Saba Sams was identified by Granta publishers in April 2023 as one of twenty under forty-year-olds authors to watch for the future. Sams has already won the 2022 BBC National Short Story Award, and her short stories have been published in well respected literary magazines including the White Review and The stinging Fly. So her short stories clearly have widespread appeal.
Having read the collection of ten stories I am not a fan.
I make the assumption that the stories are well received because they have drawn attention from a new, and different, reading demographic. I’m guessing that this would be predominantly young, and probably female……The protagonist in every single story is young, and female.
Discussion around the stories, collectively, is whether the girls featured have a refreshing honesty, and agency, in how they respond to the events that surround them. (I heard Sams at the International Dylan Thomas readings in London in May 2023).
That’s not how I responded to the majority of stories in which I felt that the girls were often exploited, and had parts of their young lives spoiled by their experiences. That’s often a consequence of predatory men, but also arises from the (mostly selfish) influence of older girls, women, and parents.
I recall the argument put forward by “models” who used to feature on page 3 of a UK national (news) paper, The Sun. It was said that the models were the ones (by virtue of being paid) who were exploiting the men foolish enough to buy the papers and ogle the pictures. I have my doubts. I think the models were the ones being exploited.
In no particular order, Sams’s writing shines a light on: unwanted pregnancy, rape, extensive casual sex, lots of alcohol, drugs. There was also a rabbit, and a dog, and these were virtually the only two innocents, and the ones I liked most.
I saw, in an interview that Sams spoke about her writing ambition, and the purpose of her storytelling.
“I’m always thinking about what it looks like to be a young woman: about bodies and power, about friendships and family, about the ways we’re constantly looking to break free”
If you took the very opposite of these fine sentiments, I think this is the actuality of what is represented in the portrayals.
I finished the book feeling downbeat, and pessimistic. If this is a true and accurate portrayal of what youthful hedonism looks like in Britain, it concerns me. Hopefully the stories told are not representative of a normalised way of living in your teens and twenties, and they are mostly flights of fantasy whose allure is in presenting an anarchic world exaggerated for literary effect.