In this hauntingly twisted tale, an author reconnects with an old boarding school friend, forcing her to reckon with their shared past and the imaginary creature she thought they left behind.
Touch a line, you break your spine.
Stacey is the dusty air, the cracked soil, the drought. To fourteen-year-old Bethany Sloane, she’s everything.
Abandoned by her mother at a remote African boarding school, Bethany will do anything to stay in Stacey’s good graces. And that means learning the rules of each twisted game.
Touch a crack, you break your back.
Seventeen years later, Bethany is a bestselling author. Disabled now, she can’t remember what happened back in the bush. But there’s no mistaking Stacey Preston’s name in her inbox.
Glassy, glassy, cut my arsey.
That email brings Bethany’s childhood rushing back. The Glass Man was just a story the Thorns invented, a game of wits. But every game has its rules—and consequences for breaking them. To stay alive this round, Bethany needs to play right into Stacey’s hands.
Dark and disturbing, The Thorns explores the horrifying world of adolescent abuse, controlling friendships, and blinding obsession.
Her debut novel, THE DEAD HOUSE, was a YALSA Top 10 Pick, An Audie Award Nominee and an Earphone Award Winner. It has been optioned for TV by Lime Productions. She is also the author of THE CREEPER MAN / AND THE TREES CREPT IN, NAIDA and TEETH IN THE MIST, and BLOOD ON THE WIND. Her adult debut novel, THE MADNESS, was pre-empted in a two book, six-figure deal and was published in August 2024. Her next adult novel, DEVIL’S THORN, was announced in 2024, another two-book, six-figure deal, forthcoming in 2025.
By the time she was eighteen, she had been to fifteen schools across two continents. The daughter of a British globe-trotter and single mother, she grew up all over the place, but her formative years were spent in Africa—on a mission, in the bush, in the city and in the desert.
She has been lucky enough to see an elephant stampede at close range, a giraffe tongue at very close range, and she once witnessed the stealing of her (and her friends’) underwear by very large, angry baboons. (This will most definitely end up in a book . . . ) While she has quite a few tales to tell about the jumping African baboon spider, she tends to save these for Halloween!
When she was sixteen, she thought she'd be an astronomer and writer at the same time, and did a month-long internship at Cambridge's prestigious Cavendish Laboratories. At the age of 25, she received a life-saving liver transplant. Her doctor’s still have no idea why her original liver (Leonard) failed. She is enjoying life with her new liver, Lucy.
She leaves her North Wales crypt after midnight during blood moons. The rest of the time she exists somewhere between mushrooms, maggots and mould.
“She makes things out of other things—she turns them into something better. I wonder if that’s what she did with me. Took what I was and made me better.”
I’ve said this before, but if you are a fan of psychological horror, Dawn Kurtagich is the author you NEED to read. I’m not sure why she floats under the radar, as all of her books are creepy, disturbing, and oh so DARK!
The Thorns begins with a note from the author that the plot for this book is written from many of her own experiences at boarding school. It includes trigger warnings for the reader, so I will include them for you before my review:
Trigger Warnings: Darker themes, specifically bullying, sexual violence, gaslighting, self-harm, chronic pain, minor alcohol and drug abuse, reference to animal harm, and mental health crises.
Bethany is an award winning author of the Sally Chronicles. She is struggling to write the last book in the series to make her deadline when her husband is unexpectedly called away for business in South Africa. Despite the fact that she relies on his constant help to remember to take her pills and to get around on crutches and a wheelchair, she tells him she will be fine while he is away.
However, as soon as he is gone, she stops taking her pills and begins to remember her experiences at boarding school seventeen years ago.
Told in alternating perspectives between past and present, Bethany is forced to confront the truth about her obsessive and abusive friendship with Stacey, the inspiration for her FMC in the Sally Chronicles.
Visceral and deeply personal, The Thorns is a heartbreaking story that sheds some light on the author’s inspiration to write horror novels. I truly hope that the most brutal parts of this plot are fiction. Kurtagich grabs ahold of the reader and doesn’t let go until the shocking twist is revealed at the very end. This would have been a five star read, but I was left wanting a bit more from the ending. Perhaps this was done on purpose, as I just learned The Thorns is part of a two book deal and a sequel is forthcoming!
Highly recommend!
4.5/5 stars rounded down
Expected publication date: 4/1/25
Thank you to NetGalley and Thomas & Mercer publishing for the ARC of The Thorns in exchange for an honest review.
I picked this up because the synopsis sounded really interesting; it gave off strong urban legend vibes (an entity called "Glass Man," invoked through a mostly made-up game, starts haunting two schoolgirls), it involved supernatural shenanigans of the kind made popular by well-known authors such as Stephen King (the two girls meet again in adulthood, one is an author, and they have to face the entity again), and it promised some nice moments of friendship, several instances of coming-of-age situations, and warned of some "adolescent abuse".
The book does not deliver any of those things. Nothing of what I said is vital to the plot. "The Thorns" is simply not the book the synopsis describes. First of all, there's no "Glass Man," not in any meaningful way - forget games and hauntings; the (very rarely mentioned - four or five times?) words "Glass Man" name simply a vague threat which plays absolutely no role in the novel. Second, there's nothing supernatural in the book: there's just plain old girl angst, girl cliques, and lots of bullying. Third, what happens in adulthood has nothing to do with any "Glass Man" or whatever happened in the school: the 'friendship' is purely toxic and destructive, it involves mental issues (NB: not psychological horror!), and the fact that one of the women is an author, is nothing but mere lip service to standard literary tropes - to spice things up a bit in an otherwise dull story of female infighting. Finally, and far more serious than anything else, the book's "adolescent abuse" is the extended descriptions of intimate sexual relations of a 28-year-old man with a thirteen year old girl. The descriptions are not graphic or violent - but they are disturbing, mostly because the author takes great care to portray the girl as giving consent. Those moments were chilling and really horrific: the girl is no Lolita, she's a traumatized, intelligent and caring little girl (her body hasn't even matured fully) who allows herself to be manipulated into (yes, I see the contradiction as well) a very sick sexually abusive relationship. She's also confused enough to start a sexual relationship with a boy at the same time, but I won't go into that. Perhaps this kind of experiences explain why the same girl, as a woman, never sounds any different in adulthood: she's always acting and speaking as if she's mentally stuck in early adolescence, sounding like a 13yo girl throughout the book.
