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The Swell
In places of darkness, women will rise . . .
Iceland, 1910. In the middle of a severe storm two sisters - Freyja and Gudrun - rescue a mysterious, charismatic man from a shipwreck near their remote farm.
Sixty-five years later, a young woman - Sigga - is spending time with her grandmother when they learn a body has been discovered on a mountainside near Reykjavik, perfectly preserved in ice.
Moving between the turn of the 20th century and the 1970s as a dark mystery is unravelled, The Swell is a spellbinding, beautifully atmospheric read, rich in Icelandic myth.
Iceland, 1910. In the middle of a severe storm two sisters - Freyja and Gudrun - rescue a mysterious, charismatic man from a shipwreck near their remote farm.
Sixty-five years later, a young woman - Sigga - is spending time with her grandmother when they learn a body has been discovered on a mountainside near Reykjavik, perfectly preserved in ice.
Moving between the turn of the 20th century and the 1970s as a dark mystery is unravelled, The Swell is a spellbinding, beautifully atmospheric read, rich in Icelandic myth.
293 pages, Kindle Edition
First published February 27, 2025
13 people are currently reading
404 people want to read
About the author
Kat Gordon
6 books24 followersKat Gordon was born in London. She attended Camden School for Girls, Somerville College, Oxford, and received a Masters in Creative Writing from Royal Holloway. In between, Kat has been a gymnastics coach, a theatre usher, a piano accompanist, a nanny, a researcher and worked at Time Out. She has spent a lot of time travelling, primarily in Africa.
Kat lives in London with her boyfriend and their terrifying cat, Maggie. Her first novel, The Artificial Anatomy of Parks was published by Legend Press on 1st July 2015.
Kat lives in London with her boyfriend and their terrifying cat, Maggie. Her first novel, The Artificial Anatomy of Parks was published by Legend Press on 1st July 2015.
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November 4, 2024I was delighted to be sent an advanced copy of 'The Swell', which I thoroughly enjoyed from beginning to end. The characters are beautifully drawn, and it was one of those special novels where I found myself slowly savour every word, while at the same time wanting to race ahead, dying to find out what happened to the four women - Freyja and Gudrun, Sigga and her Amma. The author has the rare gift of being able to create characters who don’t merely inhabit the landscape, they seem grow from it.
This is a split time novel, and the contrasting tones and styles of the alternating intercut chapters perefectly captured the changing lives and ways of thinking between the two different periods of 1910 and 1970, but also, startlingly highlighted what hadn’t changed.
I love Iceland, and loved writing about it in one of my own novels, and for me 'The Swell' recaptured all of the magic and wild beauty of this landscape, as well as being a really enthralling story.
This is a split time novel, and the contrasting tones and styles of the alternating intercut chapters perefectly captured the changing lives and ways of thinking between the two different periods of 1910 and 1970, but also, startlingly highlighted what hadn’t changed.
I love Iceland, and loved writing about it in one of my own novels, and for me 'The Swell' recaptured all of the magic and wild beauty of this landscape, as well as being a really enthralling story.
March 12, 2025
The author has taken the Icelandic sagas as inspiration for this story. It's a dual timeline novel, with one part set in 1910, and the other in 1975. In 1910, two sisters and their father rescue a stranger from an shipwreck, and he soon settles in to their life, causing some repercussions.
In 1975, Siggi is joining demonstrations for women's rights; she is supported by her grandmother Amma, but her mother is less supportive, thinking that there is no point when she must inevitably end up raising a family.
I found it very atmospheric, especially the earlier timeline, but there was really very little overlap, and it felt very disjointed. We only become aware of any connection between the two stories right at the end, so the story doesn't flow well. Also, whilst I admire the message of female empowerment, there was certainly no subtlety in its delivery. Overall, I liked it, and would be interested to see what the author does next.
*Many thanks to Netgally and the publishers for a copy in exchange for an honest opinion.*
In 1975, Siggi is joining demonstrations for women's rights; she is supported by her grandmother Amma, but her mother is less supportive, thinking that there is no point when she must inevitably end up raising a family.
I found it very atmospheric, especially the earlier timeline, but there was really very little overlap, and it felt very disjointed. We only become aware of any connection between the two stories right at the end, so the story doesn't flow well. Also, whilst I admire the message of female empowerment, there was certainly no subtlety in its delivery. Overall, I liked it, and would be interested to see what the author does next.
*Many thanks to Netgally and the publishers for a copy in exchange for an honest opinion.*
March 11, 2025
Thanks Bonnier Books and NetGalley for my advanced reader copy of this book!
Rating: 4.5 stars
Set in Iceland 1910, sisters Freyja and Gudrun rescue a mysterious, shipwrecked man near their remote farm. Sixty five years later, Sigga is visiting her grandmother when news breaks: a body has been discovered on a mountainside near Reykjavík, and it’s perfectly preserved in ice. Rich in Icelandic myth, which I so appreciated after my November trip, this was a beautifully compelling and atmospheric read and a wonderful farewell to winter (for me).
A good example of books in good conversation with each other is The Swell and The Greenlanders. Both Nordic sagas with a focus on character, family and the swell of everyday life, I enjoyed The Swell as much as I did The Greenlanders. In fact, I enjoyed it more because I was already familiar with the family naming conventions, the local produce and rhythm of the ways in these harsh-condition, Nordic countries. We move between 1910 and the 1970s and piece together this Icelandic mystery, the changing timeline really works to build suspense and turn this into a page-turner. I love a story that digs deep into both character and plot, and that’s exactly what The Swell does.
Gudrun is a headstrong heroine, balanced out by her milder-mannered sister Freyja, and they make compelling characters to steer us through the earlier year setting. Actually, they’re mirrors for Sigga in the 1970s and her ‘Amma’, her grandmother. Freyja and Gudrun live with their widowed father in a patriarchally dominated village, which soon becomes a strong theme in the book, that of historical patriarchy. When a Danish sailor washes up ashore and the sisters bring him home, whispers swirl around the village about two unmarried women cohabiting with a man.
In 1975, Sigga is untangling who she is outside of her relationships with her partner, her brothers, society as it still stands. She is worried about her future, her fertility, whether or not she truly has autonomy of her body. And we hear mentions of the Women’s Day Off, a strike where women abstained from any work that was assumed to be a ‘woman’s job’. Feminist uprisings and modern feminism are, of course, then huge themes in this book. Then, the news breaks: a body has been found preserved in ice on a mountainside. As Amma and Sigga converse about their histories, thus begs the question: who is the body that was found?
The author creates a hauntingly atmospheric scene in Iceland and I loved this as a constant backdrop. While it’s got a slow burn start, I raced through the latter half of this book. It’s suspenseful and teases out the mystery in heartbreaking, shocking and tragically real circumstances, while examining sisterhood and breaking free from the patriarchy.
Rating: 4.5 stars
Set in Iceland 1910, sisters Freyja and Gudrun rescue a mysterious, shipwrecked man near their remote farm. Sixty five years later, Sigga is visiting her grandmother when news breaks: a body has been discovered on a mountainside near Reykjavík, and it’s perfectly preserved in ice. Rich in Icelandic myth, which I so appreciated after my November trip, this was a beautifully compelling and atmospheric read and a wonderful farewell to winter (for me).
