi (I´ve grown awfully fond of his character, after so many adventures in which he appeared), I think it was such a delight to have Contessa Coltello as the other protagonist in this book. I already liked her from previous ones, but I think this one reinforced my opinion of her. She´s probably my favorite villain all through this series, always charismatic and being Aldo´s ally only when it suits her (and let me tell you, this time it suited her a lot, since this journal Aldo was trying to retrieve, had clues that she was the head of... something terrible that I´m not going to mention because it´s a spoiler. And thus, she needed to get her hands on that journal as well, to remove those pages that incriminated her).
I believe she was one of the strongest points of the novel. Because, although in this one there is no murder mystery per se, it is very suspenseful. All the time, since Aldo left Florence in pursuit of the people who stole the journal, I had the feeling anyone could be an ally or a traitor at any given moment (and I was right).
I also loved that we got to see a bit more about Aldo´s past relationships and what Venice meant to him. I hope, in future books, we also find out what happened between his stay in Venice (twenty year ago) and his time as mercenary, because I see so much potential for more plot and character development.
Without much more to say, I´ll just add: This series is 100% recommended, and I hope I´ll be able to read more in the future.
This is the 5th book I read about Cesare Aldo (who is currently not working for the Otto anymore) and let me tell you, this author never dissapoints. In this one, instead of a murder mystery, we got a sort of treasure hunt: Someone has stolen a journal that belonged to Cosme de Medici, and Aldo is tasked to retrieve it before it´s too late. If he cannot achieve this mission, he might never be able to return to Florence.
Now, several things here.
Although I missed Strocchi (I´ve grown awfully fond of his character, after so many adventures in which he appeared), I think it was such a delight to have Contessa Coltello as the other protagonist in this book. I already liked her from previous ones, but I think this one reinforced my opinion of her. She´s probably my favorite villain all through this series, always charismatic and being Aldo´s ally only when it suits her (and let me tell you, this time it suited her a lot, since this journal Aldo was trying to retrieve, had clues that she was the head of... something terrible that I´m not going to mention because it´s a spoiler. And thus, she needed to get her hands on that journal as well, to remove those pages that incriminated her).
I believe she was one of the strongest points of the novel. Because, although in this one there is no murder mystery per se, it is very suspenseful. All the time, since Aldo left Florence in pursuit of the people who stole the journal, I had the feeling anyone could be an ally or a traitor at any given moment (and I was right).
I also loved that we got to see a bit more about Aldo´s past relationships and what Venice meant to him. I hope, in future books, we also find out what happened between his stay in Venice (twenty year ago) and his time as mercenary, because I see so much potential for more plot and character development.
Without much more to say, I´ll just add: This series is 100% recommended, and I hope I´ll be able to read more in the future.
July 8, 2025
I received an advance review copy for free, and I am leaving this review voluntarily.
Carnival of Lies is the 5th book in the Cesare Aldo series by D. V. Bishop set in 1539 during the Renaissance in the country we know know as Italy,
At the time it was separated into city states with Aldo living in Florence then ruled by the Medici family whose great rivals was the city of Venice.
Normally when you get to the fifth novel of a series like Carnival of Lies is in the Ceasre Aldo series, it is advisable to read them in order.
However in this case because Ceasre Aldo has a new job and is going to Florence to gain a secret journal, this would be a good point to join the series.
Having said that even though the writer D.V. Bishop does a great job of informing readers of any storyline that is affected by precious books you may miss out on the odd little thing that readers who have read previous books would have.
So why read Carnival of Lies? Firstly we have the character of Aldo himself although part of Florence Elite families he has been abandoned by them which allows him to move through the full range of Florence society.
This allows readers to fully enter the world and time period which gets very little attention outside of art and science of the time.
In addition Cesare Aldo is a member of the LGBT community which allows the writer to show how this community had to live during this time.
While this informs Aldo’s action in his personal life, it has very little effect on the heart of the novel.
So where does this stand in the ranking of the series, that is smoothing that it is difficult to say and for the correct reasons.
Normally when book series get to around the 5th book the quality starts to go down, not because of the quality of the writing. But, more because the writer is just writing the same story again and again just with different characters and scenery.
However with D.V. Bishop giving Aldo a different job that has allowed the books to expand this has led this story to become different yet staying close to the first 4 books in the series making Carnival of Lies by D. V. Bishop is well worth reading.
Carnival of Lies is the 5th book in the Cesare Aldo series by D. V. Bishop set in 1539 during the Renaissance in the country we know know as Italy,
At the time it was separated into city states with Aldo living in Florence then ruled by the Medici family whose great rivals was the city of Venice.
