While investigating a spate of unexplained deaths in a remote village, Mumbai-based journalist Mamta learns of the a bloodthirsty entity that haunts the surrounding forests, leaving mutilated corpses in her wake.
As the villagers' terror grows, so does their dangerous suspicion of women. With lives on the line, including her own, Mamta is dragged into a race against time-all whilst trying to escape her traumatic past, which threatens to turn her own mind against her.
By bestselling horror writer K. Hari Kumar, Dakini is a thrilling depiction of human courage in the face of terrifying adversity, and of superstition dwarfed by the power of the supernatural. It is a tale that is not easily forgotten.
K. Hari Kumar is a celebrated author, screenwriter and filmmaker. He has authored 9 bestselling books with HarperCollins, including Daiva, Naaga, India’s Most Haunted and Dakini. He has penned the screenplay of Bhram, E and has appeared as a speaker on popular podcasts like The Ranveer Show, Dostcast, Speaking Tree, HT Smartcast, Aajtak, Radio One, etc. He currently hosts CHATURYA – THE FOURTH STATE, the trending Youtube Channel, where he explores fascinating tales and concepts from Indic Puranas, regional folklore, spirituality and global mythology.
K Hari Kumar's collection of horror short stories, India's Most Haunted - Tales of Terrifying Places, published by HarperCollins India is one of the highest selling horror story books in India. The Times Of India deemed it as a must-read horror book, and it was also listed in HarperCollins India’s hundred best books written by Indian authors. The Malayalam translation of India’s Most Haunted was published as Indiayile Prethalayangal by Mathrubhumi Books in March 2022. The book will be soon translated into Hindi as well.
Hari has been honoured with invitations to speak on his expertise at prestigious events such as Times Literature festival (Bangalore & Delhi), DAV United Literature Festival (Gurgaon & Delhi), Kumaon Literature Festival (Dhanacholi), Lit-O-Mania (Mumbai), and IISc’s Literature Festival (Bangalore). His insights have garnered attention from leading national newspapers, television channels, and podcasts, including the renowned The Ranveer Show that features India's top writers and film personalities.
Is there a playlist? Yes, I had a playlist that I used while writing this book. It features songs in English (Rock mostly), Sanskrit (Carnatic Progressive), Hindi, Malayalam, and Kannada. You can listen to it on Spotify here: https://open.spotify.com/playlist/2U1...
What is the genre of this book? Dakini is an Indo-Gothic epic horror that blends suspense and fantasy, drawing inspiration from Hindu mythology and folklore. It weaves a parallel psychological narrative, creating a unique reading experience that is both chilling and thought-provoking. It is a layered work that offers a complex interplay between the supernatural and the psychological, giving readers an experience where, as Stephen King once said, "Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win." This fusion of myth and the mind sets Dakini apart from traditional horror, adding depth to the genre.
Is the adivasi (tribal) village in the book real? The village of Birpoor, the nearby Kalibann forest, and the town of Lakhanganj are all fictional creations. However, they draw inspiration from real locations in the Terai region, a belt of marshy grasslands, savannas, and forests located at the base of the Himalayas in northern India and southern Nepal. To learn more about this unique region, you can visit: https://www.britannica.com/place/Tarai
Are the adivasi (tribal) community and balis (septs) mentioned in Dakini fictitious? Yes, the Adivasi community mentioned in Dakini is fictitious. While Dakini may draw inspiration from the real Adivasi communities, the portrayal of the community and its cultural elements in the story is a work of fiction. The term 'Adivasi' broadly refers to indigenous communities in India, but the specific group depicted in the narrative is not meant to represent any actual tribe or community.
Is the tree called Muloni real? The Muloni is a fictional tree, though it draws inspiration from real sap-producing deciduous trees. Its concept, particularly the sap and flower, is inspired by Kerala's famous Paalamaram, or devil's tree. This idea was then adapted to fit the types of trees found in the region where the story takes place, leading to the creation of the Muloni tree.
Is the protagonist inspired by a real life character? Mamta, the protagonist of Dakini, is inspired by not one, but three remarkable individuals. One of them is a Padma Shri awardee activist known for her work in uplifting women. Another is a journalist friend of mine, while the third is someone very close to me, whose identities must remain undisclosed. Together, they form the essence of Mamta's character.
SPOILERS
Is the villain named after a god? No, he is named after a demon—refer to his second name for the connection.
Is there a second part? No, but there will be more of Dakini in future.
Doing this FAQ inspired from author Silvia Moreno-Garcia's version of the same on Mexican Gothic's Goodreads page.
Dakini by Hari Kumar, is nothing short of a movie, with the blend of supernatural elements and psychological suspense making it a thrilling experience. The exploration of fear, superstition, misogyny, and the destructive power of the past is wonderful. It delves into the psychological impact of trauma and the ways in which it can manifest in unexpected and terrifying ways.
The story follows Mamta, a well-known journalist who ventures into Birpur on an article work and stumbles upon a series of murders happening in the village in the name of the supernatural force “Kaliban ki Dakini”, a vengeful female spirit from local folklore. On the other hand, Mamta also gets some dreams related to these incidents while grappling with her traumatic past, adding to the psychological aspect and making it even more thrilling.
The author masterfully builds the suspense, making it an unputdownable read. What makes it an excellent read for me is the climax. It just gave me goosebumps with the eerie setting and chilling backdrop.
Overall Dakini is a gripping and u settling read with addictive narration and highly recommended of you are a horror beginner like me.
Book: Dakini Author: K. Hari Kumar Publisher: Harper Collins India Published: 2024 Genre: Fiction-Horror ISBN: 9789362130143 Rating: 🌟🌟🌟🌟🌟
K. Hari Kumar’s (or K. Horror Kumar's) 'Dakini' is a tour-de-force in contemporary horror fiction that deftly weaves classic horror tropes into the rich and complex tapestry of Indian culture and folklore. The novel's brilliance lies in its ability to transcend geographical and cultural boundaries while remaining deeply rooted in the unique social and cultural milieu of rural India. By examining how Kumar integrates these classic horror elements with Indian cultural specificities, it becomes clear that 'Dakini' stands as a significant contribution to the genre, akin to the works of Stephen King, Ray Bradbury, and Mary Shelley.