A good example of books in good conversation with each other is The Swell and The Greenlanders. Both Nordic sagas with a focus on character, family and the swell of everyday life, I enjoyed The Swell as much as I did The Greenlanders. In fact, I enjoyed it more because I was already familiar with the family naming conventions, the local produce and rhythm of the ways in these harsh-condition, Nordic countries. We move between 1910 and the 1970s and piece together this Icelandic mystery, the changing timeline really works to build suspense and turn this into a page-turner. I love a story that digs deep into both character and plot, and that’s exactly what The Swell does.
Gudrun is a headstrong heroine, balanced out by her milder-mannered sister Freyja, and they make compelling characters to steer us through the earlier year setting. Actually, they’re mirrors for Sigga in the 1970s and her ‘Amma’, her grandmother. Freyja and Gudrun live with their widowed father in a patriarchally dominated village, which soon becomes a strong theme in the book, that of historical patriarchy. When a Danish sailor washes up ashore and the sisters bring him home, whispers swirl around the village about two unmarried women cohabiting with a man.
In 1975, Sigga is untangling who she is outside of her relationships with her partner, her brothers, society as it still stands. She is worried about her future, her fertility, whether or not she truly has autonomy of her body. And we hear mentions of the Women’s Day Off, a strike where women abstained from any work that was assumed to be a ‘woman’s job’. Feminist uprisings and modern feminism are, of course, then huge themes in this book. Then, the news breaks: a body has been found preserved in ice on a mountainside. As Amma and Sigga converse about their histories, thus begs the question: who is the body that was found?
The author creates a hauntingly atmospheric scene in Iceland and I loved this as a constant backdrop. While it’s got a slow burn start, I raced through the latter half of this book. It’s suspenseful and teases out the mystery in heartbreaking, shocking and tragically real circumstances, while examining sisterhood and breaking free from the patriarchy.
October 28, 2024
I was lucky enough to read an advance copy of this wonderful piece of fiction and completely fell in love with the story, the characters, and the setting.
The story is told in dual timelines, one in 1970s Reykjavík and the other in 1910 in rural, west Iceland. Being a native Icelander myself, I think the author captures the mood of both of these eras in Iceland so so well.
I loved the story and absolutely couldn't put the book down for the last third or so. I was kept guessing as to the fate of the two sisters until the very end, simply superb storytelling!
The story is told in dual timelines, one in 1970s Reykjavík and the other in 1910 in rural, west Iceland. Being a native Icelander myself, I think the author captures the mood of both of these eras in Iceland so so well.
I loved the story and absolutely couldn't put the book down for the last third or so. I was kept guessing as to the fate of the two sisters until the very end, simply superb storytelling!
February 24, 2025
Headlines:
Historical patriarchy
Icy mysteriousness
Sisters(hood)
The Swell was a sweeping read that captured my imagination totally as a frequent visitor to Iceland over the years. The description of a historical Iceland was somewhat barren in terms of finances for Freyja and Gudrun but rich in love and connection. However, the patriarchal society of a small village/town was disempowering for women but Gudrun especially was a headstrong women.
The story was told on two timelines, 1910 and 1975 with a body found in the ice linking the two. I felt most connected to the timeline in 1910 but Sigga's story (1975) and that of her Amma's drew me in more and more. I puzzled with a few different theories about the body and the reality of it was cleverly completed. The mystery of this story was elusive and wrapped in cold, rugged feelings.
The men in this story had balance. There were some awful men (I'm looking at that priest and an other) and some good men like Sigga's father and Tomas. These differing types of men helped bring the feminist slant to this tale and that element was well written especially.
The afterword to this story was interesting and I felt a real nod to the author at the mention of Nan Shepherd's work. Gordon's description of the land, lava fields and weather was good.
Thank you to Manilla Press for the review copy. I would highly recommend this for an unputdownable read.
Historical patriarchy
Icy mysteriousness
Sisters(hood)
The Swell was a sweeping read that captured my imagination totally as a frequent visitor to Iceland over the years. The description of a historical Iceland was somewhat barren in terms of finances for Freyja and Gudrun but rich in love and connection. However, the patriarchal society of a small village/town was disempowering for women but Gudrun especially was a headstrong women.
The story was told on two timelines, 1910 and 1975 with a body found in the ice linking the two. I felt most connected to the timeline in 1910 but Sigga's story (1975) and that of her Amma's drew me in more and more. I puzzled with a few different theories about the body and the reality of it was cleverly completed. The mystery of this story was elusive and wrapped in cold, rugged feelings.
The men in this story had balance. There were some awful men (I'm looking at that priest and an other) and some good men like Sigga's father and Tomas. These differing types of men helped bring the feminist slant to this tale and that element was well written especially.
The afterword to this story was interesting and I felt a real nod to the author at the mention of Nan Shepherd's work. Gordon's description of the land, lava fields and weather was good.
Thank you to Manilla Press for the review copy. I would highly recommend this for an unputdownable read.
September 4, 2025
Whilst I usually love books with dual timelines and multiple points of view, this didn’t work for me as well as I had hoped; I felt more emotionally invested in Freya and Gudrun and their journey in 1910 than I did with Sigga in 1975. Bath Freya and Gudrun felt like well bought out, realistic characters - whereas Sigga felt more dislikable, two dimensional, and dull overall.
The two timelines and the mystery are very loosely intertwined, though the reveal does take until the very end of the book to become clear. When the twist was revealed this was somewhat expected and, in my opinion, the most straightforward and simple ending that the author could have chosen. The book itself isn’t long, however at times did feel longwinded and somewhat overly atmospheric and a little slower paced than I tend to enjoy - though the references to Icelandic folklore felt well researched. Some chapters felt pointless and lacked direction or contribution to the overall plot.
The novel’s strength lies in its portrayal of strong, independent women constrained by the societal norms of their respective eras and the men that hold power over them in a variety or ways. The themes of feminism, family, religion, and what it means to be a woman were strongly woven throughout the entire book, and despite it not being a novel I felt enthralled with, I would recommend it to anyone looking for a story which addresses these themes whilst providing an insight into Icelandic culture, folklore, and myth.
The two timelines and the mystery are very loosely intertwined, though the reveal does take until the very end of the book to become clear. When the twist was revealed this was somewhat expected and, in my opinion, the most straightforward and simple ending that the author could have chosen. The book itself isn’t long, however at times did feel longwinded and somewhat overly atmospheric and a little slower paced than I tend to enjoy - though the references to Icelandic folklore felt well researched. Some chapters felt pointless and lacked direction or contribution to the overall plot.
The novel’s strength lies in its portrayal of strong, independent women constrained by the societal norms of their respective eras and the men that hold power over them in a variety or ways. The themes of feminism, family, religion, and what it means to be a woman were strongly woven throughout the entire book, and despite it not being a novel I felt enthralled with, I would recommend it to anyone looking for a story which addresses these themes whilst providing an insight into Icelandic culture, folklore, and myth.
February 27, 2025
A subtle story about feminism and women’s attempt at sticking up for themselves within the confines of their societal roles!
The story switches between 1910 and 1970s Iceland describing the lives of several women, navigating life in the best way they can, trying to stand up and become individuals, instead of being bunched up with their gender description. All of this amongst the harsh yet beautiful and enchanting background of Iceland, where nature can punish you or be an ally.
