A Retrieved Reformation

by O. Henry

Do you believe that people can change? Can a bank robber marry the banker's daughter without having any hidden thoughts and intentions? "A Retrieved Reformation" tells the story of Jimmy, a formal prisoner, who decides to quit violating the law in the name of love. He takes up a new identity and starts a new life as an honorable man. However he is about to face a choice which can cost him his future. Will he sacrifice himself in order to save a child in danger or he will prefer to keep his old identity in secret? -

Genres: Short Stories, Classics, Fiction, School, Historical Fiction, Romance, Audiobook

54 pages, Paperback

First published January 1, 1903

About the author

Such volumes as Cabbages and Kings (1904) and The Four Million (1906) collect short stories, noted for their often surprising endings, of American writer William Sydney Porter, who used the pen name O. Henry.

His biography shows where he found inspiration for his characters. His era produced their voices and his language.

Mother of three-year-old Porter died from tuberculosis. He left school at fifteen years of age and worked for five years in drugstore of his uncle and then for two years at a Texas sheep ranch.

In 1884, he went to Austin, where he worked in a real estate office and a church choir and spent four years as a draftsman in the general land office. His wife and firstborn died, but daughter Margaret survived him.

He failed to establish a small humorous weekly and afterward worked in poorly-run bank. When its accounts balanced not, people blamed and fired him.

In Houston, he worked for a few years until, ordered to stand trial for embezzlement, he fled to New Orleans and thence Honduras.

Two years later, he returned on account of illness of his wife. Apprehended, Porter served a few months more than three years in a penitentiary in Columbus, Ohio. During his incarceration, he composed ten short stories, including A Blackjack Bargainer , The Enchanted Kiss , and The Duplicity of Hargraves .

In 1899, McClure's published Whistling Dick's Christmas Story and Georgia's Ruling .

In Pittsburgh, Pennsylvania, he sent manuscripts to New York editors. In the spring of 1902, Ainslee's Magazine offered him a regular income if he moved to New York.

In less than eight years, he became a bestselling author of collections of short stories. Cabbages and Kings came first in 1904 The Four Million, and The Trimmed Lamp and Heart of the West followed in 1907, and The Voice of the City in 1908, Roads of Destiny and Options in 1909, Strictly Business and Whirligigs in 1910 followed.

Posthumously published collections include The Gentle Grafter about the swindler, Jeff Peters; Rolling Stones , Waifs and Strays , and in 1936, unsigned stories, followed.

People rewarded other persons financially more. A Retrieved Reformation about the safe-cracker Jimmy Valentine got $250; six years later, $500 for dramatic rights, which gave over $100,000 royalties for playwright Paul Armstrong. Many stories have been made into films.

Reviews

[Brian Yahn · Rating 4 out of 5]

A Retrieved Reformation is about an ex-criminal's karma, and--of course--O Henry has an ironic twist ending that will leave you smiling.

What more can you ask for from 10 minutes of reading?

[Mare · Rating 5 out of 5]

Jimmy Valentine is a bank robber who has connections that have gotten him out of jail after only 11 months of a 4 yr sentence. Of course once out, he gets back to cracking safes. The detective that caught him before, Ben Price, notices his M.O. and begins looking for him. After a few jobs, he heads to a small town called Elmore to check out their bank when the bank owner’s daughter catches his eye. He inquires who she is and decides to stay for a while. Using the shoe making skill he picked up in prison, he opens a shoe shop, meets Annabel Adams and after a year they're engaged. Just before the wedding he writes an old friend & confesses he prefers the clean life and asks to meet up with him so he can gift him his safe cracking tools. That day before he leaves, his soon to be father-in law shows the family his new state of the art safe and Ben Price arrives at the Elmore bank.
When Mr. Adams granddaughters decide to play by the new safe, one gets locked in. Panicked because the safe isn’t set up yet the family turns to “Ralph” for help, unknowing he was once a safe cracker…they turn to him just as someone they have faith in that can do anything and Ralph must decide if he should reveal his skill and save his future niece or play dumb and keep his Ralph Spence persona.

[Elise Nunn · Rating 4 out of 5]

This is a short but great story of how a guy can change for the better for a girl that he loves.