So what's the book about? It's about mental instability and toxicity among women. The ending has a very predictable 'twist' about the relationship between the two girls, a turn of events not worth the investment (this is a big book, after all!). Noone who's read a healthy number of psychological thrillers is going to be shocked by the ending. So be warned: unless you enjoy sentimentalist displays of adolescent confusion, on multiple levels, don't pick up this book.
The Thorns follows our MC, Bethany, through both Past and Present perspectives. Present Bethany is a successful author, wife, and a bit of a recluse.
Bethany is the author of a popular series, who is now struggling to write the final book, in which her beloved protagonist, Sally, is slated to be killed. She just can't seem to get it right, causing her a lot of inner turmoil.
Past Bethany has been shipped off to a remote boarding school by her mother. Feeling abandoned and alone, Bethany befriends a fellow classmate, Stacey, who she comes to idolize, shall we say, to an unhealthy degree.
In the Present, Bethany is thrown for a loop when she receives an email from Stacey out of the blue. You can tell they haven't been a part of each other's lives for quite some time, but why? What happened?
The Past clues us in to their complicated friendship, taking us through the various uncomfortable circumstances they got themselves into while at school together. Eventually, Past and Present merge revealing the truth behind Bethany and Stacey's relationship.
This is a tough on for me, because I Love Dawn Kurtagich's writing and daring imagination. The Thorns has a solid ominous feel to it, which I thoroughly enjoyed, but it also had its issues that sadly brought down my rating.
For me, it's one of those stories where a lot is happening, but simultaneously, it feels like nothing is happening. I was constantly waiting for something big to be revealed, and then when it was, I had predicted it from very early on and it didn't end up being as satisfying as I would've hoped.
It also felt too drawn out and I didn't enjoy the 2nd-person narration style of the Present perspective. Nevertheless, Kurtagich gets full marks for her creativity and follow-through on ideas, and this is still a good book, which just happened to fall a little flat for me.
I was hoping for a deeper connection and to be more compelled by the narrative than I was. The middle portions felt quite General Fiction as opposed to the dark-intrigue that I was expecting.
With all this being said, I know so many Readers are going to love this. The back-and-forth does build up some anticipation, and I feel like the topics explored are strong and well-executed.
Thank you to the publisher, Thomas & Mercer, for providing me with a copy to read and review. I'm looking forward to more from Kurtagich!
3.8 stars rounded to 4 for this story of toxic female friendship.
In a timeline split between “then” and “now” author Bethany Sloan who is disabled in some way we aren’t quite certain about and who is suffering from writer’s block is being lovingly tended to by husband Bruce when her old friend from boarding school, Stacey, re-enters her life. They’ve had no contact for many years but Bethany’s life is quite isolated and she is both thrilled and conflicted about having Stacey in her life again…
Because according to the “then” sections Bethany’s friendship with Stacey was obsessive; Bethany idolized Stacey who could be cruel to her as young girls so often are. We learn things adult Bethany may have blocked. Why is Stacey back now?
Oh, how I wish I had gone to boarding school! I think it would have been a TOTAL disaster for me and within two weeks I would have had no friends at all and would have ended up a pariah and likely far more psychologically damaged than I already am. I know myself well enough to know that I am best in small doses. But some books make it all look so very cool!
Anyway, I thoroughly enjoyed this dark book of controlling friendship (I had some unhealthy friendships in my own young life) but I can see this might not be for everyone. The setting is quite interesting too; the author captures the thirsty, barren landscape well and it mirrors Bethany’s want. Good stuff.
Holy guacamole that was the most shocking twist .. I am shook!!!!!
So I went in expecting a horror / thriller after reading (and loving) “the madness” by this author. I will say the only scary thing about this book is the prevalence of child SA.
If this is a major trigger for you then I’d recommend skipping this one.
This book is like one big fever dream..
The ending has left me reeling… I’m shocked and sad but also kind of relieved??? I can’t explain more without spoilers so if you read this please come back here and tell me your thoughts!!
Thank you to the author and Thomas & Mercer for the EARC!
*Thank you to the publisher for making this e-arc available to read on Netgalley*
I actually finished this a couple of days ago, but I was so angry by the end of it, I had to step away to recenter. This is for a number of reasons--some of them personal, some of them related to the way the book was written. Ultimately, this was both not a good book and not one I enjoyed.
This review isn't going to be extraordinarily detailed (despite my issues with it) because it's a horror/thriller and those are the types of books it's best not to spoil. There's only one spoiler I'll give and it's because I think it's one I would've appreciated having going into this. There is a content warning list at the start of the book, however, it doesn't give enough details, in my opinion. The author mentions there's sexual violence and abuse; what she doesn't mention is that a big portion of this is CSA. The protagonist, Bethany (and, oh, what a curse to have the same name as the protagonist of this novel), tells her story both in the present and the past, starting when she's about 13, at a boarding school. The CSA happens here and, despite the author saying that not only was it not gratuitous or graphic and necessary to the story, it was too graphic for me. Like the author states, it does play a big role in the story, however, there's absolutely no mention of it in either the summary or specified in the content warnings. So, if you're planning on picking this up, I greatly urge you to reconsider if you find CSA triggering.