Connecting the stories of Gudrun, Freyja and Sigga is a mystery that plays out cleverly whilst the reader is entertained by their everyday lives. Needless to say, the reader is left aimlessly trying to solve the mystery, and the connection between these two timelines.
When finally everything is explained it’s like an epiphany! And the twists in the book are very surprising!
Although I couldn’t engage with the book from the start, given the difficulty understanding the links between the different decades, once I kept going, I found it hard to stop.
This is a fascinating historical fiction with a very intriguing mystery, with an ending that is sure to surprise!
Thanks to the author, Manilla Press and NetGalley for a copy and this is my honest opinion.
The story switches between 1910 and 1970s Iceland describing the lives of several women, navigating life in the best way they can, trying to stand up and become individuals, instead of being bunched up with their gender description. All of this amongst the harsh yet beautiful and enchanting background of Iceland, where nature can punish you or be an ally.
Connecting the stories of Gudrun, Freyja and Sigga is a mystery that plays out cleverly whilst the reader is entertained by their everyday lives. Needless to say, the reader is left aimlessly trying to solve the mystery, and the connection between these two timelines.
When finally everything is explained it’s like an epiphany! And the twists in the book are very surprising!
Although I couldn’t engage with the book from the start, given the difficulty understanding the links between the different decades, once I kept going, I found it hard to stop.
This is a fascinating historical fiction with a very intriguing mystery, with an ending that is sure to surprise!
Thanks to the author, Manilla Press and NetGalley for a copy and this is my honest opinion.
June 23, 2025
The Swell turned out to be quite different from what I expected. I read "Icelandic myth" and "story about women" and decided to give it a go.
This is not a fantasy book. It's a story told in two very different eras, grounded in reality, powered by the stories of old.
The author has penned verses that brought Iceland to life for me. The bitter cold, the incredible landscape and the deep connection between people.
Gudrún and Sigga, two of the female characters, are depicted in detail. Their thoughts laid out on paper for examination. Assumptions, worries and fears that cloud relationships with loved ones. It's quite relatable for me in the 21st century, far away from Iceland.
This is not a joyful book, it simply tells stories as they are. It also doesn't beckon one to read it in one sitting. However the images from the book are etched in my mind. Almost like I've watched a movie.
This is not a fantasy book. It's a story told in two very different eras, grounded in reality, powered by the stories of old.
The author has penned verses that brought Iceland to life for me. The bitter cold, the incredible landscape and the deep connection between people.
Gudrún and Sigga, two of the female characters, are depicted in detail. Their thoughts laid out on paper for examination. Assumptions, worries and fears that cloud relationships with loved ones. It's quite relatable for me in the 21st century, far away from Iceland.
This is not a joyful book, it simply tells stories as they are. It also doesn't beckon one to read it in one sitting. However the images from the book are etched in my mind. Almost like I've watched a movie.
February 28, 2025
The Swell is a historical read set in 1910 and 1975 Iceland. In 1910, sisters Freyja and Gundrún live with their father in a small dwelling on their remote farm. One night they see a shipwreck and rescue a young man Tomas, who becomes a huge part of their lives, especially Freyja’s. In 1975 Sigga is just eighteen, when she hears the story of a body being found frozen on a mountain, something that has an effect on her Amma. As the two stories develop long held secrets come to light and three women find out who they really are.
The Swell is very much a character led book, with three strong female lead characters. Although there are sixty five years between the stories Freyja, Gudrún and Sigga, all face the same constraints that society puts on them for being female. In 1910, Freja and Gudrún live a very isolated existence where woman are seen to look after the men, in their case their father as neither are married. I loved Gudrún, she was strong, both physically and mentally, she wants more, wants to be able to make her own choices, not get married and earn her own living; all things she can’t do as a woman.
In 1975 things should have moved on, and they have but just not much as Sigga and her Amma thought they would. Both are campaingming for women’s rights, to be able to make their own choices, to have some independence. Sigga is finding out who she is, a suspected pregnancy makes her look at what she wants to do, who she wants to be. I loved her relationship with her Amma, she is the one she turns to, who she relates to, and who she looks up to, but her Amma has secrets of her own.
The writing of this book is lyrical, atmospheric and haunting. Kat Gordon is a very visual writer, her descriptions of the rugged landscape, the mountainside, how Freyja and Gudrún were at the mercy of the elements and seasons which their lives were tied to. She also gets into the psyche of these women, their hopes and fears, making them feel relatable, and as women we understand how they feel. At the centre of this book is feminism, how long women have had to fight for the right to own their own property, make their own decisions, earn their own money and be seen as equal in a patriarchal society.
The Swell is an engaging and captivating book to read. Kat Gordon beautifully weaves the stories of these three women together in a narrative that covers sixty five years, but seems to transcend time as well. I loved Freja’s and Gudrún’s stories, the strength they showed in the face of adversity, challenging the norms of society in any small way they can and how Sigga continues that. It is testament to Kat Gordon’s storytelling that I read this book in one day, the haunting prose drew me in as well as the fascinating characters. This is a brillliant book and one I highly recommend.
The Swell is very much a character led book, with three strong female lead characters. Although there are sixty five years between the stories Freyja, Gudrún and Sigga, all face the same constraints that society puts on them for being female. In 1910, Freja and Gudrún live a very isolated existence where woman are seen to look after the men, in their case their father as neither are married. I loved Gudrún, she was strong, both physically and mentally, she wants more, wants to be able to make her own choices, not get married and earn her own living; all things she can’t do as a woman.
In 1975 things should have moved on, and they have but just not much as Sigga and her Amma thought they would. Both are campaingming for women’s rights, to be able to make their own choices, to have some independence. Sigga is finding out who she is, a suspected pregnancy makes her look at what she wants to do, who she wants to be. I loved her relationship with her Amma, she is the one she turns to, who she relates to, and who she looks up to, but her Amma has secrets of her own.
The writing of this book is lyrical, atmospheric and haunting. Kat Gordon is a very visual writer, her descriptions of the rugged landscape, the mountainside, how Freyja and Gudrún were at the mercy of the elements and seasons which their lives were tied to. She also gets into the psyche of these women, their hopes and fears, making them feel relatable, and as women we understand how they feel. At the centre of this book is feminism, how long women have had to fight for the right to own their own property, make their own decisions, earn their own money and be seen as equal in a patriarchal society.
The Swell is an engaging and captivating book to read. Kat Gordon beautifully weaves the stories of these three women together in a narrative that covers sixty five years, but seems to transcend time as well. I loved Freja’s and Gudrún’s stories, the strength they showed in the face of adversity, challenging the norms of society in any small way they can and how Sigga continues that. It is testament to Kat Gordon’s storytelling that I read this book in one day, the haunting prose drew me in as well as the fascinating characters. This is a brillliant book and one I highly recommend.
March 12, 2025
3.75 stars. Iceland 1910. Two sisters, Freyja and Gudrún help rescue a mysterious stranger from a shipwreck. Tomas comes into their home and will change the course of their lives.
Sixty five years later, in 1975, Sigga is trying her hardest to juggle life and family commitments. She’s exceptionally close to her grandmother Amma so is there to help support her when she is told of a perfectly preserved body found in the Reykjavik mountains. Is the past finally coming to collide with the present?
