Spectregraph

by James Tynion IV (contributor), Christian Ward (illustrator)

For years, the mansion has sat strangely nestled into the coastline just a short drive north of Los Angeles. Rumors have haunted the place for years. Its owner a titan of American industry, with a strange fascination in the occult and the paranormal. For decades, the richest men and women in the country have whispered to each other, trying to understand what he was building alone in that mansion for all those years. And now finally, with his death and his estate finally open for sale… they are eager to find out for themselves.

James Tynion IV (THE NICE HOUSE ON THE LAKE, SOMETHING IS KILLING THE CHILDREN, WORLDTR33) and Christian Ward (BATMAN: CITY OF MADNESS, INVISIBLE KINGDOM) invite you into the world of SPECTREGRAPH. Be careful: once you enter, you may never leave.

Genres: Comics, Horror, Graphic Novels, Graphic Novels Comics, Bande Dessinée, Science Fiction, Queer

224 pages, Hardcover

Published March 26, 2025

About the author

Prior to his first professional work, Tynion was a student of Scott Snyder's at Sarah Lawrence College. A few years later, he worked as for Vertigo as Fables editor Shelly Bond's intern. In late 2011, with DC deciding to give Batman (written by Snyder) a back up feature, Tynion was brought in by request of Snyder to script the back ups he had plotted. Tynion would later do the same with the Batman Annual #1, which was also co-plotted by Snyder. Beginning in September 2012, with DC's 0 issue month for the New 52, Tynion will be writing Talon, with art by Guillem March. In early 2013 it was announced that he'd take over writing duties for Red Hood and the Outlaws in April.

Tynion is also currently one of the writers in a rotating team in the weekly Batman Eternal series.

Reviews

[James · Rating 3 out of 5]

3:5 starts. An interesting take on a ghosts in a house story. There is this house built with all these moving parts. The owner doesn’t believe ghosts exists so he takes it upon himself to try and make them with this Spectregraph device he spent most of his adult life working on. The book dives in of the impact this has on his partner. Fast forward to now and a realtor showing the house off to a young lady representing the buyer, get trapped inside. Here we see the realtor and the young lady dealing with the poor decisions that lead them here plus some ghosts. I guess the owner succeeded in his task. Seems like the main through story of this book focuses on decisions made and personal issues the characters are dealing with. The art styles was unique and I loved the use of the colors. Story ended up being pretty decent.

[James DeSantis · Rating 4 out of 5]

Spectregraph is further proof that James Tynion IV is a force to be reckoned with in the comics world. This isn't just a spooky haunted house story; it's a deeply emotional journey wrapped in a wonderfully eerie atmosphere.

The narrative centers on a mother haunted by a mistake, while stuck in a fucking mansion filled with ghost, and her every action driven by the fierce urgency to get back to her child. This central motivation infuses the ghostly encounters with a powerful sense of personal stakes. Along the way, her interactions with a young 20 something year old add another layer of poignant character development, exploring the messy realities of life. Almost want to kick this hot goth chick in the face, but then you understand where she's coming from, and want to help her.

The breathtaking artwork perfectly complements Tynion's storytelling, making Spectregraph a standout comic that will resonate with both horror fans and those who appreciate well crafted character driven narratives about redemption and the unbreakable bond between a parent and child. As a dad myself, it hit hard.

If I had to say a negative, it's not really scary. Most comics aren't. But after Deviant, I was hoping to be a little more horrified at the ghost, since that book def made me wince once or twice on the kills/atmosphere. But other than that, a very strong 4 out of 5.

[Rachel · Rating 4 out of 5]

4.5 didn't completely love the ending, but some really powerful stuff here all the same. Tynion writes such compelling, flawed characters that are so human sometimes it leaves me a little breathless.

[Frédéric · Rating 3 out of 5]

The series got off to a bad start—the main character is inexcusable after just a few pages and the plot seems flat—but it ends honourably.

In the end, it's the characters who drive the action—the plot is paper thin—and Tynion deftly manages to reverse the reader's very negative first opinion of Janie through flashbacks. Vesper also ends up becoming endearing despite her cheap goth diva side.

The two final twists are rather well done. I imagine they were predictable, but I was pleasantly surprised. However, the pace is slow, interspersed with long dialogue scenes, well written, but still. It's reasonable to think that one issue less would have made for a more suspenseful story.