Like I mentioned earlier, this story is told in 1st-person (part of what makes the above even more difficult to read). The problem is that the past sections barely read any different from the sections where Bethany is an adult. There's an attempt made, sure, but it mostly reads very much like "adult trying to write from the POV of the child" rather than a believable child protagonist. That, and the author seemed to favor one POV of the other, so much so that I honestly questioned why the adult POV was there in the first place, even after getting to the ending. There definitely needed to be more balance there in order to make that ending feel weightier and more impactful.
Also, the central conceit of the story is just... not well explained at all. The summary of this story gives a much different picture of what the bulk of the novel is going to be about. There are elements there, sure, but I don't think they were done to the fullest extent of what they could have been. Neither the "Thorns" or "the Glass Man game" were really explained well, which made them feel inconsequential, even though they were honestly pretty vital to the plot.
The characters, including the main character, are all very bare bones. There wasn't a lot connecting them to each other or the plot. I think it's largely because the writing is very central focused and not, I think, detailed enough to build the characters in a way that ends up satisfying.
Lastly, and I can't say anything more detailed because it would spoil the entirety of the plot, is that this book employs a trope that I absolutely can't stand in horror/thriller novels. It also doesn't do it well. So by the time the ending came around and all the pieces were put together, I was near ready to throw my phone at the wall. The way the author wrote it just didn't work and, honestly, left me mostly confused until the end.
Overall, I just didn't have a good time and I don't even think I can recommend this. Not just because of what I personally didn't like, but also because I don't really believe it's well-written.
"The Thorns" is a dark and twisted tale about an author who reconnects with an old boarding school friend and is forced to confront their shared past and the imaginary creature they thought they left behind. The story follows Bethany Sloane, who will do anything to stay in the good graces of her friend Stacey, including playing twisted games with dark consequences. Seventeen years later, Bethany receives an email from Stacey, bringing back memories of their traumatic past. As Bethany tries to navigate the dangerous game Stacey is playing, she must confront the horrifying world of adolescent abuse, controlling friendships, and blinding obsession.
This book was quite intense! It sheds light on how easily influenced young people can be and how much they crave approval in order to fit in. The content of this book made it challenging to read, primarily due to its manipulative nature, triggering themes, and almost obsessive behavior portrayed.
I found it difficult to fully immerse myself in this story. The characters, Bethany and Stacey, are both young and complex individuals who are not easy to connect with. Certain parts of the book were hard to digest, particularly the inappropriate relationship between a 13-year-old and a 28-year-old. It was disturbing to even consider that the young girl seemed to be accepting of it. Readers should be aware that there are many intense themes present in this book that may be triggering for some.
If you are drawn to stories about complicated, often toxic friendships, mental health struggles, and heart-wrenching narratives, then this book may pique your interest.
Thank you, Thomas & Mercer, for the digital ARC copy. I am leaving this review voluntarily.
!! please be mindful of the trigger warnings, i can’t stress this enough !!
thank you Thomas & Mercer for providing this book for review consideration via netgalley. all opinions are my own :)
this book is a deep dive into suffering, a light shining on the awfulness of the world and the torture of being trapped in your mind. how can one live under so much violence, inside and out? this is a story of it — quiet, loud, terrible, complex.
entering the mind of a tortured, deeply hurt young girl, living in a boarding school in africa, the author explores how obsession and abusive influence can ruin a life so, so easily. desperate to belong, bethany falls deeper and deeper into darkness, losing herself, finding it back, forced to stumble into the worst the world has to offer — and it tears her apart.
the writing was what struck me at first. unique, as metaphoric as it is clear, with words spinning around beautifully. it hurts, it catches you, holds your throat and makes you look. this isn’t just fiction.
this story hurt my soul, my heart, my mind. it’s amazingly well told, the double timeline playing with you easily. the characters are haunting, the images, too. the five stars came easily.
This one was a little bit of a tougher read for me.
First of all, it's not horror. I'm not sure why it's even listed that way. Horrible? Absolutely. Horror? Nope.
It is a coming of age, if you like that sort of thing.
For me, the twisty bit was really kind of obvious early on. As a result, the reveal of that didn't really do anything for me.
As for our girls? Did not like. I definitely felt for our main character (my God, how we hurt our girls in this world), but I never, ever grew to like her.
Overall, it did keep me reading, but it wasn't truly for me.
I was really excited to read this book because it had a lot of story elements that appeal to me. Like overly dependent friendships between young girls, explorations of trauma, and characters reuniting as adults to reckon with something that happened in their youth. The story of Bethany and Stacey when they were young girls at a boarding school in South Africa definitely kept me engaged. However I ended up not being too keen on the present day storyline.
The setting of the school and the land where Bethany and her friends played was richly described. It really helped that portion of the story to come to life. There are some horrific things that go on in Bethany’s childhood that are explored in depth, such as sexual assault. The past sections of the book were so visceral, I felt like I was deeply immersed in Bethany’s life.
However, I never ended up feeling that connected with what was happening in the present storyline when Bethany and Stacy reconnect. The way that storyline was written kept me feeling like I was at arm’s length from the characters and their inner feelings. Perhaps that’s because the author was having to keep the reveals of what happened between them and others in the past. Everything in the past felt so real and grounded while everything in the present felt nebulous. I can see why it was written that way, but it held me back from feeling like I was fully invested in the story. Also, some of the reveals just felt extremely obvious.
I’m definitely open to reading more from Dawn Kurtagich in the future. The friendship she crafted between Bethany and Stacey was extremely compelling. And I enjoy writers who don’t shy away from covering difficult subjects in their stories. I think if this book sounds interesting then you should give it a shot. The past storyline offers up something very interesting.
