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304 pages, Kindle Edition
First published March 6, 2025






He watched the tangled black silhouettes of the floating mangrove forest. The broken masts and the one remaining smokestack looked like the ruins of a lost city in the jungle. The wind bent branches so that it looked as if things were moving up there. Moving, slipping from one tree to the next, watching him. A bird shifted on a branch. He saw its eyes glisten. When it cried out, its voice sounded almost like a warning.--------------------------------------
The best cooking tools often made the best murder weapons.So, picture this. Galveston. Big storm coming. A ship, the Christabel, grounded on Pelican Island, has become a mangrove nursery, and serves as a research vessel. The lead researcher, Charlie Book, plans to weather the storm there. His assistants will ride it out in hotels. But complications. His ex shows up at his door with her late sister’s girlfriend and baby in tow. They are eager to flee to the ship, as they are being pursued by a band of witches, the Night Birds of the title.
Where did you get the idea for The Night Birds, and how different is the finished story from what you originally conceived?
Like many stories, it started with two ideas that felt linked to me: these two women on the run with a baby, pursued by…well, let’s call them the Night Birds…and the story of Book and Ruby, whose deep love was shattered by tragedy, and who are thrown back together again in the shadow of their past pain.
The missing ingredient was the Christabel, which is based on a real freighter that sits half-sunken off the coast of Australia. That forest of hemlock trees is real, it’s just on the other side of the world from where I’ve set it. - from the Paul Semel interview

For me, it’s in the same arena as my novel Road Of Bones. In fact, in my mind, it takes place in the same fictional world. I like to dig deeply into certain horror tropes and legends about evil and monsters and then get work imagining what the roots might have been of those tropes and legends. It’s a common theme in my work going back decades. - from the Paul Semel interviewWe can count on appealing leads. Charlie Book is a bona fide good guy, Ruby functions as a mother protector, and really, what is more moral high ground than that? That they have a romantic history adds opportunities for introspection, and theoretically reconciliation. But who knows? And then there is the matter of survivability. Not everyone makes it. There will certainly be a body count. There will be danger aplenty, the weather and the witches catalyzing each other to ramp up the peril. A baby in danger. Two parental sorts trying to protect him from dark forces. What’s not to like?



Was this witchcraft, or was it less about what they could do and more about the malice in them? They were called night weavers, and Ruby thought what they really meant was that they sowed malignance and darkness to advance their own needs. She’d known people who did the same thing in their lives, but without the slightest hint of witchcraft.Review posted - 5/16/25