Normally when you get to the fifth novel of a series like Carnival of Lies is in the Ceasre Aldo series, it is advisable to read them in order.
However in this case because Ceasre Aldo has a new job and is going to Florence to gain a secret journal, this would be a good point to join the series.
Having said that even though the writer D.V. Bishop does a great job of informing readers of any storyline that is affected by precious books you may miss out on the odd little thing that readers who have read previous books would have.
So why read Carnival of Lies? Firstly we have the character of Aldo himself although part of Florence Elite families he has been abandoned by them which allows him to move through the full range of Florence society.
This allows readers to fully enter the world and time period which gets very little attention outside of art and science of the time.
In addition Cesare Aldo is a member of the LGBT community which allows the writer to show how this community had to live during this time.
While this informs Aldo’s action in his personal life, it has very little effect on the heart of the novel.
So where does this stand in the ranking of the series, that is smoothing that it is difficult to say and for the correct reasons.
Normally when book series get to around the 5th book the quality starts to go down, not because of the quality of the writing. But, more because the writer is just writing the same story again and again just with different characters and scenery.
However with D.V. Bishop giving Aldo a different job that has allowed the books to expand this has led this story to become different yet staying close to the first 4 books in the series making Carnival of Lies by D. V. Bishop is well worth reading.
July 3, 2025
The story:
The year is 1539, and Cesare Aldo has found himself in a city he swore he would never return to – Venice. But when an assassination attempt on the powerful Cosimo de’Medici leads to the theft of documents that could destroy Florence itself, Aldo is entrusted with a mission to retrieve them, at any cost. If his mission fails, he will find himself banished from Florence and everyone he holds dear. But with a mission into the heart of an enemy city rife with secrets and lies, it’s not only the documents Aldo may lose… but his life.
My thoughts:
“Carnival of Lies”, by D.V. Bishop is the fifth book in the Cesare Aldo series, but the first I had read; and I was immediately drawn to it as a fan of historical mysteries. The Italian setting is very appealing, with the secrets and intrigues of the ruling Medici family in Florence forming a backdrop to this story.
Aldo, until recently, worked for the Otto, a sort of early police force/judiciary in Renaissance Florence, upholding the rule of the Medici family. So when the current Duke has need of a man for a difficult mission, it is Aldo he turns to.
We also meet the charismatic, beautiful but treacherous Contessa Valentine Coltello, Venice’s spymaster in Florence. When a journal containing the Duke’s most explosive secrets is stolen, the Contessa has her own reasons for ensuring it doesn’t fall into the hands of the authorities in Venice. This puts her and Aldo, reluctantly, on the same side, and although Contessa Coltello definitely can’t be trusted, she’s a lot of fun and is definitely not putting up with any men who try and usurp her power!
The various intrigues unfold at a quick pace, and the iconic setting of Venice in the midst of carnival, where masks and hidden identities go unchallenged, really adds to the excitement. This was a thoroughly enjoyable read, and I loved the character of Aldo – tough, principled (although happy to operate outside the law when needed!) and with a softer side to those he loves. I look forward to seeing more of this character, and will definitely be seeking out the earlier instalments!
The year is 1539, and Cesare Aldo has found himself in a city he swore he would never return to – Venice. But when an assassination attempt on the powerful Cosimo de’Medici leads to the theft of documents that could destroy Florence itself, Aldo is entrusted with a mission to retrieve them, at any cost. If his mission fails, he will find himself banished from Florence and everyone he holds dear. But with a mission into the heart of an enemy city rife with secrets and lies, it’s not only the documents Aldo may lose… but his life.
My thoughts:
“Carnival of Lies”, by D.V. Bishop is the fifth book in the Cesare Aldo series, but the first I had read; and I was immediately drawn to it as a fan of historical mysteries. The Italian setting is very appealing, with the secrets and intrigues of the ruling Medici family in Florence forming a backdrop to this story.
Aldo, until recently, worked for the Otto, a sort of early police force/judiciary in Renaissance Florence, upholding the rule of the Medici family. So when the current Duke has need of a man for a difficult mission, it is Aldo he turns to.
We also meet the charismatic, beautiful but treacherous Contessa Valentine Coltello, Venice’s spymaster in Florence. When a journal containing the Duke’s most explosive secrets is stolen, the Contessa has her own reasons for ensuring it doesn’t fall into the hands of the authorities in Venice. This puts her and Aldo, reluctantly, on the same side, and although Contessa Coltello definitely can’t be trusted, she’s a lot of fun and is definitely not putting up with any men who try and usurp her power!