Thank you to the publisher for providing an advance copy via NetGalley. All opinions are my own.
First of all, thanks to Thomas and Mercer for the opportunity to read this book! (And I had a wonderful buddy reader to read it with; I don't think you can tag other reviewers, but thanks to megs_bookrack!)
The Thorns is a standalone horror/thriller/mystery by Dawn Kurtagich, the first book I've read by her - always fun to read a new author!
I'll start by saying that I think it's slightly mislabeled in my opinion; I would probably call this 'psychological thriller' but I wouldn't necessarily deem it horror... more on that later!
The Thorns is about Bethany Sloane, and told in two timelines: 'THEN', when she was a 14-year-old at boarding school in remote South Africa; and 'NOW', seventeen years later when Bethany is a successful author, married and living in London, mostly happy but hampered by her disability. All that changes for her when she receives an email from Stacey Preston, a 'friend' of hers from boarding school - her repressed childhood comes trickling back, and Bethany spirals into obsession, fear and turmoil... Previously, her biggest problem had been how to kill off the central protagonist of her long-running series because she's just sick of her! Now, her problems become, shall we say... more complex...
I sped through the beginning of this book, and was desperate to understand who Stacey was, why she was so significant to Bethany, why they had been out of contact for so long - lots of questions, and lots of room for wild guesses!
So, some of predictions were way off - which is fun! Others were right on the money - but isn't it always a bit disappointing when things are too predictable? The timelines end up merging, and Kurtagich's writing is suitably creepy; she has a great way of creating atmosphere!
That being said, I don't think the 'horror' aspect of this was actually necessary. If you'd taken out the 'imaginary creature' (that's from the blurb), I think this would have been a better story for me. It just wasn't needed - there was enough going on with the disturbingly obsessive and toxic relationships between the young characters. The horror aspects were a bit feeble and underdeveloped; it would have worked better for me to focus on the adolescent abuse (interpersonal and institutional!), and Bethany's interiority.
I think lots of people will love this, though, so don't just take it from me! I'd give this a 2.5 sadly, for the disappointment. It promised a lot, but didn't live up to its promises. For me. If it sounds like your jam, then please go for it!
Oh wow. This is the first book I have read by this author and it was quite a wild ride. This book ventures into the challenges of coming of age while also touching on trauma, mental illness, love, loss, obsession and heartache. I wasn't sure what to expect and when starting this book, I worried if it wasn't going to be what I was looking for. The beginning was somewhat slow and unassuming, but the authors prose and the characters dynamics had me wanting to figure out where the heck this plot was going. 100 pages in and things started to get more interesting, but I still had no clue where the plot was going. It wasn't until the last 70% that I found myself fumbling, gripping my kindle, biting my lip in intense anxiety and completely unable to take my eyes away from the pages. The imagery in this book was imaginavite, devastating, gorgeous and heart wrenching. The conclusion was not one I was anticipating. It slapped me in the face and whipped my head around 360! It jumped out of the insane depths of a twisty and creative mind. I did not see the ending and I love books and authors that can do that to me! I highly recommend this book if youre looking for a psychological thriller that will have you reeling and gasping!
I truly don’t think I’ve ever read a book like this. Oh my god. This story is going to haunt me for a long, long time.
This is a dark, sick and twisted fever dream of a book and I couldn’t look away. The twists and turns had my head spinning. At no point will you know where the story is going.
Loved it so much. Dying to go read Dawn Kurtagichs back list now while I wait for her brain to come up with some more horrifying stories for me to love.
Mini blurb: A disabled bestseller author reckons with her painful experiences as a thirteen y.o. in boarding school when her abusive friend from back then reenters her life, causing her to risk everything she's built.
***
Rated 3.5 really.
First off...DISCLAIMER: this title was up for grabs on NetGalley (in the Read Now section). Thanks to Thomas & Mercer for providing a temporary ecopy. This didn't influence my review in any way.
As usual with Kurtagich, it's a challenge to write a review - or even a simple blurb - without spoilers. One has to dance around the truth and to use words in a clever manner, which I hope is what I'm doing...
Told in a double-timeline narrative, The Thorns is a well-written, brutally honest, disturbing book. I'm glad I read it, and at the same time, it left a bad taste in my mouth. I thought I was in for a mostly contemporary story with a supernatural thread woven in, but Glass Man and the titular thorns mythology turned out to be inconsequential (this is not the spoiler you may think it is, and I feel like it's right to include it in order to prevent false expectations). On the other hand, the abuse, obsession and manipulation were very real. The author lists "bullying, sexual violence" (not of the graphic kind), "gaslighting, self-harm, chronic pain, minor alcohol and drug abuse, reference to animal harm, and mental health crises" as triggers, but even those fail to prepare the reader for the relationship between a 13 y.o. girl and a 28 y.o. man and the level of toxicity it entails - or for the equally toxic female friendship. The Thorns has a lot to say about a young girl's desperate need to belong, and how the world (sometimes even her peers, sometimes even other GIRLS for goodness' sake, but mostly older men) preys on it while casting HER in the role of the villain. This is praiseworthy, but not something that makes a book enjoyable in the strict sense of the word. I have to say the main twist didn't caught me by surprise, because early reviews had me on the lookout for one, but I only figured half of it (on the other hand, there's a scene that doesn't make sense, in retrospect, even taking delusions into account), and the ending left me speechless, though I feel like it sacrifices good mental rep for a last shock (then again, that can be said for premise of The Dead House as well, and I loved that one...).
Note: definitive review (I don't have enough to say to justify writing a full-length one later).
The Thorns by Dawn Kurtagich is a horror novel about a girl sent to a boarding school.