A beautifully told tale, spanning decades and witnessing the changes and constants in Icelandic history. It’s a captivating story, rich in detail and hugely atmospheric. The storyline involving Freyja and Gudrún was my particular favourite, I was fascinated by their lives at the turn of the century. Iceland is a country I’m not that familiar with but their story took me right there, to the mountainous scenery, the tempestuous Atlantic and the traditions and routines of the Icelandic people.
It’s interesting how the two stories join together and also how these women of different generations are worlds apart, but also share huge similarities. The Swell is both compelling and thought provoking and certainly a book to get swept away with.
Sixty five years later, in 1975, Sigga is trying her hardest to juggle life and family commitments. She’s exceptionally close to her grandmother Amma so is there to help support her when she is told of a perfectly preserved body found in the Reykjavik mountains. Is the past finally coming to collide with the present?
A beautifully told tale, spanning decades and witnessing the changes and constants in Icelandic history. It’s a captivating story, rich in detail and hugely atmospheric. The storyline involving Freyja and Gudrún was my particular favourite, I was fascinated by their lives at the turn of the century. Iceland is a country I’m not that familiar with but their story took me right there, to the mountainous scenery, the tempestuous Atlantic and the traditions and routines of the Icelandic people.
It’s interesting how the two stories join together and also how these women of different generations are worlds apart, but also share huge similarities. The Swell is both compelling and thought provoking and certainly a book to get swept away with.
July 29, 2025
I enjoyed this one, it wasn't what I was expecting at all (maybe I got it confused with another story, I thought it was a historical fantasy about selkies, but in reality it was historical fiction with the tiniest dash of magical realism), but I quickly got sucked into it.
The dual POVs were well done and helped build the tension instead of squashing it, which is usually my biggest problem with split timelines
The dual POVs were well done and helped build the tension instead of squashing it, which is usually my biggest problem with split timelines
May 27, 2025
THE SWELL is an atmospheric novel set in dual timelines: 1910/11 and 1975. I personally think the split narrative kind of ruined this for me because it felt quite disjointed, and Sigga's perspective wasn't nearly as engaging as Gudrun's. It was still moving and poignant at times and had some good commentary.
March 2, 2025
It is no exaggeration to say that to read this book, is to experience it-looking outside at the early spring sunshine is hard to reconcile with the icy landscape of Iceland, both in the early part of the twentieth century, and , in alternating chapters, the mid 70's.
Sisters Gudrun and Freya live with their widowed father in a village controlled by the patriarchal domination of the local Father, who travels house to house, welcomed in and fed with gossip before moving on to the next one. There are strict social protocols to follow, so when a Danish sailor named Tom washes up, and starts putting down roots in this household, rumours swirl about 2 unmarried women living with an unattached male.
There is a sense of expectation as well as love, from their father towards the girls, and although their mother was allowed to go fishing with him, they are strictly forbidden to do so and must keep the house, tend the animals and gather hay , working season by season to maintain their homestead.
So when Tom comes into the house, and then between the sisters, their paradigm shift from passive recipients of the male gaze becomes something quite fierce and revolutionary for this time frame.
Their village, culture and way of life is all live around the seasons and the sea, embedded in a setting of folklore and legend which is maintained as seriously as any religion, even to the extent of naming the families and children after these legendary figures. In this place, whilst women hold a value, it is an adjunct to the males in their life rather than being seen as people in their own right and this is not something which sits easily with either Gudrun or Freya.
They reminded me of the sisters, Gudrun and Ursula in D.H Lawrence's 'Women In Love', one of my all time favourite novels, in that their are so ahead of their time as women aware of their potential .(I may be wrong about this so please don't hesitate to pull me up on it!)
Alternating with chapters set in 1910, are the experiences of young Sigga, living in 1975, when the notion of feminist uprising is part and parcel of everyday life, including the mention of the Red Stocking Movement, or the Women's Day Off-a strike where women abstain from any traditional work which is presumed to be part and parcel of their sexual orientation.
Sigga lives with her Amma, and is finding who she is within, and without the strictures of her relationship with her partner , and her siblings-both boys- and the societal expectation on her as an individual.
Her family always excuse the behaviour of her brothers, especially towards her, whilst expecting so much more from Sigga, almost indulging rather than taking seriously her ownership of her body, her fertility and her future.
Between these 2 timelines is a mystery, a reckoning which joins them both-in the 70's a body is found frozen in ice, but whose?
What will the thawing of this person reveal in the context of these women's lives?
Is Sigga's Amma related to Gudrun and Freya? What legacy will be handed down through the decades to the woman of 1970's Iceland, and how does it reflect on where we are, as women, today?
To me , 1975 doesn't seem so long ago-it's the year I was born-and it feels so modern yet when you read about a time just stepping into a reality that modern women maybe take for granted, it really gives you pause.
What makes you, the reader, feel that 1910 was so ,long ago and yet the 1970's aren't?
I was absorbed with Sigga and her fearlessness but so keenly aware that if it hadn't been for earlier generations of women fighting for equality, would she have that privilege?
And what do we, the women of the twenty first century want to leave as our legacy?
As this mysterious figure is defrosted , time frames flow into each other and I was so so keen to want to race through the chapters to work out who was who, and what was what, that I really had to slow myself down to savour the cultural back drop of Iceland, the historical reverence towards trolls, giants and fortunes foretold in the past, handed to the next generation.
The title itself is perfect, to me, a swell suggest a movement, a pause between something coming before and something about to arrive, like the build up to, then crash of a wave.
These women are the swell, the breath that is to be expelled, the truth which is to be uttered and it is such an incredible, evocative and thoughtful read that it is difficult to define. Historical fiction , yes, but also a journey of discovery for these women, their communities and us, as grateful readers of this moving story.
Sisters Gudrun and Freya live with their widowed father in a village controlled by the patriarchal domination of the local Father, who travels house to house, welcomed in and fed with gossip before moving on to the next one. There are strict social protocols to follow, so when a Danish sailor named Tom washes up, and starts putting down roots in this household, rumours swirl about 2 unmarried women living with an unattached male.
There is a sense of expectation as well as love, from their father towards the girls, and although their mother was allowed to go fishing with him, they are strictly forbidden to do so and must keep the house, tend the animals and gather hay , working season by season to maintain their homestead.
So when Tom comes into the house, and then between the sisters, their paradigm shift from passive recipients of the male gaze becomes something quite fierce and revolutionary for this time frame.
Their village, culture and way of life is all live around the seasons and the sea, embedded in a setting of folklore and legend which is maintained as seriously as any religion, even to the extent of naming the families and children after these legendary figures. In this place, whilst women hold a value, it is an adjunct to the males in their life rather than being seen as people in their own right and this is not something which sits easily with either Gudrun or Freya.
They reminded me of the sisters, Gudrun and Ursula in D.H Lawrence's 'Women In Love', one of my all time favourite novels, in that their are so ahead of their time as women aware of their potential .(I may be wrong about this so please don't hesitate to pull me up on it!)
Alternating with chapters set in 1910, are the experiences of young Sigga, living in 1975, when the notion of feminist uprising is part and parcel of everyday life, including the mention of the Red Stocking Movement, or the Women's Day Off-a strike where women abstain from any traditional work which is presumed to be part and parcel of their sexual orientation.
