Now, it's not really a secret that I love a police based thriller, or that I have a bit of a soft spot for Scottish crime fiction. To find a new series that combines both of those things is a bit of a bonus, and that is exactly what I have in To Pay The Ferryman, the first in a brand new series featuring Detective Inspector Lomond and his team. And I have to admit that, after spending time with them all in this most intriguing and topical of investigations, I am definitely looking forward to seeing how this series develops.
The case that Lomond, his partner, DS Slater, and the wider team including Detectives Smythe and Tait, are faced with, is the brutal murder of a young woman, Aylie. The murder is objectionable enough, but the scene seems almost perfectly staged, and the killer has left the police with no trace evidence at all. It seems to be almost the perfect murder, but something in the way in which Aylis has been left reminds Lomond of a case that he was a part of way back when he was in uniform. Digging into that cold case alongside this latest murder leads the team into a world of old money, new politics and art, and a shared secrecy and air of cover up that triggers Lomond's coppers instincts. But the killer has other victims in mind and the escalation, along with pressure from the public to stop the murders, adds a layer of tension and urgency to an already fraught case.
I really like how Pat Black has set out this story, drawing on a theme that is sadly all too universal and believable - violence against women and the protest movements which have sprung up over the years to demand action to counter it. He has built this into a police investigation that oozes with authenticity, the frustration of having no clear evidence to lead them towards a clear suspect, and all too many characters, or suspects, all of whom seem to have a near perfect alibi. There is that real feeling of having to wait for the killer to make a mistake in order to catch them, adding frustration and tension to the case, knowing that sooner or later, another victim is likely to appear. As you might expect in a world of CCTV and a vast digital footprint, the information is all out there, but it takes time to piece together, the author throwing in the occasional obstacle to inhibit the progress, but still propelling the story onwards. Each new clue is carefully fed into the narrative, keeping the killer well hidden until the perfect moment, and escalating the pace and the impact of the closing scenes as we as readers are all too clear on what is about to happen.
I liked Lomond as a character. He is pretty controlled, in control of his emotions, but completely determined to see justice done. We get glimpses into his family life, meeting his wife and daughter, and under all of the seriousness you can tell there is a fair sense of humour. Just as well given one of the earlier, quite memorable, meetings with a key suspect in the case. His main partner in the team, DS Slater, is perhaps a touch more impulsive or reactive, but they really work well together and there is a clear kind of camaraderie in this partnership that makes them a compelling pair to read about. There are certain hints dropped about parts of Lomond's past, in particular about Mr Flick, Lomond's personal 'one that got away', that make me very curious about how the author will explore this in future books, certainly given some of the scenes that unfold in this book.
This isn't a fast paced story as such, although there are moments of real jeopardy that do see the story pick up to a bit of a gallop, but as we are focused more on the investigation, seeing the murders after the fact rather than in the act itself, it is more contemplative than intense in terms of structure. We are drawn into the investigation, in the challenge for Lomond and the team to break the alibis of the suspects, or to get behind the carefully woven lies and half truths that have protected a number of them for years. I did feel the pressure bearing down on the team, largely driven by the protests that feed throughout the investigation, and the almost certain knowledge that there would soon be another victim, but it felt more realistic in delivery in that the progress was slower, more deliberate. The way in which the author slowly reveals the lives of the young victims means that the focus remains on them just as much as the killer - just how it should be.
The ending was packed with urgency and threat, and ultimately satisfying. The final pages ... well they just made me want to read more. Definitely recommended for fans of police based crime fiction.