This is the first of the Jax Diamond Mysteries that I’ve read, and the fact that it’s the sixth in the series isn’t an issue as it can be read easily as a standalone.
Private Investigator Jax Diamond doesn’t have any truck with superstition—his soon-to-be-wife Laura has enough for both of them—even in the face of the flickering lights, chilly draught, lipstick on the mirror and pink rabbit’s foot, not to mention the doll. The animal instinct of his canine companion Ace, however, is enough to make Jax concede that there’s something weird going on.
Sure enough, as the curious clues mount up—and the body count rises—Laura becomes convinced that the ghost of Olive Thomas is behind the killings. Nevertheless, Jax holds on to reality, until even he has to admit that there might be something to the killer-from-beyond-the-grave theory—and when his own Old Nellie becomes the latest victim of the perpetrator, his suspicions move firmly back into the land of the living. The characters feel real too, from the motivations and jealousies of the chorus girls through the world-weary Orin to Ace the Alsatian and his new sidekick—Lilith, a feline friend brought on the scene by Jax’s recently-returned parents, Winnie and John.
The narrative is well-worked-out, with excellent research done into real-life Broadway star Olive Thomas, the New Amsterdam Theatre and the Ziegfeld Follies. Where I did have an issue, however, was with the writing—quite a lot of little grammatical errors that might go unnoticed by the untrained eye but which I couldn’t help but pick up in the first thirty pages. Thereafter they weren’t so frequent, but a good edit would go a long way to improving matters. I also found the decision to use the uncontracted forms ‘Mister’ and ‘Missus’ rather strange, given that the characters weren’t speaking in any form of vernacular elsewhere. Overall though, a good story that kept me mystified.