The story follows Mamta, a Mumbai based journalist who ventures into the remote village of Birpur for a coverage and gets entangled into a situation of brutal, unexplained deaths. The villagers attribute these deaths to the dakini, a bloodthirsty entity from local folklore. As Mamta delves deeper into the mystery, she uncovers not only the village's dark secrets but also the darker recesses of her own mind, haunted by a traumatic past that threatens to consume her. The novel’s ability to blend the supernatural with psychological horror and social critique is reminiscent of the works of Stephen King, particularly in novels like "It" and "Pet Sematary."
Classic Horror Tropes and Their Indianization:
One of the most compelling aspects of 'Dakini' is its seamless integration of classic horror tropes into an Indian setting. Kumar's narrative is deeply entrenched in the elements that have defined horror literature for centuries—suspense, fear of the unknown, and the grotesque. However, he skillfully adapts these elements to fit the Indian cultural context, making the story resonate on multiple levels.
Much like the small towns in Stephen King's novels, Birpur is an isolated village where everyone knows each other, and secrets are hard to keep. The isolation adds to the sense of claustrophobia and dread, a classic horror element that is effectively used to heighten the tension. However, unlike King's fictional towns in Maine, Birpur's isolation is not just geographical but also cultural and social. The villagers' superstitions and deeply ingrained beliefs create an insular community that is quick to turn to paranoia and fear.
The Supernatural Entity:
The dakini itself is a masterful creation that draws parallels to various supernatural entities in classic horror literature. Much like the creature in Mary Shelley's 'Frankenstein,' the dakini is a manifestation of the villagers' deepest fears and superstitions. However, unlike Frankenstein's monster, which is a product of scientific hubris, the dakini is deeply rooted in Indian folklore. This adds a layer of authenticity to the horror, as the entity is not an external force but an intrinsic part of the village's cultural fabric. The dakini's grotesque depictions and the mutilation of its victims evoke the visceral horror found in the works of Stephen King and H.P. Lovecraft, yet its origins and manifestations are uniquely Indian.
Psychological Horror:
Kumar also excels in incorporating psychological horror, a staple in the works of Ray Bradbury and Stephen King. Mamta's internal struggle with her traumatic past adds a layer of depth to the narrative, making the horror not just external but also internal. The quote, "Tragedy, when it strikes, takes a piece of you," encapsulates Mamta's journey, much like how the characters in Bradbury's "Something Wicked This Way Comes" grapple with their own fears and insecurities. This psychological dimension makes Mamta a deeply relatable and sympathetic protagonist, her growth throughout the novel both believable and inspiring.
The Role of Women:
One of the most striking aspects of 'Dakini' is its exploration of the role of women in society, a theme that is both timeless and timely. The women of Birpur are viewed with suspicion and deemed untouchable during menstruation, a cultural critique poignantly illustrated through the quote, "Whether it is the humble abode of a village head or the grandeur of a royal palace, menstruation was consistently viewed as impure, rendering women untouchable, a grim reminder of a society where men attempted to define women." This theme of women’s oppression and empowerment is a significant departure from traditional Western horror, making 'Dakini' a unique contribution to the genre.
Social Commentary:
Kumar's ability to weave social commentary into the horror narrative is reminiscent of the works of Mary Shelley and Stephen King. Shelley's 'Frankenstein' is not just a horror story but also a critique of scientific hubris and social isolation. Similarly, King's novels often explore themes of societal decay and moral corruption. In 'Dakini,' the villagers' fear and subsequent actions are driven by deep-rooted superstitions, yet the reality of the dakini suggests that there is something beyond mere folklore. This duality adds a layer of complexity to the narrative, forcing both the characters and readers to confront their own perceptions of reality.
Atmospheric Setting:
The setting of Birpur, surrounded by dense forests, adds to the sense of foreboding and dread, much like the atmospheric settings in Bradbury's 'The October Country' and King's 'The Shining.' Kumar's descriptive language and attention to detail enhance the horror elements, making the scenes of terror and suspense particularly effective. The isolation of the village, combined with the villagers' superstitions, creates an environment where fear can easily turn into hysteria, adding another layer of tension to the narrative.
Character Development:
The characters in Dakini are richly drawn and multi-dimensional, each adding a unique perspective to the narrative. Mamta is an exceptionally well-crafted protagonist, her journey not just a physical investigation but also an emotional and psychological odyssey. Her struggle with her own mind, her fears, and her memories is portrayed with sensitivity and realism, making her a relatable and sympathetic protagonist. Her determination to uncover the truth and protect the innocent women of Birpur highlights her resilience and defiance against oppressive societal norms.
The villagers of Birpur are equally well-drawn, each character adding depth to the narrative. The village head, with his authoritative demeanor, represents the patriarchal structure that governs the village. His suspicion and eventual hysteria encapsulate the fear and superstition that grip Birpur. The women of the village, viewed with suspicion and deemed untouchable during menstruation, are portrayed with empathy and realism. This cultural critique is poignantly illustrated through the quote, "Whether it is the humble abode of a village head or the grandeur of a royal palace, menstruation was consistently viewed as impure, rendering women untouchable, a grim reminder of a society where men attempted to define women."
The supporting characters, such as Mamta's assistant Tara Bhattacharya, the village head (mukhiyan), various landlords, Oja Baba and Police Officer Parashudhar Pandey, are brilliantly written, each adding depth and complexity to the story.