The various intrigues unfold at a quick pace, and the iconic setting of Venice in the midst of carnival, where masks and hidden identities go unchallenged, really adds to the excitement. This was a thoroughly enjoyable read, and I loved the character of Aldo – tough, principled (although happy to operate outside the law when needed!) and with a softer side to those he loves. I look forward to seeing more of this character, and will definitely be seeking out the earlier instalments!
August 19, 2025
Cesare Aldo never wanted to return to Venice, indeed, he had sworn a vow to that effect, but a strong woman and a still missed lover means that he is back in that city and up to his neck in problems.
The strong woman is the Contessa Valentine Coltello , she is the chief spymaster in Venice. Aldo is now working for Duke Cosimo d’ Medici as protection for both himself and his wife.
Aldo is made aware of a plot to assassinate the Duke in order to return the city to a Republic. However, there is a subplot concerning a private journal that is full of secrets and some very indiscreet reflections upon people in both the Government and the Holy Church. This would lead to personal disgrace to the Duke and may cost him his position in society and a loss of trust.
The reason why Aldo left Venice resurfaces in the form of his previous lover Vincenzo, they were meant to make a home together, but Aldo left alone.
John of Scotland also returns in this book, he proves the theory that money talks, Aldo is never sure who he can trust in this latest adventure. Saul is his new love, but homosexuality is a grave sin in a Catholic world, one reason why Aldo as a secretly gay man lives in a bordello.
Sixteenth century Venice is portrayed in both great historical and affectionate detail. The characters are so familiar and perfectly formed, they bring the story to life.
The political machinations show the great danger that Aldo is placed in. There are spies, prisons, and daring exploits alongside the canals of Venice, Aldo is still a very fit and able adversary, and shows no signs of stopping, which is excellent news for fans of this Renaissance series.
The ending takes the form of a cliffhanger of indecision for Aldo, it would surely be too cruel to not write another novel?
My thanks to Netgalley and the publishers Pan MacMillan for my advance copy, freely given in exchange for my honest review. I gave a five star rating.
I will post to Goodreads and Amazon UK later. Already recommended to my local library and book groups.
The strong woman is the Contessa Valentine Coltello , she is the chief spymaster in Venice. Aldo is now working for Duke Cosimo d’ Medici as protection for both himself and his wife.
Aldo is made aware of a plot to assassinate the Duke in order to return the city to a Republic. However, there is a subplot concerning a private journal that is full of secrets and some very indiscreet reflections upon people in both the Government and the Holy Church. This would lead to personal disgrace to the Duke and may cost him his position in society and a loss of trust.
The reason why Aldo left Venice resurfaces in the form of his previous lover Vincenzo, they were meant to make a home together, but Aldo left alone.
John of Scotland also returns in this book, he proves the theory that money talks, Aldo is never sure who he can trust in this latest adventure. Saul is his new love, but homosexuality is a grave sin in a Catholic world, one reason why Aldo as a secretly gay man lives in a bordello.
Sixteenth century Venice is portrayed in both great historical and affectionate detail. The characters are so familiar and perfectly formed, they bring the story to life.
The political machinations show the great danger that Aldo is placed in. There are spies, prisons, and daring exploits alongside the canals of Venice, Aldo is still a very fit and able adversary, and shows no signs of stopping, which is excellent news for fans of this Renaissance series.
The ending takes the form of a cliffhanger of indecision for Aldo, it would surely be too cruel to not write another novel?
My thanks to Netgalley and the publishers Pan MacMillan for my advance copy, freely given in exchange for my honest review. I gave a five star rating.
I will post to Goodreads and Amazon UK later. Already recommended to my local library and book groups.
August 15, 2025
Carnival of Lies by D.V. Bishop is the fifth book in the excellent Cesare Aldo series of historical mysteries, set in sixteenth century Italy. Being the fifth book in the series the character of Aldo is well established, and while I absolutely recommend reading the series in order ( because they are excellent) I also think this book in particular could work as a standalone or as a jumping on point for the series. In this book Aldo discovers a conspiracy to assassinate Cosimo de Medici, Duke of Florence, and is hired by the Duke, at first for protection and then to recover a personal diary belonging to the Duke and filled with potentially sensitive political opinions and strategies. The hunt for the diary sends Aldo back to Venice, a place he once swore he had left behind forever, and where danger and duplicity lurks around every corner. This new setting adds a sense of freshness to the series and is why I think it works as a standalone, but fear not, we also see the return of several familiar faces, some more friendly than others. I did miss Saul, his relationship with Aldo and the difficulties they faced as gay men in that era always adds an extra dimension to the story but obviously they are separated for most of this book. Throughout the book the stakes are high and the tension even higher, I found myself completely drawn into the story, helped by the descriptive writing and attention to historical detail term, but particularly because I simply did not know who to trust or where things were headed. Long term readers will enjoy getting to know a little more of Aldo's past, including how his heart was broken as a young man, and we get a little hint of where the series may be going next.