The real downside for me is Christian Ward. Normally, I like his work. Not for his frankly mediocre drawings, but for the graphic atmosphere he manages to create with his colours and effects. But here, he fails on all counts: no effort in the pencil work and lazy work on the rest.

[Bus · Rating 4 out of 5]

Aunque es una expresión bien pedante o quizás pretenciosa, Tynion me parece el autor de cómics más interesante que hay actualmente. Sus premisas son enormemente creativas, su desarrollo siempre interesante y adictivo, su manera de describir las reacciones y emociones m humanas absolutamente magistral y encima siempre con una enorme dosis de fantasía, imaginación y acción. Y este cómic pues también. Tiene cosas que generan bastante inquietud (terror con libros y cómics no siento, pero inquietud si) y además, y como es habitual, se rodea de artistas que le dan un aspecto visual rompedor. No es su mejor obra, pero es una gran obra

[Anna Quilter · Rating 4 out of 5]

"I wish she took Greggy"

Realtor Janie is rushing to get to a house showing.
A house with a history....that some mysterious clients want to buy....their representative Vesper dresses like she's in the Matrix Movies..but she's not really hot.
but Janie has left her baby Greggy alone in her house.
....she won't be long.

when Janie starts to show Vesper the house...she has some very specific things she wants to see....at any cost.

A horror / ghost / love story with some sharp edges.

[Emma · Rating 5 out of 5]

La science-fiction comme je l’aime et je pense que je vais lire l’entièreté des projets de James Tynion IV pcq entre ça et The nice house on the lake je suis fan

[Midna · Rating 4 out of 5]

Insane levels of old man yaoi in my haunted house horror comic?
Instant classic

[Alex Sarll]

Just as I couldn't get into Stath Lets Flats, trying to make the sympathetic protagonist of a horror story an estate agent* was always going to be a hard sell. Oh, she's left her infant alone at home? Yeah, I already know she's a monster, we established she was an estate agent. And now she's trapped in a creepy mansion that's also some kind of clockwork ghost machine? Still probably a net win. But somehow Spectregraph did eventually make me feel for Janie, not least because I've seen the monumental unfairness of people whose other halves leave them with the kids, thus robbing them even of the ability to have a cathartic post-break-up messy spell, because kids. And obviously Ward is a perfect candidate for getting a vast, eerie mechanism roamed by hideous wraiths on to the (oversized, shiny DSTLRY) page. As for the central horror – I don't know if Tynion intended this as a lockdown story, but that's certainly how it read to me, with the question of whether it's worth stretching your existence out if you're going to be a shadow of what you were and incapable of leaving the house. I'm not sure if the last few tricks up its sleeve all came off, but there were definite chills along the way.

*Santa Clarita Diet was different. For one thing, they were both really hot, which excuses a lot. Also, the estate agent thing was often eclipsed by the undead cannibal bit, which was far less of a problem. Especially when feeding on other estate agents.

[Kelley May · Rating 5 out of 5]

I’m so worried about baby Greggy!!!

[floorlemons · Rating 5 out of 5]

So so so good!! Gorgeous art!!

[Matt Hansen · Rating 4 out of 5]

The concept for this book was reminiscent of the movie Thirteen Ghosts. There’s a rich man who left a mansion. There’s an intricate machine built throughout the house to contain ghosts. But the machine in this book can photograph your soul and make you a ghost that lives in the house too.

I really hated the main character. She was a horrible person with terrible judgement. When she chose to leave her baby alone and drive an hour away I was flabbergasted. But despite my initial feelings towards her I did feel some empathy the more we learned about her life and situation.

The art was fantastic. Perfect for this trippy story with ghosts and a puzzle box of a house.

I really liked the ending reveal. I did not see that coming! All in all this was a strong entry into Tynions indie comics work.

[Brandon · Rating 4 out of 5]

8/10

DSTLRY has a major flaw in its business design: their series are too short. I'm always left wanting more, and not in a good way. I'm always happy with what I got but I am left a little unsatisfied. It's a damn good meal but it's still a meal that's not filling. Spectregraph could do so much with a longer, more fleshed out story. It feels rushed. The story of the occult, the history, secrets, and mechanisms of the house should be discovered more.