Narrative Style:
Kumar's narrative style is evocative and immersive, drawing readers into the atmospheric setting of Birpur and the surrounding forests. His descriptive language and attention to detail enhance the horror elements, making the scenes of terror and suspense particularly effective. The pacing is well-balanced, with moments of intense action interspersed with quieter, introspective passages that allow readers to connect with Mamta on a deeper level.
Cultural Context:
One of the most compelling aspects of 'Dakini' is its exploration of superstition versus the supernatural. The villagers' fear and subsequent actions are driven by deep-rooted superstitions, yet the reality of the dakini suggests that there is something beyond mere folklore. This duality adds a layer of complexity to the narrative, forcing both the characters and readers to confront their own perceptions of reality. The quote, "If a husband forces his wife to have sex with him, without her consent, it is rape," is a stark reminder of the harsh realities faced by women in the village, further blurring the line between societal norms and individual rights.
Conclusion:
In conclusion, 'Dakini' by K. Hari Kumar is a masterpiece of modern horror fiction. Its rich thematic content, well-developed characters, and immersive narrative style combine to create a reading experience that is both terrifying and intellectually stimulating. The novel's exploration of societal issues, particularly the treatment of women, adds a layer of depth that elevates it above mere genre fiction. Kumar's ability to blend classic horror tropes with Indian cultural specificities makes 'Dakini' a unique and significant contribution to the genre. For readers seeking a chilling and thought-provoking read, 'Dakini' is an absolute must-read. It is a tale that is not easily forgotten, lingering in the mind long after the last page is turned.
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Growing up, the figure of a Dakini was a constant during Kali Puja—wild-haired, wrathful, and fierce, standing by the side of the all-powerful Goddess Kali. She scared and fascinated me in equal measure. Over time, curiosity replaced fear. Who were these mystical beings, so deeply rooted in mythology yet so often overshadowed by the deities they served? When I came across a book that dared to delve into this rabbit hole, it felt like an invitation to explore what had intrigued me for years. I just couldn’t say no.
Tara Bhattacharya is thrilled to fulfill her dream of working with Mamta Matthews, an iconic international journalist she has idolized for years. Their assignment takes them to the remote village of Birpoor, home to an ethnic group resistant to urbanization and still steeped in witchcraft and black magic. The village is divided into two factions—the Kukkuts and the Daagis and tensions rise when a helpless, pregnant Daagi woman is accused of witchcraft. Determined to save her, Tara and Mamta uncover a deeper conspiracy, one that threatens to destroy the long-held beliefs of the Kukkut people.
This book was a journey, not just through its plot but also through my own emotions and thoughts. The non-linear narrative felt like unwrapping a story layer by layer, each revelation more gripping than the last. What struck me most was how it illuminated the raw persistence of superstition—how deeply it festers where reason dares not tread. It was also interesting how the author presented the mythical character,'Dakini' as not just a woman wronged but something much more. By the time I closed the final chapter, it evoked the same reverence one feels when standing before Goddess Kali or Durga - humbled, reflective, and a little shaken. To top it off, the ending piqued my curiosity which I hope the author would quench with his next book. Overall a great winter read!
There’s always been a dearth of good Indian horror fiction. My thirst for it brought me to the world of K Hari Kumar. His book ‘India’s Most Haunted’ was the first time I explored an Indian horror writer, And man, I was blown. Not because he can write horror but he can write horror! My eternal search for good Indian horror writers was seeing light of the day and I was so happy. And now, finally, a gothic horror that fuses contemporary themes and superstitions with Indian folklore and psychological thrill. Best of both worlds, I’d say!
So, what’s the book about?
Meet Mamta Mathews, a journalist from Mumbai fighting PTSD, who is sent to investigate a series of mysterious deaths in the isolated village of Birpur. The locals believe these deaths are the work of a supernatural entity known as the Dakini, a bloodthirsty spirit that roams the forests. As Mamta digs deeper, she uncovers the terrifying secrets of the village. Her own past traumas come alive and now she has to deal with more mysteries than one. The settings are the hero of Kumar’s book. They are supremely gothic; a quality I so crave, rich with fantastic graphics of the eerie village of Birpur, the sinister forests, and overall aura of the place being so captivating thus. Every detail, from the rustling trees to the hushed whispers of the locals, adds to the unnerving tension; built word after word. The horror element stems not just from the supernatural but also in the way people react to fear which is so smartly done. That’s where half the fun lies, isn’t it? With horror on the surface, ‘Dakini’ has undercurrents of much stronger and surreal elements throughout the book such as the inevitable clash between age-old traditions and modern liberal thinking, depicting how blind belief in myths can lead to real-life horrors. The characters are smartly drawn and they handhold you, while you navigate the madness and myths that are deeply rooted in Birpur. While some scenes might seem predictable, the book doesn’t fail to provide a wholesome horror experience, akin to some of the classics such as Shelly’s or King’s. Dakini is a gamechanger in the Indian horror landscape. Indian horror has often been overshadowed by Western influences, but Dakini breaks that trend by drawing inspiration from indigenous stories from India’s rich tradition of folklore and local legends. This book sets a new standard for how good and promising horror can be written in India, showing that true terror often lies in belief systems, social structures, and the unknown lurking in our own backyards.
I have just read K. Hari Kumar’s "Dakini" Having an interest in horror and thrillers completely changes the way you approach stories like this. From the beginning I already knew there was no chance I would be disappointed.
It is clear that the author only had one intention with the book, and that was to set the tone for an ominous atmosphere. The combination of a remote village with thick forests and rural dwellers provides an ideal location for a horror story to unfold. And then there is the dakini a demon-spirit that has a reputation of a cannibalistic killer and is thought to be roaming through the woods while leaving butchered bodies littered throughout the pastures.
Along the course of the story I found myself summoned into the narrative along with the characters one of which was the lead, Mamta. A journalist from Mumbai, who is looking into the bizarre fatalities occurring in the village and seeks to uncover the truth about them but as she does this, she has to remember her past tragic events too. I absolutely appreciated the way writer made sure to connect the dots between Mamata’s history and her life that made her a unique and compelling character.