Sigga lives with her Amma, and is finding who she is within, and without the strictures of her relationship with her partner , and her siblings-both boys- and the societal expectation on her as an individual.
Her family always excuse the behaviour of her brothers, especially towards her, whilst expecting so much more from Sigga, almost indulging rather than taking seriously her ownership of her body, her fertility and her future.
Between these 2 timelines is a mystery, a reckoning which joins them both-in the 70's a body is found frozen in ice, but whose?
What will the thawing of this person reveal in the context of these women's lives?
Is Sigga's Amma related to Gudrun and Freya? What legacy will be handed down through the decades to the woman of 1970's Iceland, and how does it reflect on where we are, as women, today?
To me , 1975 doesn't seem so long ago-it's the year I was born-and it feels so modern yet when you read about a time just stepping into a reality that modern women maybe take for granted, it really gives you pause.
What makes you, the reader, feel that 1910 was so ,long ago and yet the 1970's aren't?
I was absorbed with Sigga and her fearlessness but so keenly aware that if it hadn't been for earlier generations of women fighting for equality, would she have that privilege?
And what do we, the women of the twenty first century want to leave as our legacy?
As this mysterious figure is defrosted , time frames flow into each other and I was so so keen to want to race through the chapters to work out who was who, and what was what, that I really had to slow myself down to savour the cultural back drop of Iceland, the historical reverence towards trolls, giants and fortunes foretold in the past, handed to the next generation.
The title itself is perfect, to me, a swell suggest a movement, a pause between something coming before and something about to arrive, like the build up to, then crash of a wave.
These women are the swell, the breath that is to be expelled, the truth which is to be uttered and it is such an incredible, evocative and thoughtful read that it is difficult to define. Historical fiction , yes, but also a journey of discovery for these women, their communities and us, as grateful readers of this moving story.
May 6, 2025
Kat Gordon’s The Swell is a beautifully layered story that blends folklore, family, and the raw power of nature across two timelines—1910 and 1975. I was immediately drawn in by the dual narrative structure, which builds an eerie tension as the mystery slowly unravels. Even when the past starts to come into focus, the future timeline holds its secrets close, keeping me guessing. I found myself wavering, reconsidering what I thought I knew.
The novel is deeply atmospheric, with the writing vividly evoking both the isolated village of the early 20th century and the more modern bustle of 1975. The contrast between the two periods is striking yet comes together, thanks to the strong sense of place and character. The harsh beauty of the Icelandic landscape is ever-present, and the scenes in the mountains had me on edge, filled with a quiet sense of dread for what I thought was coming (although it didn’t play out how I thought it would!).
I found the exploration of myth and folklore fascinating—how these stories shaped daily life, helped people make sense of the elements, and became a form of resilience in a world filled with uncertainty. One of the myths is cleverly woven into the 1975 timeline, connecting it to the Red Movement in a way that felt organic.
Both timelines delve into complex family dynamics and the role of women in society. Themes of the mother/daughter relationship play out in 1910, with Gudrun and Freyja’s bond resembling that of a mother and child. While in 1975, Sigga struggles with her own perceptions of her mother. These echoes across time gave the novel even more emotional weight. I especially appreciated how Sigga’s father, in a subtle and perhaps unconscious way, was healing a wound rooted deep in his family’s history.
The ending left me wanting more—in a good way. I would have loved to see how Sigga’s relationship with her mother evolved, and how her connection with her brother Petur might have shifted. Kat Gordon’s writing style made it so easy to immerse myself in these lives, I could have happily spent more time with them.
Ultimately, The Swell is a thought-provoking novel. It prompted me to reflect on the myths and archetypes that shape all of us, often without us even realizing it.
If you enjoy historical fiction with a touch of the uncanny and strong emotional undercurrents, this one is well worth reading.
The novel is deeply atmospheric, with the writing vividly evoking both the isolated village of the early 20th century and the more modern bustle of 1975. The contrast between the two periods is striking yet comes together, thanks to the strong sense of place and character. The harsh beauty of the Icelandic landscape is ever-present, and the scenes in the mountains had me on edge, filled with a quiet sense of dread for what I thought was coming (although it didn’t play out how I thought it would!).
I found the exploration of myth and folklore fascinating—how these stories shaped daily life, helped people make sense of the elements, and became a form of resilience in a world filled with uncertainty. One of the myths is cleverly woven into the 1975 timeline, connecting it to the Red Movement in a way that felt organic.
Both timelines delve into complex family dynamics and the role of women in society. Themes of the mother/daughter relationship play out in 1910, with Gudrun and Freyja’s bond resembling that of a mother and child. While in 1975, Sigga struggles with her own perceptions of her mother. These echoes across time gave the novel even more emotional weight. I especially appreciated how Sigga’s father, in a subtle and perhaps unconscious way, was healing a wound rooted deep in his family’s history.
The ending left me wanting more—in a good way. I would have loved to see how Sigga’s relationship with her mother evolved, and how her connection with her brother Petur might have shifted. Kat Gordon’s writing style made it so easy to immerse myself in these lives, I could have happily spent more time with them.
Ultimately, The Swell is a thought-provoking novel. It prompted me to reflect on the myths and archetypes that shape all of us, often without us even realizing it.
If you enjoy historical fiction with a touch of the uncanny and strong emotional undercurrents, this one is well worth reading.
March 10, 2025
Some books creep up on you, unfurling like mist over the sea, their power revealing itself only once you’re fully immersed. The Swell by Kat Gordon is one such novel—a hidden gem that seamlessly blends historical fiction with Icelandic mythology, a slow-burning mystery, and a meditation on the weight of female history. Moving between 1910 and 1975, the novel tells the stories of two sisters, Freyja and Gudrun, who rescue a mysterious shipwrecked man, and Sigga, a young woman in the 1970s reckoning with a long-buried past. As these timelines converge, so do the echoes of secrets and sacrifices, of love and betrayal, of women pushing against the confines of the world they inhabit.
Gordon’s writing is atmospheric and evocative, capturing the raw beauty and harsh brutality of Iceland’s landscape. The land itself is a living force—its storms, its superstitions, its deep wells of folklore shaping the lives of its inhabitants as much as their own choices do. The novel’s mystery unfolds delicately, its twists well-crafted and its revelations deeply satisfying. And yet, beneath the historical intrigue, The Swell is at its core a novel about women—about their survival, their endurance, and their refusal to be swallowed by the forces seeking to contain them.
That said, the novel sometimes falters under the weight of its own message. The themes of female empowerment, while important and resonant, are often laid out too explicitly, the narrative veering into didacticism rather than allowing the story to speak for itself. There are moments where subtlety would have served the book better—where showing, rather than telling, might have allowed its themes to land with greater force. Still, despite this, The Swell remains a compelling and richly woven novel, one that lingers long after the final page. It is a story of inheritance—of the myths we tell, the histories we carry, and the truths that can only be revealed when the ice finally melts.