The best part of this book is the art. The story and writing is good but takes significant plot development to really shine. The ending is a cool twist. Spectregraph gave me strong vibes of Thirteen Ghosts but it was incredibly disappointing that this house loaded with secret chambers and puzzles was largely neglected in the story. The story, simply put, is rushed. The art uses great colors, lots of abstract imagery, and some occasional body horror. It's beautiful. As good as Christian Ward is as a writer, he really is a special artist and selfishly I want to see him prioritize art over writing. Tynion's talents are on full display but are also inexcusably constrained in a 4 issue (though they are large issues) miniseries.

[The Blog Without a Face · Rating 3 out of 5]

Alright, horror fiends, buckle up because we’re diving headfirst into the creepy, capitalist-gutting, ghost-ridden world of Spectregraph, the collected edition from DSTLRY that dropped in 2025 like a haunted house brick through your grandma’s bay window. This graphic novel—penned by the horror maestro James Tynion IV and illustrated by the psychedelic visionary Christian Ward—is a four-issue descent into a gothic nightmare reminiscent of The Haunting of Hill House with a middle finger to the 1%. It’s a slow-burn spookfest with enough eerie vibes and visual flair to make you sleep with the lights on, clutching your overpriced artisanal coffee for dear life. Let’s tear this bad boy apart—respectfully, of course, because it’s damn good, but I’ve got some bones to pick.

First off, James Tynion IV. If you don’t know this guy, you’ve clearly been living under a rock instead of reading comics under it. Tynion’s the reigning king of modern horror comics—think Something Is Killing the Children, The Nice House on the Lake, and W0rldtr33. The dude’s got more Eisner Awards than I’ve got existential crises, and he’s carved out a niche making readers feel like the world’s about to eat them alive. His background’s a mix of superhero stints (he’s left his mark on Batman) and indie horror. Tynion’s got a knack for blending the personal with the paranormal, and Spectregraph is no exception—he’s here to fuck with your head and your heart.

Then there’s Christian Ward, the artist who turns every page into a fever dream you can’t unsee. Ward’s a multiple-Eisner winner too, with a resume that includes Batman: City of Madness and Invisible Kingdom. His style’s a wild mash-up of vibrant colors and surreal shapes—like if Salvador Dalí and H.R. Giger had a lovechild who chain-smoked LSD… wait, you don’t smoke LSD… He’s painting nightmares that stick to your retinas. Together, Tynion and Ward are a match made in hell, and Spectregraph is their twisted baby, birthed from a cauldron of occult vibes and social commentary.

So, what’s the deal with Spectregraph? Picture this: a creepy-ass mansion perched on the California coast, just north of LA, that’s been sitting there like a gothic zit on the face of America’s opulent wealth. It belonged to Ambrose Everett Hall, a dead billionaire with a hard-on for the occult and a legacy shrouded in whispers. For decades, the elite have been gossiping about what the hell he was building in there—some say it’s a ghost factory, others think it’s a portal to capitalist hell. Now that he’s kicked the bucket and the estate’s up for grabs, the vultures are circling.

Enter Janie Chase, our protagonist—a real estate agent and single mom who’s juggling a crying baby and a career. She’s tasked with selling this cursed pile of bricks, but shit hits the fan when she gets trapped inside with Vesper, a mysterious chick tied to the mansion’s dark past. Meanwhile, Felix, Hall’s ex-assistant and lover (yeah, it’s complicated), is an old geezer obsessed with cracking the “spectregraph”—some paranormal gizmo Hall cooked up. Oh, and there’s the Thanatos Group, a shadowy cabal that’s probably up to no good. It’s a slow unraveling of secrets, ghosts, and the kind of dread that makes you check your closet twice.

If Spectregraph has a thesis, it’s this: capitalism’s a soul-sucking vampire, and the rich are its gnarly fangs. Tynion doesn’t just give us ghosts; he gives us a ghost story “steeped in the decay of a century of capitalism,” as the promo blurb puts it. The mansion’s a monument to excess—built by a titan of industry who thought he could buy his way into the afterlife or some shit. It’s a rotting symbol of how wealth hoards power, even beyond the grave, while the little people (hi, Janie) get screwed.

There’s also a hefty dose of parental anxiety here. Janie’s desperation to provide for her kid while stuck in this nightmare house is the real gut-punch. It’s not just about surviving ghosts and a system that doesn’t give a damn if you’re a single mom or a spectral snack. The occult angle ties it all together—Hall’s obsession with the paranormal feels like a metaphor for the elite’s endless quest to cheat death, taxes, and accountability. Tynion’s messaging is sharp: the real horror isn’t the ghosts; it’s the world that made them.