[Andrew Peter · Rating 4 out of 5]

Summary: In O. Henry’s short story, “A Retrieved Reformation”, the protagonist Jimmy Valentine works at a shoe-shop in prison. After a meeting with the ward, Jimmy is released from prison with the accompanying advice to stay away from cracking safes, the act that landed him in prison. Following release, Jimmy soon returns to cracking safes and plans to rob a bank in Arkansas, until he falls in love with Annabel, the banker’s daughter. During this time, Ben Price, who had previously arrested Valentine, starts investigating him again. Determined to change his ways, Valentine decides to become a shoemaker under the pseudonym Ralph D. Spencer. Despite vowing to leave his safe cracking days in the past, Spencer (Valentine) uses his skills to save Annabel, who was trapped inside a new safe at the bank. Even though Detective Price saw him crack the safe, he decides to look the other way and allow Valentine to marry Annabel and enjoy his new life.

Connection: In regard to my concept, this short story grapples with identity through Jimmy Valentine’s transformation from a criminal safe-cracker to a respectable member of society. After being released from prison, Jimmy takes up an alias as Dr. Ralph D. Spencer, a shoe salesman. In regard to identity, O. Henry uses this story as a way to highlight how easy it can be to change our outward identities, in addition to highlighting that we can never escape who we truly are. In this case, Jimmy takes up the alias of Dr. Spencer to conceal his previous life of crime, but when his girlfriend's sister, Agatha, got locked in a safe he had to choose between not getting involved or returning to his lock picking days to help free her. Even though Jimmy’s past was flooded with crime, his decision to do the right thing and help free Agatha demonstrates that no matter how hard he tried to change his appearance, he will always be a master lock picker. In regard to MS students, this can be related to their lives similarly to that of “The White Umbrella”. Even if you desire to rid yourself of something that defines who you are, you won’t be successful because no matter what, whether positive or negative, your past will always play a role in who you are.

Nobody wants to be defined by who they were in the past, but that’s not to say that our past selves are irrelevant or don't matter. Anything and everything you’ve ever done will, to varying degrees, play an active role in the person you are today and the person you’ll be in the future. When it comes to transferring this to student-writing, the activity ‘What the Future Holds’ from chapter five of Gallagher’s Write Like This addresses these ideas. Used alongside O. Henry’s short story “Retrieved Reformation”, students could be asked to consider what the future holds for their identities. Having already grappled with how our past choices play into our present selves, this activity would require students to look at themselves in the present to try and identify aspects of themselves that they anticipate or desire to change. This activity is versatile in application; it could be used as the prompt for an essay, a weekly journal entry, or even a warm-up discussion following the reading of the text. (p. 129)

[Vintagebooklvr · Rating 3 out of 5]

Sometimes it is fun to read an analysis of a short story. Not that a reader can't pick up the same things but if you are just doing it for fun you don't necessarily want to pick at something. It is also interesting to see what certain groups pick out as important. In one analysis the focus is on the work ethic that Jimmy has either in prison, in making his own tools for safecracking or being able to make a success of his new job as an owner of a shoe store. Yes, these things are there but I would have focused on some of the other things.

Anyway, it is a nice story with the typical short irony O. Henry is known for.

[Ray LaManna · Rating 4 out of 5]

Another good O. Henry story showing his humanity.

[Anatoly · Rating 5 out of 5]

The short story "A Retrieved Reformation" by O. Henry describes the story of a safecracker (someone who breaks into safes).

The story presents good features of human’s character. Some actions may lead to problems, however, certain actions may lead to the best results if the person was sincere in their intentions.

The story finishes with a happy ending. It gives the readers a positive emotion.

Here is the link to the text of the story:
http://www.elahelp.com/uploads/1/1/7/...

[Preetam Chatterjee · Rating 5 out of 5]

O’ Henry Revisited

’Is O. Henry still relevant today?’ It’s a question that three friends — I the youngest by nearly two decades, they the seasoned veterans — decided to test during the strange stillness of Covid. On May 1st, 2021, we set ourselves a rather reckless mission: to reread every word O. Henry ever wrote, slowly, deliberately, over the course of a year. And we did. What follows are the reflections and reviews born from that long, unusual experiment — an O. Henry revisited, re-examined, and re-imagined for a modern age.

Jimmy Valentine walks into this story already mythic, already a kind of American urban legend stitched together from newspaper ink, criminal folklore, and the turn-of-the-century obsession with self-invention. And honestly, rereading him in the middle of a pandemic does something strange to the soul.

Maybe it’s because Covid made everyone reconsider their own private reinventions—career shifts, lifestyle resets, the deep urge to scrub away some version of ourselves and start again. Or maybe it’s because O. Henry himself understood that people, no matter the era, oscillate constantly between who they’ve been and who they’re trying to become.