Gordon’s writing is atmospheric and evocative, capturing the raw beauty and harsh brutality of Iceland’s landscape. The land itself is a living force—its storms, its superstitions, its deep wells of folklore shaping the lives of its inhabitants as much as their own choices do. The novel’s mystery unfolds delicately, its twists well-crafted and its revelations deeply satisfying. And yet, beneath the historical intrigue, The Swell is at its core a novel about women—about their survival, their endurance, and their refusal to be swallowed by the forces seeking to contain them.
That said, the novel sometimes falters under the weight of its own message. The themes of female empowerment, while important and resonant, are often laid out too explicitly, the narrative veering into didacticism rather than allowing the story to speak for itself. There are moments where subtlety would have served the book better—where showing, rather than telling, might have allowed its themes to land with greater force. Still, despite this, The Swell remains a compelling and richly woven novel, one that lingers long after the final page. It is a story of inheritance—of the myths we tell, the histories we carry, and the truths that can only be revealed when the ice finally melts.
February 27, 2025
This is a novel that masterfully intertwines two timelines set in Iceland—one in 1910 and the other in the 1970s. The narrative seamlessly connects the lives of two generations of strong women, all while immersing the reader in Icelandic folklore and societal norms of the time.
The 1910 timeline, featuring sisters Freyja and Gudrun, captivates with its atmospheric depiction of rural Iceland, layered with elements of superstition and folklore. The mysterious shipwreck survivor, Tomas, adds an intriguing element to the sisters’ lives, creating subtle tensions and deepening the narrative. The dynamics between the sisters and the charismatic yet ambiguous figures like Magnus bring complexity to the story, making this timeline particularly compelling.
Meanwhile, the 1970s storyline follows Sigga, a young woman navigating her identity and ambitions amidst societal expectations. Her struggles with family dynamics, romantic relationships, and her yearning for independence provide a stark contrast to the earlier timeline, highlighting the evolving roles of women across generations. What is the connection between the timelines, there are subtle hints given but the reader is never sure, this adds an element of mystery that ties the two narratives together.
The novel’s strength lies in its portrayal of strong, independent women constrained by societal norms of their respective eras. The atmospheric descriptions, coupled with the weaving of Icelandic folk tales and superstitions, create a vivid and immersive reading experience. The gradual buildup of tension and the well-rounded, believable characters make this a memorable read.
The 1910 timeline, featuring sisters Freyja and Gudrun, captivates with its atmospheric depiction of rural Iceland, layered with elements of superstition and folklore. The mysterious shipwreck survivor, Tomas, adds an intriguing element to the sisters’ lives, creating subtle tensions and deepening the narrative. The dynamics between the sisters and the charismatic yet ambiguous figures like Magnus bring complexity to the story, making this timeline particularly compelling.
Meanwhile, the 1970s storyline follows Sigga, a young woman navigating her identity and ambitions amidst societal expectations. Her struggles with family dynamics, romantic relationships, and her yearning for independence provide a stark contrast to the earlier timeline, highlighting the evolving roles of women across generations. What is the connection between the timelines, there are subtle hints given but the reader is never sure, this adds an element of mystery that ties the two narratives together.
The novel’s strength lies in its portrayal of strong, independent women constrained by societal norms of their respective eras. The atmospheric descriptions, coupled with the weaving of Icelandic folk tales and superstitions, create a vivid and immersive reading experience. The gradual buildup of tension and the well-rounded, believable characters make this a memorable read.
February 15, 2025
This is a dual timeline story, alternating between 1910-11 and 1975, incorporating mystery, love and plenty of strong women set in the not often written about landscape of Iceland.
At first, I struggled to get into this novel. It is well written and I enjoyed the chapters from the start but I couldn’t make the connection between the two timelines and I was frustrated not knowing who in the later years was connected to the people in the earlier stories. However, I decided to persevere and I’m so glad I did, as it all started to come together and make sense from about half way through.
In the book, Freya and Gudrun, rescue Danish Tomas, the only survivor from his ship caught in a storm. Tomas soon becomes part of the family, helping with work on their farm and is good company. However, he then disappears without a trace, most unlike him. Decades later, a preserved body is found on the mountainside near Reykjavik - could it be Tomas or is it someone else?
This is a rich, atmospheric read. I felt the unforgiving landscape, saw it in my mind’s eye, I could smell the local food and I enjoyed learning about Icelandic myths as I turned the pages. Women take centre stage in The Swell: strong women who know their minds but who also are capable of deep feelings and connections. The chapters set in the 1970s also include references to the women’s rights movements of the time.
All in all a really great read with many aspects and I am so pleased I didn’t give up at the start. If you fancy something a bit different then I highly recommend this one.
At first, I struggled to get into this novel. It is well written and I enjoyed the chapters from the start but I couldn’t make the connection between the two timelines and I was frustrated not knowing who in the later years was connected to the people in the earlier stories. However, I decided to persevere and I’m so glad I did, as it all started to come together and make sense from about half way through.
In the book, Freya and Gudrun, rescue Danish Tomas, the only survivor from his ship caught in a storm. Tomas soon becomes part of the family, helping with work on their farm and is good company. However, he then disappears without a trace, most unlike him. Decades later, a preserved body is found on the mountainside near Reykjavik - could it be Tomas or is it someone else?
This is a rich, atmospheric read. I felt the unforgiving landscape, saw it in my mind’s eye, I could smell the local food and I enjoyed learning about Icelandic myths as I turned the pages. Women take centre stage in The Swell: strong women who know their minds but who also are capable of deep feelings and connections. The chapters set in the 1970s also include references to the women’s rights movements of the time.
All in all a really great read with many aspects and I am so pleased I didn’t give up at the start. If you fancy something a bit different then I highly recommend this one.
April 26, 2025
A book of impressions and relationships
—
In dual timelines in 1910 and 1975, the bonds of women are challenged and tested by contemporary society, and by the myths and preconceptions of their roles and fates. On a coastal farmstead, Gudrun and Freyja work with their widowed father, until the day they save a shipwrecked Danish sailor. 65 years later, Sigga is about to step into her adult life, guided most of all by her beloved Amma, her paternal grandmother, as the Women’s Day Off approaches; meanwhile, a body is found on the nearby glacier, perfectly preserved. How these two timelines intersect is revealed late in the plot, and by then is perhaps only a footnote; this is more a book of impressions and relationships, of the women and their families and antagonists, and their connection to the place.
Set in the coastal landscape of Iceland, it would be impossible to not mention the weather and the sea. An island like no other, and with centuries of history, folklore and myth, Iceland is the backdrop and the genius loci of this strangely unbalanced novel. It should feel more coherent, with the running theme of women’s historic emancipation in 1910 and the 1970s, but the patriarchy is laid on heavy handedly in both eras, despite there being enlightened male role models in both. There’s a lot going on within each timeline, so much that it might obscure the connections between the two eras: sisterhood and womanhood, love and self-sacrifice, the love of home and being there. In the end, when all the mysteries are at last revealed, life goes on.
—
In dual timelines in 1910 and 1975, the bonds of women are challenged and tested by contemporary society, and by the myths and preconceptions of their roles and fates. On a coastal farmstead, Gudrun and Freyja work with their widowed father, until the day they save a shipwrecked Danish sailor. 65 years later, Sigga is about to step into her adult life, guided most of all by her beloved Amma, her paternal grandmother, as the Women’s Day Off approaches; meanwhile, a body is found on the nearby glacier, perfectly preserved. How these two timelines intersect is revealed late in the plot, and by then is perhaps only a footnote; this is more a book of impressions and relationships, of the women and their families and antagonists, and their connection to the place.