Tynion’s script is slow as molasses but tense as a wire. He doesn’t blast you with jump scares; he marinates you in unease until you’re begging for the release of a good scream. Janie’s a relatable mess—overworked, underpaid, and way too human to handle the supernatural shitstorm she’s stumbled into. Her scenes with her neglected baby are the emotional meat of the story, and they hit harder than a poltergeist with a grudge. The dialogue’s tight, with Felix’s cryptic ramblings about the spectregraph adding a layer of mystery that keeps you hooked. Tynion balances the personal stakes with the cosmic weirdness. My gripe? It’s somehow too slow at times despite only having four issues. Issue #1 feels like a long setup, and while the payoff in #4 is worth it, I occasionally wanted to yell, “Get to the damn ghosts already!” Still, when the horror lands—like that nine-panel grid of dread in #1—it’s a knockout.

Christian Ward’s art is the star of this haunted show. Every page is a goddamn masterpiece—vivid colors bleeding into each other like a ghost’s guts splattered across a canvas. The mansion’s a character unto itself, all jagged angles and shadowy corners that make you feel trapped alongside Janie. Ward’s ghosts are surreal as hell—contorted, melting forms that look like they crawled out of a Clive Barker wet dream. His use of reds and purples sets an eerie tone that’s both beautiful and fucked-up. The cinematic pacing of his panels keeps the tension cranking. Janie’s expressive face carries the emotional weight, while the spectregraph itself is this abstract, otherworldly doodad that’s fascinating and terrifying. My only nitpick? Sometimes the art’s so trippy it’s hard to tell what’s happening. But honestly, that’s part of the charm—Ward’s not here to spoon-feed you; he’s here to drown you in vibes.

Spectregraph is a mood. The atmosphere’s so thick you could cut it with a Ouija board. Tynion and Ward nail the gothic horror vibe with crumbling mansions, whispered secrets, and a creeping sense that shit’s about to go sideways. The blend of social critique and supernatural chills is fresh; it’s not just another haunted house tale—it’s a haunted house tale with a point. Janie’s a standout protagonist, and the mystery of the spectregraph keeps you guessing until the brutal end.

The collected edition itself is a beaut—DSTLRY’s oversized format lets Ward’s art breathe, and the hardcover feels like a tome you’d find in Hall’s creepy library. It’s a premium package for a premium story, perfect for horror buffs who want something to sink their teeth into.

The slow pacing might piss off readers who like their horror fast and bloody—I’m looking at you, gorehounds. The Thanatos Group feels underexplored; they’re a menacing shadow, but we don’t get enough meat on their bones. And while the ending’s a gut-wrenching twist, it leaves some threads dangling—like, what’s the full deal with Felix and Hall’s relationship? I wanted more closure, damn it.

Also, the collected edition could’ve used some bonus goodies—concept art, Tynion’s notes, something to sweeten the pot. For a premium price, I’d expect a little extra spice.

Spectregraph is a slow-burn triumph that’ll haunt your nightmares and your bookshelf. Tynion and Ward are at the top of their game, delivering a cerebral horror tale that’s as gorgeous as it is unsettling. It’s not flawless—the pacing drags, and some mysteries stay too mysterious—but it’s a hell of a ride. For horror fans who dig atmosphere over cheap thrills, this is your jam. Grab it, read it with the lights on, and thank me later when you’re too spooked to sleep. Definitely recommended, you freaky bastards.

[Danii Savage · Rating 4 out of 5]

Hauntingly good.

[Adrian · Rating 5 out of 5]

We joined this order to be profane. To seek answers of a world beyond. Of life after death. I have spent half of my life and my fortune in pursuit of any evidence of the spirit world. And I will not spend another moment on fantasy.

There is no life everlasting. There is no spirit world. There is no such thing as ghosts. But there should be.

James Tynion IV is rapidly becoming my goto horror author. You might think that the rate that he produces graphic novels would diminish them, but he in fact seems to be going from strength to strength. Whether it be Something is Killing the Children, Vol. 1, The Nice House on the Lake: the Deluxe Edition, W0Rldtr33 Vol. 1, or Nightmare Country, Vol. 1, you know you are going to get a first class story.

