The fates of gods and samurai converge in this Japanese-myth inspired epic fantasy masterpiece from debut author A. S. Tamaki.
Sen Hoshiakari, the exiled son of a traitor, is determined to restore his decimated clan to their former power at any cost. But when his path collides with that of Rui, a lowborn woman who once saved his life, he discovers his family ambitions may have paid a darker price than he ever knew. And as Onryō—vengeful demons—rise throughout the land again, demanding retribution for their slaughtered souls, he’s torn between loyalty to the family he’s searched for his entire life and the love of his closest friend.
Only now, his reunited family and their allied forces will stop at nothing in a blossoming civil war against the empire they once served, and the more they kill, the worse the demons will become. To save their world, Sen and Rui must join this conflict and find a way to forge peace—even if it means being cursed by the very gods who once protected them.
A. S. Tamaki grew up in Los Angeles, where he spent his childhood climbing trees and making short films in his backyard. After working in Hollywood for several years, he now lives in the Pacific Northwest, and when he’s not writing, spends his time routesetting at local climbing gyms. The Book of Fallen Leaves is his first novel.
This is the first book in a long while that has literally kept me up all night so I could finish it...
This is a mashup of Shogun, Game of Thrones and, most importantly, Princess Mononoke. A fantasy set in a feudal-Japanese inspired world, with warrior monks, forest-spirits, loyal retainers and assassinations aplenty. Tamaki grips you immediately with one of the strongest opening chapters I've ever read... and it doesn't let up.
There is a large cast of POVs, side-characters, factions to get to grips with. The rich history adds a lot to your experience as you're finding your feet. Each character pulls you in, with their various conflicts written incredibly well. This book does 'escalation' masterfully. Every chapter gets bigger, either in scope or intensity, and the final 40% of The Book of Fallen Leaves is some of my favourite writing of the year. The factions could have been a lot more unique imo, and I'd have loved to have experienced more world-building in terms of customs and rituals and language, but at the core of this book is the incredible story of characters seeking to avenge their family, people committing deeds 'for the greater good', POVs from demon-warriors, found family and friendship.
Tamaki has forged a masterpiece of a Book#1 here. This is the book that NEEDS to be on everyone's lips...
“Death, it was said, was unholy in the eyes of the enlightened. To kill was to be unclean, and courtiers would never so besmirch their souls. They had outlawed executions for two hundred years in their search for purity. They would not kill. But now, where are we? A court, surrounded by killers. Hunters. Men who knew the scent of blood.”
An Empire on the cusp of civil war. Gods and demons breaking free. Two people fated to go to war in a world that won’t allow for peace.
Sen Hoshiakari is the son of a traitor. His father, leader of the Gensei clan, attempted a rebellion against the Emperor and was slaughtered when Sen was just a child. Sen was rescued on that fateful night and taken to live in hiding, in Kitano, away from the Empire’s rule. Rui, a no’in (lowborn) was also there during the slaughter, and her family was also killed, but along with Sen she too was rescued. Now their destinies intertwine once more as a coup by the Keishi clan throws the Empire into civil war and further bloodshed is on the horizon. With Gods and Demons at their heels Sen and Rui must fight for family, for freedom but also for love.
The Book of Fallen Leaves by A. S. Tamaki is a sublime epic fantasy debut. There’s so much depth and scope to this novel—an empire in turmoil, warring monks, samurai, demons and gods, and a deep philosophical reflection on the realities of warfare, of taking life.
I immediately loved this book right from the opening chapters as we enter this dark world where the barrier that holds back the spirit realm is thinning, monks have broken into factions against each other, and a politically tension filled Empire is present. Tamaki’s prose is almost lyrical, it’s atmospheric, you can really feel the emotion seeping through which is always my favourite kind of writing as it never fails to draw me in. Throughout Tamaki injects much Japanese mythology and also highlights the Japanese concept of two souls within us, the calm and the chaos. This was something that I felt was cleverly explored as this motif is illustrated not only in our characters but in the narrative structure as well, which you’ll see later on. This is a book with an expensive cast of characters and I do advise readers to refer to the characters list at the beginning because it really does help to clarify which characters belong to which clan. Despite this large cast I found each main PoV to be distinct, I found each key player memorable and further found that they did share a common theme; of finding their place in this world.