Another thing that I found interesting with this book was how the author explained the issue of superstition in contrast to the unexplained. The villagers’ dread of the dakini is real, and as the plot advances, it becomes apparent that there is more to the said being than just a folklore. No spoilers, but the author’s worldview concerning the otherworldly is simply appalling and intriguing.
What I found quite interesting, however, was the way the author explained the issue of women’s security and how suspicion and distrust can be dangerous. As the members of the village continue to build up their fear of the dakini, their paranoia against women also increases and one cannot help but feel pity at how fast events turn. Full of personal trauma and fears of Mamta herself, the entire story is packed with layered and multidimensional issues.
This book started on the scary note,but as far as I went with this book,I realised that this book is not horror more than horror this book was dedicated to womanhood as the dedication itself says it.
Mata Matthews is a journalist who is broken in her life and has PTSD, also she has a past because of which she is broken, now when she goes for the news article for a magzine along with her intern Tara who considers Mamta as her idol, in a place called Lakhanganj a remote village. Tara and Mamta goes there there they meets a guy named Mishra who is there for them and helps in everything they need, as the days passed, they feel something is going in the village they came to know about rituals,beliefs and rules of this community. The villagers believe in KaliBan ki Dakini. They believe that she will come and take her revenge.
There is an inspector named Pandey who doesn't believe in the superstitious things and feel as if the murders happening in the village are done by a serial killer
For me, this book was 10 on 10. I really enjoyed this book. I started this book the day I got it and in two days I finished it. This book has 350 pages and each and every page is very interesting at some points of the book, I also got goosebumps , so I give 5/5⭐️and I will absolutely recommend you this book. Those who are interested in horrorverse or some mystery things and some spooky tales can go for this book. Also, if you don't like these tropes, you can still give it a try because the book is not horror. This will not scare you, but this will make you realise the power of a woman
K Harikumar's writing is so realistic I felt as if I was watching a full fledged movie. I can't reveal much because that will spoil the book for you all, but I can say one thing that at the end of the book, you will find a very amazing surprise, which you will not be expecting.
Dakini by K. Hari Kumar is a chilling blend of supernatural horror, psychological suspense, and social commentary. The story follows Mamta, a journalist investigating a series of gruesome murders in a remote Indian village, where locals attribute the deaths to a vengeful spirit, the Dakini. As Mamta delves deeper into the mystery, she confronts not only the terrifying legend but also her traumatic past, blurring the lines between reality and nightmare.
Kumar masterfully crafts an atmospheric and suspenseful narrative, drawing readers into the heart of the remote village and its deeply ingrained superstitions. The Dakini legend becomes more than just folklore, adding a layer of genuine dread to the story. The author effectively explores themes of fear, misogyny, and the lasting impact of trauma, weaving them seamlessly into the horror narrative.
Dakini stands out for its vivid descriptions, compelling characters, and thought-provoking exploration of cultural beliefs. Mamta’s journey of confronting her past adds depth to the horror, making the story both terrifying and emotionally resonant. Kumar’s ability to blend classic horror tropes with a unique Indian setting creates an unforgettable reading experience.
Mamta, a Mumbai-based journalist, along with Tara, an intern, is on a mission for a magazine article about the tribes living in the remote village of North East India. They get to know about the Dakini, a bloodthirsty entity that haunts the forests surrounding the village; she decides to look into the case because of the inexplicable deaths that occur in parallel.
Mamta learns about the rules, beliefs, and rituals of the tribal community which sparks numerous questions within her. Throughout her life, dreams have been significant, as she has been endowed with the ability of seeing into the past. However, this extrasensory perception now haunts her.
K. Harikumar's writing is so realistic and atmospheric that it transports the readers to the Birpoor village.Once the story hits its point, it takes the fast, suspenseful, horrifying pace making the readers feel the chill in the spine.The author's skill at evoking fear through minute nuances and clues leaves a lasting impression, making the book an unforgettable read.
Mamta’s character and journey is intricately detailed, with complex layers carefully unraveled to shed light on how one's turbulent past can have profound impact on their current life. All the other characters have created a huge impact in this story.
More than a horror story, I consider this as a modern contemporary tale with a spot-on societal message. The author has carefully woven in allusions to the physical and social oppression faced by the weak, as well as the corrupting influence of power wielded in the name of God for personal gain.
I can't reveal much to avoid spoilers. Even though I found it to be a little predictable, I can guarantee you that there is a surprise at the end of the book that was rather unexpected. Trust me, you'll love it.If you wish to know why a spiritual deity is now labelled as a demon, you must read this book.
"Dakini" is a captivating blend of psychological suspense, folklore, and horror with aspects to uplifts Womanhood. It explores dark myths and human fear, delivering an engaging and unforgettable journey that keeps readers on the edge of their seats.
K. Hari Kumar’s Dakini masterfully blends folklore, horror, and social commentary into a gripping narrative set in the fictional village of Birpoor, India. This book stands out as a chilling supernatural thriller and a profound exploration of societal issues like gender inequality, superstition, and the human psyche.
This book introduces readers to Mamta Matthews, a Mumbai-based journalist whose traumatic past tragedies still impact her present life. As a celebrated personality in her field of work, Mamta‘s life crashed badly when she ended her relationship with his partner, and she chose to have an abortion. Seeking redemption and a fresh start, she accepts an assignment to write a cover story about a remote tribal community in Birpoor. But what starts as a work project soon turns into a nightmare of an investigation into the village’s dark secrets, centred around the legend of the Dakini — a bloodthirsty entity that haunts the villagers.
The author’s distinctive and diversified characters produce an engaging book and connecting book. Mamta, being the book's main protagonist of the storyline guides the book's emotions briliantly. Tara, combined with Inspector Pandey and Dakini, helped make this book more engaging and thrilling.
