A writer of ghost stories enters a strange shop only to find that he is now at the centre of his own ghostly tale; a will that bequeaths a generous gift to the doctor who nurtured a dying lady turns out to be a trap through which her spirit will possess his future wife; a trio of young women in Victorian Britain engage in a ritual which conjures up images of their future husbands, unable to see through the visions of glamour to the signs of future tragedy they contain. There are twenty-three such tales in this substantial volume of original ghost stories newly published by Graveside Press, all of them compellingly different, grippingly narrated and extremely well written.
One takes the form of a series of emails; another that of a lengthy nineteenth century ballad. Yet another is related as a series of letters and diary entries. If the rest are more conventional in their narrative form, they nonetheless contrast in tone, setting, content and theme in such a way that you are able to read several in one sitting without either the tone or rhythm of the storytelling becoming repetitive.
A particularly impressive characteristic of this volume is the way in which it demonstrates that the modern ghost story can reflect contemporary ethical concerns and treat pressing social issues in subtly symbolic ways. The story Blame deals with sexual harassment in the work place while Tracks in the Dust is a harrowing tale of domestic abuse and rape set in an oppressively religious household. Two tales Fudakaeshi and Kid Sister feature the return of vengeful female phantoms, both murdered for failing to comply with domestic patriarchal desires. Two more - From Darkness Promote me and Manifestation - have a similar theme but also harness anti racist as well as feminist sentiments as the two murdered girls at the centre of the hauntings in both tales are young native Americans.
If such stories offer a cathartic window for female vengeance, the volume also features more redemptive tales. Quiet Lake makes the reader ponder the unintended but potentially disastrous outcomes of a relentless pursuit of vengeance, while in Rage and Redemption a girl who has been a victim of appalling bullying in her past learns to re-integrate the ghost of her own rage into a more balanced but forgiving personality. This latter is the only tale in the book with what I would call an expressly didactic agenda and I could well imagine it being used successfully as educational material in high school classes. My particular favourite, however, is entitled What is done, perhaps the most mysterious of all the tales in the book and certainly the one I found the most tantalising and thought provoking. It deals with a wife who is gradually disappearing physically while she sleeps; and as she disappears so does all the evidence of her ever having existed, including her writing in a diary, her medical records and the memories of everyone she ever knew apart from her mother and her husband. Perhaps it is a tale about creeping dementia; perhaps it is more specifically about the fragility of memory, the fear that when we die most of us will be gradually and eventually completely forgotten - that our existences will have amounted to nothing. That such a short tale can provoke such profound reflection is testimony to its literary power and the potential power to the form itself.
If your taste is for gore, the casually horrific or the mindlessly exploitative, this collection is not for you. If, however, you enjoy ghost stories that are well crafted, suspenseful and spookily atmospheric, that symbolically treat themes of guilt, fear, cruelty and injustice with the seriousness they deserve, then this is a volume I can thoroughly recommend. The ineffable draw of the supernatural as a means to thrill, to entertain, to disturb and to provoke is alive and well and living in - or rather haunting - this new publication by Graveside Press.