The world of the story, even though it’s all clapboard towns and simple moral binaries, feels uncannily contemporary once you strip the varnish off: people trying to outrun their own previous chapters, people held hostage by systems larger than themselves, people bending the rules or bending themselves to survive.

The narrative opens with a kind of mischief that’s pure O. Henry—the sense that the world is always slightly out of joint, like a doorframe built by a carpenter with a philosophical hangover. There’s humour, there’s warmth, but there’s also the quiet hum of something darker underneath. Even in its earliest moments, the story gestures toward the possibility that redemption is as much an accident as it is a choice. Jimmy’s world is calibrated around a very American model of reinvention: if you can just slip out of one skin and into another, maybe the universe will forget the version of you that broke windows and cracked safes. Maybe it’ll accept the new version at face value, the way strangers tend to do when you show up looking freshly pressed and speaking politely.

But the pandemic lens makes all this reinvention business feel more loaded than in earlier readings. Back in 2021, everyone was thinking about second lives—post-pandemic selves, reimagined identities, new ways of being in the world after everything had broken down.

You couldn’t step outside without feeling like the planet itself was trying to retrieve a reformation of its own. So watching Jimmy attempt to outrun his past—watching him negotiate the tension between what he wants and what he owes, between desire and history—hits differently now. It becomes less a story about crime and love and more a meditation on the elasticity of identity.

What counts as “change”?

Who decides when a person has transformed enough to deserve a future?

Does anyone ever really get to choose their own reboot, or are reboots only successful when the universe decides to play along?

O. Henry’s language glints with that familiar slyness, that wink from across a dusty Texas road. He plays with caricatures but never lets them become empty. Every personality in the story, from the lofty to the local, carries the faint friction of internal contradiction.

They live inside a moral order whose rules seem absolute until they suddenly aren’t—and that’s precisely the tension that defines the whole narrative. A person can be upright until they aren’t. A person can be reliable until a moment demands they change course. A person can promise themselves a peaceful life until a situation arrives that tests the tensile strength of that promise.

Jimmy’s interiority—though the story never cracks it open in a modern, psychological-novel way—can be felt in the negative space. He’s one of those characters O. Henry draws from the outside in, leaving the reader to deduce his soul through gesture, action, and silence.

This method feels eerily modern. It’s the narrative technique of an author who trusts the reader more than he trusts exposition. Covid reading habits only heighten this effect; after months of staring out windows, watching neighbours, reading meaning into every tiny motion of human behaviour, we were all suddenly connoisseurs of external clues. Jimmy’s smallest actions buzz with significance when read through the prism of isolation fatigue.

But the most intriguing part of this Covid-era rereading is how the story handles the concept of “freedom.” Jimmy begins in captivity and moves into the world supposedly free, but that freedom is conditional, slippery, and almost illusory. He’s free the way a bird is free in the one-second window after a cat blinks.

That fragile, almost performative freedom—that sense of constantly looking over one’s shoulder—feels oddly familiar to anyone who lived through 2020–21. We all understood what it meant to walk through a world that claimed to be open while still carrying invisible constraints, invisible anxieties, invisible histories. The story’s liminal spaces—rail depots, hotel rooms, dusty sidewalks—echoed eerily with the emptiness of pandemic streets. O. Henry didn’t write for our century, but he accidentally captured something essential about it: the way external order collapses and regrows in the cracks of human improvisation.

And then there’s the story’s moral center, which pulses quietly underneath the charm, the humour, the soft dramatic irony. At its core, the narrative wrestles with that old question: can people truly change, and if they do, will anyone believe them? O. Henry doesn’t answer in a single stroke; he lets the question simmer, lets its edges glow, and lets the reader feel how precarious transformation can be. Jimmy exists in that tightrope zone—trying to balance the weight of his past with the delicate hope of his future. COVID-era readers know that zone intimately. Reinvention, even in the best circumstances, comes with the tension of wanting to be understood while knowing you may never fully be seen.

And this is where the story becomes quietly radical. Instead of transforming a linear arc or a neat moral lesson, O. Henry shapes it like a hinge. One choice—one tiny movement of the soul—can swing everything open. But that hinge creaks under the weight of uncertainty: will the new self hold? Will the world accept it? Does the past ever truly loosen its grip?