Here he turns the haunted house story on it's head. Rather than an old, dusty, house, the setting is a modern billionaire's mansion. Rather than hauntings from long dead ancestors, ancient burial grounds, or restless spirits; this story features an all new twist on the classic gothic tales.

It has a thirteen ghosts vibe, but again with a unique spin on the premise. The final twists and turns side blinded me and took my breath away. This is my favourite book of the year so far! 5 stars.

[Psychée Délik · Rating 3 out of 5]

Je remercie les éditions Delcourt de m'avoir donné l'opportunité de découvrir cet ouvrage via la plateforme NetGalley.

Au début de ma lecture, je ne cache pas avoir été dubitative. Ma première impression de Janie a été particulièrement mauvaise. Le style graphique ne m'a pas attirée.
Et pourtant, j'ai fini par me laisser prendre par cette histoire de fantômes ! Une fois entrée dans l'histoire, je voulais en connaître le fin mot.

Les personnages gagnent en profondeur au fil des pages. On explore leurs luttes internes, ce qui les rend plus humains. J'ai apprécié la dynamique entre Janie et Vesper qui ajoute une charge émotionnelle à l'intrigue.

Le style graphique est original, peut-être un peu trop à mon goût. Les compositions sont dynamiques et couplées à l'utilisation de la couleur, cela renforce l'atmosphère étrange et inquiétante du récit. Les transitions de planches et les choix de mise en page, notamment l'utilisation de panneaux superposés, plongent le lecteur dans l'esprit des personnages et amplifient le sentiment de malaise. Malgré (ou à cause de) cette richesse visuelle, certains passages deviennent difficiles à suivre. Cela nuit à la lisibilité de l'intrigue. L'effet est beau mais confus.

Je ressors donc de cette lecture avec un avis nuancé. Le scénario est peut-être trop abstrait pour moi. J'ai apprécié l'ambiance qui en ressort mais pas suffisamment pour être conquise.

Ma chronique : https://psycheedelik-unehistoiredemot...

[Dakota Morgan · Rating 3 out of 5]

Spectregraph has some really cool ideas and crazy visuals from Christian Ward, but it suffers from the same issue as many of these creator-owned works: without a strong editorial hand, the stories tend towards shagginess. Spectregraph is too long by about a third, but it's still a solidly spooky time.

The gist is that a realtor is showing a mansion to a group of occultists. The realtor is introduced as basically the world's worst mom and the occult group's point person is similarly a dick. These two are trapped together in the house when an attempted sacrifice goes wrong, and the pair quickly discover that the house is not empty - it's previous owner used the space as a giant camera for bringing a ghost to life.

Scary/gross images and numerous chase scenes ensue, all interspersed with the backstories of our protagonists. We learn, more or less, that they're actually okay people who have pushed to the edge, but this is also the part of the story where shagginess sets in. I would have been fine if they were both just dicks with no backstory! There's also a plot point about the mansion's previous owner and his young ward that's fine, I guess, but feels like stock James Tynion stuff.

Well worth a perusal during spooky season, but won't blow your socks off.

[Marion · Rating 2 out of 5]

Merci à NetGalley et aux éditions Delcourt pour leur confiance.

Le synopsis avait tout pour me plaire, malheureusement beaucoup d'éléments ne m'ont pas fait accrocher à cette BD.

Heureusement que ce livre regroupe les 4 BD sorties en anglais parce que je ne suis pas sûre que j'aurais lu la suite : je n'ai pas du tout été fan des illustrations, la conception des personnages ainsi que les couleurs utilisées ne donnent pas un esthétisme qui plaît à tout le monde. Les seules planches que j'ai trouvé sympas sont celles représentant les spectres, et elles ne sont pas toujours compréhensibles.

Côté intrigue et personnage, on suit principalement deux femmes sur plusieurs timelines avec beaucoup de flashbacks afin de les connaître un peu plus et qui font durer le suspense. Hélas, cela ne nous permet pas de nous attacher à eux, tant ils sont ennuyants et les dialogues n'aident pas, beaucoup sont inutiles et grossiers en très peu de lignes/pages.

Je finirais en disant que beaucoup de couvertures alternatives à la fin du livre étaient magnifiques et leurs auteurs auraient dû être sollicité pour toute l'oeuvre.

