Join the Gods Squad in the third and final hilarious new installment of the Oh Maya Gods series! Vesper and Aster need Excalibur to save the world. At the top of Glastonbury Tor, they find an elevator down to the enchanted realm of Camelot, where Arthur has been waiting for this day.
The elderly King and his loyal knights snap to attention – at last they have a quest! But Excalibur will only serve its chosen master. What would anyone do with such power?
The third and final instalment in the laugh-out-loud bestselling series.Over half a million copies of Maz’s books sold.Ties in neatly with KS2 curriculum as readers learn about mythology and Arthurian legend.Full of epic adventure and big laughs!
PRAISE FOR THE
‘Proves again that Maz is one of the very finest storytellers we have.’ PHIL EARLE
‘Maz Evans reigns supreme as queen of godly comedy. Oh Maya Gods! is hilarious, whip-smart and full of heart.' AISLING FOWLER
‘Hilarious with a bolt of genius – her best yet’ M. G. LEONARD
A perfect ending to a perfect series! Maz Evans ended the series with a hit... great way to finish such a magical adventure.
I really enjoyed this book (and the rest of the WLTGO set, to be honest), and I managed to learn a lot more about the Arthurian period of history. I love Maz's incorporation of different areas of history, and I found it the perfect combination of happiness and mystery.
A perfect finale to the 7 part series! While the book can seem like a drag with so many side quests and storylines, it wraps up quite well, in the end. In fact, having been invested in this series for over a week, it seemed like an extremely emotional, if not "optimal" (you'll get the reference if you read the books), moment.
My gosh. My gosh. I’ve laughed (a lot). I cried. I gasped. There’s so much goodness in this! There’s old faces, new faces, surprise appearances. Knights, jousting, daemons of death, tournaments, secrets, lies… and family. I just adored this so much.
Whilst I loved exploring the mythology of different civilisations and seeing Max Evans’ fun take it just doesn’t compare to WLTGO. The emotional investment was not there, the stakes did not feel high despite it being apocalyptic. The stakes felt high in WLTGO because of Eliot’s Mum you felt the anxiety, the fear, the hope and that emotion carried through to cement the apocalyptic feeling because their where personal high stakes. However, here the emotional beats seemed to fall a bit flat perhaps too overtaken by the need to say something funny or pop cultural. There wasn’t enough room for the emotions to breath or grow and become something a bit scary or uncomfortable in their closeness to reality. Children’s books can have realistic to life scary elements WLTGO (and all of Jaqueline Wilson’s work) shows that.