I read an ARC courtesy of NetGalley and the publisher, all opinions are my own.
I read an ARC courtesy of NetGalley and the publisher, all opinions are my own.
June 1, 2025
The more than welcome return of Cesare Aldo, book five in the aclaimed and CWA historical dagger winning series, a series which is one of the best I have read .
I can’t quite put my finger on it, but this book has a different feel to it, For me this book is the best in the series so far
This is historical crime fiction at its finest, set in 16th century Italy the story plays out against the menacing backdrop of the Medici dynasty
The first thing which struck me as I started to read was the sense of place and time, straight away the quality of the writing strikingly evocative, it takes you to the heart of Florence and Venice, you can soak in the sights, sounds and smells, you can almost feel yourself there in the streets
The plotting is exquisite in bringing a tightly knitted story together, one which will have Aldo tested to the limit in a rich immersvie read. Almost a read of two halves played out between Florence and Venice, here you see the seedier sides the author paints a striking sense of place
The characters within the book are beautifully brought to life on the page, you really get a feeling to each that they belong. The writing is so rich and descriptive in terms of the characters. There were at times a sense that Aldo was struggling between his love for Saul and the past, I wasn’t sure how this would play out.
Being no longer a member of the Otto this allows Aldo more freedom from the constraints of duty which allowed for more freedom
The book is wonderfully paced which allows the story to flow, there is plenty of drama and tense scenes, where the story twist, equally there are plenty of underhand tactics in play, these were quite ruthless times, you can see the fear etched on Aldo’s face at the torment he must endure
The interaction and the way the scenes between Valetine Coltello and Aldo play only enhance the story, there is a certain frisson between them, with a mutal repesct and understanding, Coltello is definitely a woman who knows what she wants and isn’t afraid to use her charm and sexuality to achieve these, though the writing cleverly throws doubt and intrigue between the two which leads to dramatic suspense, there is plenty of subterfuge at hand
This was a read which had me drawn in and hooked from the opening pages, there is a richness to the quality of the storytelling the writing tantalisingly draws the plot out to make for a gripping and engaging read
Interestingly with this book you see more into Aldos past and his upbringing giving a glipmse of the man he is today
One thing that does strike me as I read the book was the level of research undertaken into the locations and period which give the story an added depth of realism.
A story of power and revenge set against the political landscape of the times
This is a read and a series which I highly recommend, D V Bishop is at the top of his game and proves himself one of todays top historical fiction writers.
You know how a good a series is, when you buy two copies of the hardback and a copy of the paperback
I can’t quite put my finger on it, but this book has a different feel to it, For me this book is the best in the series so far
This is historical crime fiction at its finest, set in 16th century Italy the story plays out against the menacing backdrop of the Medici dynasty
The first thing which struck me as I started to read was the sense of place and time, straight away the quality of the writing strikingly evocative, it takes you to the heart of Florence and Venice, you can soak in the sights, sounds and smells, you can almost feel yourself there in the streets
The plotting is exquisite in bringing a tightly knitted story together, one which will have Aldo tested to the limit in a rich immersvie read. Almost a read of two halves played out between Florence and Venice, here you see the seedier sides the author paints a striking sense of place
The characters within the book are beautifully brought to life on the page, you really get a feeling to each that they belong. The writing is so rich and descriptive in terms of the characters. There were at times a sense that Aldo was struggling between his love for Saul and the past, I wasn’t sure how this would play out.