Sen has never known his real family, has never seen what their glory once was, has never known their true history. Growing up in hiding, away from the Empire’s clutches, he has very little experience of politics or war. Yet he is an heir nonetheless, he is a central figure to his remaining family and Gensei clan, a prince and a key to uniting them. With this he struggles, how can Sen fight for a family he has never known? When his teachers are shaping him to strive for peace, when he too believes in peace, how can he then ride proudly into a war? Then there is Rui, a peasant woman who was always kept on the outside, always looked down upon by nobles, never fitted in, wanting love yet never truly experiencing it. Rui only wanted to protect and care for nature, for life, but instead was thrown into a violent world. Let me tell you these two characters broke my heart, Tamaki portrays their inner turmoil so well and Rui and Sen’s relationship, their longing for each other, is so achingly beautifully written.
“Will we never move on, Yora thought, or will it color the rest of our lives? The old ones said the past was never gone; perhaps they were right. It lives within us still, he thought: each day brings its own ghosts. Each day the wounds reopen.”
The Book of Fallen Leaves is a Samurai saga retelling, and though I’m not familiar with the original tale, I’d love to discover more. The world is set in feudal-Japan and therefore the remaining POVs serve to illustrate the Empire’s political conflicts. My beloved Yora, once Captain of the Imperial Guard and now turned a poet and adviser, was a character who was filled with deep regret and sorrow. He had seen too much bloodshed, he knew the true meaning of loss, of betrayal, but he also knew that a fight was coming and was desperately trying to keep the peace. Kai, also a Gensei heir (being Yora’s niece and Sen’s older sister) remembers her father and is determined to restore her family’s place, to take back their lands and their rights. She however, is no warrior, she’s never had experience leading her people, but when she runs out of political negotiation options, a choice to fight or kneel is all that’s left to her. Yaeko on the other hand, being close to the Keishi clan, gives insight into how the coup is being played out. Yaeko goes through much conflict as she’s forced to fight against those she once stood beside, as she leaves behind her family’s beliefs and carves her own path. This is a very political heavy book, one that explores the history of the lands and the clans which have shaped the way the world is at present. Tamaki fantastically portrays the intricacies of an Empire facing political strife because of this history.
A true highlight of the book for me was the philosophy that Tamaki injects into this narrative—it amazed and awed me with its depth. The philosophy is oh so stunningly written with lines and imagery that really makes a reader think. For example, through the monk Jobo, who teaches Sen a lot, we are shown that Sen won’t kill a sacred serow, he does not wish to take life, but Jobo reflects that to be a warrior innocents will be killed by your hand. Tamaki begs the reader to consider what it really is to be a warrior, a samurai, even an emperor. What is the true horrific reality of war? What is it to take a life? The entire story explores the balance between peace and war and when is the right time to fight. Is there a right time? Whereas the first half of the book saw our characters pushing for peace, the second half turned into an all out battle as the clans collided. The action here was incredible, vividly detailed and the fear, the guilt, the primal urge to survive was perfectly portrayed. Tamaki is a clever writer indeed as again, he represents two sides, within the novel there is the calm and the chaos.
This was a book that very much embodied everything I love: characters with emotional complexity, a dark war torn world with myth and monsters, a story grand in scope. Tamaki has delivered a masterfully written debut, one that every fantasy reader needs to devour.
“If you gain power on the merit of defeating a tyrant, who will you be when you take the tyrant's place? You want to be a better ruler: good. But you’ll still be sitting in the exact same chair. That’s what I fear.”
ARC provided by Nazia at Orbit Books in exchange for an honest review—a huge thank you for the copy! All quotes used are taken from an ARC and are subject to change upon publication.
Set in a feudal-Japanese-inspired world on the brink of civil war, violence and civil unrest allows ancient demons to break free and seek vengeance. Sen Hoshiakari is an exiled prince of a disgraced clan, determined to reclaim his family's lost lands and honor. Rui is peasant girl who saved Sen's life and is now seeking purpose for her life.
…our futures are not a river flowing in time, rushing directly to one destination. They are like pages in a book, among a vast uncountable library of books. Your futures are there: you may choose one. Or not. You may end up in a different book altogether.
Where this failed me was the overload of names and events with a feeling that it was too slow. This was slow-paced with the plot only getting moving at around 50%.