Set in the coastal landscape of Iceland, it would be impossible to not mention the weather and the sea. An island like no other, and with centuries of history, folklore and myth, Iceland is the backdrop and the genius loci of this strangely unbalanced novel. It should feel more coherent, with the running theme of women’s historic emancipation in 1910 and the 1970s, but the patriarchy is laid on heavy handedly in both eras, despite there being enlightened male role models in both. There’s a lot going on within each timeline, so much that it might obscure the connections between the two eras: sisterhood and womanhood, love and self-sacrifice, the love of home and being there. In the end, when all the mysteries are at last revealed, life goes on.
February 26, 2025
I’m quite a fan of Icelandic noir so was looking forward to this and I wasn’t disappointed. Set in Iceland in dual timelines, 1910 and 1975, this is a story that marries traditional Icelandic myths and legends with the treatment and lives of women in the two eras. The stories are told with a hint of fantasy and through the lives of a number of resilient and determined women.
Briefly, in 1910 sisters Freyja and Gudrun and father Papi rescue a Danish sailor Tomas when his whaling ship is wrecked. He moves in with them and their father and it’s clear he has set his cap at Freyja. 65 years later in 1975, we meet Sigridur ‘Sigga’ and her family. She is close to her grandmother Amma who raised her son (Sigga's father) as a single parent, never saying who his father is. Then a body is found preserved in ice and it’s been there a long time!
This is a very atmospheric read, I’ve been to some of the places mentioned in this story, and the brilliant descriptions brought it all back to me. It’s definitely a story about strong women, the men are almost secondary albeit their largely misogynistic behaviour is what makes the women find their strength. Relationships are done so well, the bond between Freyja and Gudrun and that between Sigga and Amna, were very special. This was a compelling and at times tragic story that left me feeling emotionally drained. Very entertaining.
Briefly, in 1910 sisters Freyja and Gudrun and father Papi rescue a Danish sailor Tomas when his whaling ship is wrecked. He moves in with them and their father and it’s clear he has set his cap at Freyja. 65 years later in 1975, we meet Sigridur ‘Sigga’ and her family. She is close to her grandmother Amma who raised her son (Sigga's father) as a single parent, never saying who his father is. Then a body is found preserved in ice and it’s been there a long time!
This is a very atmospheric read, I’ve been to some of the places mentioned in this story, and the brilliant descriptions brought it all back to me. It’s definitely a story about strong women, the men are almost secondary albeit their largely misogynistic behaviour is what makes the women find their strength. Relationships are done so well, the bond between Freyja and Gudrun and that between Sigga and Amna, were very special. This was a compelling and at times tragic story that left me feeling emotionally drained. Very entertaining.
May 4, 2025
I need to stop feeling intimidated by simple words on a page because it delays me reading phenomenal books such as The Swell. I cannot express how powerful, atmospheric and breathtaking this piece of writing is. I was completely captivated and entranced by the Icelandic sagas, descriptions and the characters especially Freyja, Gudrún and Sigga who stole my heart with their courage, love and strength.
Told via dual timeline that is woven together perfectly. It is clever and easy to follow so you don’t feel like you are constantly being taken out of their stories.
What is not only striking and sad about their tale, it is how much it relates to the struggles women are facing today regarding autonomy & the ever growing control men & governments have over them. And this might be why Gudrún in 1910/11 & Sigga in 1975 are my favourites. They want to break free of the defined roles imposed upon them and forge their own path.
I also loved the complicated family relationships especially between Sigga, her mum and Pétur (her brother). How each have their own perspectives on the other which leads to misperceptions and feelings of not being loved or enough. It’s sad but real and very relatable.
Honestly, this was exquisite and I cannot praise it enough!
Thank you, Bonnier Books UK & NetGalley, for this stunning arc. A truly phenomenal read that I can’t wait to own a physical copy of.
Told via dual timeline that is woven together perfectly. It is clever and easy to follow so you don’t feel like you are constantly being taken out of their stories.
What is not only striking and sad about their tale, it is how much it relates to the struggles women are facing today regarding autonomy & the ever growing control men & governments have over them. And this might be why Gudrún in 1910/11 & Sigga in 1975 are my favourites. They want to break free of the defined roles imposed upon them and forge their own path.
I also loved the complicated family relationships especially between Sigga, her mum and Pétur (her brother). How each have their own perspectives on the other which leads to misperceptions and feelings of not being loved or enough. It’s sad but real and very relatable.
Honestly, this was exquisite and I cannot praise it enough!
Thank you, Bonnier Books UK & NetGalley, for this stunning arc. A truly phenomenal read that I can’t wait to own a physical copy of.
March 4, 2025
I found this such an atmospheric read. I'm always fascinated by books set in Iceland and would really like to visit this country!
The book is written in two parts. In 1910, Frejya and Gudrun, rescue a man from a shipwreck in the middle of a storm. Following this, Tomas goes to live with them on their small, remote farm.
In the second story, which takes place sixty-five years later, Sigga is spending time with her grandmother when they learn a body has been discovered on a mountainside near Reykjavik, perfectly preserved in ice.
There are lots of Icelandic myths interwoven through both stories, which I found interesting.
I particularly enjoyed the story set in 1910 and felt immediately invested in Freyja's and Gudrun's lives.
This book really demonstrates the constraints women felt, in a very male dominated society both in 1910 and 1975. Despite being years apart the women experience some very similar emotions.
I couldn't put the book down in the final chapters. The tension and mystery really builds in each separate story, and I loved how the two slowly connected, and some of the characters' true intentions were revealed. I didn't see the ending coming at all!
If you enjoy a good historical mystery steeped in folklore and with a very atmospheric setting I would recommend this book.
The book is written in two parts. In 1910, Frejya and Gudrun, rescue a man from a shipwreck in the middle of a storm. Following this, Tomas goes to live with them on their small, remote farm.
In the second story, which takes place sixty-five years later, Sigga is spending time with her grandmother when they learn a body has been discovered on a mountainside near Reykjavik, perfectly preserved in ice.
There are lots of Icelandic myths interwoven through both stories, which I found interesting.
I particularly enjoyed the story set in 1910 and felt immediately invested in Freyja's and Gudrun's lives.
This book really demonstrates the constraints women felt, in a very male dominated society both in 1910 and 1975. Despite being years apart the women experience some very similar emotions.
I couldn't put the book down in the final chapters. The tension and mystery really builds in each separate story, and I loved how the two slowly connected, and some of the characters' true intentions were revealed. I didn't see the ending coming at all!
If you enjoy a good historical mystery steeped in folklore and with a very atmospheric setting I would recommend this book.
February 15, 2025
The Swell is an enjoyable read that blends the traditional storytelling of Icelandic sagas with contemporary women’s issues and concerns. Set over two time periods, 1910-11 and 1975, we accompany strong female characters battling both the elements and the patriarchy.
Kat Gordon merges reality with a hint of the supernatural to create an engaging storyline. I very much enjoyed the nature writing and descriptions of the weather. Not only did this conjure a strong mental image for me, but also a sense of otherworldly unease - evoked by the strange Icelandic landscape.
