A retired captain. An experimental starship. A war like no other.
When the research starship Galileo vanishes without a trace, the powers-that-be are quick to bury the incident, eager to prevent escalating tensions that could lead to war. As a former POW, Soren refuses to give the ship up for lost.
His daughter is one of the missing.
Taking matters into his own hands, Soren starts pulling strings and calling in favors, determined to launch a clandestine mission to bring Galileo home. When an old friend offers him a ship for the operation, he expects a rusty relic headed for the scrapyard.
Instead, he's given the Wraith—an unfinished, experimental starship with plenty of potential and just as many problems. A marvel of engineering…if his crew can keep her running.
They’d better.
Because Galileo’s disappearance is just the beginning. War is coming to the Federation from the most unlikely of places.
M.R. Forbes is the author of a growing number of science-fiction series including Rebellion, War Eternal, Chaos of the Covenant, Stars End, and the Forgotten novels. Having spent his childhood trying to read every sci-fi novel he could find (and write his own too), play every sci-fi video game he could get his hands on, and see every sci-fi movie that made it into the theater, he has a true love of the genre across every medium. He works hard to bring that same energy to his own stories, with a continuing goal to entertain, delight, fascinate, and surprise.
He maintains a true appreciation for his readers and is always happy to hear from them.
To learn more about M.R. Forbes or just say hello:
2/3 of the way into the story, I thought it might be a decent read. Then, the author sends a rescue team in spacesuits to a nearly destroyed ship in order to rescue spacers trapped in the only compartment with atmosphere. The rescuers go about the rescue by cutting a hole in the compartment's hatch (while in hard vacuum on the rescuers' side) to pass spacesuits into the (pressurized) compartment. No kind of portable docking chamber or anything - they just cut a hole in the door of the pressurized compartment while in hard vacuum on their side. He even has them using a magnetized handle to pull out the cutout section of hatch (as if it wouldn't be explosively blown out as soonas it was cut) and pass the spacesuits through the hole one at a time (replacing the cutout plug after each spacesuit is passed through the hole so all the air doesn't leak out, as if the compartment wouldn't have explosively decompressed as soon as the hole was cut). That just ruined the book for me, and I couldn't finish. I mean, what IS that?! That doesn't work in ANY universe. I can suspend disbelief as well as the next guy, but that's just way too stupid to get past. Sorry, the author is clearly very talented, writes well, and has compelling characters (if a little syrupy) and a good story to tell. But that nonsense ruined it for me.
“Wraith” authored by M.R. Forbes is a decidedly poorly written ‘ripoff’ of the original television (TV) series “Star Trek’s” “Mirror, Mirror” Season 2 episode.
The former is evidenced by several Proofreading Fails (PRF) and a couple of Losses of Continuity (LOC), along with flaccid dialogue, gimmicky plot devices, and a formulaic storyline. The latter is evidenced by the parallel universe/space-time distortion that was central to the “Star Trek” TV episode (#2) “Mirror, Mirror,” and subsequent TV episodes of the original series, spinoffs and the film franchises dealing with the same. The early ‘tell’ of the ‘ripoff’ is the author’s usage of “Federation of United Planets (FUP),” a threadbare subterfuge to the ‘hide’ purloining of “Star Trek’s” “United Federation of Planets.”
A terrible ending to a fun intial read when Wilf takes control of the ship...well that is one of the dumbest, most unlikely plot twists I have ever read. Then doppelgangers?? That all immediately get killed off? So out of left field that it almost makes the Wilf plot line seem possible. Too bad
Ouch, what a painful read. The story cracks on at a reasonable pace although as the book progresses it becomes more and more clear how poor the plot is. When the 'big twist' was revealed it induced a mix of anger and disappointment in me, it's that lazy and stupid. But the biggest problem is the writing style. It's ugly and it's cliched. Everything must be qualified in some way. Women are 'full-figured', 'beautiful', dark-haired, or 'shaven bald' (it's always something physical). He also doesn't shy away from stereotypes - Lieutenant Commander Singh could just shake his head, but no, he has to shake his 'turbaned head'. Eyes are never just eyes, they're 'dark brown', 'somber', 'narrowed', 'wide', 'hard', 'panicked', 'hazel', 'violet', 'blue', 'sharp', they might have 'adoration' or 'a flicker of hope', or even 'dread' in them. And this is just a sampling from the first 10 chapters of 46! It's exhausting. And don't think it's just eyes - it's absolutely EVERYTHING! M.R.Forbes clearly feels that there's no need for subtext when you can just pile on more (and more) text. I hated this book so much that Iactually began to wonder if the problem was me, and not the book. However, just the first few pages of Hannah Kaner's Godkiller made it very clear that no, the problem was very definitely the book.