As the story moves toward its final turn, the emotional stakes escalate without becoming melodramatic. Everything remains anchored in small gestures, ordinary rhythms, and understated dialogue. The climax is not an explosion but a crystallization—one of those moments where the moral weather suddenly clears, and everyone involved sees themselves without the fog of denial or expectation. Even in this moment, O. Henry refuses the grand sermon. He does something more interesting: he lets reality intervene. He lets human nature interrupt human plans. And when that interruption arrives, it feels like a whisper that somehow echoes like a cathedral bell.

Reading that moment during the pandemic years—when reality itself felt like one long interruption—gave the story a haunting clarity. Life doesn’t care about your plans. Life doesn’t wait for your reinvention schedule. Life walks in uninvited, kicks the door, rearranges the furniture, and asks you who you really are now that everything has changed. Jimmy’s crisis is universal because it’s just an exaggerated human truth.

O. Henry’s brilliance is in how gently he holds this truth. He never punishes characters for complexity. He never moralizes in a way that feels punitive. He understands that people are built of contradictions and that contradictions are not flaws but textures of the human spirit.

That’s why the story still resonates: it trusts the reader to recognize the fragile miracle of choosing to be better, even when the past keeps tugging at your elbow.

Through pandemic eyes, the story also becomes strangely tender. It’s about loneliness and connection, about the search for a place to belong after the world has broken you into pieces. It’s about how we walk toward love, purpose, decency—not because the world demands it, but because something in us refuses to let go of the idea that life can still be meaningful. Jimmy’s journey becomes a mirror for anyone who has ever wanted to reset the story of their own existence.

By the time the narrative reaches its conclusion, you can feel the delicate geometry of O. Henry’s craft. Everything clicks—not because it follows a predictable moral blueprint, but because it respects the messy logic of the human heart.

The story ends where it must, on a note that is neither triumphant nor tragic, but suspended in a shimmering ambiguity that allows the reader to feel hope without ignoring reality. It’s the kind of ending that feels like it breathes.

What could the ending have been like?

In another universe, effortlessly adjacent to this one, the story might have closed with a harder edge, leaning into justice as the uncompromising sculptor of human destiny. There could have been an ending where the past clamps down like a trapdoor, refusing Jimmy the clean slate he reaches for. Or another version might have leaned into sentimentality, offering him an uncomplicated reward that smooths over every fracture, waving away the complexities that make him compelling in the first place.

There is also the possibility of an ending shaped by irony alone—an O. Henry signature twist that loops back to expose the absurdity of fate, leaving the reader laughing at the cosmic audacity of it all. Another version might emphasize introspection instead, closing not with action but with a quiet scene of recognition, where the characters arrive at a clarity that never needs to be spoken aloud.

The story could have ended in chaos or in stillness, in exposure or in forgiveness, in retribution or in renewal. Its moral geometry contains all these possibilities at once, like parallel tracks diverging just beyond sight.

But O. Henry, master of the understated reversal, chooses the one ending that honours both the vulnerability and the stubborn resilience of the human soul. He picks an ending that asks us not for judgment but for understanding.

[Classic reverie · Rating 5 out of 5]

O. Henry's "A Retrieved Reformation" short story has had several silent films as "Alias, Jimmy Valentine", a LUX radio 1936 program and a radio program. I loved this story and the ending seemed to be going one way but then it changed with good reason.

Story in short- Jimmy Valentine is a safe cracker, when he meets a banker's daughter, are his motive of love or something else?

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A GUARD CAME to the prison shoe-shop, where Jimmy Valentine was assiduously stitching uppers, and escorted him to the front office. There the warden handed Jimmy his pardon, which had been signed that morning by the governor. Jimmy took it in a tired kind of way. He had served nearly ten months of a four year sentence. He had expected to stay only about three months, at the
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longest. When a man with as many friends on the outside as Jimmy Valentine had is received in the “stir” it is hardly worth while to cut his hair. “Now, Valentine,” said the warden, “you’ll go out in the morning. Brace up, and make a man of yourself. You’re not a bad fellow at heart. Stop cracking safes, and live straight.” “Me?” said Jimmy, in surprise. “Why, I never cracked a safe in my life.” “Oh, no,” laughed the warden. “Of course not. Let’s see, now. How was
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it you happened to get sent up on that Springfield job? Was it because you wouldn’t prove an alibi for fear of compromising somebody in extremely high-toned society? Or was it simply a case of a mean old jury that had it in for you? It’s always one or the other with you innocent victims.” “Me?” said Jimmy, still blankly virtuous. “Why, warden, I never was in Springfield in my life!” “Take him back, Cronin!” said the warden, “and fix him up with outgoing clothes. Unlock him at seven
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in the morning, and let him come to the bull-pen. Better think over my advice, Valentine.” At a quarter past seven on the next morning Jimmy stood in the warden’s outer office. He had on a suit of the villainously fitting, ready-made clothes and a pair of the stiff, squeaky shoes that the state furnishes to its discharged compulsory guests. The clerk handed him a railroad ticket and the five-dollar bill with which the law expected him to

