From the "This is a book about the kind of movies gays like trash, flash, glitter and glitz...and depth too; its all here. Illustrated with numerous photos of the stars."
it's like sitting with your favorite maiden aunt who turns out to be obsessed with sex and a charming, elderly queen with a lifetime of free-wheeling behind him, and hearing them talk about the secret gay history of movies. i learned so much! the writing is chatty, engaging, and, well, campy. lots of great recommendations. lots of excitement over good looking guys. plus a surprisingly cogent review of Nazi filmmaker Veit Harlan's Third Sex.
movies I now want to watch:
Adventures of Captain Marvel (actually a serial) College Confidential The Gang's All Here Flamingo Road High School Confidential The Little Foxes The Magic Christian Madam Satan Myra Breckinridge Please Don't Touch Me! Sitting Pretty Springtime in the Rockies Spy Smasher (another serial) A Woman's Face
movies I've already watched and enjoyed:
Andy Warhol's Dracula Autumn Leaves Baby Face Black Lizard Cry-Baby Dragstrip Girl Fellini Satyricon Hairspray Hot Rod Gang High School Caesar JOHNNY GUITAR (one of my favorite films) Morocco The Music Lovers Querelle Rain SCARLET EMPRESS (another favorite film) Shanghai Express The Women Women on the Verge of a Nervous Breakdown
Bent film criticism of the highest order! A delightful read; entertaining, witty and extremely well written.
"Carmen Miranda singing 'The Lady in the Tutti Frutti Hat.' Marlene Dietrich dressed as a gorilla. Bette Davis chewing the scenery. Joan Crawford suffering grandly. Guy Madison butching it up. Mae West camping it up. Steve Reeves muscling it up. Greta Garbo and Tony Curtis impersonating. James Dean rebelling. Judy Garland singing. ...... Put 'em all together and they add up to High Camp ......."
Listed in alphabetical order from 'The Adventures of Captain Marvel' to 'Zorro's Fighting Legion' a riot of in depth but fun read critiques of 200 films all edging towards the QUEER zone!
With an equally campy selection of film stills and an amusing introduction on the meaning of CAMP, CULT, and CINEMA - all beautifully packaged in 254 gorgeous pages! 254 pages.
There are two books in this series, and I read the second one first because it was easier to get hold of. I’m not sure whether it’s simply a case of too much of a good thing, and whether I would always have been slightly less keen on whichever volume I read last, but I didn’t enjoy this instalment quite as much. A note at the front invites readers to send in suggestions for the next book, and I wonder whether that worked to its advantage. Volume 1 is samey at times: we get entries on 22 of Bette Davis's films, for example. Perhaps in Volume 2, the author, faced with some unfamiliar selections, engaged his powers of wit and analysis more fully (I think he did). In this book, the criticism occasionally seems somewhat rote and the jokes rather obvious. Roen even rules on whether some of the titles are actually ‘good’ or not, which hardly seems the point in this kind of undertaking. None the less, he still provides the reader with plenty of quotable observations:
Camp - especially gay camp - is seldom found in the film noir format. I have a theory as to why this is so. Film noir, you see, is the only genre in which homosexuals and homosexuality are dealt with in a more or less overt fashion (although there’s always a certain amount of coding in order to get round the censor).
The action [of Querelle] transpires on campy, blatantly artificial sets straight out of an M-G-M musical from the Forties.
[Rudolph Valentino's] eyes have an almost reptilian cool…
I was also glad to have new ideas for further study: I’m already three-quarters of the way through The Adventures of Captain Marvel on YouTube, to which he attributes ‘a relentless homoeroticism, utterly charming in its juvenile naivité.’ I agree: it is charming.