The timeline is sensible, the characters are its strength, action is non-stop, and the storyline builds and is consistent throughout. All individuals are realistic, and they sometimes have a sense of humor. The ships and the technology are as we expect with certain extrapolations as is customary. This first book makes for a good read until the last page, and the 2nd book will soon be available! Enjoy!
Without knowing for sure this sounds like a very new writer still finding his stride. Very immature dialogue To be honest I skipped much of it just to get to the end
Soren gets a experimental space craft thats only half functional and instead of getting the systems working and understanding the systems with a completely new crew he flys to a possible war zone!!
Story was sad, predictable, and attempt to take a Vietnam war story SciFy.
The narrative was melancholic, predictable, and an attempt to blend a Vietnam war story with science fiction elements.
The ending introduced a well-worn science fiction theme of multiple dimensions, seemingly to set up the reader for a series of potentially subpar books.
A fraction of the book focused on the space flight aspect hinted at by the cover, which was somewhat engaging. The bulk of the work, however, was a mediocre portrayal of a military, guerrilla action story that fell short.
Readers may want to approach this book with caution, as it risks being a disappointing use of one's time and resources.
In common with a growing number of SF books, it's written by an American for an American audience. All written to support a belief that America will save the world with the use of heroes and the unlimited extreme violence that is at the heart of all the books. Peppered from beginning to end with constant reassurances to a 21st century audience that is struggling with its own fear, that their contemporary life is so good and real that even millions of years in the future and billions of miles from " home" society still remembers how good your life was.
Different concept on a tried and tested scenario. Bad guys want to take over the region of space the goods occupy Nothing new there and nothing truly new about where the bad guys come from. What is different is who they are and therein lies the surprise The targets chosen seem random, but give it some thought and it's easy enough to work out why they are Clever, well conceived and full of action. Looking forward to the next
Bailing after one chapter as I know the writing style will annoy me. Too hyperbolic, too many adjectives, far too breathless. Also quite sub-Star Trek.
Could also do with a good proofread. Within the space of a few paragraphs, an ensign refers to the ship's leader as Commander and then Captain. Poor continuity.
"Wraith" by M.R. Forbes dives into the expansive universe of space opera, blending military science fiction with elements of mystery and adventure. The story revolves around Soren, a retired captain with a storied past, who is drawn back into action when the research starship Galileo, on which his daughter serves, vanishes mysteriously. This disappearance prompts Soren to embark on a clandestine mission to retrieve the ship, leveraging an experimental starship named the Wraith, which is as innovative as it is problematic. The setting spans across a vast Federation, with intricate world-building that includes both familiar and alien landscapes, detailed space battles, and the political undercurrents of interstellar tension.
Characters:
Soren is depicted as a complex character, haunted by his past as a POW yet driven by a strong moral compass and love for his family. His crew, assembled for the mission, includes diverse individuals each with their backstory, providing depth to the narrative through their interactions and development. Quotes such as:
Quote 1: "His daughter is one of the missing. Taking matters into his own hands, Soren starts pulling strings and calling in favors," highlight Soren's personal stakes in the mission.
Quote 2: "Instead, he's given the Wraith—an unfinished, experimental starship with plenty of potential and just as many problems," captures the essence of the ship's dual nature, symbolizing both opportunity and challenge.
Quote 3: "War is coming to the Federation from the most unlikely of places," sets up the larger conflict brewing in the background, suggesting the scale and stakes of the narrative.