First, let me thank NetGalley, the publisher Harlequin Trade Publishing | Graydon House, and of course the author, for providing me with a copy of this book in exchange for an honest review. All opinions are my own.
Okay. I'm not sure how to proceed with this review. I think I hated it 50% of the time, but was just compelled to keep going. The writing is good, even when the topics were so dark.
It is told through Bethany's eyes, in the Then (school) and Now (a disabled author). This worked really well. I wish there had been something likeable about Stacey, or Bethany, or even Bernie. I liked Rowan and Gert, but other than that....where were the adults in this book?
The book looked at childhood friendship and naivety. But it also looked at dependency, bullying, and abusive, controlling relationships during childhood, as well as sexual abuse. Ultimately, it looked at mental illness.
Bottom line, this was an uncomfortable read. It is dark, disturbing, and somewhat depressing psychological horror. If you are looking for light-heartedness and a happy ending, look elsewhere. The book was really sad. It is hard to rate a book that didn't sit well with me. I love horror, but this was horrific. However, the suspense kept me turning those pages, waiting for Bethany to stand up for herself, waiting for her to let Stacey go. In the end, the book kept me interested, kept me there. Even though I couldn't really connect with the characters, I really wanted to know what finally happened to Bethany, but was afraid to ask. I still am.
For a more complete review of this book and others (including the reason I chose to read/review this book, my own synopsis of the book, and its author information), please visit my blog: http://katlovesbooksblog.wordpress.com/
This is a heavy, complex novel whose characters are teenage girls at boarding school, which deals with some very adult issues. Many readers will know Dawn Kurtagichfrom her previous novels (And the Trees Crept In, Teeth in the Mist, The Dead House, The Madness) which are primarily in the young adult category, so I expect many admirers of her writing will seek this book out but should be aware of the content. Kurtagich includes a detailed trigger warning at the start of the book, explaining she was inspired to write it from personal experience. In that context, this isn’t traditional horror compared to her prior novels; instead, it depicts personal horrors that I’m shocked she has been able to write about in a way that is with her usual literary eloquence. I applaud her ability to do so.
Some readers will find the novel very triggering; it includes themes of emotional and physical abuse, self-harm, mental illness, molestation, and underage sex.
The Thorns is the harrowing story of Bethany, who once attended boarding school in remote, desert South Africa, but begins in present-day London with an email from her long-lost school friend Stacey. Friendship is a confusing word in The Thorns, especially for thirteen-year-old Bethany, who is elated when Stacey first says she's her best friend, and hears "aren't you two the pair of twins?" But dominant, fearless Stacey dictates everything about their relationship, and Bethany constantly seeks her approval, forcing herself to be braver, bolder, talking her into doing things--playing Stacey's dangerous physical and psychological games--that she wouldn't otherwise, sometimes to the point of physical torture and degradation. The email from Stacey jumpstarts a reckoning for thirty-two-year-old Bethany--now disabled but married with a successful career as an author--with her traumatic and abusive past. It's clear that Stacey stirs up old emotions and memories, and she reverts to feeling like a child, which causes her to stop writing, feel differently about her husband, and evaluate her entire life.
Bethany's childlike desire for attention and love, spurred on by feelings of abandonment (from being left at boarding school at an early age), leads her to seek out negative connections, and she has a constant need for approval. Her lack of self-esteem allows Stacey to take advantage of her, and her naivety and innocence lead her into some of the more alarming situations in the novel. Bethany has no understanding of how morally wrong and abusive the behavior that is being committed upon her, due to her confused feelings and immaturity (and it's unclear whether Stacey does or if she is mentally unstable). Bethany's need to connect with her closest friend is pathological; she constantly wrestles with the obsessive nature of her friendship, and her story reflects how this adolescent desire to fit in can have such terrifying consequences.
In The Thorns there is little recognition from authority or parental figures of the harm done (barely any acknowledgement of what’s happening at all), so this adds to the feelings of uneasiness and discomfort, certainly frustration. Although the two timelines are intertwined, the chapters set at the boarding school need so much psychological energy and attention that they are the overwhelming focus of the book. There's no break from the heaviness and darkness of the material, despite the sun-drenched desert setting.
This is an emotional read about a toxic friendship enveloped in indescribable trauma in a unique setting. I think it will be hard for any reader to come away from such an intense story without some visceral reaction.
Thank you to Thomas & Mercer for my digital review copy.
I got this as a free Amazon First Reads book, and... I did not like it. The book tells a story between past and present tense, but feels muddled and disjointed. The bulk of the story takes place in the past, and unfortunately the main character is extremely unlikeable and frustrating to follow. The major twist brought in near the end of the book seems easy to see coming and yet still feels confusing to understand prior to the point the twist reveals. The book also includes and drags out an extremely abusive sexual relationship between a literal child and a grown man - and then after all is said and done - the characters make excuses for the grown man and nothing else happens. I went into this expecting a horror story as it was advertised to me, and instead I got a weird, pervy mess full of varying degrees of abuse and a pedophile character who experiences zero consequences. The only positive thing I can say is that the author's writing is very easy to read and at least the plot was fast-paced. Otherwise, feel free to pass on this one!
3.5 stars. I was impressed with The Thorns, even if I found the execution a bit messy and predictable.
Using a dual timeline structure, Dawn Kurtagich introduces readers to Bethany Sloan. In the “now” chapters, Bethany is a successful writer living with her loving husband Bruce in London. She’s struggling with writer’s block, agonizing over how to finish her award-winning series of novels, when her school friend Stacey re-enters her life. As teenagers, Stacey and Bethany met at a remote boarding school in South Africa, and in the “then” chapters it swiftly becomes clear that their friendship was far from healthy. In fact, it was toxic: marked by obsession, bullying, and abuse. With Stacey back in her life, Bethany is forced to confront the trauma of her adolescence once and for all.