I liked both our main characters even if they felt like slightly more fleshed out caricatures. I loved being immersed in the historic Japanese world even if I wished there was more culture. I love political intrigue, however this lacked nuance and was more blunt violence.
I appreciated that the characters were working within a corrupt, broken system. Furthermore, by getting 5+ POVs, you can see the situation from different angles. Then again, they didn’t feel distinct enough.
Spring will come, and with it, flowers, the bloom of fleeting life, but none will be there to see them. Instead of music, you’ll hear the thrumming of horses on hard dirt. Instead of painting, you’ll see the vibrancy of blood. The bells would ring not for the coming of another year, but in mourning, for the dead.
As you can tell from my review, this had so much potential to be a new favourite. However, it just missed the mark each time. This is an impressive debut effort though.
Firstly, thank you to Orbit Books and the author, Alex Tamaki for trusting me with an ARC of The Book of Fallen Leaves, in exchange for an honest, un-biased review.
The Book of Fallen Leaves is an epic, east-Asian fantasy, filled to the brim with adventure, excitement, political rivalries, rival clans, Gods and Demons.
Somewhere between Game of Thrones and Shogun, this is not for the faint-hearted. It is a complex, and layered story, with a multi-narrative perspective that provides thorough insight into all sides of the warring factions that you can understand the reasons for all sides of the conflict.
At it's heart, The Book of Fallen Leaves is a story of dualities. From Sen and Rui, two young children cast off together, and their journeys into becoming more than each of them ever thought they could be - one high-born, one low-born, each destined to walk a different path. To two rival clans, each vying for the right and power to lead their people to victory. To the Gods and Demons that reside in the shadows, watching and waiting.
I want to reiterate that this is a complex story. There is a very heavy focus on the politics that have both preceded this story, and the ongoing tumult of both class, birth right, and duty, and it really needs to be savoured. This isn't a story you can speed your way through, it should be digested slowly and steadily.
In addition to the complex political landscape, there are a lot of characters, and thanks to the handy character summaries included at the start of the book, that does make it much easier on the brain when perspective shifts. But at times it be confusing, especially when these characters cross paths.
That said, I adored it.
It was everything I wanted from an epic samurai fantasy. It's visceral, it's real, and it's dark.
I genuinely think this book is going to blow up on release and everyone will be talking about it.
The Book of Fallen Leaves releases March 2026, I'd highly recommend giving it a look and adding to your TBR.
It is not perfect, but I think that is mainly due to the complexity. That could entirely be me, and that it took me a good 4-5 weeks to get through this because of life, and a desire not to rush.
What a fantastic book! This was absolutely 100% in my wheelhouse. I adore anything samurai or Asian inspired, and since The Last Samurai is one of my all time favourite films, this one immediately grabbed my attention.
For me, The Book of Fallen Leaves felt like the lovechild of an adult version of Across the Nightingale Floor and a battle sequence straight out of Shogun. The pacing is relentless and once it starts, it does not let up. The entire story revolves around a single, sprawling battle, but what makes it so compelling is how A.S. Tamaki tells it through multiple POVs. Each perspective adds a new layer , showing the politics, the personal motives, the spiritual undercurrents, and the eerie presence of magic and spirits that weave through the chaos.
Sen Hoshiakari is a standout and his arc is powerful and satisfying but I have to say my favourite POV was Rui. Her internal conflict amidst the external carnage was just chef’s kiss writing.
My only small gripe, I really wish my copy had a character list and allegiance chart at the start. With all the Japanese names and house affiliations, it took a bit to get my bearings in the early chapters.
But honestly, that’s a tiny quibble in what was otherwise a brilliant read. It ticked every single one of my personal boxes. Pacy, emotional, brutal, beautiful. I was hooked start to finish.
This book is well written but it's not for me. I'm not a fan of political intrigue on fantasy books. the character development is good. If you like political intrigue then you might like this book. Thank you to NetGalley and Orbit Books for the opportunity to read this book early on return for my honest review.
This is a book that will really appeal only to a certain type of fantasy reader. And I'm really glad that the author decided to tell this story. However, I personally could not recommend this book to others as political drama is not something I typically enjoy as a fantasy reader. This did not really have a ton of fantasy elements or world-building.
