The Last Sweet Bite is part memoir, part recorded conversations, and overall, a thoughtful reflection on how violence and conflict disrupt cultural heritage, particularly in the traditionally feminine and often undervalued space of cooking.
Shaikh’s work stands out in the way it presents recipes. These aren’t generic “best” versions or polished reinterpretations. Each dish is deeply rooted in individual experience, recipes shaped by the people who shared them, often alongside deeply personal histories. Through interviews from each of the different geographical regions, Shaikh provides both a broad cultural context and a sharply focused sense of place. It’s a celebration of food that honors memory and survival amidst devastation.
From the book, I cooked: Tamim’s Saland-e Nakhod (Afghan Chickpea Stew), Roman and Jana’s Šišky s Mákem (Potato Dumplings with Poppy Seeds and Powdered Sugar), Roman and Jana’s Bramborové Šišky se Zelím a Slaninou (Potato Dumplings with Sauerkraut and Bacon), Marhaba’s Uyghur Polo, and Marian’s Piñon Nut Cookies.
The chickpea stew was hearty and comforting. The dumplings were excellent, especially the savory version with sauerkraut (I subbed the smoked bacon with tempeh). That dish, along with the sauercaccia recipe from Kenji Morimoto’s Ferment, has definitely convinced me to eat and cook with more sauerkraut. The Uyghur Polo hit a deeply satisfying note I didn’t realize I’d been craving (I used a mix of soy curls and tofu in place of the lamb shoulder), and the subtle heat of white pepper was so good I made it twice. The piñon nut cookies were intriguing, not sweet enough for my unsophisticated palate, but when paired with warm sweetened soy milk, they made for a surprisingly luxurious breakfast.
This is an engaging and thoughtful book. It prompted me to reflect on how government policies, agricultural methods, and food access shape what ends up on our plates and on how we can and should all work to preserve these recipes, culinary history, and culture.
Note: I usually try recipes as written, and especially given the subject of this book, I approached them with care and respect. Due to dietary restrictions, I used plant-based substitutes for yogurt, lard, butter, eggs, smoked bacon, and lamb shoulder. I hope these adjustments are received as modifications made with deep appreciation for the original recipes and their cultural significance.
Many thanks to Crown and NetGalley for providing an advance reading copy.