Writing Style:
M.R. Forbes delivers a narrative that's fast-paced and engaging, with a knack for maintaining tension while weaving in technical details about space travel and combat. His writing style is accessible yet detailed enough to satisfy hardcore sci-fi fans. However, there are mentions of a slight rush towards the end, which might leave some readers wanting more closure or depth in the resolution of certain plot threads.
Themes:
The book explores themes of duty, redemption, and the ethical complexities of warfare in space. The narrative delves into the personal cost of war, the lengths one goes to protect family, and the unintended consequences of technological advancement.
Conclusion:
"Wraith" stands out as an entertaining entry in the space opera genre, offering a mix of action, character-driven drama, and innovative technology within its universe. While it excels in creating an immersive world and compelling characters, the pacing towards the climax could benefit from a more gradual build-up. Forbes has crafted a story that not only entertains but also leaves room for exploration in subsequent novels, making it a promising start to a new series.
Rating Breakdown:
Story: 4/5 - A gripping plot with a few pacing issues at the end. Characters: 4/5 - Well-developed, with depth and relatable motivations. Setting: 4/5 - Richly developed universe, though some might find the political backdrop slightly under-explained. Action/Adventure: 5/5 - Excellent, with thrilling space battles and covert operations. Writing Style: 4/5 - Engaging and descriptive, though the ending feels somewhat rushed. Overall Enjoyment: 4/5 - A highly enjoyable read that sets up for more adventures, with minor flaws in narrative closure.
Overall, "Wraith" is recommended for fans of space opera and those who enjoy a blend of military sci-fi with personal stories of heroism and sacrifice.
Normally I'm a huge fan of the author, but this time I was pretty meh about the book. It starts off with an interesting premise, but quickly turns into a lot of "character looks for A and finds it right away". A retired Captain needs a ship and finds the newest experimental ship possible right away. He finds the perfect crew, one of whom has a debilitating drug addiction that goes away almost instantly, and is off with no problems. The mystery of who the enemy is was really cool until it's revealed. The secondary plot with the Marines was really good too. Jungle/guerilla warfare against an overwhelming force. Again there were some plot points that were neatly handed to them. I'm pretty done with the whole multiverse idea. It's been pretty played out over the last few years. Hopefully the author is able to do it better than certain multibillion dollar entertainment companies
This book was painful to read. The plot has so much potential. But it's written for a Middle School English Class. The writing is technically correct, but totally lifeless. The characters exist, but lack depth or development. The plot doesn't involve magic, but it might as well. Need to get down a level? Lucky me, there just happens to be a ladder. Need to break an AI encrypted data box? Lucky me, my motorcycle mechanic was creative and thought outside the box on this one. Hey! It worked. We broke the encryption. Need to take out the enemy? Two marines can jimmy FOUR THOUSAND rocket launchers from civilian supplies in under two days. Wow! Who needs a fairy-god-mother when you're having this much luck?
Would I like to know how this creative plot continues to unfold. You bet. This has potential. Will I read book two? Um, I don't think so. One semester of Middle School English Class was enough for me.
Edit: I just started another series by Forbes, and while the plot is light and fluffy, the characters DO RECEIVE proper character development. The reader can connect to them and care what happens. I don't know what happened in this series. Missed the mark.
This wasnt great, I know its a popcorn book but still I require some common sense a little in my reading. There are too many happy coincidences to make the story happen, things that rely on the enemies to be morons or just basic inaccuracies when it comes to space combat.
What really did it for me what the "marines uh rah" crap that was interspersed throughout - I get it, the author is American (and probably ex-military, I didnt look) but come on, there is a wider world than the US and it just creates eye-roll moments.
I dont think I'll pick up anything else by the author, a shame really.
A great story. When Soren's daughters ship disappears he pulls strings and calls in favours to get out into space to search. Given an unfinished experimental warship and a mixed bag of a crew he stumbles on a shocking reality that will threaten the universe. This is a brilliant story with wonderful strong characters and vivid gritty dramatic action especially in the jungle sequences. I will definitely be read more in the series As I must know what happens next. Narration is excellent really adding to the story.
