I received a free copy of this book in exchange for an honest review.
This is a story about Hilary Litwack. It’s a story about young love, finding it and sort of fighting for it. He’s 17 and heading to a college on the moon.
First, let me say, I enjoyed the distinct voice in this story. Hilary is a unique character, and his personality came through in the dialogue and the voice. He’s just a regular teen, going through the every day motions, until he meets Camille. She’s beautiful, mysterious, and doesn’t take shit from anyone. From this point on, Hilary only has eyes for her. He wants to know everything about her, and he’s determined to make her his. I figured once Hilary managed to date Camille, the story would be over. They'd live happily ever after, right? Well, apparently, the main conflict is not about whether or not he gets the girl. So what is the main conflict?
Well, halfway into the story, there is a strange mystery revealed about Camille. It seems this is the true storyline. She is different from others, and there is something wrong with her. So in order for her and Hilary to stay together, some sort of “resolution” must be found. The only problem is that this “conflict” is not revealed until the last pages of the book, which means there is no resolution. Well, the resolution is somewhat alluded to in the epilogue.
But one of the problems with this book was all the unnecessary content, which did not add or advance the plot. For example, all of the flashbacks into Hilary’s past. Time moves in a straight line, constantly moving forward. To suddenly be jolted back into his past while in the present only disrupts the flow of the story. It made me re-read several parts just to understand I’d been transported into the past. It would be one thing if Hilary was talking to someone about his past or just briefly thinking about something eventful from his past. Instead, we are shown how he lost his virginity, and other scenes with his first crush, China, and his best friend, Henry.
These flashbacks have no bearing or connection to Hilary in the present. Or at least, I didn’t understand their significance. Sure, it is nice to know a character’s background, but we do not need to physically go back into the past to see these things. They are not relevant to Hilary and his love for Camille. It would be easier to just mention his past in a conversation with Camille, which he does, (i.e., the reason these flashbacks are unnecessary).
Oh, and the one memory of Hilary’s past that should’ve been included—either in dialogue or just reminiscing about his past—was only briefly alluded to. If shown, it would’ve explained some of his odd behavior. But of course, this is the one memory we aren’t shown—the most important one.
The middle part of the story where he travels home to Earth during winter break is also unnecessary. Nothing eventful happened during his stay. He did some drugs, met up with his cousin, did some stupid teenage stuff, and that was it. None of it was relevant to the main storyline.
So if the author were to take out all the flashbacks and the entire middle part, this would be a very short story. That’s why when the main conflict is revealed in the end chapters, I believe that’s where the story really, finally starts. Once we learn the truth about Camille, Hilary should begin doing something, anything to resolve this problem. Because he loves her, right? Well, instead, Hilary sits back and does nothing. It is not until something strange happens in the epilogue that he seems to think about a resolution. His inability to act at the end, to do something even if just screaming and yelling, made me think he didn’t care for Camille as much as I thought.
Overall, I do think there is a story here. But without proper edits and some cutting, the story itself gets buried in all the unnecessary clutter. If the author took the time to clean it up, to build up a main conflict, and focus the storyline, I’d definitely re-read it.