I was very very disappointed in this book, for a number of reasons, and by the looks of it, I may just be the only one. I'll first put this with a disclaimer that if you did love this book, like many others have, this is not an attack on you (or by extension, the author). I think it is great that people can find love and joy where they can, especially where I cannot. And I did not find it in this book.
I had two major issues with this book: Gavron and the lack of nuance. Also some issues with the supporting cast, but we'll get to that. I realize that a lot of these issues are likely to be a Me issue. I may very well be growing out of YA--as I'm now out of teens officially--and I've also started working and pursuing a degree in psychology and education. I take education very seriously, especially the decorum of teacher and student. I also had an experience in high school with a teacher who did not respect this decorum with my peers--someone a lot like Gavron: tall, handsome, older but not old enough to be considered creepy, but rather alluring. I am having to confront these memories and suspicions as I go through my career, so the visceral reaction I had to this book may be due to that. However, I do think what I have to say does bring some value.
First, I found Gavron to be completely unlikeable. I found him to be completely hypocritical and overly severe to Fin, even after the big reveal of him being somewhat controlled by Big Bad. There's a scene in which Fin says she can stand by herself, against Gav's wishes. In response, Gav holds her down, drains her of some more of her blood, and smugly tells her that she can either listen to him now and drink his blood or die. This is after they've built up a relationship and are friendly with each other, and just read as very wrong to me, especially considering all that we know about Fin. Also, Gavron then proceeds to send Fin into something even worse than slavery: enthrallment.
In enthrallment, one is not even given the dignity of protesting--her nos are changed to yeses based simply on the wishes of the vampires around her. She is a blood bag. And while Gavron says that no one will bite her because yada yada blood mate crap that's leftover from a SJM novel, and that she can blithely defend herself from others if they hurt her, that doesn't mean the other freaks in the castle can't be creative. One vampire, Yuhan, has her crawl and constantly torments her with blood that Gavron has disallowed her to drink. Also, note, I find it funny that Gavron gives her permission to fight against people, despite the fact that the narrative constantly tells us that she will always be outmatched by these older vampires.
Fin has a large amount of abuses fostered upon her, not to mention being in a "I Have No Mouth and I Must Scream" situation, yet the narrative never really holds Gavron, or any of the other perpetrators, accountable. Fin isn't ever really angry with Gavron, and instantly assumes he must have some reason he is doing this to her. Even when the insufferable supporting cast, and Marai (the one star is for her), point out the terrible things Gavron has done to her, all she can say is, "But he loves me." There is something so hauntingly sad and terrifying about that, but the narrative presents her as being completely in the right. After all, it turns out in the end that Gavron WAS being controlled by Big Bad who is only revealed at the end, and thus is absolved of all guilt. Hell, he doesn't even really apologize, he just makes some vague comment about it and Fin instantly assures him that she forgives him, despite him not even really alluding to being that sorry.
This has happened a lot in YA romantasy books, to the point that it has become disturbing. Something will happen in which the love interest is given complete free reign to be an absolute shithead to the main character, to the point of actively physically harming them, when suddenly--WHOOPS--the rug is pulled out from under us! The LI wasn't evil! In fact, he has suffered just like main character, if not more so! Yes, actually, even more, so therefore he has no reason to show remorse for putting her into slavery. He was actually being mind-controlled, or he was being forced to do it, or it was actually for the main character's own good! A Court of Roses and Thorns did it, Furyborn did it, and countless others. I find it somewhat emotionally manipulative of the narrative, and I hate this flippant set-dressing attitude we have towards two lovers beating the shit out of each other. This is an easy way for the author to make the plot grittier, or bloodier, or what have you, without actually looking at the implications. I know what many people are thinking--it's just a fantasy book where the dude was getting mind-control, it has no reflection on real life--and I would have to disagree full heartedly.
Fantasy is in the special place in which it can depict important events without potentially running the risk of retraumatizing those that are reading it that have experienced something similar. You could write an abusive and obsessed parent, sure, but you could also write it as a parable about an evil witch posing as your mother to lure you into another world and will never let you go (Coraline). You could write about the mentally aging effects of war on children, or you could instead write a fairy tale in which children go to a beautiful yet cruel fantasy world in their wardrobe, age emotionally and physically, only to step out and once again be expected to act like children despite what they've seen (Narnia). There's so much you can do with this, especially for YA, and it's so sad that it isn't used a lot in this age group, because there's a lot of potential.
Anyway, nothing exists in a vacuum, even fantasy books. I'm fed up with watching the heroine get the shit kicked out of her or have all her dignity sapped out of her by the male lead only to have no reason to be mad at him in the end. I'm tired of acting like this doesn't bother me. It's a trope that not a lot of people talk about, and it's stupid.
Also, the whole vampire-human relation thing was pushed to the side, in my opinion. I felt there was little commentary on how fucked up it is that vampires will keep humans impoverished only to dangle this reward of becoming one of them in front of them, like a taunt. There's a mention of children being marked by wearing a certain house's colors around their neck, that they're picked from a young age to be groomed into vampirehood. I mean, that seems like a huge ass setup for some terrible things to happen, like what? Again, mentioned in passing. Foundlings--the rando children found in backwater villages--are treated like fodder to the vampire trials, and are treated like shit by the likes of other vampires, Kashire. Again, while Fin and Gavron (UGH) make some remark about protecting humans from vampires, Kashire is still readily accepted as "family" by them. There were no humans--other than Marai and Fin, who turn in the end--that meaningfully impacted the story. They were all faceless and generic.
Another thing I find funny in a bad way is when the Blue Court says in retaliation to Fin and Gav's annoucement: "B-b-but if we don't oppress the humans, they'll burn us on the cross! They're just as bad!!!" And it's like, gee, wonder why? It's almost like you basically enslaved them and treat them like cattle. Hmmm, real thinker, that one.
The book could also get torture porny at some points as well. Fin just goes through the absolute fucking ringer. She's called a whore by her female love interest (who is taken out of the story immediately, then shows up again, only to be immediately taken out again), she's stabbed by Kashire , gets mauled by werewolves by her stupid as fuck Maker, forced into enthrallment, etc. etc. It just goes way too far, and like I said, there's no catharsis of her getting back at this people. They "become her family" in the end. It's just so cruel and bloody--and I'm fine with books like that, but I want the protagonists to be cruel and bloody right back to those fuckers. Maybe I'm just a vengeful, unforgiving bitch, idk.
Side Note: I also think this should have been adult. I think some of the issues I had with this would have been lessened if done so. I know with adult romances that have fantasy elements you just need to shut the fuck up and enjoy the ride, but--ironically--I do like to hold YA to some standards, due to certain messages that are probably going to reach very impressionable teenagers. I mean this in regards to the fucked up love interests and toothless main characters, not sex, I don't really have a hat in that race.
Anyway, this did not deliver on the badass protagonist like I was promised. No hate whatsoever to the author, I still think their debut novel was absolutely wonderful and good asexual rep, but I just couldn't stand this one.