I really struggled to understand the characters and their motivations, it felt like all of them were pawns with no agency, and while I do understand that that is maybe the point, It didn't hook me. I didn't truly care for their cause and root for them as I felt that I should. The story was very slow and the jumping around to different characters was difficult and I felt myself constantly referring back to the family tree, also, I believed for a large portion of this book that Sen and Rui were siblings, as the family tree places them together in such a way.
Unfortunately this one was a miss for me, but the comp titles seem to be very apt.
This is a book that sits with the consequences of war longer than it celebrates its battles.
The Book of Fallen Leaves treats violence as something that lingers rather than something to be admired. From the start, warriors are not framed as heroes, but as people burdened by what they have done. Every act of killing, whether done out of duty or desperation, leaves a mark that follows the characters long after the fight ends.
One of the book’s biggest strengths is its atmosphere. There is a constant sense that nothing lasts. Lives, clans, and even brief moments of peace all feel fragile and temporary. The world is filled with rain, mud, snow, rusted iron, and quiet forests where spirits watch from the shadows. It feels old and worn in the best way, more like a tragic historical epic than a fast-moving fantasy adventure.
The magic in this world adds to that unease. Power is not something people control. It is something they ask for, often at a terrible cost. The gods are distant and dangerous, and every bargain feels like a risk to the body or the soul. The idea of balancing a calm soul against a violent one runs through the story, reinforcing the question at its core: how do you survive in a world shaped by endless cycles of bloodshed?
The emotional heart of the story is Sen Hoshiakari and Rui Misosazai. Sen resists the warrior’s path he was born into, while Rui struggles with the loss of innocence forced on her by violence and circumstance. Their connection is quiet and restrained, shaped by shared trauma, rigid class divides, and long stretches of separation. Side characters, especially Yora Shijin, deepen the tragedy and show how even well-intended choices can lead to lasting harm.
This is not a fast or easy read. The pacing is slow and deliberate, with lengthy sections devoted to travel, politics, and introspection. The terminology can also be dense at times, especially in the early stages. Combined with the consistently somber tone, this kept me at a slight distance, even when I appreciated what the book was doing.
As a debut novel, The Book of Fallen Leaves demonstrates considerable confidence in its voice and themes. While it did not fully win me over as a favorite, it left a strong impression. Readers who enjoy character-driven tragedies and reflective, atmospheric fantasy will likely find a lot to admire here.
I really really wanted to like this one. Sadly, I could not grab the characters and was confused by alot of things. The premise is SO promising and I loved the raw material, the vibes and the vision I were abel to sense. This will be different type of review compared to my normal ones.
My problems: My biggest problem was the many many POVs and time jumps used to portray the different characters and their backstories. This made it very difficult for me to figure out who the character was and what made them tick. As a result, I could hardly connect with anyone. Normally, I really love Multi-POV-stories, even if they are many of them. Then, in the backstories, many secondary characters appeared that I couldn't place at all. Which clan was that? Where does this character belong? What is the connection? Do I need to remember them? I would have liked to have had an overview of this, perhaps it is included in the finished printed book.
Another point was the many unique terms. In a Japanese story, I see the point of using the addresses and unique terms, simply for more authenticity. Unfortunately, I don't know a single one of these words and often didn't know how the person was addressing the other person. As a friend? Belittling? Respectfully? Derogatorily? I would have liked the term to be explained shortly afterwards so that I could store it in my memory and understand it next time. Something like "thank you Thomas-kun", she said and used the informal but lovely suffix, which made Thomas feel like x". Or just put them in the glosarry if thats bad for the flow!
Positive side: I definitely got Shogun vibes and also a bit of Princess Mononoke, as some ARC reviews had mentioned already. If you like lots of POVs, complex characters and very extensive political world building (sadly not in the clans tho), you'll definitely find what you're looking for here. It's a little bit like Ken Liu's Grace of Kings, which I personally also really liked. but with samurai and feudal Japan, obviously.
Overall: I'm very sad that the book wasn't for me after all. Maybe I'll give the published book another chance, but for now I'm left feeling confused and a little frustrated.