The Thorns is an incredibly dark book, dealing overtly with themes like abuse of all kinds (physical, sexual, emotional, substance), self-harm, and mental health crises. Through the characters of Bethany and Stacey, Kurtagich reveals the dark heart of girlhood, in all its cruelty and vulnerability. The narrative, inspired by Kurtagich’s own experiences at boarding school, feels intensely personal. She completely captures the mindset of a teenage girl struggling with self-worth and how to relate to an expanding world of increasingly adult experiences. Bethany is one of those characters who you want to both hug and lecture about making better choices, but she is sympathetic all the way through. And The Thorns is an incredibly atmospheric book, with an arid, desolate setting that perfectly complements the book’s overarching themes.
I was intrigued by the “urban legend” feel of the description – the frightening “Glass Man” and his cruel games – but sadly, he barely makes an appearance in the book. In fact, the Glass Man references have no bearing on the plot at all, and I’m not sure why they were even included…maybe to add a horror element? But this isn’t a scary book, and while it’s deeply psychological and incredibly dark, it doesn’t really read like a thriller. It’s a coming-of-age novel more than anything else, about how every emotion is experienced in the extreme, how everything feels simultaneously confusing and upsetting and glorious, and how the mind copes and seeks to protect itself when dealing with trauma at such a pivotal point in a young woman’s development. The book feels a bit crowded with all of this going on, somewhat hectic and overwrought. I predicted the final twist very early on, and I think many readers will.
This won’t be a book for every reader, but if you are willing to travel with the author into some incredibly dark corners of the human psyche, it’s a worthwhile, meaningful read in the end, despite a few hiccups. Thank you to Thomas & Mercer for the early reading opportunity.
i have so many thoughts and reactions. part thriller that i couldn’t put down. part disgusting preyed upon people. part twisted psychopathic people. part redemption through therapy and healing. but how does anyone recover from it all.
side note. my cousin did the cover!! it’s so cool!!
This was an unsettling fast paced story! I really liked the writing style and the ending was good. I would highly recommend this! Special Thank You to Dawn Kurtagich, Thomas & Mercer and NetGalley for allowing me to read a complimentary copy in exchange for an honest review.
And for the 60 or 70 pages that I read, I still have no F***ing idea what the rules are or what this is supposed to be about. I think I gave it enough time to at least vaguely introduce me to what the heck is going on.
I’m going to be completely honest up front. I genuinely hated this book. It put me in an extremely poor mood for literally hours. It almost made me take a break from reading. I think my reasons for absolutely despising The Thorns are both fair and unfair, so please take my review with a grain of salt. I’m not the objective arbiter of what is good and what is bad. I can only tell you how this book made me feel, and it made me feel terrible. This review is also going to contain spoilers, but I genuinely think they’re necessary to explain this novel.
The Thorns starts out with Bethany Sloane, a successful disabled author with a husband who loves and cares for her and a dark, mysterious past. Her quiet life of writing is upended when a friend from her childhood at a remote South African boarding school shows up on her doorstep. Stacey was the uncontested leader of “The Thorns,” their friend group growing up. She had rules that Bethany attempted her best to follow and anticipate, and punishments for when those rules were broken. But when Bethany starts making choices that Stacey doesn’t approve of, she begins walking down a dark path that she might never recover from.
I’m going to say right off the bat that this book is about rape and sexual assault of a child. The author does mention this in a trigger warning section before the story begins, but states that the rape isn’t graphic and is necessary to the plot. I would heavily disagree with this. The rape is graphic, and just because the author doesn’t use words like “cock” doesn’t mean it’s not. Just because it’s dressed up in metaphorical language doesn’t mean that it isn’t graphic, in my opinion. For example, the first time that Bethany is raped, her mind flashed back to when Stacey was pounding a rock into the earth repeatedly until red flowed from the open gash. This is extremely obviously an allusion to the man raping her and tearing her hymen. I, personally, would consider that quite graphic, and I think saying that it isn’t is being purposefully obtuse.
Bethany is raped repeatedly. A lot. She gets into a sexual relationship with a twenty-eight year old man when she is thirteen. The first time is “consensual,” obviously a thirteen year old can’t consent to sex but she is interested and participating, though she doesn’t know what sex is and is crying. She has conflicting emotions about the whole encounter, but she believes she loves this man. The sex then goes from “consensual” to coercive to fully violent rape with her repeatedly telling this man no and him leaving her covered with bruises, blood, and bite marks. It’s really horrible, and I am genuinely starting to feel upset again writing about it. She is still thirteen years old for the majority of this relationship.
The other sexual encounters in this novel are also non-consensual. Stacey and Bethany occasionally sneak over to the boy’s side of their boarding school, and there they meet a couple of sixteen year olds who they start dating. Jared is Bethany’s sort of boyfriend and Rowen is Stacey’s. Jared sexually assaults Bethany by kissing her, groping her breasts, and penetrating her digitally. This is dubiously consented to with a game of truth or dare, though the digital penetration was not previously consented to. Jared also later attempts to rape Bethany while he’s drunk. Rowan and Bethany end up developing a sweeter, more loving secret relationship. Bethany is technically “more experienced” than Rowan due to her previous sexual relationship with the previously mentioned grown man, and she drives forward her sexual relationship with Rowan. However, this is STILL rape! Bethany is fourteen at this point, and Rowan is sixteen. He is at the age of consent, and she is still below it making all of their sexual encounters statutory rape. It doesn’t matter that he’s sweet and gentle, and it doesn’t matter that Bethany is enjoying herself. This is still rape. This is going to be a pretty “big” spoiler, so beware, but Rowan actually ends up being her husband, meaning that she ended up married to the “least bad” of her childhood rapists. I’m genuinely stunned.
