On Tuesday I was talking to someone about unknown unknowns. On Thursday, I popped into the bookshop to buy a copy of In Praise of Shadows by Tanizaki Jun'ichiro, and found this. I was intrigued, and when I'd paid for the Tanizaki said, "Ah, I'm thinking maybe I should have put this on the card, too." "You can have it," I was told, and I accepted it gratefully.
It's a small format, and only 23 pages. I read it today in perhaps twenty minutes, interrupted by a phone call at one point.
The most recent book I had finished, before this, was Effie Briest, by Theodor Fontane. If I had written a review of that, I was going to say that it was light, in a rococo kind of way, but extremely well observed.
However, reading this kind of thing (The Unknown Unknown), by which I mean, popular contemporary non-fiction, after a gap of unmeasured years, makes me realise that there is light and there is altogether frothy. Or, to put it another way, I think I have got into reading habits such that something as light as this piece by Mark Forsyth seems to me a Malteser rather than a meal. It seems, shall we say, gratuitously light. Example sentence:
"Testes to Tolstoy, that's what I say; and I say it in full knowledge of his vast reputation and beard."
As I said, gratuitously light.
And yet, I am forced to deduce that it is this fart-soufflé style of prose that one must cultivate if one is to engage the general reading public.
Or to deduce that it is widely supposed among writers and publishers that it is this fart-soufflé style, etc.
One of the two.
However, I think the central point of the book, that a good bookshop allows you to make serendipitous discoveries that are vastly harder to make online, is both sound and valuable, and, since it only takes about twenty minutes to read, I can't really complain.
I might be sending this book on to someone in the post. It's that kind of book, I suppose.