rehabilitate himself into good citizenship and prosperity. The warden gave him a cigar, and shook hands. Valentine, 9762, was chronicled on the books, “Pardoned by Governor,” and Mr. James Valentine walked out into the sunshine. Disregarding the song of the birds, the waving green trees, and the smell of the flowers, Jimmy headed straight for a restaurant. There he tasted the first sweet joys of liberty in the shape of a broiled chicken and a bottle of white wine — followed by a cigar a grade better than the one the warden had
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given him. From there he proceeded leisurely to the depot. He tossed a quarter into the hat of a blind man sitting by the door, and boarded his train. Three hours set him down in a little town near the state line. He went to the café of one Mike Dolan and shook hands with Mike, who was alone behind the bar. “Sorry we couldn’t make it sooner, Jimmy, me boy,” said Mike. “But we had that protest from Springfield to buck against, and the governor nearly balked. Feeling all right?”
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“Fine,” said Jimmy. “Got my key?” He got his key and went upstairs, unlocking the door of a room at the rear. Everything was just as he had left it. There on the floor was still Ben Price’s collar-button that had been torn from that eminent detective’s shirt-band when they had overpowered Jimmy to arrest him. Pulling out from the wall a folding-bed, Jimmy slid back a panel in the wall and dragged out a dust-covered suit-case. He opened this and gazed fondly at the finest set of burglar’s tools in the East. It was
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a complete set, made of specially tempered steel, the latest designs in drills, punches, braces and bits, jimmies, clamps, and augers, with two or three novelties, invented by Jimmy himself, in which he took pride. Over nine hundred dollars they had cost him to have made at ––––, a place where they make such things for the profession. In half an hour Jimmy went down stairs and through the café. He was now dressed in tasteful and well-fitting clothes, and carried his dusted and cleaned suit-case in his hand.
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“Got anything on?” asked Mike Dolan, genially. “Me?” said Jimmy, in a puzzled tone. “I don’t understand. I’m representing the New York Amalgamated Short Snap Biscuit Cracker and Frazzled Wheat Company.” This statement delighted Mike to such an extent that Jimmy had to take a seltzer-and-milk on the spot. He never touched “hard” drinks. A week after the release of Valentine, 9762, there was a neat job of safe-burglary done in Richmond, Indiana, with no clue to the author. A scant eight hundred dollars was all that was secured. Two weeks after that a patented, improved, burglar-proof safe in Logansport was opened like a cheese to the tune of fifteen hundred dollars, currency; securities and silver untouched. That began to interest the rogue-catchers. Then an old-fashioned bank-safe in Jefferson City became active and threw out of its crater an eruption of bank- notes amounting to five thousand dollars. The losses were now high enough to bring the matter up into Ben Price’s class of

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work. By comparing notes, a remarkable similarity in the methods of the burglaries was noticed. Ben Price investigated the scenes of the robberies, and was heard to remark: “That’s Dandy Jim Valentine’s autograph. He’s resumed business. Look at that combination knob — jerked out as easy as pulling up a radish in wet weather. He’s got the only clamps that can do it. And look how clean those tumblers were punched out! Jimmy never has to drill but one hole. Yes, I guess I want Mr. Valentine. He’ll do his bit
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next time without any short-time or clemency foolishness.” Ben Price knew Jimmy’s habits. He had learned them while working up the Springfield case. Long jumps, quick get-aways, no confederates, and a taste for good society — these ways had helped Mr. Valentine to become noted as a successful dodger of retribution. It was given out that Ben Price had taken up the trail of the elusive cracksman, and other people with burglar-proof safes felt more at ease.
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Ben is a detective that finally finds Jimmy Valentine going under the name of Randy Spencer. After coming out of jail, Jimmy did some jobs until he turns honest and falls in love for the banker's daughter, they are to marry but Ben looks to capture Jimmy but changes his mind when,he sees Jimmy save some trapped little nieces of his fiance, but he wastes no time a saves the girls. Having forgotten who Ben was I thought he was one of his old associates but then it became clear that Jimmy has had a reprieve and can live a honest life. I look forward to seeing any older movie or radio version.

[Ann · Rating 3 out of 5]

Nice redemption story.