I found the 1910-11 sections the most engaging as I enjoyed the headstrong and independent character of Gudrun. Gordon kept up the sense of mystery throughout and I was kept guessing at how the characters in each timeline might be linked.
If you’re a fan of moody landscapes, strong female characters and discussion of feminism and motherhood, this is the book for you.
My thanks to Netgalley and Manilla Press for access to an ARC copy in return for an honest review.
Kat Gordon merges reality with a hint of the supernatural to create an engaging storyline. I very much enjoyed the nature writing and descriptions of the weather. Not only did this conjure a strong mental image for me, but also a sense of otherworldly unease - evoked by the strange Icelandic landscape.
I found the 1910-11 sections the most engaging as I enjoyed the headstrong and independent character of Gudrun. Gordon kept up the sense of mystery throughout and I was kept guessing at how the characters in each timeline might be linked.
If you’re a fan of moody landscapes, strong female characters and discussion of feminism and motherhood, this is the book for you.
My thanks to Netgalley and Manilla Press for access to an ARC copy in return for an honest review.
February 24, 2025
This is a story told in two time frames in Iceland . The first is in 1911 ,where we meet two sisters Freya and Gudrun who rescue Thomas from a storm . The second story is set in 1974 , where we meet Stigga and her grandmother. Throughout there are parallels between the two stories. The landscape is described beautifully, you can imagine the sparseness and cold. It’s a story that is full of folklore and stories . One of the main themes in both timeframes is the role of women and motherhood . The women are strong and know what they want . As well as the landscape and the normal family life there is a body that has been found and both timelines are connected . It was an interesting atmospheric read and for me the early timeframe was the best . I loved reading about Freya and Gudrun and the tight bond they had throughout.
August 19, 2025
This was a very interesting novel for me about Iceland.
It's a dual timeline novel, with one part set in 1910, and the other in 1975. In 1910, two sisters and their father rescue a stranger from a shipwreck, and he soon settles in to their life, causing some repercussions.
In 1975, Siggi is joining demonstrations for women's rights; she is supported by her grandmother Amma, but her mother is less supportive, thinking that there is no point when she must inevitably end up raising a family.
I found it very atmospheric, especially the earlier timeline, but there was really very little overlap, and it felt very disjointed. We only become aware of any connection between the two stories right at the end. I love a story that digs deep into both character and plot, and that's exactly what The Swell does.
It's a dual timeline novel, with one part set in 1910, and the other in 1975. In 1910, two sisters and their father rescue a stranger from a shipwreck, and he soon settles in to their life, causing some repercussions.
In 1975, Siggi is joining demonstrations for women's rights; she is supported by her grandmother Amma, but her mother is less supportive, thinking that there is no point when she must inevitably end up raising a family.
I found it very atmospheric, especially the earlier timeline, but there was really very little overlap, and it felt very disjointed. We only become aware of any connection between the two stories right at the end. I love a story that digs deep into both character and plot, and that's exactly what The Swell does.
This entire review has been hidden because of spoilers.
May 18, 2025
I’m a big fan of Icelandic stories and this is another one to add to my list of hit reads.
It’s set in dual timelines, has mentions of the old Icelandic sagas and tales and has sisters who have special gifts. They are very different characters but they are truly bonded and know one another extremely well. I found myself lost in this tale from the beginning to the end and it really transported me into their lives. I enjoy books that feel as if you’re there with the characters not watching from a distance. This ticked every box and more and I could easily imagine a film of this because of how immersive it is.
With thanks to Tracy Fenton, the publisher and the author for the advanced reading copy of this book
It’s set in dual timelines, has mentions of the old Icelandic sagas and tales and has sisters who have special gifts. They are very different characters but they are truly bonded and know one another extremely well. I found myself lost in this tale from the beginning to the end and it really transported me into their lives. I enjoy books that feel as if you’re there with the characters not watching from a distance. This ticked every box and more and I could easily imagine a film of this because of how immersive it is.
With thanks to Tracy Fenton, the publisher and the author for the advanced reading copy of this book
October 26, 2025
This was an audio book for me, I think I would have preferred to read it because I missed some of the Icelandic myth. There is a lot to learn in this dual timeline story set in Iceland in 1910 and the 70's. There is a strong feminist viewpoint from both timelines as the women in this family strive to make their own decisions and way in life. I enjoyed the story of Freyja and Gudrun the most and without them there wouldn't be a story. The sisters lived a life full of hardship but despite this they had a loving father and the support of each other to get them through. Society is still very patriarchal in both timelines as the women strive to find their place, this is particularly evident in the stories of both Gudrun and Sigga.
March 3, 2025
Iceland 1910-1911. Gudrun & her younger sister Freyja help their dad to rescue a Danish man when the ship he was travelling on sinks. Both sister welcome this stranger into their home and we see how the relationships blossom and wilt.
1970s. Sigga and her Amma (gran) hear of a body found the the mountain where Amma comes from. Does Amma know who it is and what secrets lie in her past? Sigga holds her own secrets.
I loved how descriptive and beautiful this story was with the undercurrent of feminism, love, mystery & just strong woman. I also enjoyed the Icelandic mythology that crop up. I thought i knew how the timelines connected, but i was pleasantly surprised
1970s. Sigga and her Amma (gran) hear of a body found the the mountain where Amma comes from. Does Amma know who it is and what secrets lie in her past? Sigga holds her own secrets.
I loved how descriptive and beautiful this story was with the undercurrent of feminism, love, mystery & just strong woman. I also enjoyed the Icelandic mythology that crop up. I thought i knew how the timelines connected, but i was pleasantly surprised
March 5, 2025
1911 Freja and Gudrun are sisters living on their father's farm in Iceland. Freya falls for a shipwrecked sailor and plans a future but then he disappears. When Freya goes to look for him, Gudrun and a neighbour Magnus go to search. 1975 Sigga has just won a writing competition and her world is potentially opening up. She becomes more involved in politics but then realises she might be pregnant.
This is a lovely book which fuses two timelines, Icelandic myth and the emergence of independent women. I found myself really getting engrossed in the interweaving stories and the final twists are both expected and also surprising.
This is a lovely book which fuses two timelines, Icelandic myth and the emergence of independent women. I found myself really getting engrossed in the interweaving stories and the final twists are both expected and also surprising.
September 10, 2025
I normally enjoy the two timelines setup, but here there really wasn’t enough story for a full novel of that nature.
The earlier timeline is much more interesting and atmospheric, but even here there is maybe only enough plot for a short story or a novella. The more recent timeline barely has a story at all, and is minimally interwoven with the previous one before we come to a rushed ending.
The message of female empowerment and equal rights was, in my view, conveyed in a very simplistic and overly obvious manner. I must admit I lost interest towards the end and started skimming pages. Shame really, because the premise had a lot of promise.
The earlier timeline is much more interesting and atmospheric, but even here there is maybe only enough plot for a short story or a novella. The more recent timeline barely has a story at all, and is minimally interwoven with the previous one before we come to a rushed ending.
The message of female empowerment and equal rights was, in my view, conveyed in a very simplistic and overly obvious manner. I must admit I lost interest towards the end and started skimming pages. Shame really, because the premise had a lot of promise.
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