Being no longer a member of the Otto this allows Aldo more freedom from the constraints of duty which allowed for more freedom
The book is wonderfully paced which allows the story to flow, there is plenty of drama and tense scenes, where the story twist, equally there are plenty of underhand tactics in play, these were quite ruthless times, you can see the fear etched on Aldo’s face at the torment he must endure
The interaction and the way the scenes between Valetine Coltello and Aldo play only enhance the story, there is a certain frisson between them, with a mutal repesct and understanding, Coltello is definitely a woman who knows what she wants and isn’t afraid to use her charm and sexuality to achieve these, though the writing cleverly throws doubt and intrigue between the two which leads to dramatic suspense, there is plenty of subterfuge at hand
This was a read which had me drawn in and hooked from the opening pages, there is a richness to the quality of the storytelling the writing tantalisingly draws the plot out to make for a gripping and engaging read
Interestingly with this book you see more into Aldos past and his upbringing giving a glipmse of the man he is today
One thing that does strike me as I read the book was the level of research undertaken into the locations and period which give the story an added depth of realism.
A story of power and revenge set against the political landscape of the times
This is a read and a series which I highly recommend, D V Bishop is at the top of his game and proves himself one of todays top historical fiction writers.
You know how a good a series is, when you buy two copies of the hardback and a copy of the paperback
June 28, 2025
Carnival of Lies is the fifth in the excellent Cesare Aldo series set in 16th century Florence and, to my mind, the best yet.
Cesare has left the Otto (police) but is called to help protect the powerful Cosimo de Medici from the threat of assassination. It soon becomes clear that the suspected plot has been a ruse and instead, important documents have been stolen from Medici and taken to Florence’s great rival, Venice, where they could cause serious trouble for both the Duke and the city. Aldo is sent to Venice to try and retrieve the documents, where he comes across old troubles and new dangers.
Florence has always been a character in its own right through the series, a beautiful portrayal of a vibrant, dirty, dangerous city full of politics, religion and intrigue so it’s a change to leave it behind and spend most of this book in Venice. Fortunately, the descriptions are just as good – Venice has its own politics and rivalries, obviously, but its also carnival time so there is a real sense of decadence with the masked balls, the gondolas gliding between palaces and the behaviour of the wealthy elites. Aldo’s history with the city and some old faces make an interesting addition to his back story and, although many of the usual characters don’t appear so much in this novel, there are a few who remain important.
As always the plot is well conceived and I raced through the book, totally immersed in the setting and story. This is a fantastic series and, although Carnival of Lies could easily be read as a standalone book, it’s well worth going back to the start and enjoying them all. Excellent.
Thanks to Netgalley and the publisher for an advance copy in return for an honest review.
Cesare has left the Otto (police) but is called to help protect the powerful Cosimo de Medici from the threat of assassination. It soon becomes clear that the suspected plot has been a ruse and instead, important documents have been stolen from Medici and taken to Florence’s great rival, Venice, where they could cause serious trouble for both the Duke and the city. Aldo is sent to Venice to try and retrieve the documents, where he comes across old troubles and new dangers.
Florence has always been a character in its own right through the series, a beautiful portrayal of a vibrant, dirty, dangerous city full of politics, religion and intrigue so it’s a change to leave it behind and spend most of this book in Venice. Fortunately, the descriptions are just as good – Venice has its own politics and rivalries, obviously, but its also carnival time so there is a real sense of decadence with the masked balls, the gondolas gliding between palaces and the behaviour of the wealthy elites. Aldo’s history with the city and some old faces make an interesting addition to his back story and, although many of the usual characters don’t appear so much in this novel, there are a few who remain important.
As always the plot is well conceived and I raced through the book, totally immersed in the setting and story. This is a fantastic series and, although Carnival of Lies could easily be read as a standalone book, it’s well worth going back to the start and enjoying them all. Excellent.
Thanks to Netgalley and the publisher for an advance copy in return for an honest review.
August 27, 2025
Carnival of Lies by D V Bishop
This is the fifth book in the series about Ceasare Aldo and although he no longer works for the Otto he is involved in tracking down would be villains. At the beginning of the novel he is visited by his niece Isabella and we again get a glimpse into what his life was like as a child living with his father’s wife after the death of his own mother.
However we are soon drawn into intrigue as he is summoned by the Venetian spymistress Contessa Coltello and she draws Cesare into her web of intrigue. He is given the task of tracking down a book containing the secrets of Duke Cosimo and so enters a dangerous realm where his life is at risk and he is forced to return to Venice the place to which he had vowed never to return.
A noticeable absence in this novel is Carlo Strozzi who used to serve as an excellent counterpoint to Cesare. The other absence is Florence as a backdrop for the events. This time we are in Venice and we also learn of the reason why Cesare vowed never to return to the city. He feels ill at ease surrounded by water and also at the mercy of Countess Coltello who thinks nothing of risking the lives of others in the pursuit of her own ends.
