Many thanks to NetGalley and Boldwood Books for an advance copy of this novel.
The emerald shawl of the title is the principal key to the mystery that young reporter Nelly Brooks, hired by the Bristol Courier to report on domestic issues, sets out to solve. It was gifted to seamstress Eliza Morgan, who sewed for the beautiful young wife of a nasty member of the House of Lords. Pregnant with the child that the much older Earl desperately wanted—in hopes that the baby would be his sole male heir after the death of his first wife—she died suddenly in childbirth. The baby boy was stillborn. This was in no way unusual in Victorian Britain, especially in filthy industrial towns like Bristol. Nelly agreed to meet Eliza at a dockside tavern, where, while drinking heavily, she related her suspicions that both wives and the baby were murdered.
Abject poverty had made Eliza shrewd and quick to demand a fair price. Known to have a drinking problem, she had several gins on Nelly’s bill during their meeting, but revealed only a few select details. The bait was a promise to turn over the deceased woman’s diary for a price far higher than Nelly could afford. But a story like this one, if the promised evidence was in hand, could elevate Nelly’s career. She could finally put aside the stultifying writing of trite household advice to entice middle-class women to read their husbands’ newspaper.
They agreed to meet again when Nelly had found a way to meet the price. Eliza departed for another appointment, forgetting the shawl. Nelly took it home, thinking to return it quickly. The next morning, Elizabeth was identified as the drowned, probably drunk, woman who had fallen into the dirty waters of the dock only steps from the tavern. This story also made perfect sense. But not for Nelly. Did someone go after Eliza to shut her up about the earl’s dead wife and child? Perhaps about both dead wives? What role did the earl’s adult stepdaughter, inherited from his first marriage, have in all this? Was Nelly now also in danger?
By making her one of Britain’s first female journalists, the author is modelling her Nelly Brooks on the famous historical character Nellie Bly. Bly was an intrepid reporter, women’s rights supporter, and champion of better treatment of the poor, especially mothers and children. Like Nelly Brooks, she was also ruthless in her pursuit and exposure of the truth.
It is this dogged determination that propels Nelly. She had suffered her own loss of a child, born to her at the age of 15, to be raised by her well-off parents as their own. When she told her parents of her plan to support herself and take back her baby, they spirited the child to a hidden location and cut off all contact with her. Finding her daughter, almost ten by the time Nelly has settled in Bristol, becomes another of the mysteries that she is driven to unravel.
And then there is the handsome young reporter who shows her great kindness in the office and would like to be her friend as well as her colleague. She likes him but, not surprisingly, doesn’t want romantic involvement. She also wonders whether his offers of help in finding out whether the suspected murders were connected and why, and whether the earl was behind one or both, are just his attempts to ‘scoop’ her story in the highly competitive press environment.
These interwoven strands make the book suspenseful and compelling but they are also somewhat confusing for a short novel. In particular, the heartbreaking story about the search for her daughter takes the reader away from the main story. But the character of Nellie Brooks, as well as the setting of the misogynistic press and the larger society, are so finely drawn that I can highly recommend this excellent historical mystery.