Nymph. Motif, Phantom, Affect: A Contribution to the Study of Aby Warburg (1866-1929) (Studies in Iconology)

by Barbara Baert

Behind them, close to the open door, there runs - no, that is not theword, there flies, or rather there hovers - the object of my dreams, which slowly assumes the proportion of a harming nightmare. A fantasticfigure - should I call her a servant girl, or rather a classical nymph?(...) This lively, light-footed and rapid gait, this striding step, which contrasts with the aloof distance of all other figures, what isthe meaning of it all? (...) My condition varied between a bad dream anda fairy tale (...). I lost my reason. It was always she who brought lifeand movement into an otherwise calm scene. Indeed, she appeared to bethe embodiment of movement (...) but is it very unpleasant to be herlover? (...) Who is she? Where does she come from? Have I encounteredher before? I mean one and a half millennia earlier? Does she come froma noble Greek lineage, and did her great-grandmother have an affair withpeople from Asia Minor, Egypt or Mesopotamia?

pAby Warburg (1866-1929)

142 pages, Paperback

First published December 31, 2014

About the author

Dr. Barbara Baert is Gewoon Hoogleraar aan de onderzoeksgroep Kunstwetenschappen van de KU Leuven. Ze ontving meerdere prijzen voor haar baanbrekende werk, waaronder de prestigieuze Francqui-prijs voor Humane Wetenschappen in 2016. Ze is een veelgevraagde gastprofessor, van de Sorbonne tot Princeton. Barbara Baert is auteur van meerdere boeken en essays, zoals De uil in de grot (2019).