So near yet so far,not my usual genre but it come up & had generally great reviews. Reminds me pretty much of Duncan Hamilton’s Privateer series,very similar set up. Generally well written but sometimes difficulties are a bit too simply overcome. But the twist,that I won’t give away,is the most nonsensical story arc that I’ve ever read! It is seriously a wtf moment & “ruined” what was a decent story. I now need to decide if I will continue the series.
I know that all science fiction requires a person to suspend some level of disbelief, but in order to get through this I had to suspend ALL of my disbelief. The plot is comically ridiculous even looking past that this book has really been written hundreds of time. Heroic captain leading a diverse crew aboard a singular vessel that will save the universe, except here the captain is near god-like eliciting rapture from the crew just by hearing its name. His character is literally behind belief and righteous to a level that that's just so hard to belief.
Too much killing and destruction, too much collateral damage and little of it moving the narrative forward. I understand war is hell, but I don’t seek to read stories with these types of battle scenes. I did not expect this level of slaughter, killing and mayhem from the description or first half of the book. At 95% I was pushed out by the seemingly endless slaughter for no defined reason.
The timeline is sensible, the characters are its strength, action is non-stop, and the storyline builds and is consistent throughout. All individuals are realistic, and they sometimes have a sense of humor. The ships and the technology are as we expect with certain extrapolations as is customary. This first book makes for a good read until the last page, and the 2nd book will soon be available! Enjoy!
It became clear about half way through the book what the plot twist was likely to be. It became clear a short while later that a sequel would be needed to finish the tale. I've read far worse books in the genre but I couldn't bring myself to enjoy it enough to give more than an average score. For a little bit of escapism, it's reasonable enough of you like the space battle scenario, but I don't expect too many to fall in love with it.
I picked this up late one night while trying to sleep. It sounded light enough that it would put me to sleep. While hardly clever or groundbreaking, it was enough fun to catch my attention. I burned through it in a couple days. However now I have no desire to read the remaining four books, since they all sound like more of the same. So in summary 2.00 AM not bad, by the light of day a bit shit.
This is a collection of every known bad cliché and trope from pulp fiction, SF and military fiction thrown into a blender and turned into soup.
I can't even describe how terrible the writing is, how utterly clichéd, predictable and unbelievable the characters, plot twists and developments are.
Anyway, you like paper-thin characters, personal motives, vengeange, predictable conspiracies, Star-Trek level plots and WWII propaganda-movie/or NCIS level righteousness and heroism, then I guess this is for you.
For me, this just didn't work on any imaginable level.
Credible World building. Interesting, fast moving plot. Quality story telling.
It has only one systematic fault. It's too wordy. Significant copy editing would take this into the top of its class. The increased conciseness will speed up an already fast paced story.
This story is out of the normal type. More interesting having clones duplicates around of all the people in the main stories personnel. Confused about where we go next, but as long as Soren, Alex and Dana are safely ensconced in the middle it should make for interesting times.
This is an excellent first installment for the series. If the following books are as good as this one then we will have a great time. The characters and the plot have a very good development pace. The world is believable and the “big revelation” towards the end makes the plot even more interesting and intriguing.
Excellent storytelling, in a similar style to John Scalzi. The story scurried along at a fair pace, providing enough information to keep the reader hooked and desperate for the next twist. Finishing book one of the series felt like running off a cliff! I need the next one to sustain me!
I never finished this book. This is the first AI slop novel I've encountered. Too many gpt-isms, too many adjectives, unnatural dialogues, shallow characters, poorly developed plot twists, the list goes on.
Judging from the score here at goodreads there must have been bots at work, too. This is not a 4+ novel in any way.
Full of continuity errors, implausible scenarios and the Star Wars style shooting were the enemy can't hit the side of a barn and are easy cannon fodder for our rag tag heroes. I don't understand the US bias as it appears that the FUP was nothing to do with the US. There would be a good story in there if it was well edited, I won't be reading the sequels.