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Software Business: 13th International Conference, ICSOB 2022, Bolzano, Italy, November 8–11, 2022, Proceedings
This book constitutes the refereed proceedings of the 13th International Conference on Software Business, ICSOB 2022, which was held during November 8-11, 2022 in Bolzano, Italy. The special theme of ICSOB 2022 was “Software for Digital Transformation”.
The 19 full papers together with 6 short papers presented were carefully reviewed and selected from 53 submissions. The conference is covering different aspects of Digital Transformation, Software Startups, Software Ecosystems, Software Processes, Platform Economy, Software Sustainability, and People and Process Analytics.
The 19 full papers together with 6 short papers presented were carefully reviewed and selected from 53 submissions. The conference is covering different aspects of Digital Transformation, Software Startups, Software Ecosystems, Software Processes, Platform Economy, Software Sustainability, and People and Process Analytics.
678 pages, Kindle Edition
Published October 28, 2022
About the author
Noël Carroll
78 books55 followersNoël Carroll (born 1947) is an American philosopher considered to be one of the leading figures in contemporary philosophy of art. Although Carroll is best known for his work in the philosophy of film, he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history.
As of 2012, he is a distinguished professor of philosophy at the CUNY Graduate Center. He holds PhDs in both cinema studies and philosophy. As a journalist, earlier in his career he published a number of articles in the Chicago Reader, Artforum, In These Times, Dance Magazine, Soho Weekly News and The Village Voice. He is also the author of five documentaries.
Perhaps his most popular and influential book is The Philosophy of Horror, or Paradoxes of the Heart (1990), an examination of the aesthetics of horror fiction (in novels, stories, radio and film). As noted in the book's introduction, Carroll wrote Paradoxes of the Heart in part to convince his parents that his lifelong fascination with horror fiction was not a waste of time. Another important book by Carroll is Mystifying Movies (1988), a critique of the ideas of psychoanalyst Jacques Lacan, Marxist philosopher Louis Althusser and the semiotics of Roland Barthes, which has been credited with inspiring a shift away from what Carroll describes as the "Psycho-Semiotic Marxism" that had dominated film studies and film theory in American universities since the 1970s.
As of 2012, he is a distinguished professor of philosophy at the CUNY Graduate Center. He holds PhDs in both cinema studies and philosophy. As a journalist, earlier in his career he published a number of articles in the Chicago Reader, Artforum, In These Times, Dance Magazine, Soho Weekly News and The Village Voice. He is also the author of five documentaries.
Perhaps his most popular and influential book is The Philosophy of Horror, or Paradoxes of the Heart (1990), an examination of the aesthetics of horror fiction (in novels, stories, radio and film). As noted in the book's introduction, Carroll wrote Paradoxes of the Heart in part to convince his parents that his lifelong fascination with horror fiction was not a waste of time. Another important book by Carroll is Mystifying Movies (1988), a critique of the ideas of psychoanalyst Jacques Lacan, Marxist philosopher Louis Althusser and the semiotics of Roland Barthes, which has been credited with inspiring a shift away from what Carroll describes as the "Psycho-Semiotic Marxism" that had dominated film studies and film theory in American universities since the 1970s.
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