The young Tara works as Mamta’s intern, but her admiration for Mamta contrasts with Mamta's experienced cynicism.Tara’s perspective adds freshness to the narrative while subtly addressing generational differences.
As a sceptic, Inspector Pandey’s pragmatic approach to the mysterious deaths counterbalances the villagers’ superstitions, adding a layer of tension to the story. The Dakini is a supernatural entity portrayed as a symbol of fear, vengeance, and justice which maintains through out the plot without fluctuating the raw emotions of the book.
The use of Birapoor village's local words and cultural impacts make the story come alive authentically and connect with the readers in a more precise manner. The book maintains subtle horror techniques that create fear through both mind games and mood adjustments instead of using harsh visual brutality. The slow pace builds tension to make the climax scene of the book impactful and astonishing.
The story romes around three different types of plotlines those are psychological crisp, paranormal activity, and social themes which are completely different one another. The opening chapters of the book take time to establish the main protagonist’s character and show Birpoor's dark overtones before speeding up the storytelling when the plotlines draw a clear connection between the Dakini legend, the mysterious deaths, and Mamta’s past begin to unfold. The story’s strength lies in its unpredictability, with twists maintaining suspense and steadily keeping the tension intact throughout the book.
Despite some predictability in the latter half, the execution keeps the readers hooked up with the book till the last page. The setting of the old school where Mamta stays, the recurring dream sequences, and the enigmatic characters—including the sceptical Inspector Pandey and Mamta’s intern Tara—add layers of intrigue.
Strengths
• Mamta’s character is a standout; she is bold, fearless and investigative, with her personal struggles adding depth to the narrative.
• The book’s take on superstition, gender inequality, and abuse of power resonates deeply by connecting each dot precisely.
• The vivid descriptions of Birpoor and its haunting landscapes create an immersive reading experience.
• The blend of horror, folklore, and social critique ensures a well-rounded, complete story.
Weaknesses
• The whole journey of the book is engaging, but some twists are quite predictable.
• The initial chapters may feel little bit sluggish to some readers who likes immediate thrills.
In conclusion, 'Dakini' is more than a horror book because it combines testimony of paranormal norms with traditional rituals and social customs in a single powerful strong narrative that creates a story everyone should read. Keeping some small issues aside, this story stays with every kind of readers because of its strong compelling characters and deeper exploration of human existence which ensures it's everlasting impression in readers mind.
I have been a thriller and horror fan since childhood in the form of Zee Horror Show or Aahat and now as a reader. Dakini is the latest book by author K.Hari Kumar. Known for his horror books, Dakini is a thrilling horror novel that combines supernatural mystery.
Mamta Matthews is an acclaimed author of 3 award-winning books and explored themes of social justice , human rights and political activism.She has also hosted two critically acclaimed podcasts and a prime-time English news broadcast. Even then she is resistant to take a mission.
Dakini is the story of Mamta who is a fearless journalist and is involved in investigating mysterious death in a remote village. The locals believe that a terrifying Dakini is responsible for those deaths. As Mamta digs deeper, she starts uncovering dark secrets and confronts her own past.
Author Hari Kumar has gift for writing chilling books with vivid descriptions and strong characters and gripping plot. Dakini keeps you hooked till the end. One of the strongest aspects of the book I felt is the writing and story telling, the ease with which I could slide by the words as smooth as butter. Mamta is a bold and determined protagonist who struggles with her mission and her inner demons. A good story telling also gives the stage to the supporting characters and that's what Dakini does. Characters like Tara and Inspector Pandey are good add-ons. The book introduces us to Birpoor - village situated in the dense Kalibann forest outside of Lakhanganj and then "Aturas"- it's inhabitants.
Beyond horror, Dakini explores important social themes, such as the role of women, superstition, and the abuse of power. It challenges the way myths and beliefs shape society, especially how powerful feminine figures are sometimes feared or misunderstood. The novel blends classic horror elements with Indian folklore, making it a unique and memorable read. While some parts of the story unfold slowly, and a few twists might feel predictable, the overall experience is chilling and thought-provoking. Dakini is a must-read for fans of horror and psychological thrillers, offering a mix of suspense, mythology, and meaningful storytelling.
Dakini is a horror-thriller that obfuscates boundaries between myth and reality, past and present, fear and belief. It is a tale set in the dark village of Birpoor, taking Mumbai-based journalist Mamta, to investigate a chain of ghastly, inexplicable deaths. But it's not merely a professional adventure into the very heart of Kalibann—its personal too onnected to the dark corners of her own past. Mamta is no stranger who just wants a story; she is a woman who has been struggling with her own demons for years. Not just her orphaned childhood but her recent trauma, specifically of unwanted pregnancy and an abortion. In the process of unraveling the mystery of the dakini, she must also face the specters of her past. Her psychological scars make her an untrustworthy narrator sometimes, obscuring the line between actual terrors and those that germinate from memory. This complex layering of private loss and supernatural terror adds richness to her character, transforming her into more than a dogged sleuth—she is a woman looking for her own truths. The novel combines the past with the present so that folklore bleeds into contemporary life in a way that feels both inevitable and disturbing. The villagers' fear is not of some unseen power but of something they cannot understand—a fear that takes the form of suspicion towards women. This chilling link between supernatural terror and actual patriarchy lends the novel a haunting psychological complexity. The landscape of the novel is as much a character as are its inhabitants. The ominous Kalibann forest and enigmatic Muloni tree are enough to instill a sense of stifling terror. Kumar's prose is cinematic in nature, such that every shadow, every twitching leaf, and every breathed rumor seems alive. The dakini herself is not merely a mythological creature—she is a personification of fury, vengeance, and raw power. As the tension builds, the book never quite puts its horror to rest. Rather, it teases, leaving one with an unsettling question: is the dakini really bound to Kalibann, or can she appear anywhere fear and injustice grow?