I would be less mad if the story showed more about how the sexual assaults changed Bethany in the present day. She has trauma about seeing herself in the mirror and being in large groups, but she is able to deal with these traumas with little to no effect on her life. She has a panic attack once at a bar, and I think she might’ve slapped herself in the face once upon seeing her reflection. That section was honestly so confusingly written that I genuinely don’t know what happened. Bethany did eventually have to go to therapy when she was a teenager, but she never mentions the assaults to her doctor, and therefore never processes those feelings in a professional setting. I think that this book could’ve been the EXACT same without all the sexual assault, and it could’ve leaned more into the trauma that her messed up relationship with Stacey could’ve caused her.
The summary of this book also implies that there is going to be some level of supernatural horror in this story with the Glass Man. This is not true. The Glass Man isn’t a thing in this book beyond the metaphorical idea of Bethany’s suicidal ideation. The idea is that if you say “Glassy, glassy, cut my arsey,” which isn’t intimidating and doesn’t even rhyme, then the Glass Man will come to kill you. It’s very much a “Bloody Mary” type ritual. Bethany, after she’s experienced a ton of trauma, decides she doesn’t care if the Glass Man comes to get her, and she says the rhyme. She spends the rest of the story waiting for the Glass Man to come and get her, though there’s never any indication of a supernatural entity.
I did like the relationship between Stacey, Bethany, and Bernie, the three girls that make up The Thorns. Bethany and Bernie are always in competition of Stacey’s affections, and it makes them willing to do anything to please her. Stacey is described as a force of nature, something you can’t deny or it’ll destroy you, but I would’ve liked to have seen some more “creative” punishments for breaking the rules. I don’t necessarily believe that the “rules” needed to be more defined because it’s partially the point that the rules are very fluid. It’s a classic narcissist tactic to make up rules to punish for their own satisfaction, and I think Stacey would’ve been a better character if the author leaned into those narcissistic traits. The only things Stacey really does are slap Bethany a couple times and ice her out once or twice. I remember being thirteen, and that just sounds like standard teenage girl stuff.
The final twist of this book is genuinely just horrendous. I’m going to spoil it, you’ve been warned. Bethany, in the modern day, has been influenced by the reappearance of Stacey to stop taking her medications and travel back to the boarding school in South Africa from her home in London. When they arrive Stacey begins acting strange, hiding Bethany’s wheelchair, stealing her phone, and baiting Bethany into playing some of their childhood games. Eventually, sitting in the Tractor Tire from their childhood, Stacey pulls out a weapon and cuts Bethany a few times, enraged that Bethany “left Stacey behind.” Bernie also shows up, ready to help kill Bethany, but Stacey kills her by slitting her throat. Bethany also grabs a weapon, and Stacey splits into two people, Stacey and Beth. It turns out that this whole time, Stacey has been dead. She died when Bethany was a child and the trauma caused Bethany to develop Dissociative Identity Disorder, though the book doesn’t call it that. Beth is Bethany’s hyper-sexual alter that developed from all the sexual assault trauma, and Stacey was the alter she developed to deal with the fire trauma. The medication she’s been one was to somehow suppress these alters, and also make her forget that they ever existed? Maybe? The three alters fight, and the story ends with Bethany’s husband finding her, but he doesn’t leave with the “Bethany” personality, he leaves with the “Stacey” personality because the Bethany personality has been sliced to pieces and left in the dirt.
Firstly, I absolutely hate a “the woman was crazy all along” twist in a thriller. I think it’s the biggest cop out ever and it gives authors no incentive to make anything make sense. Secondly, specifically using a disorder like DID, or multiple personality disorder or whatever, is already an offensive horror trope that I thought we were leaving in the past. It doesn’t matter that you don’t “call it that” it’s still an offensive caricature. I also just don’t think this twist makes any sense. Stacey comes back into Bethany’s life via an email, and while Bethany could’ve hallucinated the email, at this point she was taking her medication religiously. I suppose her disorder could’ve been triggered by stress, but we don’t know that. As far as the reader is aware, one day the medication that’s worked for over fifteen years just stopped working. Bethany wasn’t drinking, she wasn’t forgetting her pills, she hadn’t changed medications, she wasn’t in a new environment. Just one day, despite everything being exactly the same as it always was, she just went craaaazy. Stacey, when she and Bethany meet up, also knows things that Bethany doesn’t know and talks to people that Bethany doesn’t talk to. For example, Bethany doesn’t drink due to the medication, but Stacey convinces her to go to a bar. She convinces a man to order them drinks called Ice Pops, a drink Bethany has never heard of. Bethany is also having a panic attack in their booth while Stacey is talking to this man. So either, Bethany as Stacey was talking to this man and the panic attack in the booth was just herself in the back of her mind panicking while talking to a man, OR that man’s didn’t actually buy them drinks? Or he did, but it’s while Bethany was having a panic attack? I don’t know. None of it makes any sense. It’s a bad twist.
I’m done ranting. This book is bad. I would say a good 60% of it is about rape and sexual assault, and I am so tired of it. Rape is such a common trope in horror and I’m becoming less and less tolerant of it, and this was super egregious. If this much of your book is going to be about rape, you need to mention it in the summary because I’m sure so many people picked up this book expecting a “toxic friendship/folk horror” story and instead they had to read about a girl getting raped over and over and over again. I wasn’t scared, I was just sad and disgusted. It was also just incredibly boring. It feels weird to describe it like that, but there’s not other word. There’s no tension, there’s no mystery. There’s nothing.
I cannot recommend that you DO NOT READ THIS BOOK enough. It is not worth it. Please, read anything else.