The Venice of the period is powerfully evoked and the constant threat of death hovers in the background. The book ends with the opportunity for a further book and I, for one, would be very pleased it meant a reappearance of Strozzi at Cesare’s side. I will be recommending this book and indeed the whole series at my various book groups. It is a must for fans of the historical novel.
This is the fifth book in the series about Ceasare Aldo and although he no longer works for the Otto he is involved in tracking down would be villains. At the beginning of the novel he is visited by his niece Isabella and we again get a glimpse into what his life was like as a child living with his father’s wife after the death of his own mother.
However we are soon drawn into intrigue as he is summoned by the Venetian spymistress Contessa Coltello and she draws Cesare into her web of intrigue. He is given the task of tracking down a book containing the secrets of Duke Cosimo and so enters a dangerous realm where his life is at risk and he is forced to return to Venice the place to which he had vowed never to return.
A noticeable absence in this novel is Carlo Strozzi who used to serve as an excellent counterpoint to Cesare. The other absence is Florence as a backdrop for the events. This time we are in Venice and we also learn of the reason why Cesare vowed never to return to the city. He feels ill at ease surrounded by water and also at the mercy of Countess Coltello who thinks nothing of risking the lives of others in the pursuit of her own ends.
The Venice of the period is powerfully evoked and the constant threat of death hovers in the background. The book ends with the opportunity for a further book and I, for one, would be very pleased it meant a reappearance of Strozzi at Cesare’s side. I will be recommending this book and indeed the whole series at my various book groups. It is a must for fans of the historical novel.
April 4, 2025
A fantastic historical book that captures the attention and refuses to let go. From Florence to Venice, this is a story of betrayal, revenge, theft, attempted assassination, murder, the nature of justice and the lies one spins to create a narrative that will go down in history.
A blend of fictional and real historical characters pepper the page, all of them engaging - even the ones you don't like. They feel like real people, and it is so easy to get drawn into them and the maelstrom that is swirling around them all, with plenty of different motivations and desires.
A mix of a chase, a murder investigation - albeit one you're trying to avoid - and a series of heists, this is a fast paced book that will keep you turning the pages.
I also adore the queer representation within this book. Not only Cesare, but the Contessa and the gender fluid boundaries that shift and blur in Venice, that most open of cities.
The Contessa steals this book however. She is an absolute delight to behold, and effortlessly holds the attention in every scene she is in. I would be more than happy with every book focused on her.
~Thank you to NetGalley for the ARC in return for an honest reivew~
A blend of fictional and real historical characters pepper the page, all of them engaging - even the ones you don't like. They feel like real people, and it is so easy to get drawn into them and the maelstrom that is swirling around them all, with plenty of different motivations and desires.
A mix of a chase, a murder investigation - albeit one you're trying to avoid - and a series of heists, this is a fast paced book that will keep you turning the pages.
I also adore the queer representation within this book. Not only Cesare, but the Contessa and the gender fluid boundaries that shift and blur in Venice, that most open of cities.
The Contessa steals this book however. She is an absolute delight to behold, and effortlessly holds the attention in every scene she is in. I would be more than happy with every book focused on her.
~Thank you to NetGalley for the ARC in return for an honest reivew~
March 15, 2025
Cesare Aldo has left the Otto but he hasn’t retired by any means. Freelancing as a kind of Florentine private detective he is now engaged by Cosimo d’Medici to investigate a life-threatening rumour. Aldo’s powers of observation, natural curiosity and skill as an investigator soon embroil him in an intriguing mission to recover Cosimo’s private journal which takes him to Venice in the company of Venetion spymaster Contessa Coltello. This story draws on events from Aldo’s previous outings, but necessary detail is subtly woven into the narrative, although it might well tempt the reader to explore earlier books in the series. The writing is steeped in historical detail, the characters are colourful and full of life and there is plenty of action and a good meaty plot to keep the reader entertained. Put James Bond into hose and doublet and this is what you get!
I am looking forward to the next book already as the story ends with unanswered questions and the mystery of Aldo’s past yet to be revealed. Can’t wait!
Huge thanks to Pan Macmillan and Netgalley for an opportunity to read an advanced copy of this book.
I am looking forward to the next book already as the story ends with unanswered questions and the mystery of Aldo’s past yet to be revealed. Can’t wait!
Huge thanks to Pan Macmillan and Netgalley for an opportunity to read an advanced copy of this book.
March 30, 2025
Aldo is back ........ no longer a policeman he is now a Private Investigator/Enforcer helping those
who need it most , those often ignored by their rulers .
