San Antonio poet laureate Carmen Tafolla captures her hometown—the city of her ancestors for the past three centuries—in poems that celebrate its history as a cosmopolitan multilingual cultural crossroads. Discover San Antonio’s corazón in Tafolla’s poetry, accompanied by historic and contemporary photographs that convey its enduring sense of place. A century ago, San Antonio gave Oscar Wilde “a thrill of strange pleasure.” J. Frank Dobie claimed that “every Texan has two hometowns—his own and San Antonio,” and Will Rogers declared it to be “one of the three unique cities of America.” To Larry McMurtry, “San Antonio has kept an ambiance that all the rest of our cities lack.” Carmen Tafolla calls forth the soul of this place—the holy home of the waters, called Yanaguana by los indios—and celebrates the many cultures that have made of it “un rebozo bordado de culturas y colores.”
Out this summer from Wings Press is the latest volume of poetry from the indefatigable Carmen Tafolla, former McAllen resident and first poet laureate of San Antonio. This River Here: Poems of San Antonio is a celebration of the city she loves. It explores in homespun yet elegant ways the recent history and cultural development of the area (“Listen to the voices in this breeze, your ancestors, the trees, the river that remembers…”), its unique linguistic and social milieu (“The Mestizo Molcajete’s Mezcla”) and its deeper historical and philosophical implications (“A Site to See Deep Time”).
With her characteristic mix of humor, insight and compassion, Tafolla once again assumes the many memorable voices of her community to weave the unforgettable portrait of a truly unique city.
This River Here: Poems of San Antonio, Carmen Tafolla Wings Press 978-1-60940-399-7 $16.95, 92 pgs
Well. I am stunned. If you've never been to San Antonio then please come on down. But if you can't pay a visit then you should definitely pick up a copy of This River Here: Poems of San Antonio by San Antonio's first Poet Laureate Carmen Tafolla. The hot, drowsy afternoons; the cool green river; the melody of Tex-Mex in your ears; the savory fire of Tex-Mex on your tongue; the magic of the curanderos in the very air. It's all here, in this book, this herencia, including an offering of photographs to get lost in. We are rich here in this old river city, busily blurring the lines.
My favorites (I had a wonderfully terrible time trying to choose only two):
"Fragile Flames"
Altares viejos of my path-warmed house older than our prayers light as sacred sunrays rich as scarred and ancient wood your votive one-day candles last well beyond twilight, stubborn miracles on this inherited dark wool sarape with stained and balding fringe still tipping stripes of life's most painful, hopeful colors
tiny lights make loans of faith to midnight's darkest storms My people lean on a chance live on a hope pray in a fragile flicker of stolen candlelight
Holy places around us everywhere tiny hallway tables with a handtorn branch of esperanza-yellow bloom and seeds dressertops with tin milagro wings backyard carefully historied pile of stones each one a prayer a bead of sweat protecting red-dressed, star-cloaked Virgin a now-unsainted Christopher nervous on the dashboard with the cross flying above him, the doilied corner shelf with pictures of those lost six months or sixty years ago still with us
These resilient rocks of lifepath prayers wet-mortared of the past and present always bow to possible milagros living in the future Their flowers - living, dead, or artificial - faithful testifying silently to our belief that fragile flames soft-speak the power of things too real too strong too deep to be simply seen
"San Anto's Mezcla Mágica"
What it means to co-exist, to bloom together, is that the lines grow fuzzy, optical illusions with two different faces appearing at different times there is not a street that marks a neighborhood others have not crossed into eaten, loved, lived in, tasted in a different way
Even in Alamo Heights, tamales end up on the "Old Texas" families' Thanksgiving tables, while "Graciela's" sells designer suits in sarape colors Even on Nogalitos Street the Chinese tamarind seed is the top-selling snack at the Mexican food counter, Indian curry gets scooped up in comal-warmed pita bread Vietnamese eggrolls brim out of toasty tortillas made from German-milled white flour
At the corner of French and Fredericksburg Road Martínez Barbacoa pairs steaming barbacoa with ice-cold, carbonated Big Red, imports El Milagro tortillas from Austin and Virgin of Guadalupe wooden bracelets from Mexico, stacks avocados just lusciously ripe enough but not too soft, in front of the lusciously Olympian Aztecs posed on a calendar that only distantly layers echoed rhythms of the Aztec Calendar
After barbacoa and corn tortillas for breakfast we want "something different" for lunch and pair black-smoked Jamaican Jerk Bar-B-Q with chile-roasted corn So nighttime at Sam's Burger Joint we are not surprised when in the Music Hall out back a tall, blonde Chicana named Patricia Vonne (née Rodriguez and freshly back from concert tour of Europe) rattles the cage of the stage and sings a blend smooth as honey to the harmony of a rock electric guitar country fiddle and Spanish castanets
Carmen Tafolla is the author of more than 20 books. She has received numerous awards, among them the Art of Peace Award; the Charlotte Zolotow Award; the Americas Award, presented at the Library of Congress; two ALA Notable Books; and two international Latino Book Awards. She is currently Writer-in-Residence for Children's, Youth & Transformative Literature at the University of Texas/San Antonio. In 2012, Ms. Tafolla was named the first Poet Laureate of the City of San Antonio.