**My thanks to Orbit Books for providing me with an advanced review copy via NetGalley**
2.5 stars
I was hoping to love this new epic fantasy beginning to a series, but I struggled to invest in either the characters or the overarching plot. The story is set in a Japanese warring-states-era-inspired empire. The previous generation featured one successful rebellion against the ‘Demon Emperor’ and one failed rebellion against the new emperor; this generation must now confront whether life is serviceable under the current regime or if a new rebellion is in order.
A big issue I personally had with the book was the fact that I went into it expecting more fantasy. I had expected that there would be some magical or supernatural elements, but (excepting the prologue, which could have been metaphorical) nothing fantastical happens until 45% of the way through the book.
The book is also much too long for the story it’s telling. The characters spend a lot of time waffling in their own heads, and I feel that the book as a whole would benefit from a great number of cuts and edits to tighten the prose. While I enjoy fantasy books that take the time to appreciate the natural world, the references to nature were (though frequent) so vague as to be meaningless; I was left not with a feeling of connection with the natural world but of waiting for the characters to finish performing that connection.
The characters were memorable, but not particularly interesting to me. I was disappointed that Sen and Rui, two of the main characters, enter into a romantic relationship, as I didn’t really feel any chemistry between them. Rui was also an especially frustrating point-of-view character to follow because her chapters felt repetitive to me; she frequently retreads old ground and seems to lose the insights she had made in previous chapters. I was more interested in the characters who started or remained allies of the corrupt chancellor, such as Yora and Yaeko, who become genuinely conflicted about their own choices and actions.
I will not be continuing with the series, but I’d recommend you try this book if you’re a fan of slow-burn low-magic fantasy settings, Game of Thrones by George R. R. Martin, or Shogun by James Clavell.
The Book of Fallen Leaves is described by the publisher as, “Shogun meets Game of Thrones.” Those are some high expectations and enormous shoes to fill. That along with the premise made this a must read for me. Speaking of premise- A prince whose family is betrayed and destroyed is stripped of his title and cast into exile along with a peasant girl who saved his life. Together they set out on a dangerous path of vengeance and survival navigating a fractured empire.
The best part of this novel in my opinion is the character development. They are complex with unique personality’s including distinct strengths, weaknesses, quirks, and flaws making them relatable, human. This makes it easy to emotionally connect and feel invested. Our MC Sen is layered and struggles with vengeance, honor and morality. Even Rui feels like so much more then just a side character. She goes from tragic to an active participant where her choices deeply affect the course of events.
The world building is not for the weak. Its heavy and detailed making it feel dense at times. Then there is so much political tension and clan rivalries that lead to battles on an epic level, and that is where Tamaki’s writing shines. Tamaki’s descriptions of battles are cinematic, vivid, and immersive. Then we have the supernatural aspects, Gods, demons, and mystical entities that influence the mortal realm. This adds another level of depth. I will be honest, it will take a bit to set up and get started but it is well worth the wait.
Unfortunately, The Book of Fallen Leaves was a huge miss for me.
I'd like to start by saying, I can see why this book will appeal to a wide audience of people. It involves an intricate world of politics with a treacherous history; there are complex bonds between the clans and individuals vying for power on all sides. The action scenes are vivid and graphic, the demons dread-inducing.
However, it took way too long to get started, and by the time it felt like we were moving along in the plot, I think I had already lost interest. Sen and Rui were definitely my favourite POVs, especially early on when Sen joins the monks. But overall, I didn't feel attachment to any of the characters; there definitely wasn't enough for me to be invested in how the power plays affected them.
The description implies that there would be a lot more focus on the supernatural, and the opening scene with the demons is instantly gripping, and then they're gone for the majority of the first half of the book. When they returned, there was no real context or explanation for them other than a brief mention of the curse. I felt lost with a lot of the fantasy elements, both the demons and the gods, and though I understand this may be due to a lack of cultural knowledge on my part, it still lessened my experience.
I received this as an ARC from Netgalley, but unfortunately, I am putting it down at 25%.
I love political intrigue in fantasy novels, and this sounded like it would be along those lines. But there's something very off about it. I think it needs a better edit job. The political world isn't explained that well - yes, there was this traitorous event in the past which set the stage for most of the characters, but there are (I think) 2 factions of monks and you aren't really told much about them, there is a retired emperor hanging around with some of the monks, and then a chancellor who seems to rule while the new emperor does???