But those who matter won't leave him be , he is called to investigate a plot against the Duke by Cosimo de Medici- a summons he cannot say no to . A case that brings back the Contessa Coltello into his life , a woman hard to forget for a variety of reasons .
The case takes him from Florence to Venice , a city he swore never to return to ..... old betrayals are
at the forefront of his mind . Just who can he trust ? what will be the cost ? The Contessa has her own agenda ... will it align with his own quest ?
The Author is a master at writing Renaissance murder mysteries , characters leap of the page , the historical details are full of colour and life , drawing the reader into a world politics , betrayals - with a well written storyline - I cannot recommend this series enough and look
forward to the next book
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own
who need it most , those often ignored by their rulers .
But those who matter won't leave him be , he is called to investigate a plot against the Duke by Cosimo de Medici- a summons he cannot say no to . A case that brings back the Contessa Coltello into his life , a woman hard to forget for a variety of reasons .
The case takes him from Florence to Venice , a city he swore never to return to ..... old betrayals are
at the forefront of his mind . Just who can he trust ? what will be the cost ? The Contessa has her own agenda ... will it align with his own quest ?
The Author is a master at writing Renaissance murder mysteries , characters leap of the page , the historical details are full of colour and life , drawing the reader into a world politics , betrayals - with a well written storyline - I cannot recommend this series enough and look
forward to the next book
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own
June 29, 2025
When Duke Cosmo Medici's life is threatened, he calls on Cesare Aldo for help. Whilst Aldo foils that plot, the real plan was a raid on the Medici archive and some of the Duke's most valuable papers have been stolen. Now Aldo is tasked with retrieving a particular journal and that quest is going to take him to Venice, a city he vowed never to return to. Also going to Venice is the Contessa Contrello, a femme fatale and ruthless spymaster. Also and the Contessa may have to work together, but can they trust each other.
This is volume 5 of the exploits of Cesare Aldo and the series just gets better. As much of the backstory is in place, Bishop can concentrate on the nuances of Aldo's relationships, here exploring his lost love. As such the homosexuality does not need to be pushed as much and therefore is more believable. It's a cracking plot with twists and betrayals a pleanty which kept me entertained throughout.
This is volume 5 of the exploits of Cesare Aldo and the series just gets better. As much of the backstory is in place, Bishop can concentrate on the nuances of Aldo's relationships, here exploring his lost love. As such the homosexuality does not need to be pushed as much and therefore is more believable. It's a cracking plot with twists and betrayals a pleanty which kept me entertained throughout.
July 1, 2025
Absolutely stunning. I really devoured this book, and was sad when I had finished it.
The story was brilliant, the characters well crafted and they felt very real. The writing was wonderful; elegant and yet full of action.
There were many moments of amusement for me, and if you like twists and turns in a story, you will find the machinations of the Contessa completely mesmeric. What a woman - my heroine!
I thoroughly appreciate the amount of research that this talented author puts into the books - this one was particularly enjoyable to me, as I could appreciate the research and accuracy regarding Venice - a city I know well.
This is a fantastic series, but I am happy to report that each book does contain a complete story and could be read as a standalone. But it is so, so much better to read them all, and appreciate the long story arc!
I love stories that are twisty, full of action, and keep my attention. This book fared perfectly on all counts.
The story was brilliant, the characters well crafted and they felt very real. The writing was wonderful; elegant and yet full of action.
There were many moments of amusement for me, and if you like twists and turns in a story, you will find the machinations of the Contessa completely mesmeric. What a woman - my heroine!
I thoroughly appreciate the amount of research that this talented author puts into the books - this one was particularly enjoyable to me, as I could appreciate the research and accuracy regarding Venice - a city I know well.
This is a fantastic series, but I am happy to report that each book does contain a complete story and could be read as a standalone. But it is so, so much better to read them all, and appreciate the long story arc!
I love stories that are twisty, full of action, and keep my attention. This book fared perfectly on all counts.
September 17, 2025
This fifth episode of this excellent historical mystery series, set during the Italian Renaissance, sees the action move from Florence to Venice in a suspense-filled tale of danger, conspiracy and espionage.
Florence, 1539 and Aldo Cesare is no longer an officer of the Otto di Guardia, the organisation tasked with enforcing laws and protecting the government. While he has his flaws, Aldo is intelligent and a survivor, now working freelance for those in need of security services or personal protection. Currently living rent free in a bordello, in exchange for protecting the women, provides a good cover for him, as discovery that he is a secretly gay man would be a death sentence for him and his lover Saul, a skilful doctor.
