3⭐️
“I need to give myself permission to let him love me while I’m still a work in progress. I may never be fully healed, but Greyson meets me where I am and gives me all he’s got. Imagine how much more he could do if I let him.”
Introduction
Elevator Pitch was a highly anticipated indie release since I first saw the promotion on Bookstagram. The marketing was really good, so I sprinted when the ARC sign ups went live. Big thanks to Good Girls PR and the author for the early digital copy.
With such promising promotion, I was eager to see how it would translate into the final product. Was the marketing accurate or misleading? . The answer: yes??? (it was accurate), I guess??? . It pretty much delivered on what was promised, but I had mixed feelings. I went in with no expectations, yet I was disappointed.
The God-awful First Interaction
Selah and Greyson’s first meeting nearly made me DNF the book and I was only three chapters in. My god, I hated it and (mostly) because of Greyson. He’s supposed to be this suave, flirty guy, but his character was anything but. Not only was the writing and dialogue stilted , Greyson talked like it was rehearsed.
I can best describe it as his lines feeling like they were soley written with the purpose of being used in those marketing Tiktoks/ reels with the thirst trap music, instead of actual dialogue between our leads .Frankly , at that point I didn’t understand why Selah was thirsting over him , I was creeped out. I personally would never speak to that man again .
Still, I held out hope and continued
My favourite part of the book was, without a doubt, Selah’s friends. Although their introductions were info-dumpy and hard to follow at first, Audrey, Eric, Rome, Chess, and Daya completely stole the show.
Death to the ‘Spicy Romance Reader’ Character
Incoming tangent
I am quickly getting tired of the avid "spicy romance reader" character in romance novels. There are exceptions, of course, and when done well, it can be fun, a clever fourth wall break that endears us to the protagonist (There are plenty of books I love which have bookish MCs!).
However , with this trend I’ve noticed that author’s have become overly reliant on this shared interest between the MC and reader . Instead of it being an aspect of the MC , they forgo character building and use that as a gimmick to maintain the audiences attention .
In Elevator Pitch, there were constant references to Greyson’s book boyfriend prowess and how he was so "man written by a woman coded" - It was excessive. From the premise, I knew that Selah was in a book club and loved reading. Instead of naturally highlighting Greyson’s qualities that would lead the reader think of him as a book boyfriend, Leigh had to beat us over the head with it . It was frustrating because there were genuinely sweet moments between them, but it felt like the author didn’t trust the reader to know that.
That’s not to say the bookish references were entirely out of place, they worked in some areas. I just wish they’d been used sparingly and for that page-time be used to develop other things. For example, I wanted more insight into Selah’s work life, it was unclear on what she does.
The Discussions Around Kink
I went into this knowing that there was a daddy kink (not my favourite but we move), and I was hoping there would be actual discussions around kink and boundaries. Selah, who was celibate at the time, hadn’t felt comfortable voicing her sexual needs in her previous relationship. It seemed like we were heading toward some meaningful exploration of that. But instead all we really got was that Greyson likes to be called "daddy" and Selah likes to be choked-the end. I’ll admit, this might be a bit nit-picky, but I was hoping for more. Which leads me to my next point
Other reviewers have pointed out Leigh’s tendency to summarise conversations and rely on telling rather than showing. I had a lovely conversation with another ARC reader who said it best: Elevator Pitch didn’t feel like a complete story. It came across as a collection of ideas rather than a cohesive narrative. Many scenes and character arcs felt too contained within certain sections of the book or were awkwardly crammed into the end, rather than having a natural buildup throughout. The writing was also inconsistent, with Leigh occasionally veering into a lyrical style which was jarring and ruined my reading flow .
Final Thoughts
In conclusion, Elevator Pitch had potential. Its messaging about reinvention, second chances, community, and therapy was strong. I really liked the side characters, and some scenes were solid. However, the themes didn’t have the foundation they needed to be adequately explored because of weak writing and character building.
This is a debut novel, and it’s clear that the author is still experimenting and finding her style. I’d be open to reading another one of her books (if I’m in the right mood) because this was easy to get through and at some parts were enjoyable.