Long sections where the main characters just think about things. And then huge jumps in time with nothing to show for it - one character is training with one group of monks, and clearly is meant to be learning patience, but just when he seems to grow a bit, we are told "months passed" and then suddenly he's whining because no one has given him a weapon to train with yet. I thought there was far too much telling instead of showing.
Usually I can manage numerous characters but sometimes they are called by their title, their family name, or given name and it took time to sort that out.
I like the premise and concept, but the execution fell flat.
DNF at 15%. The book aims for epic fantasy in the vein of The Poppy War, drawing instead on feudal Japan. The premise is promising and the raw material for a compelling story is there.
Unfortunately, the execution is worse than Ken Liu’s own misstep (The Grace of Kings) in similar territory. The prose is almost physically painful to read—clunky, juvenile, and paired with dialogue so artificial I questioned the editors’ and publishers’ judgement. The early worldbuilding is unclear, confusing, and lacking coherence. The story also feels like a vehicle for the author’s enthusiasm for violence and samurai combat rather than plot, characterisation, or any meaningful literary substance.
I couldn’t bring myself to continue. A miss for me, and not one I can recommend.
Thanks to NetGalley and the publisher for providing a copy in exchange for an honest review.
The moment I saw the comparison of this book to Shōgun meets Game of Thrones, I was instantly intrigued. Unfortunately, my reading experience fell short of those expectations.
Where the book truly shines is in its battle scenes—bloody, intense, and suspenseful. Combined with the political intrigue, it made for an engaging plot. I also enjoyed the folklore surrounding the forest spirits, which carried a dark, haunting Studio Ghibli–like quality.
My main criticism is the lack of world-building. The Japanese-inspired setting was one of the key factors that drew me in, yet I never felt fully immersed in it. I would have loved more thorough descriptions of the culture, language, beliefs, and setting. As an avid epic fantasy reader, I enjoy large casts, but the way the cast expanded made it difficult to keep track of who was who. The time jumps and rapid shifts between character backstories added to the confusion. While the character list at the beginning was helpful, a one-page visual aid or genogram would have been even more effective.
In the end, the book didn’t completely land for me, but I still recommend it to epic fantasy fans who enjoy heavy political elements and intense battle scenes.
Thank you to NetGalley and the publisher for the ARC!
I think this one had a lot of potential, but sadly missed its mark. I was so confused by all of the characters most of the time. If it wasn't enough that this is written in a multiple POV, we were constantly introduced to endless side characters that weren't even relevant. For me, it got to the point that I didn't even know who I was reading about until I read a few paragraphs of the chapter. The book could use some information about the clans and who was a part of which one to allow us to get situated from time to time. I really enjoyed the main plot and could (with some difficulty) follow the overall story, but the writing left so much to be desired. The prose was not consistent throughout the book, sometimes it was as if we were reading coherent phrases and others it was as if we were watching the characters have an unclear train of thought. I also found the book to be unnecessary long and that the author was trying to reach a lot of places at the same time, ending up leading nowhere. There was a lot of unnecessary description of violence, and instead of delivering us an epic battle, all I could think when I was reading about it was ending the book. Also very confused by the ending, and not in a way that has me wanting to read the next one if it comes out.
I can't tell if this book isn't for me or is just bad. Maybe a bit of both.
The premise sounds really interesting, but it failed in execution. I think the issue is I'm under the guise of a different kind of story than the one it gave.
The pacing is rather slow. Every time I thought something was going to happen action-wise, I was met with more talking/dialogue. I just kept waiting for something to happen and every morsel was just so minute that it left me tilted. Halfway through the book and I still have no clue what the real plot is, or where we're even really headed with the story. Sen, exiled but of blood. Rui, an orphan girl? Everyone else? Big question marks. Like why are we here? At the same time, I think the author was caught up in the plot itself, because I had zero sense of space because the environment isn't detailed enough and I have no idea what the world is like. The worldbuilding feels nonexistent and like the author just pulled from this magical place in their head and failed to somehow explain it to the reader.
I also just didn't care for any of the characters because there's very little or no emotional connection made with them.
