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らんま½ [Ranma ½] #37
Ranma ½, #49
Edición argentina. Corresponde al tomo #37 japonés.
198 pages, Paperback
First published April 18, 1996
55 people want to read
About the author
Rumiko Takahashi
1,563 books2,142 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 14 of 14 reviews
May 1, 2020
Una tribu de hombres-pájaro quiere destruir los estanques de Yusenkio, y pues todos los afectados tienen que ir a tratar de evitarlo, si no, pues la posibilidad de quitarse su problema de transformación, bye-bye.
Esta interesante, y aparte en cierto punto a Shampoo la atrapan y la empiezan a controlar los enemigos de Ranma y amigos.
Lo único que si no, es que al parecer un estanque se convierte en "el estanque de Akane" sin que Akane muera ahogada, que es como se hacen los estanques. Que paso ahí?????
Interesante y queda en continuara
Esta interesante, y aparte en cierto punto a Shampoo la atrapan y la empiezan a controlar los enemigos de Ranma y amigos.
Lo único que si no, es que al parecer un estanque se convierte en "el estanque de Akane" sin que Akane muera ahogada, que es como se hacen los estanques. Que paso ahí?????
Interesante y queda en continuara
June 7, 2020
Los hombres pájaro del Monte Fénix han decidido desaparecer los estanques Jusenkyo y eso es malo pues de esta manera ninguno de ellos será capaz de regresar a su verdadera forma. Es así como inician un viaje a China para salvar los estanques y su futuro, sin embargo el viaje no será fácil y Akane se verá involucrada.....el final se acerca
July 1, 2019
shit got REAL
May 17, 2022
Ranma, Genma, Moose, P-Chan y Shampoo van despidiendo la serie en sus formas "malditas".
June 6, 2024
Libro de historietas con ISBN propio. Tomo 49/50.
December 29, 2019
Lo mejor de mi infancia las aventuras de ranma y Akane no pasan de moda
July 29, 2014
¡Anteúltimo tomo de la pospuestísima comedia de artes marciales! El primer manga editado oficialmente en Argentina se acerca a su fin.
May 25, 2018
Tomo 49 argentino que traduce el 37 japonés.
Traducción de Nathalia Ferreyra.
Planta impresora: Galt S.A.
Traducción de Nathalia Ferreyra.
Planta impresora: Galt S.A.
March 29, 2025
きゃあああ！らんまがあかねの写真を持っていた！ｶﾜ(・∀・)ｲｲ!!
次は最後の巻！
次は最後の巻！
September 23, 2025
Primera edición argentina, con el último viaje de Ranma y compañía a China.
Listado de personajes en construcción.
Listado de personajes en construcción.
February 26, 2021
Penúltimo tomo que no parece tal, a preparar los pañuelos...
August 27, 2025
Las 10 parts. del tomo corresponden al tomo 37 japonés, como indica el lomo y la carátula.
Incluye publicidades.
Incluye publicidades.
Displaying 1 - 14 of 14 reviews