[raghad 🤎 · Rating 3 out of 5]

I was reading one of my old diaries and I said that I had to write about “A Retrieved Reformation” for my “surprise” writing test. I obviously had to read this because I was curious. I genuinely couldn’t remember ever reading anything with that title. However, it was a short, cute read. Eighth grade literature was lovely.

Extra notes:

1. I assumed that Annabel caught Jimmy’s attention because she was attractive, but he felt even more attracted to her after finding out that she was the banker’s daughter— since he robs banks and all. thankfully, I was wrong and he actually loved her. :”)

2. I loved how Jimmy described his girl in the letter he sent.

[Madhulika Liddle · Rating 5 out of 5]

I love the way O Henry has, of being able to say profound things in such a subtle way - without being preachy, without seemingly even meaning to. This story, for instance, in which a suave safe-breaker named Jimmy Valentine, fresh out of jail, restarts a life of crime and makes his way to a small town, preparing to rob the bank there. But just as he's about to step into the bank for a recce, Valentine sees the bank manager's daughter and loses his heart...

Can a hardened thief ever change? Or is it really true that a leopard never changes its spots?

Wonderful story.

[Madison Aboud · Rating 4 out of 5]

I had to read this short story for school, and at first I hated it! Then I reread it and listen to and audio recording of it, and loved it. I also had to write an essay over what I though would happen with the two main characters after the end of the story, and it was one of my favorite things I have ever written! I loved this little story and highly recommend it if you need something quick and fun to read!

[James Biser · Rating 5 out of 5]

This is the story of one of the worlds best thieves. He is expert, with his tools at cracking any safe. In time he leaves his criminal past and falls in love with a bank owner's daughter. On the day of their wedding, irony strikes as a young child is locked into the bank vault and the child's life must be saved.

[Mahmoud Rasheed · Rating 5 out of 5]

اعتقد ان بداية قراءاتي للقصة القصيرة كانت ل تشيخوف الروسي
وهو مدرسة فريدة بالطبع في هذا النوع من الأدب
يتميز أسلوبه الساخر بنوع من النقد اللاذع للمجتمع

اما و.هنري والذي بدات قراءة قصصه القصيرة اليوم بالتحديد عن طريق الصدفة البحتة
فهو مدرسة أخرى وان كان هناك تقارب في الأسلوب الساخر الفكاهي

[Md Tazri · Rating 3 out of 5]

Good story. This story about jimmy verlainetine. He is a bank rubber.but suddenly he meet a beautiful girls who name is adims and change his mind.The girls changes his mind........
Story is short but good.🤓🤓🤓

[Serinmary · Rating 4 out of 5]

I wouldn't have picked this up if it wasnt for a good friend of mine. Thank you Rohit for introducing me to the world of short stories.

This one is a quick read and a good one for your sunday afternoons.

[David Poltorak · Rating 5 out of 5]

4.5/5

O. Henry does it again. I’m surprised at how interested and affected I was by a character/story that lasts only a few pages. Starting to think that these short stories would be great for reading aloud to an audience (children, etc.) in one sitting.

[April Helms · Rating 5 out of 5]

Loved this one! A safecracker is released from prison, but is soon back to old tricks. He manages to elude the authorities, but love winds up causing the man to turn a new leaf. Will he be allowed to resume this new life?

[Addy · Rating 5 out of 5]

A gentleman thief, a relentless cop, a great love, and grace on Earth. The perfect short story.

[Claudia · Rating 4 out of 5]

This is a wonderful short story to be read in a few minutes. Oh! Do read it. It's so entertaining!!! :) x

[Felix · Rating 1 out of 5]

I HATE IT!

[Shweta Kesari · Rating 3 out of 5]

Can't ask for more in such short reads. The enigma that each of Henry's stories carry is beyond explanation.

[M]

A perfect short story.

[Karen · Rating 3 out of 5]

I think this story would be a good one to adapt into a novel. It was fun.

[Shasta · Rating 5 out of 5]

Very good.

[Wjqyhfgdsjhgd · Rating 1 out of 5]

This story had a very interesting topic. However it was very poorly written and hard to follow along to. I do not recommend. If you are O Henry, sorry but yeah…

[Nicole · Rating 5 out of 5]

Short story read with freshmen.

[Rayees Shaikh · Rating 5 out of 5]

One of the best short stories I’ve come across till date! Jimmy Valentine’s attitude and style is nicely portrayed in this story.

[Romy F · Rating 5 out of 5]

Loved this - such a fun story.