[Abigail Pankau · Rating 4 out of 5]

Janie has to show an old mansion, but she needs to do it quick so she can get home to her baby. Vesper is part of the Thanatos Group, an occult group that wants to prove that ghosts are real, and they are interested in buying Hall’s mansion. Hall designed and built the mansion himself to be a machine that could make ghosts. Vesper is there to tour the mansion, but also to activate the machine to see if it works. But when she does, she doesn’t think the machine actually worked, and now she and Janie are trapped inside. But what if the machine did work? And there are already other ghosts inside?

A very creepy haunted house graphic novel, that’s mostly commentary that living one’s life is better than being obsessed with death. The world-building is excellent, and the characters are very relatable. And I’m glad the baby was alright.

[Jay Dawg · Rating 4 out of 5]

8.5/10

Interesting read! Engaging dynamic between the two leads, with some old man yaoi sprinkled in. I wasn't completely sold on the ending initially (at least with the twist that Janie was a ghost) but after digesting the story a little more I like it! I guess I just wish there was a little more to the ending? An epilogue following the real and spectre Janie could have worked really well I think.

The art was incredible at points, though there were also (admittedly only one or two) points where I thought the art looked kinda bad.

Definitely worth a read!

[Dan · Rating 3 out of 5]

It's a tough one.

I liked the general ideas and themes, I think the ending is pretty good, but the moment to moment writing was merely ok, which I find very surprising from Tynion, who I absolutely love.

The art grew on me a bit throughout the book, but I'm still not a fan. I think initial impressions that I kept through it is that the drawing themselves, the penciling was not great. What redeemed it to me where visual ideas (using a lot of reflexions and images juxtapositions) and some clever and interesting paneling.

Would give it a 3.5 if half point were a thing on Goodreads.

[Chris · Rating 2 out of 5]

Underdeveloped. Feels rushed. Lacks a single likeable character (par for course now with Tynion). Buries the lede on what should have been the biggest plot point.

The real horror for me will be watching to see if Tynion ever adopts a child, because he discusses it here like it’s buying a dog or a new boiler. That he feels like the behaviour of one of the characters in this book in that regard can ever be redeemable is the scariest thing about it.

[Travis Duke · Rating 4 out of 5]

Really enjoyed this haunted house themed book, Tynion is not always my favorite but I really liked this offering. The themes of life, death, and ghosts were thought provoking and the characters are developed nicely. All 4 main characters had a good take of existence and their definition of life/death. The twist at the end was very surprising to me, I was not focused on it at all. Worth a read for modern haunted house story. Art is pretty good, some cool panels and creativity.

[Dieudonné Lola · Rating 4 out of 5]

Je suis choqué par le scénario, mais je ne devrais pas l’être : le scénariste ne déçoit jamais.

C’est intriguant, tordu, illogique… puis finalement parfaitement logique.
Le dessin et la palette de couleurs choisie collent parfaitement à l’ambiance sombre, mystérieuse et touchante.
Les deux relations créées dans l’intrigue sont juste tellement émouvante; j’ai eu de la peine pour tout le monde.

[Ned Netherwood]

Brilliant little horror miniseries. Thought the haunted house story had nowhere new to go but James Tynion IV approaches it with a fresh, ambitious mindset and tells a tale I did not see coming.

It's my first comic I've read by him and now have remorse I didn't buy the recent Humble Bundle dedicated to his works. If it comes back, I'm having it.

[Craig · Rating 3 out of 5]

I guess some people liked all the talking and the flashbacks, but I have to say this was one of the dullest haunted house stories I've ever read, even given all the colorful artwork. But the story is just a bunch of people feeling bad about their lives and their choices and blah, blah, blah. It all got very tiresome after awhile.

[Art Willa Book · Rating 4 out of 5]

Un style graphique brute mais qui va parfaitement avec l'ambiance de la BD. Je me suis totalement laissée embarquer par l'histoire même si je ne me suis pas particulièrement attachée aux différents personnages.

[John · Rating 4 out of 5]

Gorgeous! Add a star for Christian Ward’s garish but dark, psychedelic but noir artwork. The middle is a little fuzzy, mostly on the lore than the jump scares. But it has a great story. What a time to love a pretty horror story.

[Eric Edwards · Rating 2 out of 5]

This book was kind of weak. I didn’t love the art or the story. The book felt a bit reminiscent of the movie, 13 Ghosts which I love!, but I really didn’t like or care about any of the characters in this book. There is a baby involved which I did find effective.