Dakini A Novel Writer K Hari Kumar Set in the fictional town of Lakhanganj, the Indo Gothic novel Dakini follows the story of renowned journalist Mamta as she navigates her way through the village of Birpoor. The village is situated in Kalibann forest and Mamta has visited to write an article about Aturas- an ethnic group of people who hold reverence for a forest deity with deep rooted beliefs in black magic and witchcraft. The Aturas living in Birpoor village are divided between the superior Kukkuts and the inferior Daagis. While writing about her investigations, Mamta encounters a series of gory unexplained deaths that are said to be the work of Dakini- a bloodthirsty entity that haunts the surrounding forests and seemingly targets male chauvinists of the patriarchal Birpoor village. Mamta also encounters strange dreams related to these incidents while she is grappling with her traumatic past. Through its horror elements mingled with rural folklore, the novel highlights the divide in rural India and plight faced by women. It also focuses on how people in rural India still have deep rooted beliefs in witchcraft and are quick to conclude that only women indulge in black magic. I loved the novel. I purchased it solely due to the cover page and the crisp synopsis. It reminded me of the Bollywood movies Stree and Tumbbad and the Kannada movie Kantara as they all draw inspiration from mythology and folklore. Anyone who loved the movies will love the novel even more as it focuses more on horror elements. A few parts of the book were extremely well written and I could concur an image of the Dakini by reading about it. There is a ritual scene mentioned wherein a teenage girl enters puberty and it was brilliantly executed. This was a book I looked forward to and I waited for that part of the day where I could sit and relax with it. The climax is well executed and cathartic and while reading you'll be able to visualise everything happening in the book.
Trigger warnings: child loss, DV, murder, abortions. Don’t read this book if any of these affect you.
Many years ago, a young pregnant tribal woman is brutally murdered after she is accused of being a witch in a gory ritual. Her spirit is said have been bound to the forest and the banyan tree she was killed under. Since then no woman has been allowed to enter the forest lest the dakini posseses them.
30 years later Mamta, an independent journalist battling her own demons and PTSD after child loss ends up in the village of Birpoor to document the lives of the tribal people- especially the women. She is joined by a spunky intern Tara and their driver. On the first day there Mamta inadvertently enters the forest and then as men end up dead in gory ways, the villagers fear the worse- The Dakini has been set free and she has possessed a pregnant woman whose husband was Dakini’s first victim. What follows is a battle of superstitions, the supernatural, skepticism, rationality and the fight for power. Is the Dakini real? Or is it all a coincidence? And caught in between is Mamata. She is now in a battle for her life, her rational mind and the lives of the tribal women. The ending really caught me off gaurd because it really made me stop and wonder how did i not see that coming!
The book really showed how men, especially the rich and the powerful use whatever means to exert their power and control over the poor. Especially the women.
Would recommend this book to anyone who enjoys the supernatural and uncomfortable stories. It was like watching an episode of “Maano ya naa Maano.” The Epilogue really had me wanting for more and hope the author has the next book coming soon!! Loved how the chapters were short and crisp. Made it easy to just breeze through and really thankful for not having multiple POV’s! My only gripe was that the ending felt a bit rushed to me. But overall a good read.
"Dakini" by K. Hari Kumar was absolutely unputdownable. To say that, it was a gripping thriller would be an understatement. It's a perfect blend of psychological suspense, folklore, and supernatural elements.
Set against the dark, portentous backdrop of the Kalibann forest and the ebbing tribal community of the Aturas, this thriller unfurled the horrifying practices (targeted at women specifically) settling at the underbelly of the deep rural interiors in India.
As Mumbai-based journalist Mamta Mathews reaches Birpur along with Tara Bhattacharya, her intern, the duo gets embroiled in detangling the web of murders and deception shrouding the region. While their main objective to visit the village embedded in superstitions and mythical folklores was to bring to light the condition of the tribal women residing there, a chain of blood-curdling murders jarred their primary intent of work.
The narrative oscillates between the history of the entity of Dakini and flashbacks of Mamta's turbulent past while pivoting strongly on the mind-boggling, gruesome events being perpetrated on the villagers. But, is the Dakini the true perpetrator? Or, is she the "perpetrated?" Most importantly, who indeed is the Dakini?
The book holds answers to all these poignant questions. Kumar has vividly portrayed the strength of feminine power, of the true Devi- our Mother, in a way that bowing down before the Ultimate becomes the most obvious, natural reflex as realisation dawns. Not to forget, the jaw-dropping episode at the end of the book evokes a true sense of catharsis.
It's a quick read possessing the potential to keep you engrossed in its folds.
A village is haunted by a dark entity. leaving mutilated corpses in its wake. Who is Dakini, most of all what is Dakini. As the villagers' terror grows, so does their dangerous suspicion of women. While Mamta tries to figure out this mysterious deaths while grappling with her own traumatic past, she is dragged into a race against time. 'Dakini' is a page turner for sure.
'Dakini' by K. Hari Kumar is a thrilling blend of fiction, horror, folklore, and psychological suspense that grips you from the very first page. The book follows a journalist from Mumbai, Mamta, as she starts investigating the unexplained deaths of this remote village. As she delves deeper into it, she uncovers secrets that lurks in the surrounding forests. What hooked me throughout this book is its atmospheric setting and the way it seamlessly weaves supernatural terror with real world fears. The book can go well with a cup of warm tea in a rainy day or chilly winter evening. Everything in this book, be it the paranoia of the villagers, their growing suspicion of women, and Mamta’s struggles to escape her own traumatic past added depth to the narrative. The main character Mamta is also well sketched and well fleshed out.
Coming to the writing, the author, wonderfully crafted a tale with meticulous precision that is both terrifying and thought provoking. The plot explores themes of superstition, fear, and human resilience, making it more than just a supernatural thriller. To talk about the style of writing, I very much enjoyed it, the flow was smooth. If you’re a fan of spine chilling horror infused with folklore and psychological intrigue then this book is a must read.