When Bethany’s mom is essentially abandons her at a South African boarding school, she feels lonely and unwanted. But she finds solace in her friendship with Stacey, someone she develops and almost codependent relationship with. At some point, Bethany returns to her native England, and 20 years later is a successful writer. But the past doesn’t stay in the past, when Stacey returns into her life for the first time in years. Suddenly, Bethany’s questioning her life choices. But is it a good thing?
TW: sexual assault (it’s not necessarily graphic, but very physiologically twisted, which makes it very difficult to read, especially so if it’s something you have been through, I imagine.)
This book is told along two timelines: the past, when Stacey and Bethany are in boarding school, and in the present day.
Ok, onto the book itself: This book was a creepy, suspenseful, wild ride through both the past and the present as we, the readers, watch two friends fall apart through a toxic mixture of obsession and control. It’s both hard to stomach and fascinating. I had to really had to hold myself back from skipping ahead to see how everything ended. But I (just barely) held out. And man, it was worth it.
The twists and turns were amazing in this one. I think my jaw dropped like three times during the final chapters. I was so fascinated and taken by surprise. Trust me, Dawn Kurtagich knows how to craft a great story.
It’s best to go in completely blind, so I won’t say more, other than, you will get frustrated with the characters, but remember that they’re teen girls, so they make stupid decisions, like doing dangerous things to impress their friends. But in this book, everything is done for a reason. Ugh, it’s perfectly set up.
Bethany is all grown up- an author who is married and currently struggling to finish a book series that has reached critical acclaim status many times over. As she falters between losing her creativity and vision of ending her book series, she finds herself reconnecting with Stacy. I can't even go into explaining Bethany and Stacy's friendship- it's genuinely so nuanced and double stacked that you'd just have to read this in its entirety to understand. Stacy attends an African boarding school with Bethany, and after being forced by her mom to attend a place she really didn't want to, the latter finds herself latching on to Stacy in the way all lonely fourteen year olds probably would. It's not very healthy nor are the girls old enough to understand the true duplicity that can come from such a relationship- but the games they play are just for the two of them. From the description alone, I'll fully admit I misidentified the role Glass Man and the thorns would play in this story- if you go into this one expecting a visual and visceral explanation of a fun childhood urban legend, you're apt to be quite disappointed. Dawn writes so beautifully in this one, and I loved everything that wasn't said as much as I did the things that were. I think it'll be fun to see everyone's interpretation of the grief, abuse, and malice intention in The Thorns- but unfortunately, I don't think everyone will understand the plot and what it took to reach such a conclusion. Bethany and Stacey shared beautiful moments within that end up so horribly ugly that I'll be hard pressed to forget such a thing anytime soon. Thank you so much to the publisher for approving me for the eArc, and even bigger thanks to the author herself for sending me a physical copy once the former fell through! All opinions are my own.
Probably my most disappointing read so far this month. Everybting about the premise was calling my name, especially when I found out this book was categorized as horror. I love obsessive friendships, and mixing it with the legend of the glass man seemed super interesting.
Unfortunately, the book isn’t about that. Obsessive friendship? Yes. But this book is entirely about Bethany and her attempts to cope with her abusive friendship with Stacey, and the sexual abuse from an older teacher, which warps her view of her own sexuality. The Glass Man does come up as a legend Stacey tells, but isn’t a real part of the plot and has no basis on the story. This book is not horror, and the blurb seems to have been written before this manuscript was completed. Bethany stating “the glass man has returned” in relation to her other personalities, it was so unearned, because this figure has barely existed on the page.
Next, the ending. Good lord. I predicted this ending about 50 or so pages in when they were only given one cup of coffee at the diner. Then I started keeping track of who spoke to Stacey in present day. Eventually the “hints” gre so obvious it was making me roll my eyes. Newsflash. Having every side character call after your mc and get their sentence cut off isn’t an interesting way to convey information. While I didn’t predict the Rowan reveal, I was uninterested.
Lastly re: the trigger warnings. They’re too vague and a bigger emphasis needs to be placed on the drawn out descriptions of csa in this book. While I was impressed with how visceral they were, the trigger warning of sexual violence doesn’t cover what’s actually going on.
I will say I enjoyed the voice of the author and her use of language. I enjoyed so many of the internal monologues of teen Bethany, and really felt invested in the degradation of her self perception. I think this book really could’ve been great with some rewrites. Overall entertaining, but nothing I’d recommend
This entire review has been hidden because of spoilers.
I picked up this novel because the synopsis sounded interesting. It suggested a toxic friendship, a creature or entity called the 'Glass Man' and a game. While we did get toxic friendship (very much so), there wasn't really a game aspect. Also, the Glass Man was mentioned, but didn't play any part in the story. Those were pretty much the main aspects that made me excited about this book, so colour me disappointed.
I didn't mind the twist at the end, but it wasn't nearly good enough to make the rest of this book worthwhile. The characters weren't fleshed out enough for me to care and the POVs read kind of the same. You'd expect to see some type of difference between 13-year old Bethany and grown up Bethany. Looking back, I don't quite understand why the POV of adult Bethany was there in the first place.
While content warnings were included at the beginning of this ARC, I was caught a little by surprise. The author mentions sexual violence and abuse, but what she fails to mention is that this all happens when the MC is 13 years old, making it CSA. Despite the author mentioning it wasn't graphic and it's necessary to the story, I fail to agree on that first point. While it's not as graphic as it could be, it packs a punch. Especially because it's written in first person. So, definitely be aware before diving into this book.
TW: child sexual assault/pedophelia, sexual assault/rape, bullying, mental illness, self harm, toxic friendship
Thanks to NetGalley and the publisher for the opportunity to read the eARC in exchange for an honest review.