I thought this was an excellent opening to a series that reminded me a lot of the famous movie director Kurosawa’s more politically based works like Ran and Throne of Blood. The setting in this book is clearly inspired by feudal Japan and it can be a little bewildering getting used to character names that might sound unfamiliar to western ears and the many factions involved in this world but luckily there is a handy character list and most of the small handful rotating points of view are limited to one clan. I found it pretty straightforward quickly.
I found the characters to be interesting but I wasn't as completely invested in them as I would be in a five star novel ranking for me but that is merely my personal preference. My favorite part of this book is the setting because I am starting to be a huge fan of fantasy set in non European based settings like Liu’s Grace of Kings and Lee’s Green Bone Saga. If you enjoyed the mentioned books you will probably enjoy this. The story is a familiar one of a prominent family betrayed and their power diminished while the survivors grow up and want to right past wrongs done to their family; so it is a story that can feel both familiar and very different. Looking forward to more books like this!
This debut has me instantly excited for the rest of the planned trilogy! I was hooked right away with the layered characters, sharp political tension, and raw battles. You’re dropped into a world of shifting loyalties and tangled families, where every choice and conversation hides something deeper. This isn’t a casual read - you have to pay attention - but the payoff is absolutely worth it.
The book thrives on contradictions: warriors vs scholars, gods vs demons, the violent vs tranquil soul. There’s never a “right” decision for the characters, and watching how the leaves fall is the story itself. When the violence hits, it hits hard - one of the best battle scenes I’ve ever read, brutal and impactful. Tamaki even shifts the narrative style in moments of tension to be sharper and more fragmented, heightening the emotion. I tore through the final stretch in one sitting. This is not one to miss and I hope it finds its audience!
Thank you to NetGalley, the publisher - Orbit, and the author - A. S. Tamaki for providing me this ARC in exchange for an honest review.
I thoroughly enjoyed the storyline overall, despite struggling to remember the different characters and their backstory. The way the author writes from different points of view, was well done. The book could do with a page or two showing the different clan lines, something to give the reader a visual to picture and internalise.
I have given this book three stars, which for me means it is a good book. A great book is four stars and those rare, exceptional books are five stars.
I had to keep asking myself “who are they again?” - which is why this is only three stars.
I would recommend this book, especially if you like Japanese culture and have a love of the Samurai!
The Book of Fallen Leaves is the book of my heart. It's an epic tale of family, honor, love, revenge, and dark magic inspired by my own heritage, featuring a cast of heroes and villains, gods and monsters and characters that have been in my mind for years… Hope you like it!
The Book of Fallen Leaves by A. S. Tamaki is a masterfully composed, brutally enthralling fantasy epic with notes of Martin, Clavell, and Inoue. Tamaki's debut is already a 2026 Book of the Year contender in my eyes. Bookmark it.
The Book of Fallen Leaves by A. S. Tamaki is an epic fantasy that is packed with political rivalries, samurai warriors, noble houses, monks, gods, and demons in a world inspired by feudal Japan. Inside this complex story, there are three primary noble houses vying for power and supremacy. Political lines are continually in conflict, rivals are hungry for revenge, and loyalties are regularly challenged and defended. Although peace has been in place for years, it has been teetering on the edge of another war for power as tensions escalate.
Tamaki creates a world with a diverse cast, where each character has their own motivations, from wanting revenge to finding themselves, wanting to maintain peace, or just survive. The primary characters followed are orphans of war, one from a warrior family and the other from a peasant family. Warriors and other survivors from the past war are also followed. In addition to the warrior samurai, monks, demons, and gods, several very strong female characters are featured. The plot is filled with emotional politics, battles, and heavy loss. I highly recommend this book to those who are seeking an epic fantasy taking place in the samurai age of Japan.
For me, this was a challenging read because of its multiple character narratives, wide array of cast members, and Japanese naming conventions and rituals. Working through those challenges was worth it to better understand the culture this story is inspired by and the characters that live within it. I mention this not as a negative but as a suggestion to anyone starting this book to come into it with an open mind, especially if this is your first fantasy story heavily focused on Japanese culture. The first 60% of the book is world building and setting the battle lines between the feuding clans. The remainder of the book is phenomenal with its conniving politics and violent battlefield scenes. I’m looking forward to the future releases in this series to dive back into its richly complex and vibrant world.
Thank you, Orbit, for providing me with this book for review consideration via NetGalley. All opinions are my own.