Journalist Mamta is drawn into a chilling mystery when a series of gruesome deaths rocks a remote village. As she digs deeper, she uncovers the legend of the dakini, a bloodthirsty supernatural entity that roams the surrounding forests. Amidst mounting fear and suspicion, the villagers turn their wrath on women, and Mamta finds herself solving the mystery while confronting the dark shadows of her own past. As the tension rises, so does the danger.
K. Hari Kumar has created a gripping narrative that blends folklore, horror, and psychological tension. From the very first page, I was captivated by the eerie atmosphere of the book. The terrifying figure of the dakini, while rooted in Indian mythology, felt strikingly real. The author’s vivid descriptions and immersive storytelling make the supernatural elements feel tangible.
The author has an experience in writing horror and it shows with the quality of the content. It’s clear that he is skilled in blending the supernatural with the very human experiences of fear, guilt, and redemption. As the story builds to its terrifying climax, I found myself deeply invested. The book is a dark, thrilling ride, and K. Hari Kumar’s ability to mix folklore with psychological horror makes it a standout in the genre. Dakini is more than just a horror story. It's a haunting exploration of superstition, gender, and the terror that lies both within and beyond us. It’s a book that is going to stay on my mind. Hoping for it to become a movie or web series.
"What it meant to truly live , and she had come to conclusion that in her world justice did not exist "
When I was reading the prologue of the book I felt that I am watching a high quality horror drama revolving around a main lead that is Kalibann ki Dakini.
Coming to the story line , the story has other important characters too such as Mamta Mathew , she is journalist , author and who loves to explore political activism , social justice etc. In the story Mamta was loosing her real self because of an accident that happened with her but when she gets a consignment to work upon the rights of tribal women , she grabbed the opportunity and went to explore the topic with her intern Tara.
In the process of exploring things Mamta felt so many paranormal activities or strange activities that terrified her to the core , and one was the gruesome murder of Bishu . Who killed Bishu ?, Who is Kalibann ki Dakini? , What will happen to Mamta and Tara ? To know the answer of these questions read the book .
When I picked up this book I thought I am going to explore the horror genre but in real sense this book offers far more than that . The book talks about varied social taboo which people are still afraid to talk about such as how certain people consider mensturation so unpure , domestic violence etc .
"Sometimes walking away is the bravest thing we can do "
This book delves into the fascinating truths and lies hidden in the beliefs and customs of a tribe community through the lens of dreams. It encourages you to scrutinize the boundary separating reality and illusion, which immediately lands you in the eerie setting of the novel.
At times, it unravels into an almost gripping horror series complete with shiver, including exorcisms. It combines the beauty of small-town mysteries with elements of psychological thrillers and covers deep-rooted societal norms. The outcome of the rituals is kept hidden throughout the novel only to be uncovered at the apex of the story, guaranteeing a powerful charm that stays long after you have finished reading the novel.
This book manages to impress with the aid of not just gripping horror but the societal critique that it manages to convey so easily. The best part that shines through when I say it collectively leaves a lasting impression owing to the fact that all the subjects mentioned previously feel much more impactful due to the manner of it's presentation, though topics being nothing new.
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Plonge into the depths of modern science fiction horror literature and let the eerie setting of the world unravel upon you.
"Dakini" is a horror-thriller set in Birpoor, around 30 years ago (July 1994), where Karmi Rani is devoured by Oja Baba in Kalibann, after declaring her as the “Dakini of Kalibann.”
The story then jumps to June 2024, introducing Mamta Mathews in Mumbai. Becky asks Mamta to cover a story from Kalibann for their magazine. As Mamta reaches Birpoor, so does the Dakini, returning after 30 years.
From here, the story takes a dark turn as people start getting killed one after another.
A significant subplot explores Mamta’s haunting past, which the author skillfully weaves into the narrative. The writing is so vivid that I could clearly visualize every detail. What I especially loved is that despite the large cast, each character is well-developed.
The author also delves into the customs of various tribes, highlighting their disdain for outsiders. Another intriguing aspect is the Dakini’s backstory and the impactful way it is revealed in the end.
Additionally, the author subtly critiques societal issues and patriarchy, which still persist in our society at a large scale.
I’d say this is a perfect blend of horror and thriller — a must-read!
I recently got the chance to read K. Hari Kumar's 'Dakini.'. I have always been a fan of horror and thrillers, so I was confident from the start that the story wouldn't disappoint.
From the get-go, the chilling atmosphere sets the tone of the story, and the picture of dense forests and rural areas becomes vivid in the minds of the reader.
Central to the narrative is 'Dakini,' a demon spirit that is notorious for bringing havoc in the lives of the residents and becomes the reason for the untimely death of many villagers.
Mamta, our lead character in the book, becomes the force behind solving these cases while at the same time she is facing her own traumatic past.
Moreover, I found the authors perspective of the supernatural both shocking and fascinating. The whole scenario of the mystery behind the dakini and villagers reaction towards everything that was going on in the village was both interesting to read and evoked a sense of sympathy. Overall, a great read if you need your fix of horror and sleepless nights!
While having enough folklore-related world-building and character development to keep the story engaging and decently paced, Hari Kumar’s Dakini falls short of being an exceptional horror novel. There is enough effort by the author through his words to emote what his characters are feeling, even during blatantly evident situations - almost as if he doesn’t trust his readers to figure out obvious cues and feels scared that they might misinterpret what the characters are actually feeling. The final reveal was evident from almost the first act - I was rushing through the final pages not out of sheer nail-biting anticipation but in hopes of another jaw-dropping twist that proved my theories wrong, but sadly I was disappointed.
The cliifhanger-esque epilogue was a slight reprieve, but ultimately was overshadowed by an easily predictable storyline and my expectations of an absolute banger of a supernatural work of fiction.
