Altaica is essentially the story of the meeting between two civilisations, one fleeing from war and destruction, while the other heads for it. The Arunabejarians have fled their homeland from the murders and raids of the Zaragarian tribe, journeying across vast waters with limited supplies on an old barge. Emotions are tightly strung between friends and lovers and the questions of ethical actions for survival are tried by many and hope dwindles as conditions worsen.
Meanwhile in the land of Altaica, the feuds between the Boar, Horse and Bear clans are resting an an uneasy peace. Through spirit travelling, the rumour of the strangers coming from across the sea soon reaches the ears of the clan lords, Shajahan, Baldev and Karan. Suspicion rises up, but there are people on this barge who could potentially be of great use to them. As each clan vies for power and the fates of the off shore strangers become intertwined with their own, they all must choose which side they are on, and decide if what they're fighting for is right.
As a fantasy adventure novel, I loved the new and refreshing definition of the 'fantasy' in this novel. Choosing instead to base the world of the book, the religion, cultural traditions and instruments on a more Turkish based mythology (rather than the mainstream celtic/gaelic/nordic mythology that seems to be in so many fantasy novels these days) the novel had a very unique and raw quality to it. The whole book is a much more earthy and tribal rather than mountainous with dragons and fairies.
While the story begins and centres around the character Isaura (who was an outsider back in the land of Arunebejar already), I really liked the characters Pio and Asha. Pio is the son of Isaura's friends Nicanor and Lucia. He was so energetic and trusting and had an insightful matter-of-fact innocence about him which was endearing and also commendable and sobering at some points as he showed wisdom beyond his age. His role really helped the two cultures connect simply by putting himself out there and trying to connect with strangers. He is brave, yet respectful and obedient and I was admiring his character all the way through the novel. I love his care of Isaura and I can't wait for them to work together more in the second book.
Asha was a strong, yet cool-headed character and regardless of her situations, she remained strong and resilient. She broke the stereotypes and in general I just loved that she was a fighter, for both what she thought was right ethically and morally and what was right strategically. I also really admired how she was written as equal among the many men. I think it is so important to have characters who do break those stereotypes, especially in fantasy novels which are generally very male driven.
However, particularly at the beginning of the book, I felt the pace was so slow. And not only that, but it was slow without being descriptive. I think it took me a good ten chapters before I started to get into the book. The whole escape from Arunabejar felt like it was too quick without enough description to impact the reader emotionally and therefore unable to connect with what was happening. However in all this, their culture, their back stories were skimmed over or only mentioned briefly which made it quite confusing and while I appreciate the idea of being thrust into the world of the novel, I felt like I still needed support and more description.
I also wasn't the biggest fan of the omniscient third person switching between different people's point of views without breaks. It was quite confusing to sometimes switch between one person's third person inner discourse to the next moment, another person's inner discourse. I found it really jumpy, which also disrupted the speed and engagement with the novel. This occurring in the first ten chapters, confused me as whose story was being told and who the characters were. I felt that things were shown rather than told, which is usually okay, except that everything was shown and addressing character relationships got dragged out a lot. This was understandable since the group was fleeing and everything was happening quickly, but it felt too quick at times, like the action was being skimmed over as well. I felt at times there was almost unnecessary information being described, which could have been used to quickly unpack different characters earlier on in order to create a relationship with the reader. Things like the history and relationships between different people and friends could have been explained through inner discourse, flashbacks, references or character discussions in a much more succinct and engaging way rather than displayed and played out for ten chapters on the boat. This unfortunately did drag the book down a lot for me, although I do understand the need for world building, I just felt it could have been done better.
This isn't to say that the second half wasn't brilliant. I really enjoyed the build up of tension in Altaica between the clans and thought the description of the land was a lot more solid and thought out than the Arunabejar land. I loved the characterisation of Lord Shahjahan and Ratilal, and the character motivations were very strong for these two which gave the book energy and passion. The passion and loyalty that the Kenati warriors had in representing their clans and their moral choices also gave a very raw and traditional air to the Altaica half of the novel.
As for the mythology, I was very impressed by the originality the use of Turkish folklore and history gave the magic use and cultural and religious traditions. I can't wait to learn a bit more about Altaica and hopefully be exposed to more Turkish based mythology. The world of the book is evidently well researched and you can tell Joyce loves the world she writes in.
3 out of 5 stars to Altaica for a refreshing spin on fantasy and a wonderfully cultural, tense and exciting second half!