Since leaving the Otto, Aldo has a small retainer from the Duke, Cosimo de Medici, in return for information heard in the streets on potential threats to Florence or the Duke himself. Aldo is also a contact of Contessa Valentine Cotello, who took over her husband’s role as Venice’s spymaster in Florence after his death. Both beautiful and cunning, she spins a web of intrigue, while being woefully underestimated by the men around her.
With the fierce rivalry between Florence and Venice, the Doge of Venice, Pietro Lando, would very much like to see Cosimo deposed one way or another. When the Contessa tells Aldo she has learnt of a Venetian plot to assassinate the Duke, Aldo is hired to provide him with extra protection. Unfortunately, the plot is merely a cover for something more sinister, which will lead to Aldo being sent to Venice, a city he once left, swearing never to return. However, he knows he won’t be allowed to return to Florence without successfully completing his mission.
This engaging and intelligently written historical mystery perfectly blends historical detail with fiction, especially bringing the political rivalry between Renaissance Florence and Venice alive. The sights and sounds of Venice during Carnevale are vivid, with descriptions of its’ canals, bridges and palazzos, either opulent or crumbling, adding to the atmosphere. Also of interest, are details of Aldo’s past and the events that drove him from Venice.
Much of the action centres around Aldo and the Contessa, who end up travelling together, when the Contessa is recalled to Venice to face the Inquisito di Stato (Venice’s espionage arm), who wish to find an excuse to depose her and replace her with a man. Aldo and the Contessa have a complex relationship, with neither knowing how far to trust the other, which does lead to some lighter moments. However, surrounded by treachery, betrayal, plots and counter plots in a hotbed of spies and political intrigue, they have no choice but to work together, at least to some extent.
Both gritty and gripping with plenty of action this is a very entertaining addition to this excellent series. Moreover, a cliff-hanger suggests Aldo is about to find out a lot more in the next novel about his birth and the family who cast him out.
With thanks to Pan Macmillan via Netgalley for a copy to read. This original review was first published in Mystery & Suspense Magazine https://www.mysteryandsuspense.com/ca...
Florence, 1539 and Aldo Cesare is no longer an officer of the Otto di Guardia, the organisation tasked with enforcing laws and protecting the government. While he has his flaws, Aldo is intelligent and a survivor, now working freelance for those in need of security services or personal protection. Currently living rent free in a bordello, in exchange for protecting the women, provides a good cover for him, as discovery that he is a secretly gay man would be a death sentence for him and his lover Saul, a skilful doctor.
Since leaving the Otto, Aldo has a small retainer from the Duke, Cosimo de Medici, in return for information heard in the streets on potential threats to Florence or the Duke himself. Aldo is also a contact of Contessa Valentine Cotello, who took over her husband’s role as Venice’s spymaster in Florence after his death. Both beautiful and cunning, she spins a web of intrigue, while being woefully underestimated by the men around her.
With the fierce rivalry between Florence and Venice, the Doge of Venice, Pietro Lando, would very much like to see Cosimo deposed one way or another. When the Contessa tells Aldo she has learnt of a Venetian plot to assassinate the Duke, Aldo is hired to provide him with extra protection. Unfortunately, the plot is merely a cover for something more sinister, which will lead to Aldo being sent to Venice, a city he once left, swearing never to return. However, he knows he won’t be allowed to return to Florence without successfully completing his mission.
This engaging and intelligently written historical mystery perfectly blends historical detail with fiction, especially bringing the political rivalry between Renaissance Florence and Venice alive. The sights and sounds of Venice during Carnevale are vivid, with descriptions of its’ canals, bridges and palazzos, either opulent or crumbling, adding to the atmosphere. Also of interest, are details of Aldo’s past and the events that drove him from Venice.
Much of the action centres around Aldo and the Contessa, who end up travelling together, when the Contessa is recalled to Venice to face the Inquisito di Stato (Venice’s espionage arm), who wish to find an excuse to depose her and replace her with a man. Aldo and the Contessa have a complex relationship, with neither knowing how far to trust the other, which does lead to some lighter moments. However, surrounded by treachery, betrayal, plots and counter plots in a hotbed of spies and political intrigue, they have no choice but to work together, at least to some extent.
Both gritty and gripping with plenty of action this is a very entertaining addition to this excellent series. Moreover, a cliff-hanger suggests Aldo is about to find out a lot more in the next novel about his birth and the family who cast him out.
With thanks to Pan Macmillan via Netgalley for a copy to read. This original review was first published in Mystery & Suspense Magazine https://www.mysteryandsuspense.com/ca...
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