Through this story, Hari brings to light some of the most crucial social issues that still exist, and we have continued with them in the name of customs or traditions. Set in the fictional village of Birpoor, Hari explores the myth of Kalibann ki Dakini, a blood thirsty entity that haunts the nearby forests. The book opens in the past with an exorcism in process, and while the result of that exorcism is not known, the book moves into the present and we meet all our characters. What makes the story stand apart is its storytelling and the ease with which Hari draws his readers into the book and makes them comfortable in the surroundings, only to spring a surprise. The visual descriptions make you live those moments and be it Kallu’s shop with frying samosas or the school with its classrooms, you are able to feel the situations and that makes the reading even more engaging. Another aspect that Hari maintains from his previous works is the element of horror in the storytelling, and there are no sudden movements or loud noises to induce fear. The fear just builds up, line by line, and when the reveal happens, the chill that goes down your spine is real. The visuals of the book are derived from mythology, and at times you’ll think that you’ve seen them somewhere and then the parallels and the derivations from the mythology comes into focus. The social messaging of the story is on point, and Hari has painstakingly built in references to the social and physical oppression of the weak by the oppressed, and how power has corrupted people to no end, and how that infuses a god-complex in them, leading them to heinous crimes.
However, the book must be read not just for its paranormal story or for its commentary on the social aspects of our society, but for some brilliant storytelling that shows the mastery of the craft that Hari has. The manner in which the entire plot has been woven, specially when you read the climax. While I can’t say anything about it to avoid any spoilers, I can promise the readers that you are in for a surprise as you finish the story and read the last page of the story.
Dakini’s story stands on the strength of the characters and the manner in which they have been described. Mamta’s character and her journey has been described in detail, and the layers are peeled off slowly so as to highlight her tumultuous past and how that impacts her present. Through her character, Hari also shows the social discrimination that single mothers face. Another aspect that Hari highlights through her is the impact of medical termination of pregnancy and how it impacts the mother-both physically and mentally. Another character who left their mark on me was that of Kuhu and how her situation was contrasted with the one highlighted in the opening scene of the book. Inspector Pande was another character that was created perfectly for the story and his arc was something that was truly heroic. There was one more character that I liked, and I would really not name them here, again for purposes of a spoiler-free review.
In a nutshell, Dakini is a story that will captivate you and keep you hooked till the very last page, because just when you think you have figured out the story, there is something lurking in the next page, just to surprise you. The book comes highly recommended for readers of horror, epic-horror, and even mythology.
“Dakini” by K. Hari Kumar is a Horror book which will live you in awe till the very end, it is bone chilling to the core, it will leave you in great suspense and just when you think you know where the story is going it takes an entirely different route of twist, that’s always the best part reading a horror and thriller genre right? What’s a book without a great twist in the end? The author has done such an amazing job with the plots and the story line, leaving everyone hanging in curiosity. At some point I started to believe that this was all a plot of someone and the rest was a bluff but the unexpected turn in the end was totally worth it. There was lots of chills, a ton more curiosity and the extreme urge to keep turning the pages till the very last and the satisfaction along with the sadness that took over cos the book was ending, that is how good it was for me.
I just finished reading 'Dakini' and want to commend on writing such a great horror thriller. I was totally engrossed throughout and couldn't put it down until the end. All the little details were described with such intricacy that I could totally imagine the scenes. I was completely immersed in the storyline and invested in the development of the characters. I love watching horror movies but this is my first book in the horror genre and upon finishing it I feel like I just came out of a theater after watching a great Indian horror movie. Kudos on the job well done!
Is there a playlist? Yes, I had a playlist that I used while writing this book. It features songs in English (Rock mostly), Sanskrit (Carnatic Progressive), Hindi, Malayalam, and Kannada. You can listen to it on Spotify here: https://open.spotify.com/playlist/2U1...
What is the genre of this book? Dakini is an Indo-Gothic epic horror that blends suspense and fantasy, drawing inspiration from Hindu mythology and folklore. It weaves a parallel psychological narrative, creating a unique reading experience that is both chilling and thought-provoking. It is a layered work that offers a complex interplay between the supernatural and the psychological, giving readers an experience where, as Stephen King once said, "Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win." This fusion of myth and the mind sets Dakini apart from traditional horror, adding depth to the genre.
Is the adivasi (tribal) village in the book real? The village of Birpoor, the nearby Kalibann forest, and the town of Lakhanganj are all fictional creations. However, they draw inspiration from real locations in the Terai region, a belt of marshy grasslands, savannas, and forests located at the base of the Himalayas in northern India and southern Nepal. To learn more about this unique region, you can visit: https://www.britannica.com/place/Tarai
Are the adivasi (tribal) community and balis (septs) mentioned in Dakini fictitious? Yes, the Adivasi community mentioned in Dakini is fictitious. While Dakini may draw inspiration from the real Adivasi communities, the portrayal of the community and its cultural elements in the story is a work of fiction. The term 'Adivasi' broadly refers to indigenous communities in India, but the specific group depicted in the narrative is not meant to represent any actual tribe or community.
Is the tree called Muloni real? The Muloni is a fictional tree, though it draws inspiration from real sap-producing deciduous trees. Its concept, particularly the sap and flower, is inspired by Kerala's famous Paalamaram, or devil's tree. This idea was then adapted to fit the types of trees found in the region where the story takes place, leading to the creation of the Muloni tree.
Is the protagonist inspired by a real life character? Mamta, the protagonist of Dakini, is inspired by not one, but three remarkable individuals. One of them is a Padma Shri awardee activist known for her work in uplifting women. Another is a journalist friend of mine, while the third is someone very close to me, whose identities must remain undisclosed. Together, they form the essence of Mamta's character.
SPOILERS
Is the villain named after a god? No, he is named after a demon—refer to his second name for the connection.
Is there a second part? No, but there will be more of Dakini in future.
Doing this FAQ inspired from author Silvia Moreno-Garcia's version of the same on Mexican Gothic's Goodreads page.